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WMD Digital VCA MKIII Dual Zero-Crossing VCA & Polariser Module (polariser/ring modulator/sample & hold/VCA module)
Cat: 1008017 Rel: 27 Mar 24 • View all Synth modules
Dual digital VCA module with zero crossing detection, polarisation, noise, sample & hold - 8HP
Notes: Another update for WMD's clever dual VCA, this time a little bigger to give more control. Digital control of CV and attenuation gives lots of creative options. Third time's a charm.
Supplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.
The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.
The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.
Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.
Features
Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds
Specifications
Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling
… Read moreSupplier's Notes:
WMD have done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.
The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.
The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.
Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.
Features
Dual VCA Design
Unipolar or Bipolar Operation
DC Coupled Analogue Signal Path
Low Distortion / Low Noise
VCA Closes Completely
Zero Crossing Detector Mode
Trigger Mode
Two Independent Noise Sources
8 bit CV resolution
Great for Fast Envelopes and Sine Bass Sounds
Specifications
Power: +65mA, -45mA
Width: 8HP
Depth: 35mm with cables
Height: Eurorack 3U (128.5mm)
Board Height Behind Panel: 112mm
CV/Signal Input Impedance: 100k
Output Impedance: 1k
UPD in 3.3V Threshold Schmitt Trigger
ZCD produces 15us 5V pulse
5V CV to fully open VCA
Linear VCA response
20Vpp signal handling
1 in stock $234.57
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quote 1008017
quote 1008017
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Review: Wise Records has lined up another super outing here in the form of the Max Romeo Sings Classics EP. Featuring fresh renditions of timeless hits like 'Kingston Town,' 'Man Next Door,' and 'No Place Like Home,' these cuts were recorded with Max's touring band during a break between French tour dates. Renowned producer Dennis Bovell handled the mixing, promising a blend of Max Romeo's signature style with a touch of innovation from the legendary Bovell.
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Teethe (limited 'green geode' vinyl LP + 7" (indie exclusive))
Cat: WSP 055LPC1. Rel: 22 Feb 24
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Cat: WSP 045LPC4. Rel: 01 Jan 90
Indie/Alternative
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All That Was Promised (B-STOCK) (limited gatefold coloured vinyl 2xLP (indie exclusive))
Cat: 659682 996721 (B-STOCK). Rel: 01 Jan 90
Metal
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Interplay (gatefold 2xLP + insert + MP3 download code)
Cat: WEBB 630LP. Rel: 28 Mar 24
Indie/Alternative
Review: When 2017's Weather Diaries marked the first full-length from Oxford shoegaze legends Ride in 21 years, many welcomed what was presumed to be a reshaping of legacy so as to not have bowed out with the negatively received Tarantula. This made 2019's This Is Not A Safe Place even more of a joyous sonic spectacle (before touching on the fact that the LP legitimately bore some of the band's finest work to date). Now that the dust has settled on a plethora of tour dates and festival appearances, we arrive at the third of their post-reunion albums with the highly anticipated Interplay. From the bubbling, ethereal synths of lead single 'Peace Sign' to the hazy, neo-psych dream-pop of 'Last Frontier', Ride appear more rejuvenated and hopeful than they've ever sounded, and it's a miracle in and of itself to be on the cusp of nearly having as many post as pre-break up records.
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Interplay (gatefold blue vinyl 2xLP + insert + MP3 download code (indie exclusive))
Cat: WEBB 630LPC. Rel: 28 Mar 24
Indie/Alternative
Review: Shoegaze and indie rock fans rejoice! The new Ride album - their first for five years - is here, featuring 12 new songs in total, many of whch were with some of them being debuted on their recent tour. 'Peace Sign' triumphantly begins the album with the signature wall of sound that Ride is so well known for, while 'Last Frontier' seems to be a firm fan favourite already. Stunning , dynamic and beautifully crafted, the album comes on double colored vinyl complete with insert and MP3 download code and looks likely to be the best shoegaze album of 2024.
