Review: Here's something to set the pulse racing: a must-have seven-inch containing two curiously off-kilter cuts from obscure "beat generation" bands of the early 1960s. Der Evergreens "Es Lilin" (that's "Ice Lolly" in English, apparently) is a sun-kissed rhythm and blues cover of a Sudanese love song recorded in Rotterdam in 1965. It's fairly short but very, very sweet. Arguably even better is Les Jaguars De Casablanca's 1962 cover of surf classic "Gonzales". The band was truly international - Spanish and French guitarists and a Moroccoan rhythm section - and on the resultant recording you can tell. Think of it as an "outernational" take on the Shadows, and you're close.
Review: Even though it appeared on his fine 1971 album "Headless Heroes Of The Apocalypse" - a suitably dystopian set in which our hero rails against the ills of godless society - "Jagger The Dagger" is not one of Eugene McDaniels better known tracks. Yet as this Japanese seven-inch reissue proves, it remains a superb chunk of bizarre-but-brilliant jazz/rock/soul fusion full of delay-laden country style guitar solos, weirdo backing vocals, sumptuously laidback grooves and vocals that take aim at Mick Jagger and his "devil's dance". Flipside "Cherrystones" is a Vietnam War-era civil rights cry built around good old-fashioned fuzz-toned grooves, Chuck Berry style rock 'n' roll guitar solos and a pretty crazy lead vocal.
Review: Following previous outings for Los Angeles-based imprint ESP Institute such as 2016's Jaguar Mirror and 2017's Night School Of Universal Wisdom, Swedish multi-instrumentalist Oscar "Thunder" Tillman and his 'personal shaman' Pontus make the kind of music you only hear in your most vivid dreams. Incorporating kraut, prog-rock, ambient and disco at the heart of their boundless sound creations, they complete an illustrious trilogy here on their most expansive work to date. "Condor Sunflower" is a truly mesmerising psychedelic folk journey in convincing '70s fashion. On the B side, things take a more upbeat direction on the tripped-out disco funk of "Creation Discotheque".
Review: Claremont 56 continue to disregard the genre boundaries - preferring instead to give good music the attention it deserves - as their latest looker of a twelve inch presents us the sounds of Torn Sail. Fronted by Smith & Mudd vocalist Huw Costin, Torn Sail go all 60s West Coast rock on us with the gloriously rich sounds of "Birds". From its acoustic beginnings the track gradually unfurls into a delightful groove embellished by soothing vocal harmonies. It's almost a thankless task enlisting anyone to try and remix what sounds like a perfect song, but Claremont 56 obviously chose right in requesting the services of Tiago. In the Portuguese producer's hands "Birds" is transformed into a heavily psychedelic freakout which gently develops into a kraut rock behemoth filled with swathes of heavy organ vibes. Containing several shifts in momentum - including a glorious half speed finish - this is a truly stunning remix which left our jaws occupying the floor!