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Notes: ***B-STOCK: Box damaged & missing software otherwise in perfect working order***


The Vestax VCM-100 is a portable rotary MIDI controller and audio interface system, designed for laptop DJ performance. Not only does the VCM-100's control interface dictate to your software, it comes with 2 stereo inputs/outputs. Unlike many other DJ MIDI controllers, no external soundcard or mixer is required for performance, headphone monitoring or integration into a sound system. 60 parameters of various software controls are assignable via USB connection.

Pitch, levels, EQs, loops, crossfader and pretty much every DJ function is pre-mapped and laied out in traditional DJ style for Vestax with the included Traktor DJ LE software. Increasing its versatility, the VCM-100 is compatible with all software that allows MIDI control assignment. 3 versions of firmware can be selected to have the best match with the software you are using. The VCM-100 is strong, sturdy, simple and very portable.

Notes: A Juno-inspired oscillator module? We're flattered, but credit has to go to Roland for this one. Based on the Juno-106's digitally-controlled analogue oscillators, the Castor & Pollux modernises the 80s design with a built-in LFO and hard sync.

Supplier's Notes:
Twins that dance in and out of phase, never completely together but never fully apart, bound to each other in the infinite universe.

Castor & Pollux is a dual oscillator that echoes back to the legendary Roland Juno but shines with its own unique, massive voice. It contains two digitally-controlled analogue oscillators implemented using a faithfully modernized version of the original Juno 106 design. It builds on the classic '80s sounds of its inspiration by using the second oscillator and internal LFO to layer in thick detuned sounds and harmonically complex hard synced waveforms.

Castor & Pollux II brings a redesigned interface and moves individual waveform outputs to an included expansion. Both versions have the same features and use the same firmware.

14 HP
+12 V @ 100 mA, -12 V @ 35 mA
25 mm deep
2 separate oscillators
7 octave range
9 total outputs with waveform outputs and onboard mixers
Pitch CV input jacks (0 V to 6 V) and pitch knobs (-1 to +1 octave, configurable)
Pulse width CV input jacks and knobs
Hard sync
Hardware chorusing
Internal low-frequency oscillator (LFO)

Notes: Expand the lid from your case to be another powered rack. This set includes:

Rails
Handle and handle supports
Powered bus board
Case wiring
AC/DC power adapter
All hardware and thermal tape to complete the conversion

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Notes: Red version of Cyclone's excellent bass synth, replicating the sound of the iconic Roland TB-303. Fully analogue synth with modernised sequencer and classic acid sound.

Supplier's Notes:
A full analogue synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favourite synths!

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original).

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Specifications

Bass Bot TT-303

VCO

Monophonic
Waveforms: Sawtooth or Square
Frequency Range: 20Hz-850Hz

Main Controls

Tempo Knob
Volume Knob
Track/Pattern Bank Selector Knob
Mode Selector Knob
Power On/Off Switch

Audio Controls

Tuning Knob
Filter Cutoff Frequency Knob
Filter Resonance Knob
Filter Envelope Modulation Amount Knob
Filter Envelope Decay Knob
Accent Amount Knob
Waveform Selector Switch

Data Storage

User Patterns: 432 (9 banks of 48 patterns)
Pattern Lab Patterns: 108 (9 banks of 12 patterns)
Preset Patterns: 108 (9 banks of 12 patterns)
User Tracks: 9

Operating Modes

Pattern Write | Loop Edit |Pattern Lab | Arpeggiator
Pattern Play | Preset | Track Play | Track Write | MIDI

Per-step Modifiers

Down Octave | Up Octave | Accent | Slide
Mute | Hammer | Rest / Tie

Pattern Features

Pattern Length: 1-64 steps
Per-step modifier assignment
Time scales: 16th note, 32nd note, 8th note triplet,
16th note triplet
Assignable pattern LED color
Pattern Copy / Paste functions
Intelligent procedural pattern generator
Pattern-based Arpeggiator
Pattern Mutate function

Track Features

Visual track programming system
Maximum Length: 144 bars | Per-bar transpose option

Global Features

Shuffle Amount | Slide Time | Gate Length |
Illuminated buttons: 26
Tap Tempo Input | Automated VCO calibration |
System LED colour |
MIDI In / Out channels

Outputs

Main Mix (1/4" mono, +15dBu)
Headphone (1/4" stereo, +10dBu)
VCO Waveform (1/8", Sawtooth: 5Vp-p, Square: 3.7Vp-p)
Control Voltage (1/8", 1V/octave, range 1V 5V)
Gate (1/8", 0V 12V)
Accent On (1/8", 0V 5.5V)
Clock (1/8", DIN Sync compatible, 0V 5V)
Start/Stop (1/8", DIN Sync compatible, 0V 5V)
MIDI Out / Thru

Inputs

Filter In (+4dBu nominal, 100kO input impedance)
Power (9VDC, 300mA) | MIDI In

PC Functions

Cyclone Studio application for PC & Mac enables Bass Bot software update and user data backup & restore using MIDI/SysEx transfer.

Physical

Dimensions: L310mm x W130mm x H35mm
Weight: Unit 783g (Boxed with accessories) 1.332kg

Included Accessories: 100-240v Universal Power Adapter | Near Invisible Force Field | Case Transporter | Printed User Manual

Available Accessories: 7 Lines 1/8 to 1/4 output cable snake | Triple 100-240v Universal Power Adapter

Notes: Unearth the Walrus Audio Silt Harmonic Fuzz, a collaborative creation with tube expert Jim Hagerman.

Wielding an internal pre-amp tube, the Silt is a two-in-one fuzz that creates massively rich fuzz tones perfect for chords and rhythmic parts or with the press of a switch, adds uniquely harmonic overtones to the signal before hitting the tube. Crafted specifically for those seeking a harmonically rich fuzz experience, the Silt boasts an analogue circuit with the distinctive warmth of a 12AU7 tube as its drive section, letting you explore a unique and wild sonic landscape.

Main Features:

1. 12AU7 Tube Drive

The Silt's 12AU7 tube section drives the warm, bone-rattling fuzz. We unearthed this sonic fossil to encase your sound in an amber warmth, while still providing the grit, growl, and harmonically complex textures that only a tube-driven fuzz can provide.

2. Harmonic Mode

Harmonic Mode acts as a frequency doubler before the drive section of the pedal. This produces crispy, octave-like sounds, lending a unique edge to your lead tones. Try this with your guitar tone knob rolled off.

3. Contour Control for Precision Tone Sculpting

Refine your fuzz tones with the precision of the Contour control to achieve a wide spectrum of timbres.

Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage, like uncovering layers of sonic strata. Especially helpful when switching between different styles of pickups. Whether you're chasing searing leads or wooley rhythm, the Silt adapts to your style with roaring precision.

4. Designed for Operation at 9v-12v for Plenty of Gain

Supercharge your fuzz experience by operating the Silt anywhere between 9v and 12v. Running the pedal at 12v will give you an extra gain boost, letting you push the primal boundaries of fuzz to deliver the searing tones you've been searching for.

5. True Bypass Circuit

Maintain the integrity of your original tone with the relay bypass circuit. When disengaged, the Silt ensures your signal remains pure, allowing your guitar's natural voice to shine through undisturbed.

Controls:

Volume: Control the output volume level of the pedal.
Tone: Sculpt your output tone with a lowpass/highpass tilt tone control.
Gain: Control the input gain into the fuzz circuit, from subtle, distortion-like crunch to full-throttle fuzz.
Contour: Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage.
Bypass Switch: Enable or disable the effect with the relay bypass switch, preserving your original signal when the Silt is not in use.
Harmonic Switch: Activate or deactivate the frequency doubler circuit before the clipping stages, infusing your sounds with octave-like textures for a unique sonic edge.

Notes: A true legend of modular synthesis, Make Noise's Maths is arguably the definitive Eurorack function generator. Based on analogue computing circuits, Maths draws on Buchla-style techniques to offer countless ways of generating and processing modulation signals.

