Review: While he's offered up the occasional remix, William "Burial" Bevan has been rather quiet of late. In fact, this two-tracker marks his first original material for almost two years. Lead cut "Claustro" is an unexpectedly up-tempo dancefloor affair - a sweet and sticky chunk of future-garage that sees Bevan wrap sugary female vocal snippets, spacey chords and bubbly analogue electronics around snappy two-step beats - drenched in vinyl crackle and tape hiss - and a rock solid bassline. It will raise a few eyebrows given his previous work but nevertheless sounds like a summer anthem in waiting. Bevan returns to familiar territory on flipside cut "State Forest", a ghostly, field recording-laden ambient excursion where pedal steel style motifs slowly rise above opaque electronics.
Review: 12th Isle's latest must-check chunk of entertaining experimentalism comes from Lo Kindre, whose dub-wise 2017 debut on Optimo Music was arguably one of that year's most overlooked EPs. "Chlorophytum", the producer's first solo missive since then, is another lo-fi electronic dub treat. Of course, it's not all gentle bass-heavy rhythms, endless delay trails and cute electronic melodies - closing cut "For Sleep" is a buzzing electronic raga, for example - but it's on these bass-heavy excursions that Lo Kindre most frequently hits the spot. Highlights include the extraordinarily sub-heavy shuffle of "Sounder", the ambient dub wooziness of "Aibell" and the creepy alien-dub oddness of "No Hiding".