Review: Fresh in the chem trails of his Bandulu release, the inimitable Bengal Sound crash lands back into our psyches with his disarming, not-of-this-world take on 140 music. "Young Skeleton" arrives just in time for Halloween, scaring the dickens out of us with its warped humanised tones, dusty atmospheres and distant chimes. "Coroners" takes us from the graveyard to the morgue... But with these hazy arpeggiated trinkles and eerie shimmers are we stepping towards the light or simply waking up? That's for you to work out.
Review: Many disco-era modern soul collectors regard, Larom Baker's "You're The Best", which initially appeared in 1978 on an impossible to find, single-sided 7" single, as one of the style's genuine "Holy Grail" records. It's good news, then, that Athens Of The North has secured the rights to reissue it, releasing the full studio version (rather than the shorter edit that was released all those years ago) for the very first time. It's a genuine gem, with Baker's deliciously breezy West Coast soul vocal seemingly floating over a killer backing track rich in hazy horns, bustling slap bass and crunchy Clavinet lines. Turn to the flipside for the more disco-minded "Train Of Thought", one of a string of recently discovered Baker recordings that form the basis of a forthcoming album of previously unreleased tracks.
Review: The hardest-working man in West London is back! By now we've become accustomed to Kaidi Tatham offering up regular doses of soul and jazz-funk-fired dancefloor goodness, but even by his high standards "You Find That I Got It" is something special. Warm, woozy, groovy and full of intricate musical details - brief synth solos, subtle orchestration and so on - the A-side title track is a wonderfully sunny slice of instrumental boogie-soul. Tatham's world-renowned keys playing comes to the fore on the organic broken beat/jazz-funk fusion of "Mjuvi", a flipside cut that's almost as good as the exceptional title track.
Review: These are tracks designed to rattle ribs and loosen the foundations of any building. They mark another step up for the esteemed bass talents of Samba after releases on the likes of System and Encrypted. "Winona" has a floaty light flute and devastating drums that makes for a nice juxtaposition. "Worms" is darker and more writhing with industrial sound designs and prowling beats, while "King Kan" is a wobbling, shimmering bit of bass gold. "Snakes. Egos" is creepy and unsettling thanks to the freaky synth motifs and closes out a well formed EP.
Review: The seemingly bottomless Greensleeves vaults turn up more gold here with two prime cuts - Wailing Souls' "Who No Waan Come" and Al Campbell's "Unfaithful Children" - that are treated to a first new pressing since 1981. "Who No Waan Come" is silky and sedentary as they come, with kick drums just about managing to propel things along beneath gorgeous doo-wop harmonies. The Linval Thompson produced "Unfaithful Children", however, is a more driven affair with authentic roots. Psyched-out effects, endless reverb and hits that ricochet around, making it a widescreen dub that draws you in and takes you along for the ride.
Karate Boogaloo - "Do You Even Know What A Passport Is" (4:35)
Review: The second salvo from Aussie imprint College Of Knowledge offers up two sizzling sides of revivalist instrumental soul and funk from bands who've yet to make their mark outside of the Southern hemisphere. Surprise Chef, who helped launched the label earlier in year, handle side A, offering up a loose, percussive and hugely attractive number rich in mazy organ lines, fuzzy bass and classic funk guitar licks. Karate Boogaloo take a slightly more relaxed approach on the flip, layering fluid guitar solos and sustained, elongated Hammond organ chords over a bluesy soul groove.
Review: Aphelion is a Greek producer who is part of the Equations Collective, and here he offers up his first ever release. Clearly well schooled in production, the atmospheres of his tracks belie his debutant status as he kicks off with the mutant bass and pounding kicks of "Volatile Radiance". More warped bass characterises the sparse and eerie "Cosmic Vibrations" before Silicon Scally aka Carl Finlow heads off in a more menacing direction on his remix of "What You Want". The original is a more haunting and paranoid affair that has you looking over your shoulder.
Review: FunkinEven's Apron label rarely, if ever, puts a foot wrong, whether putting out ragged techno, raw hip hop or whatever in between. It is Molinaro who steps up now after first landing on the label back in December 2017. The NTS host has long been a firm part of the London underground and has a lo-fi, frazzled sound that blurs the lines between a number of different genres. Here he offers spaced out and grizzled drum tracks, unsettling machine-made ambience and rough and ready beatdown that Theo Parrish would admire. It's been a long wait since his last release, but this EP was well worth it.
