Young Person's Guide To The Orchestra, Op 34 (17:12)
Review: This recording of the Philadelphia Orchestra performing Sergei Prokofiev's 1936 story and orchestral score Peter and the Wolf was recorded in 1977 and was originally released in 1978. The role of the narrator on the recording was initially offered to both Peter Ustinov and Alec Guinness who both turned it down, before David Bowie agreed to take on the role, supposedly as a Christmas present to his son. On the B-side is another equally as charming piece of recent classical history, Benjamin Britten's Young Person's Guide To The Orchestra as narrated by Hugh Downs.
Review: Lamb's first new material in almost four years and highly limited numbered gatefold on 180 transparent vinyl... This has got it all. Most importantly, it sounds beautiful, too. Picking up where they left us, Lou Rhodes' vocal is still as delicate and soul searching and Andrew Barlow's instrumentation and production is still as broad and contemporary. From the timeless piano/string ballad "As Satellites Go By" to the heavy bass jacker "Seven Sails" via the rim-shot wriggling space jazz of "Nobody Else", Lamb remain as alluring, exciting and relevant than ever. Unwinding material just went next level.
Review: Mike Patton's mischievous first band had grown from the stuff of teenage tomfoolery to a band taken seriously as cross-genre pioneers and modern day progressive titans by the time they released this third album proper in 1999. Moreover, this proved to be yet another curveball, being by far the most melodic and pop-influenced thing the band had committed to wax. This being Mr. Bungle however, 'California' also took in movie-scores, doo-wop, Hawaiian music, circus themes and a good dozen other genres besides, confounding the listener even as it offered tunes your milkman could whistle, making for a fitting epitaph for a unique band.
Review: A year shy of its 40th anniversary, Inspiration Information enjoys a reissue and it's still as sparkly and soul-laden as it was in 1974. Ranging from the guitar-twanging smoky blues funk of "Rainy Day" to the sultry, strutting title track, it's largely regarded as Otis's most comprehensive work of that time. According to legend it took him three years to create... 39 years later and it still sounds as good as this? We'd say that's time well spent!