Review: 100Hz have consistently snuck out 12"s since the early 90s, but their productivity is at an all time high and their Modugroove label is the perfect vessel to get more of their smartly crafted tech house treats into the ears of discerning DJs and dancers everywhere. This second release on their label kicks off with the atmospheric twinges of "Klon 6 Step", a sizzling, simmering cut for transcendental moments on the floor. "Wild Fudge" is a snappier affair peppered with folky string plucks that sound fresh in the club track context. "Infrastructure" takes things on an emotive tip with a range of strong melodic leads, and "Tinky Tink" ramps up the unease with a creeping jam for the less salubrious end of the night.
Review: More wicked grooves from the vaults of UK legends 100 Hz. Comprised of Lee Renacre, James Chapman and Doran Walker, the team behind the seminal Format imprint have had retrospective works reissued on the likes of Bosconi, Slow Life and Howl in recent times - so indeed you can recognise the trio's influence on a new generation of underground house producers. Here they inaugurate Doozy Cult from Lisbon, with some timeless snapshots of bleep techno as heard on the cyclical hypnotism of "Tomfoolery", the tunnelling minimal techno of "Lapiz Boof" and the ethereal shuffle of "Neptune" on the flip - that is just as suited to present day afterhours parties as it was way back when.
Review: Florence based label Bosconi is back with 100 Hz aka UK legends Lee Renacre and James Chapman who have been around since the late eighties. This is their second release on the Italian imprint; their Mila EP was their first for the label back in 2009. On the A side we have a re-issue of their 1989 track "Shoot The Bar" a sturdy and cyclical house groove on the tougher side of things with a nice double bass holding the track above a tight rhythm and dreamy Rhodes piano. "Primary Colours" sounds more like minimal, but given more of an edge by all the dusty and lively analogue machines that power it along. Its bumpy bass and restrained synth stabs supporting some simplistic rhythms and works quite well. Finally "Oliva Funk" is more of a classic NYC house cut, those rapid fire cowbell strikes will help it bear even more resemblance to classic Kerri Chandler style vibes.
Review: While the name may be new, A New Line (Related) is supposedly the work of an already established musician, although Kimochi was never a label that cared about hype. The music stands just fine on its own, digging into the kind of dusty and dusky house and techno formations that the label has forged its hand-sprayed identity on. There's plenty of ambient techno twirls to be enjoyed on the likes of "Dancing On Soft Borders", while the beats melt away entirely on "After A Short Illness" and grandiose EP closer "RIYL Failures". Once again Kimochi comes up with the kind of meaningful variations on the 4/4 framework that keep our record bags full and our souls enriched.
Review: We're not sure who's behind the mysterious AC-EXP project, but the shadowy figure returns with more of that strange, submerged house music he's been tickling discerning DJs with over the past few years. After taking last year off, "1A" is a fine place to start things up again with a strutting jack track carrying acidic synth pulses that flirt with measured delay processing. It's a jam that sounds steamy and sinister all at once. "1B" maintains this restrained but seductive vibe with the slightly trancey throb of the lead synths pivoting around the snappy drums to great effect.
Review: Los Angeles based acid freaks Absurd return with another chapter in their Acid Test series. For their 13th controlled drug trial they have tapped label staples Achterbahn D'Amour - the duo comprised of Edit Piafra and Iron Curtis. This is their seventh release for the label thus far. With this project they express their love for the raw side of Chicago house, techno and EBM but specifically the sounds of the infamous little silver box. There's some deeply aquatic trance induction on offer, with for instance the dynamic opener "Balustrade", while they channel some Donato Dozzy (who has also appeared for the label previously) styled hypnotic techno on the sinister "Dehaveland" which also gets a respectful and more powerful VC-118A remix by the always impressive Samuel Van Dijk. Finally things end on a sublime electro tip with the emotive robotic movements displayed on "Don't Talk To Me".
Shakmat, But Happy (Pauli Psychdelic Breakfast - take 9) (9:25)
Review: German deep house stalwart Martin Gretschmann aka Acid Pauli is back on Ouie, the Berlin-based label he runs with Nico Stojan. This self-deprecatingly titled EP showcases Gretschmann's dancefloor prowess yet again. From the slinky and hypnotic locomotion of "Dancing In The Trunk" which deservedly takes over the entire A side, while B side cut "Goran Utan" goes deep into the afterhours with its shimmering melodies, humming bass and clipped rhythm patterns and rounds off with even more minimal and reduced aesthetics on the disorienting "Shakmat, But Happy" (Pauli Psychdelic Breakfast - Take 9)".
Review: Well isn't this quite the star pairing. VincentAdrian are none other than Romanian scene heroes VincentIulian and Adrian Niculae aka Priku - who serve up some perfectly minimal and trippy antics (in rather typical Romanian style) on the always reliable Eastenderz. Unlike the experimental leanings usually associated with either producer's work, ENDZ 024 features four functional cuts that are dubby, bouncy and reduced - guaranteed to work on the dancefloor and perfectly suited to the early evening of the afterhours alike. You'll be sure to be hearing these ones on discerning dancefloors from Club Guesthouse to Hoppetosse and beyond. Tip!
Review: French electronic legend Sebastien Devaud returns as Agoria, on his always impressive Sapiens imprint with new single "Remedy" taken from his latest album entitled "Drift". Here we are treated to two wonderful remixes, both blessed with the French touch. Emmanuel 'Manoo' Kossi takes the A side with an emotive and electrifying hi-tech soul rendition while on the flip, legends Cassius make a triumphant return to production by taking the track into deeper and sexier sonic territory.
Review: Swiss producer Alci, also known as Shaolin Fantastic, landed with lauded releases on Robsoul before skipping to other labels like Apollonia and Meander. Following last year's excellent "Diversity" double pack, he lands on his own label Seeingsounds with this pitch perfect slice of dreamy minimal house. "Acid Drip" may be a misleading title - it's more of an unending groove draped in gorgeous, shimmering melodic finery. "Hiragana" takes things in a more twitchy direction, while "Apachi" brings another slant on reduced, oddball funk to get the up all night crowd loose and freaky in all the right ways.
Review: Alex is a brand new alias from the artist regularly known as Baba Stiltz - a Swedish producer whose quirky, off-kilter house and techno releases are rarely less than brilliant. His first Trilogy Tapes outing is suitably impressive. The real killer is "Samba", an inspired nine minute workout in which he layers deep, woozy electric piano motifs, sun-kissed chords, child-like vocal samples and rich bass atop a swinging, samba fired techno beat. The deeper and more bass-heavy "Memo" is even more epic; a near 13-minute journey through sparse, crunchy, hypnotic and dubbed-out minimal house rhythms and exotic, snake charmer solos. In other words, it's another top-notch EP from a producer who genuinely can do no wrong.