Review: Bjarki's BBBBBB label has carved out its own unique niche in the techno world and next to occupy it is core label artist Stian "EOD" Gjevik. The former Rephlex artist shows off his magnificently complex and busy yet harmonic and melodic sound across five fantastically restless cuts that has lead synths taking you down a number of rabbit holes. Calming pads vie for your attention on "(Untitled) (W-R6)" while the acid laced "The Battery Poles (Are Conic!)" is so bright and shiny it'll have you reaching for your sunglasses. Few people speak so freely through their machines as this man right now.
Review: Not An Animal regulars Ess O Ess are back with an effervescent 12" that spans starry-eyed electro and pastoral electronica. "Voice Inside" comes in French and English versions, depending on what flavour you want from the sultry spoken word turn on the top of the plush harmonics of the production. As well as the killer original track, there's choice remixes on offer too from The Backwoods and Craig Richards. The former takes a cosmic, trippy approach to the track, but keeps the focus sharp thanks to a snapping 4/4 beat. Craig Richards meanwhile takes things far away from the original with a brilliant slice of discordant electro weirdness for the after hours crowd.
Review: Back in April, Blawan and Pariah rebooted their hardware-based Karenn project after a five-year hiatus via a rugged EP on their freshly minted Voam imprint. Here the pair inaugurates a new series, Voam Club Archive, in which they'll offer up tracks recorded during live performances. For fans of raging, hard-wired club techno, there's much to enjoy, from the intoxicating, acid-fired stomp of "Berlin - Live Cut 1" and the redlined intensity of the dark and distorted "Berlin - Live Cut 2", to the Sheffield style bleep melodies, wild electronics and Lory D style grooves of "Rome - Live Cut 1". Arguably best of all, though, is the metallic, forthright insanity of closing track "Amsterdam - Live Cut 1".
Review: Cumbia champs Philthy Dronez have been turning out their quirky and curious takes on the genre since 2005. For their next outing on San Fran's Disco Mas they link with Su Brigada De La Cumbia for a brace of bonkers beats. Opener "Vamos A La Playa" is characterised by a big and wonky accordion line that reminds us of global dance smash "Heater" by Samim from a few years ago. It's as silly as it is fun, while "Sabor De La Cumbia" is a much heavier and grittier affair. Shades of digital dub define the grooves while a rather haunting lead keeps you on edge as it trundles along.
Review: Roots, reggae and dub all permeate this silky suite of cuts from Digital English, which look as far back as they gaze into the future for their inspirations. There are digi-vibes on Lin Strong's "Valley Of Elah" before the clean and crisp riddims of Chazbo's "Over The Mountain" are lit up by harmonic chords from the heavens. An echo-drenched dub version then leads into the bumping "Running Away" which implores you to confront your fears, while Kniox's "Chatty Mount" has a meandering lead synth that drifts in the distance. Arguably best of all though, is Digital English's closing cut "Chatty Dub" - a real killer with crisp hits and endless bass ripples.
Review: Kalita Records has thus far proved adept at sniffing out obscure, overlooked classics and reissuing them. Their latest "flip" is as rare, little known and hard-to-find as they come: a one-shot 1985 Caribbean boogie cut from Bahamian musicians Stirling March (now a minister and gospel singer) and bassist Rocky Rolle. "Under Cover Lover" is bright, breezy and sun-kissed, with jaunty synthesizer lead lines and hammered-out piano parts dancing above a tasty groove that fully showcases Rolle's boogie bass skills. Stirling March's lead vocal is superb too, with the Bahamian slickly delivering the loved-up lyrics with aplomb. The flipside "Instrumental" version is typical of New York style boogie dubs of the period, with more attention on the drums, bassline and ricocheting vocal snippets.
FOI - "One More Stripe" (Lion UK & Drama1 remix) (5:39)
FOI & Fusion - "Treat All Girls Right" (Lion UK & Drama1 remix) (5:30)
Review: Kemet dig deep into their vaults and pull up a seminal 94 joint from James Grant Stephens under his FOI aka Family Of Intelligence guise (plus a collaboration with original Kemet soldiers Fusion) and get young Kemet guns Lion UK along with Drama1 to add the necessary 2020 production punch. "One More Stripe" is brought to life with warm drums and precision position of the ragga vocals while the deep soul of "Treat All Girls Right" is given an extra sun-kissed sparkle. Timeless.
