Review: Fiercely righteous, intensely passionate and politically driven, the Atlanta-birthed Algiers are carving out a unique niche for themselves with a brand of gospel-punk that is as experimental as it in incandescent. Noiserock shapes, electro grooves share space with startlingly rich and powerful vocals from Franklin James Fisher. Emotionally charged ditties like 'Blood' and 'Black Eunuch are as influenced by Nina Simone as industrial hip-hop troupe dalek, and the resulting record makes Algiers a powerful argument against anyone who claims that modern music is apolitical and the art of the protest song is dead.
The Cycle/The Spiral: Time To Go Down Slowly (5:41)
Review: Anyone bemoaning the lack of ire-igniting political invective and potent protest records amidst the tension and uncertainty of 2017 should look no further than Algiers, whose follow-up to their blue-touchpaper igniting debut is a thing of floor-shaking intensity and cerebrally stimulating potency. A electrifying and diverse musical palette that extends from post-punk and gritty Gun Club-esque rock 'n' roll to soul, hip hop and even John Carpenter style soundtrack stylings acts as a backdrop to the feverish diatribes against oppression and injustice of vocalist Franklin James Fisher. Defying expectation to stand proud as a genre-elusive and fiercely uncompromising call to arms, 'The Underside Of Power' is a forward-thinking work of maverick malevolence and thrilling intensity.