Review: 10 Germany seem to get it bang-on each and every time! For a label who has released the likes of Ancient Methods, Perc and Matthew Herbert, among other legends, we'd expect nothing less than the spectacular and this is exactly what we got with this latest collaborative effort by Italy's Daniele Brusachetto, Jansky Noise, Human Larvae and Damaskin. Brusachetto's "Grigi Ma" is weird and wonderful pop tune set against a backdrop of cavernous percussion rattles, while Janksy Noise's "Black Night" is a full-on drone monster. Over on the flip, "Ruined" by Human Larvae is a fuzzy, noise-fuelled scorcher, and "Apocalypse" sees Damaskin produce the EP's only shred of rigidity thanks to its consistent 4/4 kick...accompanied by some rather gnarly power electronics, of course.
Review: William J.Youngman's Headless Horseman project has created a new and exciting techno sound that was only an offshoot of EBM and industrial in years past. Stepping out of his own imprint, the dark horseman lands on Tommy Four Seven's excellent 47 label, tearing through the speakers from the get-go thanks to the toxic sounds of "Revelation", and the even nastier sway of "Concussion". Metallic and hard-nosed in absolutely every way, "Locust" follows up on that with a menacing pounce of beats and cavernous bass, while "Gravity" breaks the techno groove for something much more in line with the likes of Powell's Diagonal output. Big boy sounds.
Review: Joe Coghill presents his debut release on Transit Valley. A multi-disciplinary artist, musician and experimental publisher based in Edinburgh, he works in an improvised and often haphazard way. It incorporates disparate field recordings, modular synthesis and other sonic ambiences to create unpredictable and ephemeral multi-layer performances. Alongside this, he has been producing music recreationally in his various bedroom studios over the past 14 years. There are some intriguing perspectives on modern dance music here that Coghill provides his perspective on: from entrancing/slow-motion tribal techno workouts, textured and semi-abrasive ambient/noise and even a bit of lo-fi electro - such as on the EP's standout "Exit Lane".
Review: Bambooman (real name Kirk Barley) is a London based producer who presents his fourth release on Matthew Herbert's Accidental imprint - which follows up last year's terrific long player, Whispers. His new offering is the trippy minimal techno kicker "Ricochet", with its sparse arrangement revolving around a stuttering bassline and nasty chord stabs awash in plate reverb. On the flip, the man himself Herbert steps up to deliver a wacky and glitched out remix in his own truly idiosyncratic style once again.
Review: Acid Waxa drew plenty of positive heat for carrying Roy Of The Ravers amongst many other respected braindancers, but now Hot Chip drummer Sarah Jones is getting the remix treatment on the label for her Pillow Person project, with some wild results. It's great to see Bogdan Raczynski back in action and bringing some gently wonked, emotional acid meanderings to "On Your Way", while Lechuga Zafiro makes an art out of aping footwork, and more specifically "Footcrab" while making it sound like someone just stubbed their toe and got stuck in a loop. IYDES however turns "In My Game" into a deconstructed but utterly bloated pop beast, and then Oliver Coates whips "Go Ahead" into a woozy, highly strung daze with billowing synths underneath Jones' vocal.
Review: The latest Acido release sees the full debut of Karl Lukas Pettersson, aka Gothenburg's premier electro exponent Lukas Karl Pettersson who previously featured on Dynamo Dreesen's label back in 2007 under his familiar Luke Eargoggle alias. As Karl Lukas Pettersson, the Swede is evidently looking to explore a sound less trodden with both "Paradise Island" and "Travel The World" crafty concoctions formed from various elements of primitive wave and Das Ding style electro that sound convincingly like they were exhumed from DAT tapes in the late '80s. If you are a fan of Acido, you'll no doubt be used to such stylistic deviations from the label, but Dark Entries and Minimal Wave fans should also check these cuts!
