Review: This year marks 10 years since Bastian Volker first donned the Baaz alias. He remains one of deep house's most reliable producers, as this outing on longtime home Office Recordings deftly proves. He begins with the ocean-deep chords, softly spoken electronics and hypnotic groove of "Ween Been", before wrapping heart-aching pianos and drowsy chords around a barely audible drum track on the near-ambient bliss of "Absent". On the flipside you'll find the tech-tinged shuffle of "The Friend", where bolder kicks and snares rise above his liquid dreamscape, and the brilliant ambient electronica of sublime closer "Two (For You)". This is music for sunsets, sunrises and particularly sleepy afternoons.
War and Peace (Luke Solomon's Love and Death re-make) (7:18)
Review: Well Cut Records return with another deluxe vinyl release with Dubble D presenting under his irrepressable "Moodymanc" monniker. Side A opens with "Comfort Me", a deep and gritty sounding soulful jam, followed by a 're-touch' of "War and Peace", a deep and dirty disco dance floor monster which has done serious damage in the past. Luke Solomun opens side B with his "Love and Death re-make", toughening up the drums and adding some analogue twists to take the energy levels up to the point of frenzy! The record closes with "Hashtag", a no nonsense, tough Chicago inspired groove which plays backdrop to a conversation between Snoop Dog and G Unit about the music game today which we thought said a lot about the state of play in House music today! A "beatapella" is an addition to the digital version of the release for those DJs who want to get more creative with the message!
Review: Attention Vegetarian vinyl consumers - approach this excellent introduction to the I'm A Cliche canon proper from Hannulelauri with caution if the sight of bare meat causes your constitution consternation. Raw steak on the cover art aside, there's little other reason not to indulge in this brilliantly oddball take on house music from the Finnish duo. Opening track "Box To Box" splays a cheeky acid stab lead over rusted percussion steeped in off kilter rhythms, whilst deep in the machine what sounds like an elephant tries to play along in time - it's a wonderfully tongue in cheek riposte to po faced music everywhere. The accompanying remix from Throne Of Blood duo Populette does a sterling job of realigning the track to burning deep house bump that's a perfect fit for the midnight hour. On the flip the title track "Dysfunction" straddles a lysergic house pump that will prove potent in the right atmosphere, whilst Toby Tobias embellishes the track with some soulful excess via diva warbling and hand claps.
Review: The more Omar S material we get onto our shelves, the better off we all are. We love him, as you probably well know. The Detroit misfit has this knack for making simple house and techno sound rich and full of soul. That's not to say that he can't lay down some roughness and, in fact, that's exactly what we love about him. This EP, in particular, is one we've been wanting for a while' it's Alex O Smith at his damn best the whole way through, providing the dirt and the shine simultaneously. "Blown Valvetrane" is an absolute beat of an EP, a classic Detroit killer with an FX-drenched percussion, a simple drum machine groove and a whole heap of supreme nastiness - an absolute winner! "Busaru Beats" is a murky, distorted monster that lays in the shadows of its more aggressive A-side sibling, and "Deep Valve Cover" provides that classic Omar S hit; a joint that'll blow your mind with its utter simplicity and shady demeanour. SICK and BACK IN.