Today Only: All genres sale vinyl

Review: The Aphrology EP marks a killer induction into the MOS Deep annals of excellence from Ksoul & Muteoscillator, the Italian duo who have impressed intermittently with their dense brand of techno for Uzuri and Kinda Soul Recordings (which is overseen by Ksoul himself). The two part "Criminology" opens proceedings face up, with the restrained acid leanings of the opening gambit slightly overwhelmed by the unrelenting modulated brutality of its subsequent partner. Face down and MOS Deep ringleader Aroy Dee sneaks in with his own edit of "Aphrology" before Ksoul and Muteoscillator can demonstrate the title track's prowess - it's Dee to a tee, taking the well judged house that swells with ever menacing machine squeals and adding his own subtle percussive embellishments.

Review: You'd be forgiven for not knowing much about Plugpoint Music's sole album, Last Chance. It was recorded by German artist Reiner Ossmann in his home studio way back in 1987 and was subsequently released via a private press run of just 200 copies. It is, then, a genuinely little-known and overlooked gem that has been rescued from obscurity via the mighty Minimal Wave label. If you enjoy the more stripped-back and eccentric end of the new wave and cold wave spectrum, we'd definitely recommend it. Ossmann's synthesizer and drum machine arrangements are expertly minimalistic and alien-sounding, with gurgling melodies and spaced-out chords mingling with his own heavily accented vocals over the sparsest of beats. An ultra-rare gem that's well worth your time and money.

Review: Talk about keeping things on a knife edge. The first, and title track on this powerhouse EP is pretty much destined to whip any venue into a storm of expectation, not-so-much building but rather opening with this full-sounding, heavily atmospheric, space-y, proggy, could be techno, could be electro, could be trance arrangement. The kind of thing where there might as well be flairs firing into the sky warning you how much stomping a floor can take.

Similar vibes on 'Medusa', only on a deeper, darker, more menacing tip, a tune that sucks ears into another world entirely, one that's a little unsettling, and certainly difficult to find your way back out of. Elsewhere, things embrace a high-NRG ethic, with both 'Plasma' and 'Onda Sotto' taking things up to almost-gabber tempos, but without actually committing to the pounding fours.