Supplier's Notes:
The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analog signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Specifications
Width: 20hp
Max Depth
(incl. power cable): 32mm

Power:
60mA@ +12V
50mA @ -12V

Notes: Updated version of the DT-RDX controller features a built-in MIDI merger. The approach is the same, with hands-on control of all Yamaha Reface DX parameters, making it easier than ever to unleash the power of FM synthesis.

Supplier's Notes:
Dtronics DT-RDX-V2 for Yamaha Reface DX

The Dtronics DT-RDX-V2 is a hardware controller for the Yamaha Reface DX and the successor to its older brother the DT-RDX. The difference between the two is that the RDX-V2 has a hardware MIDI merger on board for even better performance.

With all its parameters the FM synthesis is a challenge control.

The DT-RDX has all parameters directly accessible with its 41 knobs and 9 switches.

All you have to do is select the desired operator. You can also edit multiple operators with the same parameters at the same time.

The controller is mounted on a stylish holder.(included)

Specifications

Holder: steel
Casing : high grade plastic
Power splitter cable to power-up the RDX and the Yamaha Reface DX is included
MIDI cable to connect the DT-RDX to the Yamaha Reface DX synthesizer is included.
The pictured Yamaha Reface DX synthesizer is not included

Review: Undeniably one of the most prolific anime soundtracks of all time, Yoko Kanno's band SEATBELTS was formed just to record this 1998 OST for Shinichiro Watanabe's smash success 'Cowboy Bebop'. Following the adventures of the crew of Bebop, a bounty hunter ship that chases criminals and turns them into the Inter Solar System Police for reward, Kanno's zany fusion of rock, blues and jazz oozes cool. The opening track 'Tank!' has been hugely influential, informing innumerable title sequences, from 'Danganronpa' to 'JoJo's Bizarre Adventure'. Focusing, as the Japanese often do, on Americana hallmarks, there is a distinct New York slant in the horns with some Afro-Cuban percussive influences as well, most notably on 'Rush' from the first 'COWBOY BEBOP' album. This boxset serves as a comprehensive rundown of all things SEATBELTS, an 11-vinyl boxset featuring all 7 albums the band have made for the legendary franchise housed in a box with art from the show.

Notes: Dial in Professional Sounds in Seconds

The BOSS ME series has been a favourite of performing guitarists for over three decades, combining multi-effects power with intuitive hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this versatile all-in-one processor makes it easy to build customized sound setups for every playing situation.

Fast Sound Creation

With its knob-driven interface and diverse effects selection, the ME-90 lets you build configurations and tweak tones with the ease of a stompbox-filled pedalboard-without the hassle of fastening tape, power distribution, and multiple connection cables. Just dial up an amp model or effect type within a category and turn the knobs to get the sound you want. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing your custom creations.

Flexible Real-Time Control

The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Use Memory mode to call up complete patch setups with the footswitches, and then switch to Manual mode for direct on/off control of each effect category within the patch. The footswitch LEDs light in different colours for quick identification in the heat of a performance. It's also possible to set all LEDs to light in a fixed colour for each mode if desired.

High-Quality BOSS Effects

The ME-90 puts a massive library of BOSS effects at your command, offering seven different categories filled with selections derived from the flagship GT-1000. Everything you need is here, from overdrives and distortions to pitch/mod effects, delays, and high-quality reverbs. You also get 11 dedicated Pedal FX, a looper, and specialized effects such as acoustic simulation and down tuning. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.

Premium Amp Sounds with AIRD Technology

Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by our advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo sounds to punishing high-gain stacks, and you can access more selections in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and you can load three of your favourite speaker IRs to personalize sounds to your taste.

Edit, Customize, and Expand

BOSS Tone Studio for macOS and Windows extends your creative range, allowing you to edit tones and change out some amp and effect types with alternate selections. In addition, you can save and organize patches for different gigs, download pro setups at BOSS Tone Central, and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 also supports the optional Bluetoothr Audio MIDI Dual Adaptor, enabling you to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.

Light, Durable, and Ready to Travel

The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for.

Specifications
Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 97 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN: -10 dBu
Maximum Input Level: INPUT: +7 dBu, RETURN: +7 dBu
Input Impedance: INPUT: 1 M ohm, RETURN: 1 M ohm
Nominal Output Level: OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu, SEND: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater, SEND: 10 k ohms or greater

Controls:BANK DOWN/AMP switch, BANK UP/EQ switch, CTL/REV switch, MEMORY/MANUAL switch, 1/COMP switch, 2/OD/DS switch, 3/MOD switch, 4/DELAY switch, PEDAL FX switch, Gt. AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, GAIN knob, BASS knob, MIDDLE knob, TREBLE knob, LEVEL knob, REVERB knob, COMP/FX1 TYPE knob, SUSTAIN/SENS/-1OCT knob, ATTACK/TONE/-2OCT/DEPTH knob, LEVEL/PEAK/DIRECT knob, OD/DS TYPE knob, DRIVE knob, TONE knob, LEVEL knob, MOD TYPE knob, RATE/KEY knob, DEPTH/HARMONY knob, E.LEVEL/RESONANCE knob, DELAY TYPE knob, TIME knob, FEEDBACK knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob, PEDAL FX pedal
Display: 7 segments, 2 characters (LED)

Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adapter
Current Draw: 190 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 6.5 hours
* This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"

Options (sold separately)
AC adaptor: PSA-S series
Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL
Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb / 7 oz

Notes: DigiTech announces SDRUM Strummable Drums, the first-ever intelligent drum machine for guitarists and bassists. Boasting studio-quality samples and five professional sounding drum kits and BeatScratch technology, SDRUM allows users to create drum patterns by simply strumming strings.

As a player scratches across guitar or bass strings, he or she "teaches" SDRUM a kick/snare pattern that defines a desired beat. Once that pattern is established, SDRUM then enhances and enriches the beat, resulting in a realistic accompanying drum part. From the five different kits, users are able to choose sounds appropriate to a broad variety of musical styles. Via the KICK and SNARE Pads, players can audition the various kits and tap in specific beats, while the GUITAR AUDITION Button enables the user to turn the drum output on or off while strumming.

Up to 36 songs can be stored in SDRUM, and the unit supports three different components - e.g. verse, chorus, bridge - for each that can be switched on in real-time to easily facilitate live performance and aid in composition and creativity. Additionally, JamSync functionality facilitates compatibility with JamMan loopers, further boosting SDRUM's capacity in concert, practice, and studio settings.

The compact SDRUM (5.25" x 3.15" x 2.3") is similar in size to most compact effects units and fits easily on standard pedalboards. A sturdy metal chassis, robust footswitch, and four knobs (GROOVE/KIT, LEVEL, TEMPO, and HAT/RIDES) ensure that SDRUM is stage- and road-ready.

Eliminating the need to sift through libraries of rhythm patterns in search of an appropriate match for individual songs and styles, SDRUM is the fastest way to go from a beat idea to a working drum track.

BeatScratch Technology
JamSync Support
Studio-quality samples
Five drum kits
Verse/Chorus/Bridge parts
Alternate instruments/voicings
External FS3X support
Kick/Snare pads
Controls: Tap Tempo, Verse/, Chorus, Bridge, Song, Groove/Kit, Hats/Rides, Level, Temp, Alt Kit, Alt Hats/Rides, Guitar Audition, Kick Snare, Footswitch
5.25" (L) x 3.15"(W) x 2.3" (H)/ 133mm (L) x 80mm (W) x 58mm (H)
1.12 lb./.51 kg
Power Supply (external - included): PS0913DC-04 (US, JA, EU, AU, UK)
Warranty: 1 Year

Notes: SSL Recording Pack

Condenser mic, shock mount, studio headphones and XLR cable

Step Up Your Recording Game

Introducing the SSL Recording Pack from Solid State Logic, the all-in-one solution to capture your ideas and record great music. Available in a bundle with an SSL 2 interface, the SSL Recording Pack includes a condenser microphone with shock mount and thread adapter, closed-back studio headphones and an XLR microphone cable, bringing you everything you need to record with your SSL 2 interface.

Recording Made Easier

SSL Recording Pack includes everything you need to start recording now. Just plug your SSL microphone and headphones to your SSL 2 interface and start turning your ideas into records.

