搜索结果

Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb

Notes: Simply sophisticated

With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit internal processing and offer support for external control via footswitches, an expression pedal, or MIDI.

The DD-200 Digital Delay brings together sounds and features inherited from the flagship DD-500 into an even smaller footprint. Twelve different modes offer an inspiring variety of delay colours from modern digital to classic analogue, letting you dial up everything from basic echoes to rich ambient pads and everything in-between. There's also a looper that's always ready to use, plus a selectable carryover function for seamless transitions between memories.

Version 1.1 Update: User Memory Expansion

The free Version 1.1 software update brings increased flexibility to the BOSS 200 series, greatly expanding the onboard memory capacity for storing and recalling sounds. There are now 128 user setups available. Setups can also be recalled directly via MIDI program change.

For optimal performance, stay up to date with the current DD-200 system software

Twelve Modes, Unlimited Sounds

With 12 different modes to choose from, the DD-200 provides nearly any flavour of delay in an amazingly compact size. At your command are super-clean digital delays, gritty analogue echoes, and spot-on retro sounds from the Roland RE-201 Space Echo and Binson Echorec 2. There's also a variety of options for creating reverse effects, lo-fi tones, and pulsing rhythmic sounds with layered delays. And with the Tera Echo, Shimmer, and Pad Echo modes, immersive ambient colours are just a knob twist away.

Dial in Sounds Fast

The DD-200 features a no-nonsense interface, making it easy to craft inspiring sounds in the heat of the moment. Essential delay parameters are provided on dedicated controls for direct, hands-on access. And in each mode, the function of the PARAM knob changes to parameters tailored for the selected type, delivering extended control with no need to menu dive.

Save and Recall Your Favourite Setups

The DD-200 features 127 user memories plus a real-time panel setting, giving you 128 total setups to choose from. Any range of consecutive memories and the panel setting can be assigned for scrolling access from a footswitch. It's also possible to limit the scrolling range or assign memories directly for even faster recall. If you crave deeper control, setups can be directly recalled via program change messages from an external MIDI device. And by enabling the carryover function, delay repeats will keep sounding as you change memories for smooth, free-flowing transitions.

Deep Real-Time Control

By default, the DD-200's multi-function footswitches provide access to basic functions like bypass, memory scrolling, tap tempo, and looper control. But you can easily reassign them to hold, warp, and many other functions. External control is also possible via footswitches or an expression pedal, and MIDI I/O is even provided on space-saving mini TRS jacks. Via MIDI, you're able to chain multiple 200 series pedals and select memories on all of them at once, and also control a wide range of functions from MIDI devices like the ES-8 and ES-5 effects switchers.

Ready-to-Go Looper

Any time you're ready, pressing the DD-200's two footswitches together puts you into looper mode. Up to 60 seconds of mono recording time is available, and operation is simple and direct with the onboard switches. And since the looper engine functions independently, you're able to develop expressive loops with any of the DD-200's rich delay sounds.

DD-200 Delay Modes

Standard-Clear digital delay. PARAM adjusts the delay attack.
Analog-Emulates classic analogue "BBD" delays like the BOSS DM series. PARAM controls character and distortion amount.
Tape-Emulates the warm tape-based sound of the legendary Roland RE-201 Space Echo. PARAM selects different combinations of three playback heads, and also adjusts the amount of distortion in the delay sound.
Drum-Models the drum-based Binson Echorec 2. PARAM selects different combinations of four playback heads, and also adjusts the amount of distortion in the delay sound.
Shimmer-Pitch-shifted delay for lush, heavenly textures. PARAM adjusts the delay brightness.
Tera Echo-Spacious, animated ambience effect derived from the BOSS TE-2 pedal. PARAM adjusts the sound character.
Pad Echo-Newly developed delay sound for creating drifting ambient textures. PARAM adjusts the delay attack.
Pattern-Rhythmic sounds with 16 delay lines layered together. PARAM selects different pattern variations.
Lo-Fi-Delay sound with fat, distorted character. PARAM adjusts the distortion effect.
Dual-Two different delay lines connected in series. PARAM adjusts the time of the second delay.
Reverse-Backwards delay for cool psychedelic effects and other unique tones. PARAM adjusts the delay attack.
Ducking-Delay with a built-in ducking effect. PARAM adjusts the input sensitivity.

