Review: In honour of Record Store Day 2019, French label Revenge has decided to offer up a fresh pressing of a set it first released back in 1977: an acclaimed live album by legendary garage rocker turned car insurance salesman Iggy Pop. The set was recorded at Paris' Hippodrome venue during the artist's "Lust For Life Tour" in September 1977 and appears here on shocking green vinyl, as it did on initial French pressings. As you'd expect, it brilliantly captures the energy and excitement of Iggy Pop's performances during the period, offering up a mixture of much-loved classics ("Lust for Life", "The Passenger", "I Wanna Be Your Dog" etc.) alongside album tracks and powerful cover versions.
Review: Now approaching a half-century of artistic life as the closest we have to a living personification of rock 'n' roll, Iggy Pop nonetheless also continues to carry himself with more class and style than most any lifer that springs to mind. Yet it has to be said that few were expecting the cadaverous king to make his greatest album for thirty of those years, and this is what 'Post Pop Depression' his collaboration with a dream team involving luminaries such as Josh Homme, Dean Fertita and The Arctic Monkeys' Matt Helders is exactly that - a wry, restrained and ice-cool meditation on carnality and mortality without cliche or rehash, this album is all primal satisfaction and righteous revelation.
Review: Following the release of Iggy Pop's last full length, Post Pop Depression, the much loved punk professional has teamed up with pioneering electronic dance musos Underworld (think "Born Slippy") via the request of Rick Smith. Album opener, "Bells & Circles", sees Iggy relive the days when you could smoke on an aeroplane, and in his case pick up an air hostess, while a rich and throaty yet somewhat forlorn 'hey' in "I'll See Big" offers a classic, almost narrated number of nostalgia, with a hint of reverb adding a sweetness to a not so bitter regalement of times gone by. Meanwhile, "Get Your Shirt" pitches the bliss of 80s new wave with mid-90s rave to create a glittering, electro pop jam fit for the stadium or Soho club. The glory years may be a memory for this formidable tripod however their sounds, combined, still hit the sweet spot.