SMC 80 Studio Microphone

Capture every detail and nuance of your vocals, guitars and acoustic instruments with the SMC 80 studio condenser microphone.

SHP 20 Headphones

Listen with clarity and detail. Hear every step of your recording and production process with SHP 20.

Included with SSL 2 Interface

Bring Your Productions To The Next Level

The SSL 2 Interface include the acclaimed SSL Production Pack, featuring a selection of must-have virtual instruments, plug-ins, samples and DAW, to let your creativity shine and bring your productions to life.

What's in the Kit

SSL 2
SSL headphones (including 1/4" jack adapter)
SSL condenser microphone, shock mount and thread adapter (5/8" outer and 3/8" inner) for microphone stands
2.5 M XLR microphone cable

Specifications

SHP-20 Headphones
Operating Principle: Closed
Fashion: Supra-aural Transducer Type Dynamic
Loudhailer: 50mm
Impedance: 32 O
Sensitivity: 98 +/-3dB
Frequency Response: 15Hz-25kHz
Max. Power: 1200mW
Rating Power: 300mW
Cable: About 3m (straight)
Plug: 3.5mm + 6.3mm

SMC-80 Microphone
Element: 25mm condenser capsule
Polar Pattern: Cardioid
Frequency Response: 20Hz-20kHz
Sensitivity: -36dB+/-2dB (0dB=1V/Pa at 1kHz)
Output Impedance: 200+/-30% (at 1kHz)
Load Impedance: >1000 O
Self-Noise: 16dB A
Max. Input SPL: 136dB (at 1kHz<1% T.H.D)
S/N Ratio: 78dB
Phantom Power Requirement: 48V DC Phantom Power
Weight: ~340g
Dimensions:55x38x165mm

Notes: Be Heard Anywhere

Wherever you perform, high-quality sound with great projection is essential to capture listeners and stand out from the pack. With the portable CUBE Street II by your side, you have the tools you need to deliver your message with confidence in any mobile setting, from musical performances on the street to public speaking events.

Evolved from the best-selling Roland CUBE Street-and newly rebranded with the BOSS name-this battery-driven powerhouse provides rich stereo sound for busking and other mobile gigs. Dual channels allow you to plug in mics and instruments and sound great immediately, with no extra gear to carry around. A vocal harmony function, looper, and effects are also on hand to lift your performances and impress the crowd. And with the optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL), you can wirelessly stream backing tracks and control CUBE Street II functions from your phone or tablet.

Travel Light with Powerful Sound

Compared with its popular predecessor, CUBE Street II is even lighter and more durable thanks to its modern ABS injection-moulded design. The output power has been doubled too, giving you 10 total watts of crisp and clean stereo sound to cut through street traffic, train arrivals, and other noise challenges on the gig. In quieter situations where you don't need as much headroom, kicking in Eco mode reduces the power to extend battery life.

All the Connectivity You Need

With two ultra-versatile input channels, CUBE Street II supports all types of musicians and performers. The Mic/Instrument channel features a combo jack for either an XLR balanced mic or an instrument such as a keyboard or Roland's Aerophone. Equipped with a standard 14-inch jack, the Guitar/Mic channel provides plug-and-play sound for guitarists with seven acoustic and electric amp types, as well as settings for a line-level instrument or unbalanced mic. And if you ever need to expand your sonic reach, dedicated outputs are available for connecting to a house PA or another CUBE Street II.

Make Your Performances Shine

CUBE Street II is packed with features to enhance your sound and bring fresh energy to shows. Each channel provides dedicated three-band EQ and reverb, and there's a chorus/delay effect on the Guitar/Mic channel. The harmony function on the Mic/Instrument channel creates impressive vocal harmonies that will make audiences wonder where the background singers are hiding. Harmonies are produced as you sing based on the guitar chords you play or a key you set, and you can bring them in and out as needed with an optional footswitch. There's a built-in looper too, providing a powerful and fun way to create backing tracks on the spot.

From the Street to the World

CUBE Street II helps you reach both in-person and global audiences at the same time. Via i-CUBE Link and USB, you can send the amp's audio output to video, livestreaming, or music production apps for on-the-spot capture. The i-CUBE Link jack provides a mono output and connects to most phones and tablets with the included cable, while USB supports a stereo digital connection to a computer or an iOS device.*

*An Apple adaptor may be required to connect an iOS device to the CUBE Street II via i-CUBE Link or USB.

A Grab-and-Go PA for Everyone

While designed with performing musicians in mind, CUBE Street II excels in any situation that requires high-quality sound. It's easy to move and sets up anywhere, making it perfect for speaking in presentations, workshops, and school events. And with the ability to play music as well-either wired through the aux input or wirelessly with the optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL) -CUBE Street II is ideal for background entertainment and impromptu karaoke performances.

Specifications

Rated Power Output: 10 W (5 W + 5 W)
Nominal Input Level: MIC/INSTRUMENT INPUT: -40 dBu (2 k ohm)/-20 dBu (11 k ohm), GUITAR/MIC INPUT:-10 dBu(1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT : -10 dBu (MONO)
Speakers: 16 cm (6.5 inches) x 2

Controls: POWER switch, OUTPUT POWER switch (MAX, ECO), LOOPER button, STOP button

[MIC/INSTRUMENT]: SELECT switch (MIC, INST), VOLUME knob, HARMONY knob, KEY button, BASS knob, MIDDLE knob, TREBLE knob, REVERB knob

[TUNER]: TUNER button

[GUITAR/MIC]: AMP TYPE knob (NORMAL, BRIGHT, WIDE, INSTRUMENT, CLEAN, CRUNCH, LEAD, ACOUSTIC SIM, MIC), GAIN knob, VOLUME knob, BASS knob, MIDDLE knob, TREBLE knob, CHORUS/DELAY knob (CHORUS, DELAY) REVERB knob, [i-CUBE LINK/AUX IN], i-CUBE LINK/AUX IN knob

Indicators: POWER, TUNER, KEY, REC, PLAY

Connectors

[INPUT]: MIC/INSTRUMENT jack: Combo type (XLR type, 1/4-inch TRS phone type), balanced; GUITAR/MIC jack: 1/4-inch phone type; i-CUBE LINK/AUX IN jack: 4-pole miniature phone type

[OUTPUT] LINE OUT jack: 1/4-inch phone type; PHONES/REC OUT jack: Stereo miniature phone type

[FOOT SW]: SW 1 HARMONY/MIC/INST jack: 1/4-inch TRS phone type, SW 2 LOOPER/GUITAR/MIC jack: 1/4-inch TRS phone type

Bluetooth ADAPTOR connector: Dedicated connector
USB port: USB B type
DC IN jack

Power Supply
AC adaptor (DC 9 V)
Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8

Current Draw: 390 mA

Expected battery life under continuous use:

[OUTPUT POWER switch: MAX (Maximum power output: 10 W)]
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

[OUTPUT POWER switch: ECO (Maximum power output: 5 W)]
Alkaline battery: Approximately 11 hours
Rechargeable Ni-MH battery: Approximately 14 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adaptor, Power cord, Mini cable (4-pole miniature phone type)

Options (sold separately):
Bluetoothr Audio MIDI Dual Adaptor: BT-DUAL
Carrying case: CB-CS1
Footswitch: FS-5U, FS-6, FS-7

Size & weight

Width: 414 mm / 16-5/16 inches
Depth: 285 mm / 11-1/4 inches
Height: 255 mm / 10-1/16 inches
Weight (excluding AC adaptor): 4.4 kg / 9 lbs 12 oz

Notes: With the Zomo Flightcase Rane Four, you get a custom-made flight case for the Rane FOUR. The Zomo Flightcase Rane Four is part of the exclusive NSE (Night Style Edition) collection, known for its aesthetic appeal and exceptional durability. It's not just a case; it's a statement - a statement of quality, design, and function.

Made of robust, laminated 9mm plywood, this case is designed to withstand the tough everyday life on and off the stage. It's reinforced with wide, black-painted aluminum profiles and extra sturdy ball corners, giving it high resilience. Whether you're on the road or in the air, the Zomo Flightcase Rane Four is ready to protect your valuable equipment.

