The album effortlessly merges 1960s cool with classical music elements, creating a distinctive and original sound. What stands out most is the harp's role as the lead instrument, bringing a fresh, mystical dimension to the jazz genre that is rarely heard in traditional quartets or duos. Throughout the record, Ashby demonstrates the harp's versatility in evoking different moods. In her rendition of Freddie Hubbard's 'Little Sunflower,' the harp replaces the trumpet's warmth and power with a cool, elegant touch that transforms the piece. Ashby's intricate harp work introduces new harmonies and thematic elements, particularly on the track 'Games,' where the rhythm section's pulsating beat allows the harp's melody to take center stage. Afro-Harping is a hidden gem, encapsulating the essence of 1960s jazz with a nod to Afrofuturism and innovation. The fact that this groundbreaking album is led by a woman, especially in a genre where women often take on vocal roles, adds to its significance. This album is highly recommended for both seasoned jazz enthusiasts and newcomers - a gateway to Ashby's remarkable discography.
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