Embarking on a series of new Current 93 reissues via his own label Cashen's Gap, David Tibet here reminisces on the very second LP to be released under the moniker, Dogs Blood Rising. Said to have been "reeling in the weeks - which felt like years - after my first Current 93 album, I had started on the difficult second album" (Dogs Blood Rising) after "having been asked to appear on both Top Of The Pops and The Old Grey Whistle Test 93 times in the same week". Cult mythologising aside, this five-track sonic gorgonesquerie is a fantastic primer in early occult industrial music, leading on the iconoclastic canto 'Christus Christus' and ending on the chamber-effected monologue 'St. Peters Keys All Bloody'. The songs cast implicit scorn on the popular imaginaria that insist that heaven and hell are divided; Tibet is keen to collapse them into one, devising a new sonic eschatology all unto his own.
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