The interior of the case is lined with high-quality padding to protect your controller from scratches, defects, or other damages. This way, you'll always be on the safe side, regardless of spilled drinks or unexpected drops.

But the Zomo Flightcase Rane Four is not just practical - it also looks fantastic. With its sleek, advanced design in the deep black NSE edition, this case is a real eye-catcher. The front panel can be easily and quickly removed, allowing you to access your controller's inputs even when the case is closed.

The Zomo Flightcase Rane Four is more than just a case - it's an investment in protecting your equipment. With its elegant design and robust construction, it's the perfect addition for any DJ who doesn't want to compromise on quality and style.

Features

Zomo Flightcase Rane Four
Protects devices from scratches, defects, or other damages
High-quality construction and craftsmanship
Extra sturdy design
Elegant design in deep black NSE edition
High-quality interior padding
Ball corners provide effective protection against shocks and impacts
High-quality butterfly latches for quick locking
Convenient carrying handles
Removable lid
Front panel is detachable for easy access to the device
Technical Specifications
Compatible devices: 1x Rane FOUR
Exterior material: 9mm plywood
Color: Black NSE (Night Style Edition)
Weight: 15.2 kg
External dimensions: 837 (width) x 532 (depth) x 207 (height) mm
** The devices shown and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Rane FOUR
Suitable brands: Rane
Laptop shelf included: No

Notes: Part of Boss's 200 series, the SY-200 is the latest in a range of guitar synth pedals dating all the way back to the 1970s. Plug in any guitar or bass and layer synth sounds over the raw tone. A versatile and creative way to explore new sounds.

Supplier's Notes:
A World of Synth Tones at Your Feet

Offering a universe of rich, analogue-inspired polyphonic tones in a small footprint, the SY-200 makes it simple to weave BOSS's expressive guitar and bass synth technology into all of your musical journeys. Building on the fun, instant-gratification experience of the acclaimed SY-1, this blue inspiration machine features an expanded sound set, more tone-shaping possibilities, and 128 memories for storing your sonic creations. Two onboard footswitches provide deep real-time performance control, and you can take things even further with external footswitches, an expression pedal, and MIDI.

A Massive Library of Expressive Synth Tones

The SY-200 transforms your guitar or bass into a versatile analogue-flavoured synth, ready to infuse your music with dynamic, compelling, and evocative new voices. This streamlined stomp gives you 171 total sounds organized in 12 intuitive categories, along with adjustable parameters for customizing the tone and response. And with 128 memory locations, you're able to store your favourite sounds and instantly recall them while performing.

Build Custom Sounds Fast

With the SY-200's informative display and hands-on controls, it's quick and easy to call up sounds and balance the direct and synth levels. All the preset synth tones have been dialled in by the BOSS engineers to be inspiring and playable right away. But if you want to go deeper, you can tweak three different parameters for each sound via dedicated knobs.

Flexible Connectivity

The SY-200 smoothly integrates into your setup in a variety of ways. Patch it in your chain like a regular pedal, or use the send and output jacks to route synth and straight guitar sounds to different destinations. And with the send/return loop and level knobs, it's possible to craft unique hybrid sounds by blending one or more pedals in parallel with different synth voices.

Powerful Real-Time Control

The SY-200 provides a massive range of control options while taking up minimal space on your pedalboard. Two customizable footswitches offer multi-functional operation with press-and-hold functionality, allowing you to control synth on/off, memory scrolling, pitch bend, synth hold, and more. Expanded control is possible via external footswitches or an expression pedal, and MIDI I/O is also available to interface with other MIDI-equipped pedals and devices like the ES-8 and ES-5 loop switchers.

Plug-and-Play and Latency-Free

You can use the SY-200 with any guitar or bass-just plug in with a standard 1/4-inch cable and start creating. Thanks to custom DSP and the latest BOSS innovations, you'll enjoy latency-free performance that's a natural extension of your instrument, letting you play freely without altering your normal technique in any way.

Supercharge Your Music with a Diverse Range of Sounds

The SY-200 is loaded with a large library of synthesizer tones to inspire new ideas and bring fresh voices to your music.

LEAD-A wide range of sounds suitable for single-note soloing.
PAD-Full tones that work great with chords, from layered pads to synth brass and more.
STRING-Classic analog-style strings, including layered voices and sweeping textures.
BELL-Percussive synth sounds with metallic resonance.
ORGAN-A large selection of organ sounds, including many with rotary-style modulation.
BASS-Fat synth bass sounds, including filtered and sub-octave tones.
DUAL-Fat synth tones with stacked oscillators.
SWEEP-Dynamic sounds with expressive and engaging movement.
NOISE-Classic analog-style synth noise. Great for percussive sounds and dramatic effects.
SFX-A variety of synth sound effects, including explosive one-shot sounds, animated pitch/filter voices, and more.
SEQ-Pulsating sounds with rhythmic pitch or filter changes.
ARPEGGIO-Generate rhythmic arpeggios based on the notes you play.

Specifications

Sampling Frequency: 44.1 kHz
AD/DA Conversion24 bits
Processing: 32-bit floating point

Modes: 12 modes
LEAD, PAD, STRING, BELL, ORGAN, BASS, DUAL, SWEEP, NOISE, SFX, SEQ, ARPEGGIO

Memory: 128
Nominal Input Level: INPUT, RETURN: -10 dBu
Maximum Input Level: INPUT, RETURN: +7 dBu
Input Impedance: INPUT, RETURN: 2 M ohms
Nominal Output Level: OUTPUT, SEND: -10 dBu
Maximum Output Level: OUTPUT, SEND: +7 dBu
Output Impedance: OUTPUT, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT, SEND: 10 k ohms or greater
Bypass: Buffered bypass

Controls:
ON/OFF switch, MEMORY/CTL 1 switch
TYPE knob, MEMORY knob, 1 knob, 2 knob, 3 knob, D. LEVEL knob, E. LEVEL knob, VARIATION knob
MENU button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)

Connectors:
INPUT jack, OUTPUT jack, SEND jack, RETURN jack: 1/4-inch phone type
CTL 2, 3/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)

Power Supply: Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately)
Current Draw: 230 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 5 Hours
* These figures will vary depending on the actual conditions of use.

Accessories: Leaflet "USING THE UNIT SAFELY"
Leaflet "To obtain the Owner's Manual"
Alkaline battery (AA, LR6) x 3
Rubber foot x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height (including rubber foot): 65 mm / 2-9/16 inches
Weight: 630 g / 1 lb 7 oz
Weight (including battery): 700 g / 1 lb 9 oz

0 dBu = 0.775 Vrms

Notes: The Ultimate CUBE Bass Experience for Home and Beyond

For over four decades, CUBE amplifiers have brought exceptional value to musicians everywhere, offering great sound and versatile features in portable, go-everywhere designs. The DUAL CUBE BASS LX is the most advanced compact CUBE bass amp yet, filled with evolved BOSS technologies for the ultimate home practice experience. This thunder box punches well above its size, delivering rich, full sound and a host of fun rhythm patterns to groove with. A generous array of connectivity options are also included, extending its range to performing, recording, and many other applications.

Stage Sound at Home

With its custom stereo speaker system and advanced cabinet design, the DUAL CUBE BASS LX delivers big, refined tones that you won't believe are coming from such a small amp. Five different preamp types are available, offering uncoloured sounds for studio and slap playing, vintage sounds for classic styles, and aggressive modern tones for heavy genres. With natural feel and organic response honed with decades of BOSS amp development, you have an endlessly inspiring platform to hone skills and explore new techniques.

Find Your Voice

The DUAL CUBE BASS LX features a variety of bass-tuned effects, including many with expansive stereo sound. Shape your core tone with compression or drive, add colour with touch wah, flanger, or chorus, and bring in spatial depth with delay or reverb. Each amp type includes three user memories, allowing you to store gain, EQ, and effect setups for quick recall. The DUAL CUBE BASS LX Editor lets you dive even deeper, providing access to effect variations and detailed parameter tweaks from your Mac or Windows computer.