*The product names mentioned on this page are registered trademarks or trademarks of their respective owners. These names are used because it is the most practical way of describing the sounds that are simulated.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Modes: 12 modes
STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/TAP switch
MODE knob, TIME knob, FEEDBACK knob, E. LEVEL Knob, PARAM knob, TONE knob, MOD DEPTH knob
TAP DIVISION button, MEMORY button

Display: 7 segments, 3 characters (LED)
Indicator: TAP DIVISION indicator, MEMORY (MAN, 1--4) indicators

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 225 mA

Expected Battery Life Under Continuous Use
Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

0 dBu = 0.775 Vrms

Notes: Improves your overall tone

The CS-3 Compression Sustainer pedal compresses louder signals while boosting lower signals, providing smooth sustain without degrading the original sound quality. This is the perfect pedal for guitarists and bassists who want to sound their best.

Specifications

Nominal Input Level: -20 dBu
Input Impedance: 1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: SUSTAIN knob, ATTACK knob, TONE knob, LEVEL knob, Pedal switch
Indicator: CHECK indicator (Serves also as battery check indicator)
Connectors: INPUT jack: 1/4-inch phone type, OUTPUT jack: 1/4-inch phone type, DC IN jack
Power Supply: Carbon-zinc battery (9V, 6F22) or Alkaline battery (9V, 6LR61), AC adaptor (PSA series: sold separately)
Current Draw: 20 mA

Expected battery life under continuous use: Carbon: Approx. 10.5 hours, Alkaline: Approx. 26 hours
*These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery/9 V type (6F22)
Options (sold separately) AC adaptor: PSA series
Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: 380 g / 14 oz

Notes: Studio grade connectivity.

Your studio needs more than just accessible patching - exceptional audio quality through the entire signal path is crucial! Black Lion has been improving already-great gear through their modification service for years, and all that know-how has been channelled straight into the PBR TRS3.

The PBR TRS3 is a 48-point TRS patchbay, suitable for the most robust routing imaginable in a single rack space, loaded with 96 audiophile-grade gold-plated 1/4" TRS connectors for maximum conductivity and signal clarity. You'll easily interconnect your preamps and other outboard hardware via its audiophile-grade, secure connections.

Limitless flexibility and road-worthy construction

You'll reconfigure your entire studio's routing at a moment's notice (while cutting down on cable clutter! The rear-mounted 3-way mode switches allow for Normal, Half-normal, and Thru operation, delivering unlimited routing potential for mults, bypassing, monitoring, and parallel processing.

Black Lion's team of engineers have worked tirelessly to ensure that the PBR TRS3 delivers proper quality through-and-through. The PBR TRS3 is also built Black Lion-tough, with a reinforced steel chassis and black-anodized aluminium faceplates that make for a matched and sophisticated look.

Not your average patchbays.

Configure your studio with the best: Black Lion Audio PBR Series Patchbays. Your recordings deserve the best, and maintaining a great signal path is crucial!

Features

96 audiophile-grade gold-plated 1/4" TRS connectors
Rear-mounted 3-way mode switches for Normal, Half-normal, and Thru operation
Black-anodized aluminium faceplate and reinforced steel chassis
Includes front panel labels
Exceptional value for the price

Specifications

Number of Points: 96
Front Connectors: 48x XLR
Rear Connectors: 48x TRS
Dimensions: 534 x 102 x 51mm, 1.4kg (boxed)

Notes: Nine zip cable ties in 3 different colours. Light Grey, Dark Grey, and Red. Each pack contains 3 cable ties of each colour.

Notes: Really clever stuff here. The Octaves VCO takes an additive approach, layering harmonics on top of a fundamental frequency to create complex tones. Control the six bands via CV to adjust the harmonic content.

Supplier's Notes:
A harsh and funky take of an additive Oscillator.

Pile up multiplications of your frequency to get a lo-fi-retro wall of squared sound!

You get six doubled frequency pulses, or octaves, with common PWM and volume control for each of them.

The output of each is cascaded to the next one, so you can either have one output with all frequencies or break the chain and get several sums and modulate each independently!

Features
Six bands, multiple of the base frequency.
Square wave oscillator with Octaves selector PWM control and sync.
Range control for Tune pot.
Volume CV control and individual output for each band
Cascaded summing outputs.

Specifications
Current needs: +12V: 110mA, -12V: 84mA
Width: 12 HP
Depth: 22mm (assembled and DIY), including power connector
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: Ever loved something so much you wanted to "bee-come" it? While Beetronics' circuits are primarily original, their bees had classic favourites they "Wannabee-d," so Beetronics embraced these buzzing wonders as their own hive of inspiration, infusing a generous dose of honeyed innovation to craft the ultimate dual overdrive.

The WANNABEE "BEELATERAL BUZZ" is a dual-drive pedal like no other. It combines two classic circuits, each offering three distinct FLAVORS, and lets users weave them together however they like. They can run them side by side or have one flow into the other, unlocking a world of tonal possibilities, as sweet as a jar of honey.

