Review: The seemingly bottomless Greensleeves vaults turn up more gold here with two prime cuts - Wailing Souls' "Who No Waan Come" and Al Campbell's "Unfaithful Children" - that are treated to a first new pressing since 1981. "Who No Waan Come" is silky and sedentary as they come, with kick drums just about managing to propel things along beneath gorgeous doo-wop harmonies. The Linval Thompson produced "Unfaithful Children", however, is a more driven affair with authentic roots. Psyched-out effects, endless reverb and hits that ricochet around, making it a widescreen dub that draws you in and takes you along for the ride.
Review: Given his recent obsession with shoegaze-influenced psychedelic disco chug, it's easy to forget that Andrew Weatherall is capable of crafting seriously good electro. Of course, his take on electro is far from purist. "Blue Bullet", the title track from the veteran DJ/producer's second Byrd Out 12", features spacey, ricocheting machine drums and deep space electronics, but is powered by a typically fuzzy, restless dub disco bassline. Weatherall's love of dub soundystem culture comes to the fore on flipside "Making Friends With The Invader", where discordant, psychedelic influenced guitars rise above delay-laden drum machine hits and a suitably heavyweight bassline.
Review: Studio One have put out plenty of big tunes and this is the latest to get a big reissue on a super loud-cut 12" single for extra devastating impact. It's a well-known classic every self-respecting reggae fan should know and blows up any party, especially when tweaked like these two versions. They were originally produced by Studio One bossman Coxsone Dodd and have been covered by The Clash as well as sampled by The Fugees and hip hop MC KRS One. The snaking lead synth, the rumbling drums and classic ska trumpet are all straight up irresistible.