Norval Headley & John Wayne - "Good Good Lover" (3:40)
Track 4 (3:24)
Review: Firehouse was dub don King Tubby's label right up to his death. Since he was shot and killed in a robbery attempt in 1989, the label has been run by Jamaica's Sonic Sounds. Their latest outing finds them reissue Lilly Melody's tasty two tracker "Jumbo" from 1987. The lead cut is a deep rolling joint with rich patois and rump-wriggling bass. Flip over for Norval Headley & John Wayne's "Good Good Lover" which features plenty of freaky filter use and knob twiddling that skews and twists synths into all sorts of mad shapes while natty chords and zealous bass kills keep you on your toes. Fresh indeed.
Too Late For Nonesense (Omar live Out Of Box tool) (6:25)
Review: Indigenous Electronic's second release the "No Market for Emotion" EP pushes further into organic territory with a hardware driven release. The A side sees two tracks on the dubbier end of the spectrum recorded by Iranian producer Ramtin Niazi, a musician with a background in instrumental music, now with a greater focus on machine orientated electronic music. Niazi's contribution sees him delivering two low slung tracks: "Naked Dub" progressing with Lush emotional pads and "Cash Dub" a moodier counterpart. The B side sees the label's head Omar Jayyusi's debut release, with two entirely out the box jams recorded straight to two track. "Pyramid" has a deep and solid rumbling low end, acid basslines and percussive drums. "Too Late for nonsense", is a sub-bass focused micro house dj tool, punchy and reaching the lower end of the dynamic range.
Limited release of x 200 vinyl only without repress.