Review: Essential repress! Tomas Bangalter's stone cold classic Roule 12" Trax On Da Rocks makes a return. The five tracks on offer - "On Da Rocks", "Roule Boule", "What To Do", "Outrun" and "Ventura" - have acquired legendary status, standing as sublime examples of the rough, raw end of the filter-soaked French house sound. Some 17 years since they were first released, these tracks have lost none of their madcap brilliance; if this isn't already a cherished part of your record collection, here's your chance.
Review: Metalheadz might be celebrating 25 years in the game in 2019, but they are not spending too much time looking back. Instead, Goldie's vital label continues to serve up forward looking drum & bass, this time from Jem One. A year after his debut on the label he's back with another varied three tracker. Form the swirling pads of liquid roller "Lotus" to the more angsty, tightly coiled drums of old school jungle cut "Transpose" and on to darkened minimal stepper "The Hardcore", there is a lot to love here.
Review: Transhumanism is a collective of Dutch producers who first met on the dance-floor at Dave Clarke's Whip It party at Melkweg in Amsterdam, so that will give you a reliable indicator of their sound: it's brash, serrated electro that fires your synapses and awakens your every sense. Juan Atkins and Helena Hauff have been dropping it all summer and it's easy to see why. There is strobe lit action from Slaves Of Sinus, walls of high intensity sound from RXmode, rave tinged stuff from W1b0 and a more throwback jam from TFHats to round out a high impact EP.
Review: Liondub's 10 year anniversary celebrations continue with this savage slab of ragga jungle. This time the captain Liondub takes to the controls himself alongside fellow US jungle veteran Jah Boogs while vocal guidance comes from one of the most distinctive MCs in the game: Bristol's Blackout Ja. Here we find him in fiery form as "Touch Up The Key" brocks out in all directions over a precision-tuned subby bass wobble. "Dread" flips for a sunnier side of the stack as Blackout pays homage to his roots with more of a melodic flow to his signature gravel-toned bars. Loaded!
Review: Since it was released on Springfield, Missouri label American Artists in 1975, Kansas City Express' sole seven-inch single has become something of a collector's item amongst dusty-fingered funk diggers. We should all thank Ocean Of Tears, then, for offering up this fully licensed reissue - the first time the "45" has been made available to a wider audience. "This Is The Place" is a wonderfully sweet and melancholic affair - a seductive, poetic soul song featuring both male and female lead vocalists and a languid, superbly produced backing track full of lilting trumpet lines, glacial vibraphone solos and jazzy guitars. That instrumental backing track takes pride of place on Side B, where you can hear the vocal-free mix for the very first time. Spoiler: it's superb.
Review: Here's something to excite those who dig quality 1970s funk, soul and disco: a tidy 7" containing two stone cold classics from the Rod Temperton-helmed, UK-based "international band" Heatwave. Side A boasts one of the standout moments from the group's much-loved 1977 album "Central Heating", seductive, string-laden love song "The Star Of A Story". It's superbly arranged and brilliantly produced, with warm keys, Spanish guitar solos and rich orchestration combining beautifully with the band's slick and smooth vocals. Side B is taken up by 1976 single "Ain't No Half Steppin'", a bolder and more dancefloor-friendly chunk of warm and woozy dancefloor soul.
Review: Edanticonf has been a mainstay of Silent Season for many years now, first delivering an album and EP to the Canadian label back in 2012. Since then he's travelled to labels such as M_REC, Wolfskuil, Phorma and Linear Movement, but he's back home to roost with this gorgeous four-tracker that plays on his trademark sound. Rich with melancholic synth work and moving with a purposeful but thoughtful pace, this is exactly the kind of evocative techno that makes Silent Season a buy on sight label. Every track tells its own story, but the starry twinkle of "The Metamorphosis Of Plants" is especially captivating.
Review: Michigan producer John Beltran is a master of atmosphere and emotion. His ambient has been used for countless seminal TV shows, he's been cited as an inspiration to Four Tet and has put out key albums on labels like Delsin and Peacefrog. Here he is in a distinctively club-focussed mood, but the synths still very much speak to your heart. "The Lake" is pure Motor City techno soul, and the ambient reprise allows you to wallow in his pads even more. "Twilight" then bustles with shimmering metal hits while pixelated keys drift about like a million fire flies in a warm night sky. Lush.