Get in the Groove

Make your practice sessions more fun and productive with the powerful onboard Rhythm Guide. There are nine rhythm types with three pattern variations each, spanning from a basic metronome to realistic drum grooves in rock, jazz, metal, Latin, and other styles. Using the DUAL CUBE BASS LX Editor, you can explore a total of 91 rhythm variations and save your favorites in the amp. With the high-performance stereo speakers, rhythms and backing music are presented in full-range detail for a rich, immersive experience.

Beyond the Bedroom

Thanks to its ultra-flexible connectivity, the DUAL CUBE BASS LX goes far beyond the capabilities of other compact amps. Use the stereo XLR line output to directly connect to a PA system and perform on stage. Or capture mix-ready sounds in music software on a computer or mobile device via USB or i-CUBE-Link. If you like to livestream, you can capture your voice with a headphones mic and send it to the USB and i-CUBE Link outputs along with your bass sound. And with the ability to use AC or battery power, you can play absolutely anywhere.

Expand Your Possibilities

With optional FS-series footswitches, you can operate the Rhythm Guide hands free and unlock access to the onboard looper to create layered performances. And by connecting the optional Bluetoothr Audio MIDI Dual Adaptor, you can go even further with a smartphone or tablet. Wirelessly stream music from your device and jam along, or use the iOS/Android version of the DUAL CUBE BASS LX Editor to tweak functions remotely. Or pair the EV-1-WL Wireless MIDI Expression Pedal for cable-free operation of wah and volume.

Standard Features
Ultra-portable stereo bass amplifier with professional sound and features
Two custom-designed 5-inch speakers
10-watt stereo power amp (5 watts x 2)
Five preamp types: Super Flat, Flat, Vintage, Modern, and Rock
Compressor/drive control tuned for bass
Chorus, flanger, touch wah, delay, and reverb effects
Three-band equalizer
Store amp and effects settings in 15 memories (3 memories for each amp type)
Powered via AC adaptor (included) or eight AA batteries
Onboard rhythms with 27 different patterns (nine types and three variations each)
Edit sounds, access additional rhythm variations, and more with the dedicated DUAL CUBE BASS LX Editor
Stereo XLR balanced line output
Phones/Rec jack with support for an inline headphones microphone
USB audio for direct recording and livestreaming
Control jack for up to two external footswitches
i-CUBE Link/Aux In jack for audio playback
Selectable Loopback function for USB and i-CUBE Link/Aux In
Onboard looper (requires optional footswitch)
Connector for optional Bluetoothr Audio MIDI Dual Adaptor (BT-DUAL)


Specifications

Rated Power Output: 10 W (5 W+5 W)
Nominal Input Level: INPUT: -10 dBu (1 M ohm), i-CUBE LINK/AUX IN: -20 dBu (15 k ohm)
Nominal Output Level: LINE OUT L, R: -10 dBu
Speakers: 12 cm (5 inches) x 2
Controls: POWER switch, COMP/DRIVE knob, DRIVE button, AMP TYPE knob (SUPER FLAT, FLAT, VINTAGE, MODERN, ROCK), MEMORY button, GAIN knob, VOLUME knob, BASS knob, MIDDLE knob TREBLE knob, EFFECTS knob (CHORUS, FLANGER, T-WAH), DELAY/REVERB knob, START/STOP button, PATTERN knob (METRONOME, JAZZ, ROCK, BLUES, R&B, FUNK, METAL, LATIN, COUNTRY), VARIATION button, TAP TEMPO button, VOLUME knob (RHYTHM GUIDE), MIC VOL knob, MASTER knob, LOOPBACK switch (i-CUBE LINK/AUX IN), LOOPBACK switch (USB)
Indicators: POWER, DRIVE, MEMORY, START/STOP, VARIATION, REC, PLAY, DUB

Connectors:
INPUT jack: 1/4-inch phone type
PHONES/REC OUT jack: Stereo Miniature phone type (Stereo, CTIA)
i-CUBE LINK/AUX IN jack: Stereo Miniature phone type (Stereo, CTIA)
LINE OUT L, R connectors: XLR type
FOOT SW jack: 1/4-inch TRS phone type
Bluetooth ADAPTOR connector: Dedicated connector
USB port: USB B
DC IN jack
Power Supply: AC adapter (DC 9 V), Alkaline battery (AA, LR6) x 8, Rechargeable Ni-MH battery (AA, HR6) x 8Current Draw370 mA
Expected battery life under continuous use: Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

*1 When using batteries having a capacity of 2,500 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: Owner's Manual, Leaflet USING THE UNIT SAFELY, AC adapter, Power cord, Mini cable (4-pole miniature phone type)

Options (sold separately):
Footswitch: FS-5U, FS-6, FS-7
Bluetoothr Audio MIDI Dual Adaptor (MODEL BT-DUAL)
Wireless MIDI Expression Pedal: EV-1-WL

Size & weight
Width: 341 mm / 13-7/16 inches
Depth: 205 mm / 8-1/8 inches
Height: 261 mm / 10-5/16 inches
Weight (excluding AC adaptor): 4.4 kg / 9 lbs 12 oz

Notes: Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: Digitally-controlled full-analogue path Granular + Multimode VCF

The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analogue domain and goes through analogue circuits from in to out.

The digital processor does not convert or generate audio signals; it is there to control the analogue circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.

Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.

The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V
0 mA 5V

Notes: Stonk it's a joystick controller with 2 channels of CV and 2 of audio. It's a CV generator, looper & audio processor.

Very hands on module which can be a chaos pad or DJ looper.

Features:

2 audio in & out (AC coupled)
2 CV in & out (DC coupled) i5V
2 extra CV outputs +/-10V
12 illuminated push buttons
CV & Audio looper (2:30 per channel)
LFO
Euclidean envelope generator
Multimode Filter
Stereo Reverb
Wave
VCA

The audio AD/DA is 24 bit, 48 KHz, the internal audio handle is 32 bit float.

The CV AD/DA is 16/12 bits, 12 KHz.

The extra CV outputs are the analogue sum and difference of the CV outputs 1 & 2.

Each channel has 6 modes available. By default 2 parameters are assigned to the horizontal & vertical axes but this can be easily tweaked, so it's possible to control any of them (frequency, symmetry, offset or amplitude of the LFO, for example) not only with the joystick but with the 2 CV inputs.

The polarity control & offset of every parameter can also be modified on every mode and every channel.

6 presets for store and recall not only the joystick assignment and settings but all the parameter values for all modes and channels.

Size 12 HP
mA +12V
mA -12V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Notes: The Austrian Audio MiCreator is a new type of creative tool. Equal parts high-quality condenser microphone and simple audio interface with USB-C r connectivity, MiCreator gives you the flexibility to create what you want-how you want. Just plug in and start recording in top-notch audio quality instantly. Or expand your setup using MiCreator's additional input to achieve stereo recordings, record an additional sound source, and more. And whether you're recording at home or on the go, you can create with confidence thanks to MiCreator's ultra-durable metal housing. So, whether you're looking for a capable plug-and-play microphone or a multifaceted production tool, MiCreator simplifies your creative process and delivers no-compromise results.

MiCreator System

Unleash your creativity

MiCreator Satellite

TRRS microphone with headphone jack
Custom Condenser Capsule - Record in top notch audio quality
Max SPL: 130 dB SPL - Record even very loud sources
FlexTilt mechanic - Easily position the mic head for optimal recording
Full metal housing - Longlasting and durable
Headphone jack
Exchangeable & customizable face plates for an individual and personalized look


MiCreator Y-Lav
Lavalier microphone with headphone jack
Pairs seamlessly with MiCreator Studio to unlock powerful creative flexibility
Connected via the Link Connection (In/Out jack on the MiCreator Studio)
Record high-quality audio for video projects and more
Connect a second pair of headphones via the built-in headphone jack

Cubase LE

free Steinberg software included

Cubase LE is the perfect introduction for aspiring music producers and composers. It's a powerful yet easy-to-use DAW that gives you everything you need to create professional music. With its intuitive interface and comprehensive features, Cubase LE is the perfect way to learn the basics of music production. Cubasis LE for iOS devices is unlocked when MiCreator Studio is connected to an iOS device.

