Review: Ziggy Stardust's yet unheard instrumental album after he returned from a trip on his Gemini spaceship. Not much is known of the shadowy producer (yes, despite the compelling pitch we gave you before!) as yet, but this just adds to the mystery surrounding the release as a whole. From hazy balearica to blunted hip-hop beats, deep country-infused exotica (if we've ever heard such a thing!) to lo-slung psychedelia - it's a captivating journey from start to finish. Will certainly appeal to fans of life in the slow lane, best presented recently by Marcus Worgull and Motor City Drum Ensemble's Vermont project or pretty much anything on London's Claremont 56 imprint. Highly recommended. Tip!
Review: Over the course of their lengthy career, Animal Collective have put out a steady stream of albums that veer between experimental, post-rock soundscapes and skewed, left-of-centre indie-pop. Tangerine Reef, their eleventh and latest set, sees them back in experimental mode, delivering a range of fluid, liquid soundscapes inspired by their work with art-science filmmakers Coral Morphologic. All of the album's music was written to soundtrack a film by the latter duo, which can be watched in full on Animal Collective's website. Aurally, the album is indicative of the slowly shifting visuals - built around time-lapse style footage of coral growing - and tends towards the dreamy, otherworldly and drowsy.
Review: The unveiling of an Apparat album is always cause for commotion with the artist influence enough to push radio stations to stream his music 24/7 upon release. Long passages of streaming synth-textures underline the loose and sparse percussive effects of Apparat's jazz and minimalism. The artist's signature bass pulses hit the sweet spot throughout the albums entirety, always inspiring a well of heavy feeling when they do. Touches of the artist's Bpitch Control days remain as does Apparat's always inspired approach when merging instrumentation with outboard gear and technology, beat making and sound design. A sound to cherish once more.
Hjalmar Larusson & Jonbjorn Gislason - "Jomsvikingarimur - Yta Eigi Feldi Ror." (1:15)
Julianna Barwick - "Forever" (5:30)
Koreless - "Last Remnants" (4:22)
Odesza - "How Did I Get Here" (instrumental) (2:00)
Anois - "A Noise" (4:10)
Samaris - "Gooa Tungl" (4:08)
Olafur Arnalds - "RGB" (4:36)
Rival Consoles - "Pre" (5:14)
Jai Paul - "Jasmine" (demo) (4:11)
Four Tet - "Lion" (Jamie Xx remix) (6:52)
James Blake - "Our Love Comes Back" (3:39)
Spooky Black - "Pull" (4:13)
Colin Stetson & Sarah Neufeld - "And Still They Move" (2:55)
Olafur Arnalds - "Say My Name" (feat Arnor Dan) (5:38)
Kiasmos - "Orgoned" (5:57)
Olafur Arnalds - "Kinesthesia" (1:44)
Hjaltalin - "Ethereal" (6:32)
David Tennant - "Undone" (3:51)
Review: Icelandic classical, experimental and soundtrack composer Olafur Arnalds steps away from the loops and Broadchurch OSTs to conjure yet another sublime LNT saga. Carefully balancing between contemporary odysseys ("Jomsvikingarimur"), dense futuristic electronic weaves ("Last Remnants"), fuzzy 22nd century pop ("A Noise") sludgy cosmic funk ("Jasmine") and introspective soul ("Our Love Comes Back"), Olafur blows wave after woozy wave of soft sonic conjurations in a way that's broad, detailed and cleverly considered. Good night.