Digid & Dubbing Sun - "The Journey" (feat Ras Addis) (4:25)
Digid & Dubbing Sun - "Journey Dub" (4:27)
Bukkha - "Journey" (remix) (4:39)
Digid & Dubbing Sun - "Track 4" (3:17)
Review: This is a serious weight serving of dub that sounds truly deadly on the right system. It comes from a gaggle of producers and MCs as far as Austria (the Dubbing Sun collective), Spain by way of Louisiana(Bukkha) and Belgium (Digid) all mixed in with a healthy dose of Babylon bliss. Opener "The Journey" has rumbling kicks stumbling beneath taut electronic chords as Ras Addis' mutterings continually melt away. This is followed by a more upbeat and driven remix before the tense beatless version closes things out.
Review: It's been four years since Fat Freddy's Drop's "Ten Feet Tall" and the ongoing remix series that joins the dots between the New Zealand outfit and the best beat makers in Berlin. Winnie & Somow are house and reggae aficionados who straddle that divide on a remix that has a rumbling bottom end and super silky lead vocal from Joe Dukie. As much as it makes you want to move, it also tugs at the heartstrings. LoYoTo then layer in endless reverb to their remake, which is invitingly cavernous and dubbed out as they rework Dukie's vocal into something more detached and blissed out.
Review: Last time we heard from London's Lord Tusk, he was joining the dots between deep house and dub via a fine 2018 EP on MIC. Seven-inch single "Tell Me" is an altogether different beast, with the A-side title track offering a spacey, guitar-laden trip into lo-fi rock/intergalactic synth-pop fusion featuring the woozy vocal talents of sometime Unklejam member Tyson. Turn to the flip for "Healer", a gloriously reverb-heavy trip into late night Fleetwood Mac/AOR guitars, skittish drums, tipsy lead vocals and all manner of starburst dub effects.
Review: Johannesburg's Maboneng Precinct is the home of Afrosynth Records and for the last two years it has been an absolute hotbed of reissued African music. This latest missive is originally from 1984 by Obed Ngobeni and his backing singers the Kurhula Sisters, who helped pioneer the Shangaan Disco style that heavily influenced South Africa's bubblegum sound of the 80s. Now a go-to genre for cult favs like Antal and Hunee, they're sure to lap up the hurried funk and proto-house of "Ta Duma", which comes in three slightly different versions. "Xikhobva" closes things in loose percussive fashion with a guitar-driven groove.
Review: After launching with a Headland release last year, Subtle stride forth with another exciting talent from New Zealand for your radar: Ebb. "Surface Tension" is an absolute steam roller of a jam with the bassline unfolding its flabs over and over until you're covered in slimy low-end fat. "Bokkei" raises the prang stakes a little with minor key strikes and a more aggressive rolling bassline that doesn't so much as unfold but KO punch its way through the mix. Subtle? Sublime more like.
Review: "Supernature" is Escape Artist's sophomore EP on Salt Mines and is another stylish intersection between breaks, electro, techno and ambient. The music here is crisp and clean, with sleek lines and sharp edges making it all the more pure and serene sounding. "Carpentaria" is a scene-setting opener that builds on smeared pads without ever fully taking off, and "The Earth" repeats the trick but with more bubbling and organic percussion. "Silicone Valium" is a brilliantly trippy electro cut on fat and heavy kicks and the title track marks full lift off with a surging future-techno groove detailed with some old school breaks.
Review: Rather unhelpfully, there's little info about the Superlux label available, other than the fact that it's run by the shadowy artists of the same name. They handle side A of this split EP, with Mike Gill's "Noisey Rework" of "White Noise" - a pulsating, otherworldly chunk of electro rich in trippy noises and elastic synth-bass - followed by the raw, foreboding, mid-tempo electro throb of "Chupa Track". Sometime Pleasure Club man Nick Glynn takes over on side two, first delivering the deep space club electro of EP standout "Take One", before inviting Dawl to re-invent it as a mind-mangling slab of electro/Yorkshire bleep fusion (minus the colossal sub-bass associated with that particular vintage style).
Review: Muscut's second EP in September is as hot as the first, and comes from Polina Matskevich, who is part of the Chillera band behind the label's other offering this month. Her trippy electric guitar rings out at the heart of each of these cuts while an experimental approach to sound collage, studio effects, field recordings and dub all colour the spaces around. "Gryaznly Sled" is a mysterious cut awash with warm southern guitars, then things get heavenly and soul soothing thanks to the gentle chords of "Avgust Na Zakate Dnya". "Toyota" is a more traditional but superbly slow and cavernous dub, and the flips explores more harmonic melodies and fatter rhythms. It all adds up to a rather refreshing EP.