Review: Sainte Vie has been working away in the Mexican underground for some time, running Akumandra as a free, digital-only label to help promote all kinds of electronic music. Now it's time for Vie to step up with their first outright release, first time on wax, and hence a new era for the label. The tone is varied across the record, leading in with the worldly drum rattle and string strum of "Huracan", a whirlwind of drama and hand-played musicianship that stands out from the crowd. "Albatross" is a more introspective cut that brings Vie's vocals to the forefront, and then "Maria" chills things out further with a haunting vocal from Pascale and some delicate finger picking guitar delights over a dynamic set of drums.
Review: Helms's Alter label is the latest to be seduced by the Primitive Languages of New York-based Nick Klein, whose brash industrialisms have previously featured on Entro Senestre's BANK, German labels MMODEMM and Unknown Precept and cult US tape crew Ascetic House. The Lonesome Dealer features some wonderfully evocative track titles ("Christian Rock Concert" and "Pain Resource Management") and continues Klein's grotty amalgamation of techno rhythms with the powerful sonic impact of noise traditions. If you have been enjoying the output of Beau Wanzer or Maoupa Mazzocchetti recently you should certainly check this 12" out! The Cabaret Voltaire gone Reggaeton of lead track "Chats with Lucy" and the deranged abstraction of B-side opener "Do You Want To Crash?" are particular highlights.
Review: Long-serving, jungle-loving experimentalist Christoph De Babalon is on a roll. This rock solid EP comes hot on the heels of his latest inspired album, "Exquisite Angst", which slipped out in early December 2018. The four tracks offered up here are typically bolshy and bass-heavy, with De Babalon mixing and mangling IDM and Atari Teenage Riot style "digital D&B" insanity to suit his own twisted ends. In terms of highlights, we're particularly enjoying the bass-weight, skittish breakbeats and ghostly electronics of "Harakiri" and the more loose and languid - but no less bass-heavy - flipside opener "Shakes and Shivers". That said the dark and apocalyptic "Endless Inside" is also superb.
Review: After years spent supporting the underground IDM scene digitally, Glasgow label Ambidextrous makes the leap to vinyl with this killer compilation of ear-catching deep techno and electronica. Christ brings a bubbling range of synth tones to "Rom" before Norken and Nyquist drop some brooding electro tones over rolling beats on"Od Detot". Solipsism has a more sassy house sound to impart, while Nyquist goes into full electro mode on his own. On the flip, Analogue Audio Association have some edgy acid to throw down, Cyan341 brings a touch of boogie flex to the record and Mich Chillage rounds the record off with emotive outboard electronics of a reflective nature.
Review: Chris Weeks has been building up the Kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where CD-r releases reign supreme. He's been a key figure on Ambidextrous since the label launched back in 2008, and now he's committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. "Anxiety" is a melodic cut with a house-minded structure, but there's a lot of production acrobatics and compositional swerves taking place within this framework. "Scatterbrain" is more overtly out there, tapping up the kind of heavily processed sounds that producers like Paradroid have championed in the past. "Data_Loss" strike a heavy blow somewhere between dubstep and electro, and "Data_Ctrl" ups the tempo for a rabble-rousing exercise in mind-bending machine music.
Review: Antonio Marini aka Healing Force Project is back with the Tranhumanism EP on Ambiwa. Starting out with the ever mysterious "Methodical Ear", it's more of the same later on "Sinapsi Sonora" which like the previously mentioned track sounds like the dusty and emotive deepness of early Sound Signature via the tough and rusty swing of fellow Italians Relative; a nice touch indeed. He then gives us the brooding and hypnotic "Shadow Manipulation Of The Mind" awash in delay drenched organs and skeletal vintage drum machine flair. But the fierce yet restrained functionalism of "State Of Induced Hibernation" with its near tribal moments supported by a series of exotic and mindbending drones is pure bliss. We'll say it again: Marini is undoubtedly one of the most underrated producers in techno at the moment!