Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.
Review: 10 Germany seem to get it bang-on each and every time! For a label who has released the likes of Ancient Methods, Perc and Matthew Herbert, among other legends, we'd expect nothing less than the spectacular and this is exactly what we got with this latest collaborative effort by Italy's Daniele Brusachetto, Jansky Noise, Human Larvae and Damaskin. Brusachetto's "Grigi Ma" is weird and wonderful pop tune set against a backdrop of cavernous percussion rattles, while Janksy Noise's "Black Night" is a full-on drone monster. Over on the flip, "Ruined" by Human Larvae is a fuzzy, noise-fuelled scorcher, and "Apocalypse" sees Damaskin produce the EP's only shred of rigidity thanks to its consistent 4/4 kick...accompanied by some rather gnarly power electronics, of course.
Review: Existing at the interzone between Zurich, Berlin and Mexico City, Lustpoderosa serve up their fifth release here courtesy of trio Jack Pattern. Taking its cues from the early sounds of coldwave and industrial, the trio deliver a po-faced slo-mo groove on "Nella Notte", then give us the neon-lit and fishnet clad "Animal Transformation" calling to mind the early sounds of Severed Heads. There are some great remixes too, but our favourite was certainly by Sneaker (Ratlife / Uncanny Valley / Frigio) who delivered a trippy and hypnotic rendition of "Animal Transformation" that gets on a percolator style jack in the vein of Green Velvet and keeps those Jim Morrison like vocals to charming effect.
Altar [Native States] (feat Scientific Dreamz Of U)
Review: Junior Loves has previously been spotted alongside Scientific Dreamz Of U on the excellent The Dreamcode cassette for 1080p back in 2015, and now the spiritually charged producer is stepping out on SDOU-friendly label Tabernacle to impart some well-travelled rhythm science to all astral journeypeople. There's definitely a psyched-out drum circle vibe to "Light/New Faith," but it's shot through with foreboding that makes it all the more alluring. "Hallowed (0.E.P)" is a strafing exercise in space age arpeggios and eerie chords, and the Scientific one lends a hand on the thrumming cosmic engine of "Altar [Native States]."
Le Syndicat - "Prothesis Pack Xtract 08 (1983)" (3:52)
Le Syndicat - "Maximalist" (Ekman remix) (6:05)
Review: Continuing their uncompromising fusions of artists new and old, Contort Yourself return with a punishing array of industrial thuggery from hardware manipulators you wouldn't take home to your mother. Novacom were last seen on Slumdiscs back in 2014 and here bring a fast and gnarly rhythmic tryst to bear before JK Flesh do their own snagging dance with oppressive synths and drums twirling into a heavyweight whole. French brutalists Le Syndicat then dominate the B-side with their confrontational bastardisation of techno and industrial, making the perfect source material for Ekman to get nasty with on his remix of "Maximalist".
Review: The Sun God aka Hieroglyphic Being aka Jamal Moss is a difficult guy to keep up with, that's for damn sure. Spreading his signature trademark of gritty, fuzzed out pseudo-techno across so many aliases and labels, it's as if the dude is making music 24/7. For his latest excursion Mr. Moss appears as The Sun God - a tribute name to his idol Sun Ra - for Copenhagen's always-on-the-money Cejero imprint. The A-side, "Cosmic Chords One", is classic Moss with its stumbling, alcoholic drum pattern and beautifully distorted chords - one of his finest moments and surely the winner from this year, so far. The B-side, "Cosmic Chords Two" continues Moss' devious sounds but takes them onto more distant plateaus, where the beats have now fallen into place and the synths have taken a less abstract form. Warmly recommended.
Review: These days, we're all familiar with Jan Jelinek's trademark brand of dusty, dubbed-out, jazz-sampling downtempo explorations. That wasn't the case when Loop Finding Jazz Records, his acclaimed debut album, first appeared back in 2001. It has since become an in-demand item, making this reissue more than handy. It remains a fine album; a blazed shuffle through a sonic world where dub techno, ambient, minimal house, jazz and downtempo grooves and seductive vinyl crackle merge into one intoxicating hybrid sound. It's not showy and over-the-top, but rather becalmed and subtly seductive. In other words, it's still a brilliant album and if you don't own already own a copy, you should add this to your cart sharpish.