Review: Plants Army Revolver debut on Avian. The Italian live act will join Avian for a five track EP showcasing the pair's breadth as producers. Working within the bounds of a carefully refined sound palette, Marco Ragni & Birgan Valentin look to the more muted, tentatively melodic end of loop Techno, with excursions into washed out Ambient & leftfield Electronica, placing the focus on sound texture & tone.
Review: And just like that, France's Kump label is born. The newly formed crew make for some pretty promising prospects if this debut EP is anything to go by, and they've started flying off our shelves with the same sort of zesty energy found across its five killers! Thankfully, this isn't yet another deep house joint and, one the contrary, it provides us with some seriously fresh strains of house music built for the next decade. Ricco's opener "Gilbert & George" is a punchy, mid-tempo pulser with a subtly acidic flow, and Pletnev's "Thunder" follows beautifully with the same sort of beat, but comparatively tamer harmonies. On the flip, Ju-Ju83 gets all sombre and industrial on "Untimely End", while "Nirvana" by Roe Deers offers a totally different sort of 'sad', and Markus Gibbs's "Dernier Souffle" manages to blend mid-90's acid with something that, well, we can't quite put our finger on...
Review: Martin Jenkins dons the Pye Corner Audio alias once more, transferring to Death Waltz in order to deliver the soundtrack to an imaginary horror film. It's naturally an all-analogue affair, with Jenkins making the most of his impressive collection of vintage synths, analogue drum machines and effects units. There's much to enjoy from start to finish. Check, for example, the ghostly chords, foreboding bassline and spacey electronics of "Do You Hear Then", the creepy, Carpenter-ish horror-ambience of "It May Not Be Real", the evocative late night paranoia of "Descent" - which is similar in tone to some of Jonny Jewel's soundtrack work - and the clattering dancefloor throb of "The Spiral", whose bassline, beats and darting melodies are just begging to be played over a booming club soundsystem.
Review: Steven Porter: easily the funniest alias we've heard in a long time. No, people; this ain't the American, early noughties progressive house legend who once famously described his style of music as 'Porterhouse'. In all seriousness: this is the collaborative project of Japanese artists Yuji Kondo and Katsunori Sawa who have appeared previously with their extreme noise terror for the likes of DJ Nobu's Bitta and Berlin's Weevil Neighbourhood. On the Superbad EP they give us the bleak body bashing industrial textures of "Dwell In Hell" and the Sunn O))) sounding black metal guitar drone of "Wild Pitch". Elsewhere, the brutal futurist extremism of "Ignorance Reins" calls to mind classic British Murder Boys.
Space Afrika - "After They Entered It Was Only Evident" (3:59)
Review: "Shared Meanings" has been one of Mumdance's most ambitious and explorative projects to date; pulling together the four corners of the hardcore continuum and tying them in a tight bow, his mix has drawn elements and parallels between all genres and laced them in a narrative that mirrors and reflects throughout. Now, for limited time only, we have five of the 32 tracks he included in the mix ranging from his and Logos' totem track "Teachers" which pays homage to the UK's forefathers, to the pulverising thumpy bumpy techno of Nkisi's "Kinenga" via stasis sensation ambience from Space Afrika in the form of "After They Entered It Was Only Evident". Coordinates don't come much broader or deeper, "Shared Meanings" is Mumdance in full on explorer mode. Long may his meaningful trips continue.
Review: New Sydney-based label Deep Seeded has a clear mission to subvert conventions about club music, and new signing ptwiggs is right in there with the kind of otherworldly grime weirdness that you might find around the likes of Visionist, Rabit and other such sonic tinkerers. There's plenty of brutality at work on "Day Of Wrath", while "Exuviae" aims for something airier while getting sideswiped by distortion and trance leads. There are calmer moments, but it doesn't take long for intense levels of sound design, sampling and raucous processing to shake up the situation.
Alessandro Adriani - "Do Not Deliver Me Into The Enemy's Hands" (6:01)
Raw Ambassador - "Attack, Attack!" (5:49)
Review: New Italian label Hiroshima 45 Chernobyl 86 Windows 95 present Pubblicazione 001. Starting off on the A side is Penelope's Fiance from Thessaloniki, who serves up a lo-fi and coldwave perspective of the Boards Of Canada on "Run & Gun", while Italians Rawmance and Security team up on the slo-mo EBM mutation of "Un Bon Flic" - bringing you the sound of latter's Knick Knack Yoda burger club in Rome. On the flip, Mannequin boss Alessandro Adriani gives us the gnarly 303 acid epic "Do Not Deliver Me Into The Enemy's Hands" and Raw Ambassador aka Antonio Barbetta gives us the early industrial sounds of "Attack, Attack!" with its rusty aesthetic calling to mind the classics of Portion Control or Skinny Puppy.
