Back catalogue: Post Rock/Experimental

Review: Following on from 2019's muted, folk-leaning Birth Of Violence, as well as the weighty Bloodmoon: I collaborative LP with experimental hardcore heroes Converge, which arrived in 2021; the Wiccan mystic that is Chelsea Wolfe returns with her highly anticipated seventh full-length She Reaches Out To She Reaches Out To She. Shying away from the acoustic or metallic sonics of prior projects in order to embrace a blistering new era of frosted trip-hop, chopped and screwed with industrial tinges, echoing a more ugly, gothic interpretation of Portishead at their most macabre, the endeavour also marks her first since departing long-time label-home Sargent House following a litany of controversies, in favour of the ever-expanding dynamic roster of Loma Vista (HEALTH, Militarie Gun, Soccer Mommy).

Review: Gothic songstress Chelsea Wolfe makes her illustrious return on the much anticipated seventh full-length She Reaches Out To She Reaches Out To She. Following on from 2021's immense collaborative project with artcore auteurs Converge, the album shall serve as Wolfe's first solo endeavour since the minimal, folk-centric Birth Of Violence released in 2019, while serving as her first output since departing long-time label-home Sargent House (following a diatribe of controversies best saved for another time) in favour of Loma Vista; home to outsider artists of numerous sonic shapes. As this new chapter appears to be marrying elements of industrial fury with complex trip-hop motifs akin to Merzbow producing for Portishead, all the while maintaining her sultry, Wiccan hypnotism; 2024 looks set to be the year of the Wolfe.

Review: Returning with their first full-length since 1988's Laying Down Law, Australian art-rock auteurs The Wreckery (made up of former members of Nick Cave & The Bad Seeds, The Birthday Party, Plays With Marionettes) appear set to make up for their near four-decade absence with a macabre, city-lit jaunt through dingy clubs, bleak narratives, and the type of film noir soundtrack-indebted avant-garde post-punk quintessential to the 80s scene. While their original demise came from creative differences from certain members desiring a more mainstream direction and the others dully devoted to challenging art-rock experimentalism, this dichotomy and rift ultimately led to what made The Wreckery such a sonically uncertain and musically dangerous outfit. Fake Is Forever serves as a return to form, victory lap and dark new chapter for the band all at once, complete with scathing lyrics, fuzzed out atonal bedlam, bombastic baritone sax and minute flourishes of delicacy.