Review: The Synthetic Gold story continues to unfold in the most curious nooks and crannies of the minimal techno scene, as this third volume welcomes in tracks selected by Anestie Gomez. Khan is in a looped up, insistent cycle loaded with alien synth tones and a focused rhythmic hiccup of a beat, truly aiming for the psych-out end of the night. Eloi Brunelle makes things a touch funkier on "Neneh", deploying choice splashes of dubbed out colour in between the sharp strut of the drums. Andres Garcia then spreads himself across the B-side with the loping funk of "Invisivel", working all manner of freaky sounds around the scuffed sway of the beats.
Review: Iranian born and now Ibiza-based scene stalwart Nima Gorji of NG Trax returns to Bondage-Music after nine years to present his first EP. "White Metal Rat EP" boasts a quartet of vinyl-only tech house weapons. We're particularly enjoying the entrancing polyrhythmic groove of "Love You Feel", slinky and seductive late night deepness of "In Da Dessert" and the groovy minimal funk of "Like This", which is perfect mood music for the warm-up or afterhours.
Review: There's much to enjoy about the output of the Kimochi label, not least the bespoke, spray-painted sleeves and their habit of releasing only the deepest, most hypnotic electronic music. Their latest must-have release is another super-limited affair that drifts lazily between ultra-deep cuts shot through with dub-wise rhythms, atmospheric shoegaze motifs, echoing ambient chords and beats straight out of the early '90s ambient techno playbook. It's utterly gorgeous and deliciously hazy, with slow-burn melodies and undulating electronics slowly rising above reverb-laden chords, warm basslines and occasionally skittish rhythms. There's something particularly special about the locked-in drums and hypnotic bassline of "Elljus", but the ambient soundscapes "Heden" and "Inland" are also superb.
Review: Promising new label Criminal Practice is based in Kiev, Ukraine and headed up by DJs and producers Ghetto Sunrise, Hopper Field and Roman Khropko. They're certainly aren't messing around on their inaugural release, getting straight down to business in bold fashion. Grec serves up the hypnotic blip, blurp and bleep of "Worm" on the A side, followed by the infectious retro techno bounce of Sasha Zlykh's "Coulda Play For Dynamo" which will appeal to fans of Art Of Dark or Time Passages. On the flip, bust out those robotic dance moves to the sci-fi electro breaks of Hopper Field's "Big Ben" and take a trip down memory lane courtesy of Ghetto Sunrise's early UK techno tribute that is "Mocujin".
Review: There is a colour TV program which airs nightly which is called: "The Most Beautiful Train Routes Of Germany"! During the show a locomotive travels over the tracks and the person on-screen is via the camera perspective at long last the conductor. It's a wonderful idea, where you seem to be somewhere between monotony and fascination. With this scenario in mind, you will be taken into the night and this is the soundtrack. The conductor must stay awake, and this music is the caffeine to get it done. The thoughts are freely suspended without the concentration having to suffer! The pillars of this music are melancholy: power and volition (will) which is thus paired with tenderness and passion. This is in connection with an irresistible swing of effortless movement out in the open revealing confidence in the darkness. Confused thoughts are with only a few ingredients steered to a specific determination of the sound cosmos helped by freely breathing. The concept all formed by a certain Douglas Greed who has a solid reference with two releases on the Combination Records. This one is actually well-known as a drum & bass activist in Thuringia. However, as it always is with the music "Schizo-Aficionado", the type must be stamped with a synonym for the crowds to put a face to, in this case powerful yet at the same time tender odes. It's for nothing for musical needs to be dimmed with psycho-pharmaceuticals, only because the ol'doc doesn't understand the split personality is an essential element. Mr Greed accompanied in the future by his familiar 'Live-Laptop-Action' handle spreads his musical seeds of dance fertilization over the speakers. When there 3 tracks don't comprise a proper bid there is only one alternative: migrate to an island and just play the bongos and didgeridoo! "Curie" from the darkness awakes the driving power of the gloom which within, brings light to the depths. Therein lies the guttural hovering of a bat of steel covered in soft golden feathers sauntering about. The further you descend, hope that all mourning has been defeated and the belief of positive in all is rekindled. "Fresh and Clean" the immaculate conception inside of an enormous machinery building! The devices are all dumfounded, only life matters - everyone experiences the resurrections of happiness. Through the milky glass streams the driving power of love. The intense ecstasy can be danced to! "Let's Roll" picture the docks at sunset. Everything moves along slowly, the will of the sea has been conquered on arrival just the effort needed. Everything is rhythm and melody, every finish and activity even the raising up the anchor and the drone of the propeller creates a sound of vastness. The dance on the water can now begin!
Review: ** Camera's ready. Prepare for the Repress ** Curtis Jones is never one to rest on his laurels, as his staggering back catalogues as Green Velvet and Cajmere can attest but such is the force of his personality that a new release still feels like an event. "Bigger Than Prince" capitalises on Jones' knack for a vocal that lambasts the less earnest quirks of the dance music industry, while creating the hook to make the track a bomb in the same instance. Production-wise, there's a measured strut to the track with some choice growling bass synths and an underlying disco flavour that suits Jones just fine. On the remix front, Circus turn to The Martinez Brothers to hammer out a rolling, percussion focused version perfect for big room mixing, while Hot Since 82 turn out a similar line in boompty peak time damage.
Review: Berlin-based Miami man David Gtronic has been busy these past few years, working closely with Randall M, Chad Andrew, Dudley Strangeways and many more besides. He's going it alone with this inaugural release for Black Wood, relishing the opportunity to explore his craft across three original productions. "Ardl Dub" is a dense, shuffling minimal house production primed for working into a long and flowing set, while "Lexiwedin" showcases a more reflective side to the producer with sweeping synth tones and a whisper of electro worked into the rhythms. "Sequence" takes the minimal vibe to the next level, folding dubby subtleties into the mix to great effect. Dan Farserelli then steps up with a remix that injects a little boompty bass into the track for a wholly different, dancefloor friendly kind of jam.
Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Review: Guti is arguably one of dance music's most enthusiastic collaborators. To date, the Argentine producer has released joint productions with an impressive list of house and techno talent, including Martin Buttrich, Shlomi Aber, Benny Rodriguez, Morgan and Guy Gerber. On this 12", he's joined in the studio by Romanian rising star Cristi Cons. The like-minded pair hit the ground running with "Volver", a stomping tech-house floor-filler whose tough, acid-flecked groove and metronomic bassline come wrapped in ghostly chords and trippy electronics. Over on the B-side, "Nuevo" is a chunky but spacey deep house affair. That track is given the remix treatment by Enzo Siragusa, who brilliantly toughens it up and drags it further towards peak-time techno territory.