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Review: UK imprint White Peach have served up all things dubstep since before you likely developed any sense of taste. That's because they made yours; 'Likesss' is the latest set of sonic fruits from rising producer Moreofus, and continues to convince us of White Peach's ability to sway our low-end-erring predilections. Through its ploddy trap, midrange growls, triplet transitions, riotous vocal textures, and pistol-whipping snares - B2 'Menace' coming as the night-bussed, heavy-deep drill highlight - Moreofuss seems set to rack up a lot of 'Likessss' indeed...
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Review: Manchester's Kali returns to White Peach with four delicious dubwise treats. 'Scurvy' dodge the limes in favour of a big squeezy accordion and what it lacks in vitamin C it definitely makes up for in weight. Elsewhere 'Sober' hits on more of an instrumental grime type of vibe, 'Stripey T-Shirt' brings out the squeeze boxes again for another woozy oddity while 'Cop Something' brings the whole experience to emotional conclusion. Stunning.
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Review: Cyrille Aimee has forged a formidable reputation as a jazz singer across the world, developing a tone which draws on her Dominican heritage as well as her guidance from the gypsy tradition in France where she grew up. While she's normally know for her arresting interpretations of standards and traditional classics, on A Fleur De Peau she's developed an album of her own material alongside NYC multi-instrumentalist Jake Sherman. Written in large part in the jungle in Costa Rica where she built her own home, Aimee developed her songs with Sherman's instrumental input resulting in a brilliantly varied and unflinchingly honest, open-hearted album which will make you re-evaluate everything you thought you knew about the finest of contemporary jazz singers.
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Review: Federsen's Robot Says R EP is an atmospheric journey of deep techno, showcasing his prowess with minimal soundscapes. 'High Pressure' opens the 12' with its captivating crystalline textures and mid-tempo groove, capturing a nocturnal essence. 'Sono' takes a melodic turn, evoking the classic styling of Detroit techno, hypnotic and mesmerizing. On the B-side, 'Fazed' delivers an addictive bassline-heavy groove, while the minimalist approach creates a driving momentum. Closing the EP, 'Quadrata' incorporates elements of house music, developing gradually into a deep and evolving soundscape. With its multifaceted tracks, Federsen invites listeners to immerse themselves in its late-night techno ambiance. You can always count on Federsen for an excellent combination of blending a classic sound, well-produced techno, yet still being danceable and emotion provoking.
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Dreamviolence (remastered) (limited translucent blue vinyl LP + insert + MP3 download code)
Cat: WCR 140LPC1. Rel: 01 Jan 90
Indie/Alternative
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Cat: WWSCD 10. Rel: 21 Mar 24
Soundtracks
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Review: Brion Gysin was a true original who left his mark on modern culture when he introduced William Burroughs to the cut-up technique, but he also recorded a swathe of experimental, funk-fuelled releases including the 1983 single 'Kick/Junk'. That single has been expanded into this album for Wewantsounds, which features Don Cherry's trumpet work on 'Kick' amongst many other talented players. It's a freewheeling listen which takes its inspiration from many places, finding space for tender folk experimentation with an African twist on 'All Those Years' and embraces jazz as a vessel for sonic and rhythmic exploration when the moment calls for it.
… Read morePlayed by: THE REFLEX
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Review: Wewantsounds press ahead with their hotly-awaited reissue of Japanese piano jazz master Fumio Itabashi's acclaimed album from 1981, Watarase. A seminal document of the history of jazz recorded at the rough moment that the pianist reached his career apogee - the eighties saw him perform several international tours - Watarase is exemplary of Itabashi's unorthodox piano playing for the time. Virtuosic, yet not indulgent of sustained notes or boilerplate consonance, Watarase is keen to wring out the purity of each composition, seeming less interested in style or ornamentation over pure composition. The result is an album which we're not surprised was raised to the heights of jazz standard exalt, with the title track being of most note in this regard; although the less obvious cuts here are also particularly enchanting, such as the rollicking two-chord improvs of 'Miss Cann'.
