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| Side 1 | ||
|---|---|---|
| 1. | Jaye Williams - "Let Me Be The One" (vocal) (4:52) | |
| Side 2 | ||
|---|---|---|
| 1. | Semi Automatic - "Let Me Be The One" (instrumental) (4:36) | |
The rebirth of 1980s UK soul and reggae imprint Local Records continues apace with the reissue of another John Collins-produced gem from 1984. In signature Collins fashion, the A-side Jaye Williams version of "Let Me Be The One" portrays many of his reggae influences - think liberal use of delay and reverb, as well as a distinctive lilt to the super-sweet vocals - while basing the musical action around a sharp, rubbery backing track rich in fizzing electronics, spacey synths and post-boogie, electro-influenced drums. The flipside Semi-Automatic version is basically Collins' intergalactic soul rhythm track smothered in snaking saxophone solos, which is no bad thing.
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