搜索结果

Review: Kareem Lotfy and Heith are back with their Ghost Lemurs project, and arguably their most conceptual and captivating record to date. Describing Wombs & Spirit Aliens as "a type of folk music devoid of a specific homeland, but resulting from the authors' heritages, simultaneously divided and united by the Mediterranean Sea", it feels like stepping out of our traditional timeline and into another dimension. Unarguably psychedelic - you can almost hear the shooting stars wisp by core arrangements as you desperately try and stargaze in the mind's eye - it's also unarguably earthly. Polyrhythms and melodic motifs seem to be taken straight from the ceremonial practices of long lost communities and tribes. Those who built their civilisations around a connection with the terrestrial and extraterrestrial, something most of us can only really hope to imagine in 2024.

Review: The faultless Razor-N-Tape label has long been one to keep an eye on for fans of all forms of house, disco and plenty in between. This new one from Balearic man Max Essa with slow-motion maestro Eddie C is perfectly timed to arrive as days are getting longer and the sun is out more. It features four lush tunes that roll deep with languid chords, deft little funky guitar riffs and laidback vibes that douse you in all the feels. 'We Live In The Hills' is the standout for us with its fleshy synth work and a sprinkling of tropical percussion.

Review: Digital Imagination first dropped their The Essence of Thought back in the nineties and now the cult favourite gets a nice reissue in time for summer when it will be perfect post-rave comedown tackle. It is a sci-fi inspired mixture of house, transcend trip hop of the era with lots of analogue action and dusty drum breaks, smart little samples that add a cinematic edge and some lovely basslines. It was produced by a young Ted Heinz and originally release by Concept Records. OGs are hard to come by so don't sleep on the one which has been restored from the original DAT tape.

Review: This is a second new and standalone 7" that is taken from Incense Music for Bed Room, a new compilation series from Incense Music that was curated by Toru Hashimoto and legendary Japanese downtempo and Balearic master Calm. On the A-side, we delve into Haruka Nakamura's beautiful tribute to Bill Evans' timeless piece 'Soiree'. On the flip, 'Valsa de Euridice' is a rendition of Vinicius de Moraes' classic from Etepalma, the inaugural 2006 album by Nobuyuki Nakajima. Renowned as a composer and pianist, Nakajima presents a captivating interpretation that captures the essence of the original piece. Together, these tracks offer a harmonious blend of homage and reinterpretation.

Review: Soffplaneten takes us deep into a world of downtempo delight with the Samlar Damm LP on Sunken Rock Recordings. It is an eight-track odyssey that veers from the gentle rhythms of the opener to the languid dub rotations of 'Kom Till Mitt Talt' complete with twanging guitars and soulful vocal seductions. 'Hoga Mamma Moln' is a more percussive and upbeat cut built from loose drums and tin pot percussion but held together with smeared and heat-damaged chords. 'Tunnelbanan' is a whacked-out and laid-back stoner joint while 'En Suddig Musik' gets more experimental and unusual in its sonic collage. A wonderfully irreverent new take on Balearic overall.

Review: A sublime five-track EP that opens with 'Magik,' a nice loose and fluid downtempo sound with lush and wispy melodies. Elsewhere 'Reboot' brings some sleek metallic lines and cosmic keys, 'Reality 2.0' has funkier drums, 'RSVP' is a late-night electro-tinged reverie and 'Keep Livin' closes as a ten-minute zoned-out opus.

Review: Insense has put together a tidy 7" featuring a rendition of Pharoah Sanders' 'Moon Child' which was first specially crafted for the compilation album Incense Music for Bed Room. It is a lush and spiritual sound led by gorgeous wind instruments and fluttery melodies over gentle and persuasive rhythms. On the flip, Yoshiharu Takeda's 'Bliss Of Landing' is another escapist sound with more of the same. A lovely 45 rpm for those quiet moments.

Review: Okinawa-based, France-born guitarist Paul Mahoux's excellent new EP Lysergie Villageoise marks the fourth release on Nummer's Natural Selections label. It finds him delving deeper into fourth-world music realms and intricately weaving together tracks that encapsulate all of his experimental ideas over the last three decades. 30 years of experimentation. Over the course of the quartet of tunes, Mahoux blends traditional and modern techniques and distils his signature blend of jazz, folk, ambient, and house into something all new that seems both proto and avant-garde. It is rich in emotion, deploying involving to listen to, and a work that transcends the usual genre boundaries.

Review: Unstoppable Munich label Ilian Tape has another entry in its fine ITX Series here and this one is called 'Biospore Farmers' from Fields of Mist, describing it as "Sunrise Beams Through Orbital Mist." In less abstract terms, it is a gorgeously hazy and lo-fi electro-exploration. The first two cuts are slow, doleful and reflective with grainy pads and deep space ambiance swirling around nice rough-edged broken beats. The B-side picks up the pace with the brilliantly kinetic bounce of 'Astral Projection Spores' and then the skittish and celestial trip that is 'Orbital Mist'. A high-class EP once again.