Circuit #0, Beetronics's Bluesbreaker-inspired creation, harmonizes vintage amp tones with crystal-clear crispness, all while preserving that beloved tube-like warmth. Plus, its three flavours give users control over the low-end oomph. Circuit #1 is Beetronics's take on the legendary Klon. All those iconic transparent overdrive tones are here, with a sweet honey twist. Unlike any other Klon, Beetronics' Circuit #1 offers a unique trio of flavours that grant users control over their clean blend level.

This pedal's core houses a truly exceptional Routing System, crafted by Beetronics' expert bees. It's the gateway to exploring unique tones. What makes it stand out is that it lets users not only choose the order of the circuits but also blend them in parallel, something other dual-drive pedals can't do.

In the centre position, users can use the volume controls to mix both circuits in parallel. And with the footswitch, they're in charge of when each circuit kicks in. Flick it to the right, and Circuit #0 flows into Circuit #1; shift left, and Circuit #1 flows into Circuit #0. When chaining one circuit into another, users can simply crank up the volume on the first to push the second into a thrilling buzz of distortion.

The WANNABEE draws inspiration from Beetronics' favourite overdrive circuits and then elevates them to a whole new level, enhancing their tone with a touch of honey and introducing innovative features. It unlocks a world of possibilities by blending both circuits in the most unique ways. Beetronics hopes this can be the ultimate overdrive tool to help users truly BEE THEMSELVES.

Product specs

Pedal Dimensions 5.5" x 4" x 2.5" (including knobs, switches and etc)
Pedal Weight - 1.1 lbs / 0.5 kg
Package Size - 6" x 5.25" x 3"
Requires 9VDC power supply (Centre Negative)
*Does not include power supply

Notes: The latest update of Arturia's legendary plugin collection, featuring 39 instruments, three expansion packs and over 9,000 presets. New instruments include CP-70 V, MiniFreak V, Acid V and three Augmented collections.

Supplier's Notes:
V Collection X

Reference instruments for music makers
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modelled keyboards and beautifully captured acoustic sounds - enhanced for today's production workflow.

This is V Collection X

Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets - 1 canvas for infinite sonic exploration.

The ultimate selection

A hand-picked, expertly-engineered suite of instruments combining timeless sonic craft with cutting-edge enhancements that seamlessly integrate with demanding production workflows. The most iconic synths, blissful keyboards, evocative hybrids and faithfully captured acoustic instruments for endless inspiration, vivid composition and boundless play.

10,000+ presets

Find the crucial mix-finishing sounds you need in a few clicks with V Collection X's expansive library of expertly-designed sounds, complete with easy browsing. Tap right into any style, any instrument, any time.

Easy to use

You don't need to be an expert to enjoy professional sound. The instruments in V Collection X are designed with accessibility in mind, equipped with intuitive interfaces, interactive in-app tutorials, and intelligent features that deliver electrifying results without hassle.

Perfected for you

High-performance features that you can count on, premium sound quality you deserve; V Collection X is the result of over 20 years of engineering innovation, musical exploration, and a passion for audio excellence and expressivity.

39 Software titles

Augmented WOODWINDS
Augmented GRAND PIANO
Augmented BRASS
Augmented STRINGS
Augmented VOICES
Korg MS-20 V
SQ80 V
CS-80 V
Prophet-5 V
Prophet-VS V
Piano V
Analog Lab V
Vocoder V
Jun-6 V
OP-Xa V
Mellotron V
Synthi V
CZ V
CMI V
Clavinet V
Acid V
MiniFreak V
CP-70 V
DX7 V
Buchla Easel V
Synclavier V
Emulator II V
B-3 V
Mini V
Stage-73 V
Matrix-12 V
Farfisa V
Solina V
SEM V
Jup-8 V
ARP 2600 V
VOX Continental V
Wurli V
Modular V

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
32GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS* (64-bit DAWs only).

Apple

Mac OS 11.0+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
32GB free hard disk space
OpenGL 2.0 compatible GPU

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Notes: Incredible value as always from the latest version of Arturia's Essential 88-key MIDI controller. Pads, faders, rotaries and a large LCD screen. Excellent integration with DAWs and the included Analog Lab V plugin.

Supplier's Notes:
Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:
Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content
Quick Start
Registration card
USB Cable (C/A)

Notes: A unique hardware synth, Aodyo's Anyma Phi uses physical modelling mixed with virtual analogue oscillators and filters, creating a versatile setup for sounds from resonant acoustic timbres to experimental hybrid sounds.