WaveLab Cast

free Steinberg software included

WaveLab Cast is the ultimate audio production and podcast software for Mac and Windows. With its powerful features and intuitive user interface, WaveLab Cast makes it easy to create professional audio content. Whether you are an experienced podcaster or just starting out, WaveLab Cast has everything you need to create great sounding podcasts.

Technical Specifications
Digital Resolution: max 48kHz/24-Bit
Digital Connector: USB-C - USB Audio Class 1.0/2.0 compliant
Directional characteristic: Cardioid
Frequency range: 20 Hz - 20 kHz
Sensitivity:- 35dBFS/Pa (low gain)/-15dBFS(high gain)
Hardware Gain Switch: 0dB (low)/20dB (high)
Equivalent noise level: 22 dB SPL (A) (high gain)
Max SPL: 130 dB SPL (low gain)
Output Power: 45mW (32Ohm Load)
Dynamic Range: 89 dB(A)
In/Output TRRS: for instrument cable, 2nd headphone or MiCreator Satellite or Y-Lav
Dimensions: 155 x 60 x 37 mm
Weight: 370g

Notes: The updated "Skiff friendly" design of the mml filter now features bipolar "Attenu-verters" for the cv controls as well as an all new red mode!

This new mode activates a feedback distortion circuit capable of actually changing the pitch of the notes coming in to the filter in a musical way that adds instant variety to acid basslines, creates weird and strange alterations to drones or adds some nice overdriven distortion to whatever goes into it!

The multi-mode ladder (mml) filter is based on the classic transistor ladder low pass filter by dr. Robert a. Moog. This filter updates the classic 4-pole ladder design to provide band pass and high pass filter responses as well as the traditional low pass filter. There are 2 bipolar controls with attenu-verters for the cut-off frequency plus a cv input for the resonance.

The core of the circuit features a fully discrete transistor design with an op-amp buffered output, this allows soft saturation of the input signal to get the classic overdriven tones of the ladder filter. A bass compensation circuit has been included to retain the bass response in low pass mode when the resonance is increased. The bass compensation also helps to improve the response of the high pass filter.

The red mode is activated/de-activated by holding the mode button for 0.3s. In this mode the filter cut-off, input volume and resonance all interact and the effect is to produce alterations to the incoming frequencies. The pitches of the audio coming into the filter also affect the alterations as well selecting between low pass, band pass and high pass filter modes whilst in red mode.

Features

Low pass, band pass and high pass modes.
Red mode feedback distortion.
CV controlled resonance.
Added low frequency compensation.
Soft saturation of input.
2 x bipolar attenuverter CV inputs.

Width: 6 HP
Depth: 25mm
Power: +12v = 50ma / -12v = 39ma

Notes: With the Zomo Flightcase D-Live-2 NSE, you expand your DJ gear with a reliable partner that securely houses and stylishly showcases your Denon DJ SC Live 2 DJ controller. This high-quality flight case stands out for its robustness and elegance, and it belongs to the trendy NSE series - Night Style Edition, which is known for its unique aesthetics and durability.

As the ultimate protector for your DJ controller, the D-Live-2 NSE flight case takes on any challenge, whether you're traveling by car or flying. These resilient cases are ready to face any challenge and keep your valuable equipment safe from the harshest stage conditions.

Constructed from 9mm thick laminated plywood, this flight case offers an extra dose of stability. It withstands shocks, scratches, and effortlessly meets the demands of touring life. Sturdy ball corners and particularly robust, black lacquered aluminium profiles complete the durable construction and give the case an attractive and long-lasting aesthetic.

The handling of the D-Live-2 NSE flight case is incredibly easy. Before every performance, you can quickly and effortlessly remove the lid and front panel, even when the DJ controller is still inside the case. You'll always be ready to go and can fully focus on your performance.

The Zomo flight case not only excels in terms of practicality but also boasts an attractive appearance. The elegant NSE edition in black immediately catches the eye and enhances your professionalism. The convenient butterfly latches ensure secure handling by enabling easy opening and closing of the lid.

You can rely on high durability and optimal fit, providing your DJ controller with the space it deserves - safe, protected, and stylish.

Features of Zomo Flightcase D-Live-2 NSE:

Perfect fit: The Zomo Flightcase D-Live-2 NSE is tailor-made for the Denon SC Live 2 to ensure optimal protection and precision fit. Your DJ controller is always safe and well-protected.

High-quality construction: The flight case is made of laminated 9mm plywood, guaranteeing a robust and durable structure. It withstands both shocks and scratches.

Additional protection with interior padding: Interior padding protects your DJ controller from damage and unwanted influences, providing a secure and protected storage space.

Quick and easy access: The lid and front panel of the flight case can be quickly and easily removed, even when the DJ device is still inside the case. Ideal for quick access before and after performances.

Elegant and eye-catching design: The Zomo flight case captivates with its elegant design in the black NSE edition, drawing all attention and emphasizing your professionalism as a DJ.

Robust butterfly latches: They ensure a secure closure of the flight case while remaining easy to use. They also offer the option to attach an optional lock for additional security.

Transport-friendly: Integrated handles make it easy and comfortable to transport the flight case.

High lifespan: The flight case's sturdy ball corners provide additional protection against shocks and vibrations, contributing to its high lifespan.

Technical Specifications:

Suitable devices: 1x Denon DJ SC Live 2
Exterior material: 9mm plywood
Colour: Black (NSE)
Weight: 11.3 kg
Exterior dimensions: 716 (width) x 483 (depth) x 206 (height) mm
** The devices shown and/or mentioned in the photos are NOT included!

Suitable devices: Denon DJ SC Live 2
Suitable brands: Denon
Laptop shelf included: No

Notes: The Zomo Flightcase PM-A9 Plus NSE is the ideal case for your Pioneer DJ DJM-A9 mixer. The unique Night Style Edition (NSE) gives this flight case an impressive, jet-black appearance that convinces not only with its robust quality but also with its stylish look.

As a renowned manufacturer of DJ cases, Zomo ensures that its products are suitable for both road and air transport. Therefore, the DJM-A9 equipment flight case is well-equipped to handle all DJ gigs effortlessly. Excellent internal padding reliably protects your equipment from damage, scratches, or external harm and also prevents the mixer from slipping.

The PM-A9 Plus NSE flight case is made of solid, laminated 9mm plywood, giving it high shock and scratch resistance. The extra-wide, black lacquered aluminum profiles and the sturdy ball corners ensure high durability, which is essential for professional use.

In case you need access to the mixer's inputs during your performance, the front panel can be quickly and easily removed even when the DJ gear is still inside the DJ case. A special feature of the PLUS version of this flight case is the integrated, pull-out laptop shelf. It provides a secure hold for your notebook during the performance, enhancing the case's practicality.

The Pioneer DJ equipment case in the dark NSE edition not only offers professional quality but also captivates with a classic appearance that is guaranteed to catch everyone's attention. The butterfly latches ensure a secure hold of the lid and allow for easy opening and closing. For additional protection, all NSE flight cases can be secured with an optional padlock.

With the Zomo Flightcase PM-A9 Plus NSE, you'll get a professional DJ case that leaves nothing to be desired in terms of quality, design, and functionality.

Features of Zomo Flightcase PM-A9 Plus NSE

Protects your equipment from negative influences
Premium quality and craftsmanship
Most stable construction
Contemporary design
Brilliant shelf for laptops
Well-crafted internal padding
Genius ball corners for optimal shock protection
High-quality butterfly latches
Convenient carrying handles
Removable lid

Technical Specifications

Suitable devices: 1x Pioneer DJ DJM-A9
Integrated pull-out shelf for 1x notebook up to 17 inches
Outer material: 9mm plywood
Color: Black (NSE)
Weight: 15.2 kg
External dimensions: 497 (Width) x 563 (Depth) x 220 (Height) mm
** The devices depicted and/or mentioned in the photos are NOT included in the delivery!

