Review: Prolific producer Arno Volker AKA Einzelkind returns with his first outing of 2019, this time in cahoots with regular studio buddy and Point of View label founder Giuliano Lomonte. Between them, the experienced pair has conjured up a couple of exceptionally strong peak-time workouts. We're particularly enjoying A side "Civil Stretch", a bounding and melodically attractive affair where bubbly electronic motifs, alien chords and jaunty stabs rise above a rubbery, hip-swinging house groove. Flipside "This N That" continues in a similar hybrid tech-house/deep house vein, with the duo bolting woozy chords and eccentric vocal samples onto bustling drums and a thickset electronic bassline.
Review: Apollonia co-head and all-round Parisian legend Dan Ghenacia steps up for his label's latest release. On The Egg EP, you can really hear the various shades of French house presented by a true expert who lived and played throughout the city's best times for over two decades. From the sexy and slinky late night bounce of "A La Coque" which could have been easily played at his Batofar residency at the turn of the millennium, and the tripped-out and slammin' shuffle of "Mykonos Huevos" (taking the best of early '90s Chicago) to the emotive dancefloor drama of "Sunny Side Up" taking on the very best of Detroit influences such as Terence Parker or Blake Baxter.
Review: This rock solid tech-house four-tracker marks the return to Norse Projekt of the brilliantly named Bertalan Bagylas, better known as Giash. The well-regarded producer begins his first NP 12" for three years with "Lyskamm", a gently undulating late night roller rich in glitchy noises, ricocheting percussion hits, strange noises and subdued orchestration. Bagylas serves up some deeper, darker and dubbier fare in the shape of "Urban Landscape", before alternating between Romanian style minimal techno grooves and spooky breakdowns on bleary-eyed cut "Balfrin". To round off the EP, Vincentiulian gives that track a loose, dreamy and gently positive tech-house makeover.
Review: Promising new label Criminal Practice is based in Kiev, Ukraine and headed up by DJs and producers Ghetto Sunrise, Hopper Field and Roman Khropko. They're certainly aren't messing around on their inaugural release, getting straight down to business in bold fashion. Grec serves up the hypnotic blip, blurp and bleep of "Worm" on the A side, followed by the infectious retro techno bounce of Sasha Zlykh's "Coulda Play For Dynamo" which will appeal to fans of Art Of Dark or Time Passages. On the flip, bust out those robotic dance moves to the sci-fi electro breaks of Hopper Field's "Big Ben" and take a trip down memory lane courtesy of Ghetto Sunrise's early UK techno tribute that is "Mocujin".
Review: It's perhaps unsurprising that Guy From Downstairs (or, as his parents know him, Victor Ernuteanu) has released on Robsoul: he makes the kind of elastic, glitch-fuelled tech-house funk that has long been associated with the likes of Phil Weeks, David Duriez, Rob Mello and Swag. He's at it again here on his own GFM imprint. Arguably the most impressive cut is epic flipside "Jon Stoc Ton", which gradually builds from a chugging, drum-heavy shuffler to a locked-in late night treat over ten hypnotic minutes. Those looking for a little more electronic funk should check opener "Quiche Toc", while "Save Some Pour Moi" is an altogether deeper and chunkier proposition.
Sam Shure - "Nandoo" (Oliver Koletzki remix 2018) (7:23)
Oliver Koletzki & Niko Schwind - "Camps Bay" (Oliver Koletzki remix 2019) (7:24)
Review: Since releasing his debut single way back on 2005, Stil vor Talent founder Oliver Koletzki has become a prolific remixer. Here he gathers together some of his favourite revisions on one handy, DJ-friendly 12". Intriguingly, some of the standout moments are a little breezier, deeper or more melodious than you'd perhaps expect - see the bongo-driven bliss of the Koletzki & Schwind "Camps Bay" fix-up - but even this picturesque excursion is still 100% dancefloor-ready. We are also loving the moody, big-room ready mix of Howling's "Stole The Night", a jaunty dub-house take on Channel X's "Snug Descent" and the exotic and tribal remix of Sam Shure's "Nandoo".