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J Jazz: Deep Modern Jazz From Japan 1969-1984 vinyl
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| Side 1 | ||
|---|---|---|
| 1. | Koichi Matsukaze Trio - "Earth Mother" (11:22) | |
| 2. | Takeo Moriyama - "North Wind" (5:11) | |
| Side 2 | ||
|---|---|---|
| 1. | Tohru Aizawa Quartet - "Dead Letter" (10:09) | |
| 2. | Eiji Nakayama - "Aya's Samba" (6:37) | |
| Side 3 | ||
|---|---|---|
| 1. | Takao Uematsu - "White Fire" (7:48) | |
| 2. | George Otsuka Quintet - "Sea Breeze" (9:00) | |
| Side 4 | ||
|---|---|---|
| 1. | Shintaro Quintet - "A Blind Man" (10:54) | |
| 2. | Mitsuaki Katayma - "Unknown Point" (6:25) | |
| Side 5 | ||
|---|---|---|
| 1. | Karashima Fumio - "Little Island" (9:03) | |
| 2. | Kiyoshi Sugimoto - "Long Neal" (8:22) | |
| Side 6 | ||
|---|---|---|
| 1. | Takeo Moriyama - "Kaze" (5:08) | |
| 2. | Terumasa Hino Meets Reggie Workman - "Ode To Workman" (15:20) | |
BBE latest "deep dive" into a widely underappreciated style focuses on a particularly fertile period in the history of Japan's "contemporary jazz" scene. Curated by renowned Japanese jazz diggers Tony Higgins and Mike Peden, J-Jazz focuses on material recorded and released between 1969 and '84, a period the label says represents a "golden age" for jazz in Japan. The compilation is both a serious history lesson and hugely enjoyable to listen to, featuring a mixture of U.S-influenced jazz-funk, fusion, post-modal and deep, spiritual improvisations. Naturally, all of the material has never been released outside of Japan before, with the vast majority of tracks being either ludicrously rare or sought-after. Simply essential, all told.
Mukatsuku Records Chart, JimmyTheTwin, Ionik (Traveller Records, KGS), Juno Recommends Jazz, Dynamite Cuts
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