Suitable devices: Pioneer DJ DJM-A9
Suitable brands: Pioneer DJ
Laptop shelf included: Yes

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: The OpticTone is a combination of a 12dB multi-mode Vactrol Filter and a Vactrol Voltage Controlled Amplifier.

It is a completely original circuit inspired by the singular nature of Vactrols and their fluid and natural character.

The Filter section provides the three fundamental filter types: Lowpass, Bandpass and Highpass.

A Resonance knob with voltage control input is available for improved modulation flexibility. The feedback knob interacts with the Resonance path, tempering it from creamy resonance to wacky self-oscillation.

Filter and VCA run in parallel, both are controlled by the Freq/Amp knob and it's associated voltage-control input. The combination of both signals can be crossfaded with a dedicated knob.

The Freq/Amp is also controlled with direct touch control on the panel via the 3 lines below the knob.

The filter frequency control can be inverted by the Inv Freq switch, providing the possibility to change the filter direction. This feature allows the filter to "close" when the VCA is "opening" or the other way around.

The Ping input allows to generate the well known vactrol filter percussive sounds if a gate or trigger signal is provided. The Ping frequency if controlled by the Freq/Amp knob, ranging from low kicks drums to high pitch bongos.

There is also a Drive knob to take care of your saturation needs. The Overdrive range is wide, from soft textural clipping to heavy distortion.

All voltage controlled inputs have an attenuator-inverter knob.

Features:

Vatrol based 12dB multi-mode Voltage Controlled Filter: Lowpass, Bandpass and Highpass.
Vactrol Based Voltage Controlled Amplifier.
Crossfade between VCF and VCA section.
Voltage controlled Resonance.
Ping Input for percussive sounds generation.
Cutoff Frequency polarity inversion switch. Doesn't change VCA polarity
Overdrive and Feedback controls.
Attenuator/inverter knobs on all voltage controlled inputs
Touch control over Frequency and Amplitude.


Specs:

Width: 10HP
Depth: 33mm
Power consumption: 55mA +12 / 55mA -12
Eurorack Format
Doepfer power connection

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one especially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) also features heavy-duty spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DDJ-REV5 Black Plus (Laptop Shelf) not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 15,80 kg / 34.76 lbs
Outer Dimensions (W x H x D): 84.4 x 51.5 x 24.3 cm | 33.2 x 20.3 x 9.5 inch
Inner Dimensions (W x H x D): 73.8 x 36.2 x 5.5 cm | 29.1 x 14.3 x 2.2 inch
Material: Heavy duty construction of 9 mm thick plywood

Protection:

Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Cable access hole with removable UDG emblem cover
Removable front access panel

Fits

Pioneer DDJ-REV5 controller

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.

Review: Celebrating its 30th anniversary this year, the third and final album from Nirvana should require little to know introduction. Repressed, remastered and redefined over and over again, the Steve Albini-produced, mainstream-eschewing swansong has only grown to become one of the ugliest left-turns the 90s grunge scene ever spat out. This super-deluxe three decade celebratory edition comes with two live concerts recorded in Los Angeles in December '93 and Seattle in January '94, five previously released B-sides, six bonus live cuts, as well as a removable front-cover acrylic panel with the album's iconic Angel; a 48-page hardcover book with unreleased photos; a 20-page newly designed fanzine; a Los Angeles tour poster lithograph by hot rod artist Coop; replicas of the 1993 record store promo Angel mobile, three gig fliers, two ticket stubs for Los Angeles and Seattle, an All-Access tour laminate, and four cloth sticky tour backstage passes: Press, Photo, After Show, and Local Crew!

Notes: Excellent studio-quality sound in a compact package from this clever PreSonus design. 4.5-inch coaxial drivers deliver point source reproduction, for precise imagine and off-axis response.

Supplier's Notes:
The Eris Pro 4 reference monitors employ a single point-source coaxial design for clear and accurate sound reproduction. This design provides superior phase alignment between components and delivers a wide sweet spot, precise stereo imaging, and symmetrical dispersion patterns - unique advantages for Dolby Atmos immersive rooms as well as stereo mix environments.

The Eris Pro 4 also delivers finely detailed transient response, and stunning dynamics that create a natural and less fatiguing listening experience. A 1-inch ultra-low mass, silk-dome tweeter ensures snappy, accurate transient reproduction, while a 4.5-inch woven-composite woofer offers tight, clear bass, with plenty of punch and no flab. A ported enclosure and 80 Watts of power allows the Eris Pro 4 to reach down to 55 Hz.

Acoustic tuning controls let you configure the Eris Pro 4 for your room and three-way Acoustic Space tuning can compensate for the effects of speaker placement against a wall or in a corner.

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything. Lastly, provisions for wall and ceiling mounts make it easy to integrate Eris Pro 4 monitors into any stereo or multi-channel system.

Specifications

Series: Erisr
Colour: Black
Country of origin: CN

Electronics

Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 99 dB (@ 1 meter)

Speakers
Crossover frequency: 3.4 kHz

Hardware

Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)
Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs:1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 8.50x7.00x5.00 IN
Shipping weight: 9.04 LB
Product depth: 8.6" (21.8 cm)
Product height: 9" (22.9 cm)
Product width: 7.5" (19 cm)

Shipping length: 5.00 IN
Shipping height: 8.50 IN
Shipping width: 7.00 IN

Accessories
Footswitch: N/A

Miscellaneous
Power cable: IEC

Protections:

RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter

Notes: The ZIO Analog Bass Preamp + DI is an ultra-low noise, all-analogue preamp and DI for bass guitar. The pedal offers maximum headroom and a simple but flexible set of tone shaping controls. ZIO Bass can be used as a direct input using the balanced XLR output for connection to a mixer or audio interface as well as with headphones through its dedicated headphone jack.

The ZIO Bass features a simple control panel. The OUTPUT knob offers +12db of additional boost plus a significant amount of cut. The BASS and FOCUS controls work best in tandem - use the BASS knob to increase low-end output and the FOCUS knob (which adjusts the cut-off point of a high-pass filter) to eliminated excessive lows and create added punch. The TREBLE knob boosts or cuts the high frequencies, providing enhanced articulation without adding harshness.

The GRIT toggle enables a mild distortion to mimic the transformer-style breakup from high-end bass amps. GRIT mode's gain level can be adjusted for more or less distortion with the GAIN control located on the side of the pedal. The SCOOP toggle engages a special midrange cut to clean up "muddy" mid-range frequencies. The SCOOP profile is based on the "Pultec Trick" - a setting commonly used with vintage Pultec Equalizers to add clarity.

The pedal has three outputs that can be used individually or simultaneously. The OUTPUT jack connects to an amplifier or pedalboard.

The DIRECT OUT is a balanced XLR output that sounds great running into a mixer or audio interface for recording or live sound applications. The HEADPHONE jack features a high dynamic range, low noise amplifier that is capable of driving low impedance studio headphones.

Notes: Studio grade connectivity.

Your studio needs more than just accessible patching - exceptional audio quality through the entire signal path is crucial! Black Lion has been improving already-great gear through their modification service for years, and all that know-how has been channelled straight into the PBR TRS3.

The PBR TRS3 is a 48-point TRS patchbay, suitable for the most robust routing imaginable in a single rack space, loaded with 96 audiophile-grade gold-plated 1/4" TRS connectors for maximum conductivity and signal clarity. You'll easily interconnect your preamps and other outboard hardware via its audiophile-grade, secure connections.

Limitless flexibility and road-worthy construction

You'll reconfigure your entire studio's routing at a moment's notice (while cutting down on cable clutter! The rear-mounted 3-way mode switches allow for Normal, Half-normal, and Thru operation, delivering unlimited routing potential for mults, bypassing, monitoring, and parallel processing.

Black Lion's team of engineers have worked tirelessly to ensure that the PBR TRS3 delivers proper quality through-and-through. The PBR TRS3 is also built Black Lion-tough, with a reinforced steel chassis and black-anodized aluminium faceplates that make for a matched and sophisticated look.

Not your average patchbays.

Configure your studio with the best: Black Lion Audio PBR Series Patchbays. Your recordings deserve the best, and maintaining a great signal path is crucial!