Review: DJ Central presents three new aliases on this elegantly put together 12". Conjuring up the perfect recipe for a DJ Cake, Central blends and explores the likes of pulsating atmospheric techno on the track "Balast", smoothly escalating breaks on "Ko Ko Dak Dak" and hazy crackling ambient on the finale "Daeksel". Unique, inspiring and truly excellent works from the one they call DJ Central.
Review: Andrea Porcu's ROHS! label has been a long time fixture in the ambient field, from net label origins to limited CDr and vinyl releases from a host of respected underground operators. This latest release, two years in the making, features two original tracks from PURL. These sublime ambient pieces, "Slow Poem" and "Cellar Door," move in slow, atmospheric ripples of submerged rhythm and glacial melodics, giving plenty of space for inventive remixes from Segue, Wanderwelle and many more. It's a perfect double pack of dreamy drifters for the chill-out room crowd to sink into.
Review: Proof of the rude health of the Australian underground abounds with this new label from Phile, who step out with a self-titled debut EP that tells you all you need to know. This is searing, brutalist techno crafted with invention and imagination - the dense crackle of the beats and scorched peals of synth on "Found In Blood" are a visceral force to behold. "Marauder" is mellow by comparison, furnishing a minimal beat with live bass, dramatic string licks and steadily building atmospherics. The analogue dirt of "Abhor" is positively evil, and that's before Karina Utomo's none-scarier vocals come into play. Brimming with personality and demanding of your attention, Phile made themselves a duo to watch in one fell swoop.
Review: Chris Garner, Jorg Burckhardt, Matthias Elvers, and Regina Petersen didn't release more than handful of EPs under the Peppermint guise, but what they did put out was as foundational and inspirational as more known electronic bands of the 80s like Liaisons Dangereuses. Dark Entries is responsible for this reissue, of course, a repress of an original going for near 100 bucks on the second-hand market, and this 1983 bomb has that rare characteristic of sounding retro and utterly fresh all at the same time. There's two mixes to the wonderfully wavy "Perfect High", and they both serve their own purpose; the radio edit, as you'd expect, is the one that gets the heads turning, its ominous bass charging menacingly amid the sweeter melodies and classic, new-romantic vocals, while the instrumental makes for the perfect beat companion to any serious cold wave DJ set.
Review: Few records could sound better suited to Emotional Rescue's reissue remit than soft rock / synth pop artists turned sound healers Chris Spheeris and Paul Voudouris. "Passage" was a commission by a company doing biofeedback therapy who wanted a soundtrack for their clients' treatment, resulting in a gem of early American ambient music. Originally released in 1982 and now lovingly restored, artwork and all, Spheeris and Voudouris' three lengthy compositions are as soothing as the remit demanded. Whatever your internal ails, there's restorative qualities in these pieces that can't help but do good, even as a pure pleasure trip to let yourself melt into.
Review: The latest Acido release sees the full debut of Karl Lukas Pettersson, aka Gothenburg's premier electro exponent Lukas Karl Pettersson who previously featured on Dynamo Dreesen's label back in 2007 under his familiar Luke Eargoggle alias. As Karl Lukas Pettersson, the Swede is evidently looking to explore a sound less trodden with both "Paradise Island" and "Travel The World" crafty concoctions formed from various elements of primitive wave and Das Ding style electro that sound convincingly like they were exhumed from DAT tapes in the late '80s. If you are a fan of Acido, you'll no doubt be used to such stylistic deviations from the label, but Dark Entries and Minimal Wave fans should also check these cuts!
Review: As Psynote, Argentine producer Franco Cinelli released a couple of quietly impressive 12" singles in 2013 and 2014, but the project has lain dormant ever since. Here he re-launches it via a rather impressive return to the mighty Chiwax. Arguably the highlight is flipside "Acid Rescue", a formidably hypnotic dub techno outing rich in angular electronic pulses that runs for 14 mesmerizing minutes. That said, we're also enjoying Cinelli's A-side outings, where spacey and lo-fi electro jam "Noise Invaders" - check the wild synth solos and pitch-bend action - is followed by the deep space bleeps and sweaty ghetto-tech drums of "Cosmic War".