Supplier's Notes:
Explore and create your own sounds

Discover Anyma Phi, the essential physical modelling synthesizer. Your portal to creating new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

The best of both worlds

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Create Unique Sounds; sound design for all

The matrix provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation: Excite, Vibrate, Resonate, Global, and Animate.

Infinite Possibilities; a semi-modular powerhouse

Beyond the matrix lies an insanely powerful semi-modular synthesis engine where you can harness a wide variety of oscillators and effects, and control them effortlessly using an impressive modulator system. Going so deep into sound design has never been easier before with such a small box!

Anyma Phi Editor; standalone, but well-connected?

The Anyma Phi can hold up to 200 patches, and everything you need to create them is right on the machine. You can also benefit from the large screen of your computer (PC or Mac) to edit, manage and share patches even more easily, in a streamlined environment that displays all the synth modules at once and their interactions in real time. Learn more about the Anyma Phi's Updates and Downloads.

MIDI Controller; In tune with its environment

With its small form factor, it can sit on your keyboard, or anywhere on your desk. You can control it using any MIDI controller, keyboard or sequencer, with first-class support for wind controllers, like Sylphyo. And it also shines with World and microtonal music*!

Just Tap and Scratch; the world is your oyster

With its stereo input, you can also use the Anyma Phi as a versatile effects processor for your other gear, or use any external sound to excite its resonators and other physical models. And you don't even need a mic to get interesting sounds: just tap and scratch directly on the case of the Anyma!

Technical specifications:

Hybrid monophonic synthesizer, with physical modelling components
Memory: 200 patches
Stereo audio outputs:
L-R 1/4" mono line jack outputs
1/4" stereo headphone jack output
Stereo audio inputs:
1/4" stereo jack audio input
Internal piezoelectric mic when external input unplugged
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine:
3 oscillator slots (more than 40 types, including wind/string physical models, modal resonators, virtual analogue and digital algorithms)
5 effect slots (more than 30 types, including resonators, granular processors, and FM operators) along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots (more than 40 types, including envelope generators, LFO, curves, interpolators, slew limiters, sequencers, physical and algorithmic processes, etc.)
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with sidechain input and min/max/curve/smoothing
Responsive to pitch, pitch-bend, velocity, breath control/expression, as well as 4 other controller inputs (with MIDI learn)
External MIDI CC control for the matrix and the entire patch (via NRPN)
World-class microtonal support: up to 8 custom tunings, 50 onboard presets, onboard editor, MTS import/export
Built-in arpeggiator: 15 patterns, internal/external MIDI clock sync, custom triggers
Support for up to 3-note paraphony when building a patch
External audio processors
Automatic random patch generation (optional)
Free software editor/librarian (Mac/PC)
225 x 120 x 70 mm (8.9 x 4.7 x 2.8") and 900 gr (2 lbs)
Included: Anyma Phi, 5V PSU and USB cable
Designed and made in France

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: The GALACTAVISE is Allpedal's flagship compressor. Built with the musician's needs in mind, it boasts an uncompromisingly sweet compressor circuit with a Mix control for dialling in that perfect balance of compressed tone and clean tone.

The top end can often be make or break with many compressor circuits, so AllPedal also added the ability to adjust just the right amount with the Presence control. Made with the highest quality components for a low noise floor and road-worthy durability.

Let the GALACTAVISE blast your tone into orbit!

GALACTAVISE is the best guitar compressor pedal for musicians seeking to balance their sound's dynamics. As the best compression pedal on the market, it allows guitarists to control their volume levels efficiently, ensuring a consistent sound output. This guitar compression pedal is an essential tool for both studio recording and live performance.

As with all their effect pedals, AllPedal took special care in the GALACTAVISE's aesthetics with its finish, sophisticated artwork and anodized knobs.

GALACTAVISE is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.

Notes: Two channel USB module.

Standard Mode - Send two channels into your USB device and receive two channels from USB.

Insert Mode - Send two channels to your USB device and get a copy of the sent signal in the outputs.

Toggle between the modes via a pair of jumpers on the back. The USB-B to USB-A cable is provided with the module. Why use the cutting edge USB-B? I felt the jacks were way more sturdy than mounting USB-C jacks vertically.

Expandable - Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4HP
12V: 10mA
-12V: 10mA

Notes: This is an expander for Bartender and Barback, enabling CV control of the level of the send bus of up to 8 channels.

Each section of four jacks has a cable to connect to the mixer modules. To get 4 channels to work with Barback you want to connect it to the last Barback in the chain of two. It will then pass along channels 3 & 4 to the next Barback.