Review: Ubiquity is back with another of its two part 7"s, this time from contemporary soul group The Soul Surfers. Experts at covering the greats, they recently turned their hand to a classic from The JB's, while this time out it is Kool & The Gang's classic "Summer Madness" that gets a deep-cut and sexy make over. Part 1 is a sensuous slow burner with downtempo drums and heavenly guitar playing, while part 2 has harder drum grooves and dreamy , psyched-out guitars. It's another ageless rework that you need in your life.
Review: September is a big one for Digital English who have two stone cold killers out on the same day. This one marks a return to the label for Lin Strong, Empress Baby Luv and boss Digital English, as well as a debut for Kniox and Indica Dubs talent Chazbo. There is a brain cleansing crispness to the off-balance chords of "Sufferation" while the sub runs impossibly deep. As ever, Chazbo serves up chest pumping, floor filling warrior synth lines on the excellent "Sounds Of Meditation" and the boss strips it back to a deeper, slower dub to round things up in mesmeric fashion.
Review: Emotional Rescue turn their attention to Rare Silk and their sublime cult classic "Storm". It's one of those rare tracks with a wonderful otherworldly quality that manages to be smooth and accessible, and somehow not like anything you've ever heard before. It must be somewhere in the mix, between the dreamy harmonized vocals, lush instrumentation and curious sense of space. The original on the A side is a treat enough, but then throw in a mercurial dubbed out version by Arp on the flip and you've got yourself a 12 inch portal to a most delightful dimension.
Review: Jupiter4 is an Argentinean record label founded by Dj Loui (now based in Berlin) that has presented releases by the likes of Steve Murphy, Vin Sol and Vincent Floyd among others in the past - but it's all about him on the label's fifth release. Jam packed with tough and gritty electro jams that reek of hardware, feel the high-power sonic waves of the appropriately titled "Keep Breakbeat Evil", until he goes off-kilter with the contorted "HARDchip". Flip over for the bass heavy dystopia of "SQ80 System" on the flip, which receives a rework by one of the undisputed masters of the electro sound, Carl Finlow - respect!
Review: Seleccion Natural is Oscar Mulero, Exium and Reeko, a techno dream team who have a new album on the way this autumn. Before that they offer up two tracks from it on a tidy 10" that brims with modular synthesisers, samplers and drum machines. "Split Didactics" will rewire your brain with squeaking lines and cantering kicks making for a real techno riot, and "A New Description Of Hell" layers up hammering kicks with howling synths into a rigid and unrelenting groove. Making this extra special is artwork by none other than Silent Servant.
Review: Last year Brazilian DJ/producer Ana Miranda joined Kompakt Extra following years spent building her reputation via fine releases on such labels as Novamute, Twin Turbo, Yoshitoshi and Terminal M. For her third release on the long-serving German label she's joined forces with another scene queen, the incomparable Miss Kittin. The pair has produced a raw, driving dancefloor beast that's bigger than Donald Trump's ego and infinitely more alluring. "Forever Ravers" is heavy, intense and forthright, with stylized vocal snippets and razor sharp electronic motifs surging above a thumping groove. Miranda offers a different take on the track on side B, opting for bleeping and panicked electronics and spacey bleep melodies.
Don't You Let Go (feat Kenny Wesley - DJ Spinna Galactic Soul remix) (8:21)
Don't You Let Go (feat Kenny Weslet - Caserta At Work remix) (7:17)
Review: Sol Power Sound has had a solid 2019 but they aren't done yet: this new one features an all star cast with remixes by legendary DJ Spinna and LA's Joseph Caserta. DC-based vocalist Kenny Wesley is at the heart of the operation and features on "Don't You Let Go", with multi-layered drums and dub weight soaring to the skies. "Number One Station" features Daniel Meinecke and is a golden broken beat with all the hits and scattered percussion that make this such perfect body music. Spinna's remix is pure feel good, good time house music with old school spirituality, while Caserta pays more than a subtle tribute to Masters At Work's famously chunky drums with his "Caserta At Work" remix.
Review: Following cuts on Gourmet and Trusik, Osaka's City1 makes his debut on Subaltern with three more reasons to keep him radar-locked. Hurling us into the mix with no warning, "Speak Out" takes the lead with Japanese steel licks and fire tongue truths from Rider Shafique before "Koroga" oozes its way in pursuit. All wet and wobbly, it's 2007 all over again but with a wily sense of direction that never sits still. "Zee" closes the EP in true pranged-out fashion. Off-key, warped and a grumpy bassline that harrumphs for days, if you need any more reasons to keep tabs on City1 just lift the needle and play again.
