Review: Apollonia co-head and all-round Parisian legend Dan Ghenacia steps up for his label's latest release. On The Egg EP, you can really hear the various shades of French house presented by a true expert who lived and played throughout the city's best times for over two decades. From the sexy and slinky late night bounce of "A La Coque" which could have been easily played at his Batofar residency at the turn of the millennium, and the tripped-out and slammin' shuffle of "Mykonos Huevos" (taking the best of early '90s Chicago) to the emotive dancefloor drama of "Sunny Side Up" taking on the very best of Detroit influences such as Terence Parker or Blake Baxter.
Review: Iranian born and now Ibiza-based scene stalwart Nima Gorji of NG Trax returns to Bondage-Music after nine years to present his first EP. "White Metal Rat EP" boasts a quartet of vinyl-only tech house weapons. We're particularly enjoying the entrancing polyrhythmic groove of "Love You Feel", slinky and seductive late night deepness of "In Da Dessert" and the groovy minimal funk of "Like This", which is perfect mood music for the warm-up or afterhours.
Review: There's much to enjoy about the output of the Kimochi label, not least the bespoke, spray-painted sleeves and their habit of releasing only the deepest, most hypnotic electronic music. Their latest must-have release is another super-limited affair that drifts lazily between ultra-deep cuts shot through with dub-wise rhythms, atmospheric shoegaze motifs, echoing ambient chords and beats straight out of the early '90s ambient techno playbook. It's utterly gorgeous and deliciously hazy, with slow-burn melodies and undulating electronics slowly rising above reverb-laden chords, warm basslines and occasionally skittish rhythms. There's something particularly special about the locked-in drums and hypnotic bassline of "Elljus", but the ambient soundscapes "Heden" and "Inland" are also superb.
Review: Promising new label Criminal Practice is based in Kiev, Ukraine and headed up by DJs and producers Ghetto Sunrise, Hopper Field and Roman Khropko. They're certainly aren't messing around on their inaugural release, getting straight down to business in bold fashion. Grec serves up the hypnotic blip, blurp and bleep of "Worm" on the A side, followed by the infectious retro techno bounce of Sasha Zlykh's "Coulda Play For Dynamo" which will appeal to fans of Art Of Dark or Time Passages. On the flip, bust out those robotic dance moves to the sci-fi electro breaks of Hopper Field's "Big Ben" and take a trip down memory lane courtesy of Ghetto Sunrise's early UK techno tribute that is "Mocujin".
Gus Gus - "Your Moves Are Mine" (Sanasol remix) (9:24)
Thor - "Black" (7:32)
Biogen - "Stream" (Sanasol Lost In Time remix) (6:39)
Review: Next up on the ever-excellent Oscillat is "Spellbound" by the supremely talented Matthew Dekay. This moving deep house jam uses a few key elements to make a soul-stirring confection for truly spine-tingling moments in the middle of the dance. From the slithers of vocal to the insistent key riff that bounces throughout, this is an outstanding slice of contemporary house music loaded with feeling. Mandar then take the original and inject it with a feisty peak time energy shot through with a little trancey magic and an acidic undertone. It's not a raging beast but rather an energizing workout for the brain and the body - just what you need in the midst of a marathon.
Sam Shure - "Nandoo" (Oliver Koletzki remix 2018) (7:23)
Oliver Koletzki & Niko Schwind - "Camps Bay" (Oliver Koletzki remix 2019) (7:24)
Review: Since releasing his debut single way back on 2005, Stil vor Talent founder Oliver Koletzki has become a prolific remixer. Here he gathers together some of his favourite revisions on one handy, DJ-friendly 12". Intriguingly, some of the standout moments are a little breezier, deeper or more melodious than you'd perhaps expect - see the bongo-driven bliss of the Koletzki & Schwind "Camps Bay" fix-up - but even this picturesque excursion is still 100% dancefloor-ready. We are also loving the moody, big-room ready mix of Howling's "Stole The Night", a jaunty dub-house take on Channel X's "Snug Descent" and the exotic and tribal remix of Sam Shure's "Nandoo".
Review: Russian tech house hero Tripmastaz is back with more adventures in swing, making a surprising appearance for PETS Recordings with his new jam "R U Happy". This rolling and hypnotic groove with its infectious vocal refrain and tunnelling melody ticks all the right boxes - expect to hear this everywhere from Hoppetosse to Club Guesthouse this year. On the flip, there's a tougher, funkier and breaks driven rework by Bass Culture main man and all round Parisian legend D'Julz which is equally worthy of playtime. The Plant 74 main man continues to impress us after some great releases this year on No. 19 Music, Tartouffe and Berg Audio.
Review: Jan Jelinek has made many fine albums over the years, under both his given name and a handful of occasional aliases. One such pseudonym was Gramm, a handle he plucked out of thin air for the release of the now celebrated 1999 full-length "Personal Rock". Here that set is given a deserved 20th anniversary vinyl reissue, allowing a whole new generation to investigate the dusty nooks and crannies of one of the producer's most techno-centric releases. It is every bit as sample-heavy, glitchy and crackling as his other work, whereas other outings explored skewed hip-hop beats and downtempo grooves, "Personal Rock" was more informed by the steady pulse of dub techno, the deep space fluidity of ambient techno and the locked-in hypnotism of original era minimal techno. The results are out of this world.