Dimensions
2 HP

Current Draw
Module does not draw current

Notes: Dual three channel voltage controlled panning mixer

Mixer section

Channel 1 and Channel 2 are three channel mixers with potentiometers to control level of three different inputs for each channel. Each channel then has a potentiometer to control panning as well as CV control for panning and level control

Panning and VCA

The VC panners are equal loudness panning and the VCAs for each channel are linear response.

Built-in LFO

There is a built-in LFO that is normalled to the panning CV input of each channel. CH1 gets the standard LFO and CH2 gets an inverse, enabling alternating channel panning. The default is to use a TRI wave for the LFO, but there is a jumper on the back to switch it to SQU.

Width: 12hp
12V: 140mA
-12V: 120mA

Notes: These rack screws for Eurorack can be screwed by hand for quick changes, or use a standard Phillips head screw driver.

Each Special Size M2.5 X 8mm stainless steel screw comes with a black nylon washer in a silver tin.

Notes: A simple VC panner with CV-controlled level. The left input normals to the right input to give an easy way to add panning to a mono signal.

Expandable

Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4hp
12V: 40mA
-12V: 40mA

Notes: Neatly implemented performance mixer with four stereo channels. CV control of level and pan, two pre- or post-fader stereo send busses, quiet mutes and cueing via a front-panel headphone socket.

Supplier's Notes:
Four channel stereo production mixer

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Mains Section

Two stereo sends outputs
Two stereo returns - which can also be used to directly insert into the main mix.
Main stereo outputs - level controlled with the slider and stereo VU meter.
Main mono output - summed output of the main L&R. If you are after an 8ch mono mix, you can use each channel in stereo mode, use the level control to control the level and then pan control to control the levels of the two channels.

Cue Section

1/4" Headphone jack along with level control
Fader control to listen to the main mix, cue mix, or an adjustable mix of the two.
Expandable

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 24hp
12V: 260mA
-12V: 225mA

Notes: Two channel expander for Bartender

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Expandable Mixer Series

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 10hp
12V: 125mA
-12V: 100mA

Notes: This is a pack of five, 24" skinny patch cables for Eurorack. Colour is black.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).

Notes: These are right angle patch cables for Eurorack. Colour is black, pack of 5 cables.

Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: This is a pack of five, 12" skinny patch cable for Eurorack. Colour is green.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: These are skinny (sometimes called noodle) patch cables for Eurorack. This is a pack of five cables, size 6", pink in colour.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: 104hp wide with two 3U rows and a 1U row.
Powder coated aluminum construction
VESA mount compatible (100mm x 100mm)
Plastic handle for easy mobility
Metal feet can be installed to support multiple angles of jamming.
Secure latching lid with enough depth to keep your patches patched

Expandable

Lid - when you're ready to add more space, the lid can be expanded to be another 104hp x 7U. You can add another set of rails, power supply and power jack and double your available space. (Kit available)
Metal feet - The metal feet can have a pair of rails and rack mounted power added to support another 3U row of 104hp. (Kit available in future)

Connectivity

Audio jacks - set of four jacks for stereo in and stereo out.
MIDI jacks - DIN jacks to support IN, OUT, and THRU MIDI.
USB power - can be used for a lamp to light your case or to charge your phone while recording your set.

Dimensions
557mm x 334mm x 169mm
74mm depth for 1U and bottom 3U row
52mm depth for middle 3U row

Power
+12V - 3A (with plenty of allowance for in-rush current)
-12V - 3A
+5V - 3A (shared with USB power)
36 shrouded power headers

In The Box
Main case
Lid
Metal feet
Power adapter 20V at 6A

Notes: Expand the lid from your case to be another powered rack. This set includes:

Rails
Handle and handle supports
Powered bus board
Case wiring
AC/DC power adapter
All hardware and thermal tape to complete the conversion

Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller

Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer

Notes: Use this cable to connect your Bluebox to a data source and a power source at the same time. This will allow you to stream audio over USB. The cable has a USB B male connection on one end and two USB B female connections on the other end: red for power and black for data.

Stream Audio Over USB with Bluebox

If you bought a Bluebox for desktop before September 2023, this handy adapter will make it easier to connect your device to a computer. New firmware allows you to send audio from the bluebox to the computer and back.

The adapter splits the power from the USB signal to help avoid noise from your computer. It also enables you to power the device separately in case your computer or hub is not suitable for the demanding power requirements of the Bluebox.

Connect the male end to the USB Power port on your Bluebox. Then connect your bluebox USB B power cable to the red female jack, and a USB B data cable to the black female jack and you are ready to stream audio.

Specs

Length: 3.25", 8.25 cm

Weight: 1.2 oz, 34 grams
Dimensions: 6.5 × 2.5 × 0.75 in