Family Man & Youth Professional - "Southern Version" (version) (3:51)
Review: More than 40 years after its initial release, Afrik revisit the blissed out reggae of Melford Jackson's one and only hit, "Southern Africa". At its heart is some fantastic chord work, which trills and shimmers above the rumbling drums and jangling little guitar riffs. The flip finds Jamaican reggae bass player Family Man link with Youth Professional Band for the enchantingly aimless and wandering "Southern Version", in which it is so easy, and so enjoyable, to get lost in on a lazy afternoon.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Otis Redding - "(Your Love Lifted Me ) Higher & Higher" (Soul Flip edit) (4:03)
Gerri Granger - "I Go To Pieces" (Soul Flip edit) (3:33)
Review: Sometimes you just can't beat the golden oldies and so it is that Soul Flip turns his attention to a couple of raw soul bangers. Up first is Otis Redding's classic "(Your Love Lifted Me ) Higher & Higher" with a rousing bass section which drives along the original version.The hits hit hard, the vocal is given room to breathe and the swing in the drums is infectious. The flipside houses a soaring tweak of Gerri Granger's "I Go To Pieces", with its clattering keys and rolling soul all quickly finding a way into your affections.
Review: Following up some great releases by Voiron and Betonkunst, Parisian label Nocta Numerica returns with PQ17, a Russian producer said to be returning from a long hiatus. He shows huge potential and an inexhaustible amount of energy on his vinyl debut, "Somnus Ambulo", where he provides some immaculate and majestic perspectives on the electro sound. From the sublime cyborg romanticism of "Organismus", futurist electro-bass noir of "Disambiguation" packing just the right amount of punch for the dancefloor to the evocative neon-lit drama of "I'm All Right", which takes a more synthpop oriented route akin to Visonia.
Review: For the last couple years, Montreal's Project Pablo has been busing honing his own unique house sound across a wide range of labels. He's prolific, too, with this being his third EP on Verdicchio Music Publishing this year alone. He favours clean, thin harmonic keys and pads that can be either lush and dreamy or more rave-tinged. "Sofware" is a case of the former, with soft drums and mellifluous melodies getting you swaying. The underlapping drums on "Dead Channel" are to die for as yawning pads get you in a dream state, before "Boingo Myth" quickly wakes you up again with its scribbly, icy pads. "Scroll Up" marks a celebratory breaktbeat finale that will pump the party with euphoric cries and pianos to get hands in the air.
Review: Next up on Acid Pauli and Nico Stojan's Ouie imprint are two veterans of the electronic music scene, but the label bosses are pretty tight lipped about their identity beyond that. Showing off some serious night moves on "Slow Down", the title track is perfect Berlin sunrise material: a lush serving of low-slung techno-pop that makes the perfect summer soundtrack. On remix duties is Lovestruckk, the duo comprising of Stojan and Holmar Filipsson (aka Thugfucker) inject more dancefloor dynamics before closer "Slow Down", a slinky and hypnotic tech house cut moves the EP into a moodier sonic territory.
Review: The Polyversal Souls are renowned for the strength of their collaborative singles, which to date have featured all manner of legends and rising stars from the underground African music scene. This time around, the German-Ghanaian band provides high-grade backing for guest vocalist Frank Karikari, son of legendary Highlife musician Ralph Karikari. The A-side medley of "Siakwaa/Nana Agyei" is particularly good, with Karikari's confident lead vocal rising above shuffling, soft-focus drums and ear-catching juju guitars. Flipside cut "Odo Agye Gye Me" is great, too, offering a slightly more upbeat and undeniably percussive fusion of highlife/Afrobeat fusion.
Review: Matasuna Records' latest release offers up two sought-after tracks from Bossa 70, a relatively short-lived Peruvian band whose ultra-limited 1970 releases (a total of 400 copies were pressed of their sole single and eponymous debut album) brilliantly joined the dots between jazz, bossa, soul and funk. Listening to these cuts for the first time, it's easy to see why Matasuna has gone to the trouble of licensing them: A-side "Si Voce Pensa" is an inspired Peruvian funk cover of a 1968 Roberto Carlos track rich in bustling breakbeats, punchy horns and confident female vocals. Just as potent is the band's flipside cover of Baden Powell's "Berimbau", which puts a funk-soul twist on a certified bossa-nova classic.