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Cat: WWSCD 83. Rel: 22 Feb 24
Psych/Garage Rock
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Gincho Wataridori (reissue) (gatefold LP with obi-strip)
Cat: WWSLP 83. Rel: 22 Feb 24
Psych/Garage Rock
Review: Meiko Kaji is renowned for her influential contributions to Japanese cinema and music and none are as standout as Gincho Wataridori which stands alone as a masterful musical odyssey that was first released in 1973. The record is a sonic tapestry that weaves traditional Japanese folk elements with contemporary arrangements all the while showcasing Kaji's evocative vocals and poetic lyricism. The title track, 'Gincho Wataridori,' encapsulates the album's ethereal beauty and finds Kaji's emotive delivery accompanied by lush instrumentation to create a haunting atmosphere that resonates with listeners. A cinematic journey throughout, Gincho Wataridori stands as a testament to Meiko Kaji's ability to transcend genres and craft timeless musical soundscapes.
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DJ NOTOYA / VARIOUS
Funk Tide: Tokyo Jazz Funk From Electric Bird 1978-87 (LP + insert with obi-strip)
Cat: WWSLP 81. Rel: 14 Mar 24
Funk/Reissues
Review: Following the success of their previous Tokyo Glow compilation, Wewantsounds once again team up with Japanese Tokyo-based DJ Notoya to dig up the rich Electric Bird catalogue, and come with a subsequent, versatile selection of sunny jazz-funk gems recorded between 1978 and 1987 for the label. A tasty selection featuring Yasuaki Shimizu, Toshiyuki Honda and Mikio Masuda, together with a few American musicians such as Ronnie Foster and Bobby Lyle, most tracks here are making their debut outside of Japan, the album comes with a full annotation by Notoya and is a multifarious meander through every angle of the polygonal gamut of J-jazz, disco, city pop, and funk. Highlights include Masuda's 'Let's Get Together' and Foster's prototypical wonky funk number, 'Night Life'.
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Cat: IMP 006CLEAR. Rel: 05 Apr 24
Hip Hop/R&B
Review: West Coast Classics US has taken the hip-hop community by storm with their ability to license such seminal west coast tracks. With an extra focus on gangster rap, the label offers a classic on each side of a 7". Their sixth release has a couple of killers on it! 2pac and Dr.Dre's 'California Love' really needs no introduction. A legendary track that ate up the airwaves around the world and on MTV when it was released in 1996. Not to be outdone, Ice Cube covers the B-side with one of his most important solo tracks that established him after leaving NWA., 'Jackin For Beats'. Getting original copies of these on wax would cost a day's wage for most people. Like the label suggests, these are West Coast Classics and are blueprints for gangster rap.
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Cat: FEW 005. Rel: 13 Mar 24
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Review: Chromedealer's Sketches Of Silver EP is a collection of cuts that were originally recorded between 2021 and 2023 and now arrive on Belgium staple WeMe. They find the New York-based producer in scintillating form with opener ' Onyourmarks' fusing jungle and electro with masterful synth work to make for a thrillingly high-paced yet emotive rhythm from another world. 'Sable' is another track made from millions of seemingly small fragments of sound that all coalesce into a darker broken jungle soundscape then 'Jack' pairs lovely snappy snares and rolling amen breaks with celestial melodic sequences that drift up top. 'Cubed3' is more masterfully nimble drum programming and 'Silver City' brings a more melancholic mood to close.
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WC 001 (hand-numbered hand-stamped 12" limited to 200 copies)
Cat: WC 001. Rel: 25 Mar 24
Experimental/Electronic
Review: Well Curated is a series of releases and parties that - in its own words - "reflects the ethnomusicology of the last 50 years of music" - and aims to reach into all genres, merging classic styles and breaking down barriers. Steve Spacek occupies the A-side with the breezy broken beat and soul-in-space of 'Alone In Da Sun', while Lukid's 'Hair Of The Dog' is a more intense counterpart, with wobbling sub-bass and swirling, surging atmospherics hovering above.
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Cat: LPWELF 131C. Rel: 22 Feb 24
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