Features

96 audiophile-grade gold-plated 1/4" TRS connectors
Rear-mounted 3-way mode switches for Normal, Half-normal, and Thru operation
Black-anodized aluminium faceplate and reinforced steel chassis
Includes front panel labels
Exceptional value for the price

Specifications

Number of Points: 96
Front Connectors: 48x XLR
Rear Connectors: 48x TRS
Dimensions: 534 x 102 x 51mm, 1.4kg (boxed)

Notes: Advanced generative sequencer featuring mutes per channel and transposition facilities.

Akropoli is an extension and enhancement of our successful Little Melody and High Towers modules, offering the features of both of these modules as well as some of it's own unique features such as mute buttons per channel, manual transpose knob and 1V/oct transpose CV input. Akropoli operates using Frequency Central's proprietary TOOL V2 code, and can count in integers as well as multiples for even more subtle and evolving variations.

Akropoli is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of it's parts.

Akropoli's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Akropoli is quantized chromatically for fast set up and continuously pleasing results. Akropoli has an onboard transposition knob, as well as a 1V/oct transposition CV input.

The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down. For further information on Presets and Modes see the Little Melody User Guide.

Additionally, each clock divider has it's own binary output (either high or low), these 4 outputs can be used to clock/gate/trigger other stuff on other modules to great effect.

Product Specifications

12V draw
50mA

-12V draw
36mA

5V draw
0mA

Depth
35mm

Notes: A unique analogue take on granular synthesis, inspired by Yannis Xenakis, the Grainity pairs a granular filter with a multimode filter to create new textures and harmonics.

Supplier's Notes:
The Grainity brings a unique and never-heard-before concept to the world of analogue VCF.

While being based on analogue filtering only, the Grainity expands and enriches the sound in creating subharmonics, harmonies, unison, flanging effects and formant filtering all at once.

The module presents two sections, the granular filter itself and a typical multimode filter, each with its own output.

A third output offers a mix of both filter paths. Numerous controls and CV allow a very wide palette of results.

What is the Grainity

Granular?

The word granular was chosen for this filter module in relation to the concept invented by the composer Yannis Xenakis, and which is described as assembling small chops of sounds - he called grains - according to a pattern.

This is exactly what the Grainity does, no more no less ... but, digital control allows doing it in ways that are decades away from what tape and scissors allowed at the time.

Technology wise ...

In the granular section, the incoming sound cycle is determined in order to step through various filtering and phase variations of itself according to predefined patterns called structures.

The controls allow alterations to the cycling phase, cycling frequency offset (tuning), structure selection and frequency division of the filters cycling. This comes in addition to the usual filter frequency and resonance controls.

What the Grainity is not

Technology wise ...

Despite relying on a microprocessor, the Grainity is not a digital audio processor. At any time, the sound remains in the analog domain and goes through analog circuits from in to out.
The digital processor does not convert or generate audio signals; it is there to control the analog circuitry and manage the interface and display.

Sound wise ...

Several digital modules offering granular processing rely on the layering of sound grains, which leads to blurry and cloudy textures.
Layering of the grains is a late addition to the concept of granular synthesis and is not a mandatory feature of the concept.
The Grainity does not use delay lines or sampling memory but is nevertheless true to the foundations of the granular synthesis concept.

The granular VCF in the Grainity is unconventional in that, most of times, it is not filtering the sound in the common expectation of removing something. Typically, the granular process adds more than it removes by expanding both the lower range, creating subharmonics, and the upper harmonic contents in multiples ways.

Dimensions
10 HP
21 mm deep

Current Draw
101 mA +12V
59 mA -12V

Notes: The Quadigy is a complex envelope generator focused on live play.

The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage.

This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.

The user interface offers an intuitive access for otherwise complex settings.

Advanced features such as automatic time-stretching, multiphase clocking and full morphing put the Quadigy in a category on its own.

Dimensions
14 HP
21 mm deep

Current Draw
24 mA +12V
10 mA -12V
40 mA 5V

Notes: The ultimate companion for producers on the move - the UDG Ultimate Producer Backpack Trolley. This sleek and versatile backpack is designed to meet the demands of modern music producers and DJs, combining style, functionality, and durability in one package.

The Producer Backpack Trolley is more than just a bag; it's a travel companion designed to make your life easier while maintaining a sleek, professional look. Whether you're a DJ, music producer, or someone who needs a reliable, feature-packed backpack for travel, this is the perfect choice. Elevate your gear transportation experience with the ultimate in style and functionality. Get yours today!

Specifications

Colour: Black, Orange inside
Weight: 4,25 kg / 9.35 lbs
Outer Dimensions (W x H x D): 39.5 x 62.0 x 32.0 cm | 15.5 x 24.4 x 12.6 inch
Inner Dimensions (W x H x D): 35.0 x 45.5 x 15.5 cm | 13.8 x 17.9 x 6.1 inch
Material: Water Resistant Nylon 420D

Protection

Padded MIDI controller compartment
Inseparable wheel cover
Comfortable moisture absorbent shoulder straps
Ergonomic back padding provide exceptional comfort
Integrated with a TSA combination lock
Easy backpack to trolley mechanism

Extras

Multiple external pockets for accessories & smaller gear
Quick access top pocket
Top & side carry handles
Retractable handle with 2-stage trolley system
Smooth rolling in-line wheels with high quality in-line skate bearings

Fits

Main compartment fits up to 18.4" laptop.
Pioneer CDJ-3000, Ecler Warm4, Reloop RMX-95, Roland SPD-SX Pro, Ableton Push 3

Notes: ***B-STOCK: Box opened, product in perfect working order***


Trying to find your gateway into modern DJing? Look no further than the MDJ-600 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software with its USB, MIDI and CD compatibilities.

MDJ-600 - Tiny, Yet Fierce:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Auto/Manual Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Fast Learning, Faster Results

The MDJ-600's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 5-inch touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-600 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V

Notes: High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Tiny but powerful studio monitors from Yamaha's hugely popular HS range. Impressive bass response all the way down to 60 Hz despite their compact dimensions. Here in their white colourway.

Supplier's Notes:
High-quality compact studio monitors for the uncompromising creator

HS Series speakers have become the standard in studio monitors, trusted for many years by the world's top audio engineers, producers, and artists. Now Yamaha has redefined their essence in a compact housing. The HS3 and HS4 are powerful tools to help create a wide range of audio content-from music production to video editing-that meets the expectations of creators who have limited space and need to keep the volume down but do not want to compromise on monitoring quality.

Sound that is always true to the original

The HS3 and HS4 continue the design philosophy and know-how of previous Yamaha studio monitors. No effort has been spared in the pursuit of the optimal product, and the resulting speakers comprise carefully selecting parts such as a high-performance class-D amp, a highly resilient MDF cabinet, and woofers and soft dome tweeters that deliver a sound that is faithful to the source despite their small size. They also feature proprietary "Twisted Flare Port" technology that reduces air turbulence noise in the bass reflex port, providing clear and accurate bass. That's the secret to why the HS3 and HS4 deliver outstanding resolution, sound image, and depth, with a flat response across all bandwidths without any colouring of the original sound.

Optimal sound tailored to your environment

The sound produced by speakers is sometimes affected by the surrounding environment.

The rear panels of the HS3 and HS4 are equipped with ROOM CONTROL and HIGH TRIM functions that allow you to make adjustments to achieve the ideal sound for any environment, such as reducing the unneeded, exaggerated low-end that can often occur when speakers are placed next to walls.

Inputs and controls to fit any use case

The rear panel of the HS3 and HS4 is equipped with combination XLR/TRS phone, RCA, and stereo mini connectors, allowing you to connect to a wide range of professional and consumer equipment such as computers, audio interfaces, audio mixers, and electric instruments. The most commonly used features-power button, volume knob, and headphone connector-are located in the front for easy access.

Compact and portable

The compact size of the HS3 and HS4 was made possible thanks to the highly efficient class-D amp. Using one amp for two speakers has enabled us to both reduce the weight of the speakers and simplify the cable connections. They take up little space even in a small bedroom studio, and are easy to take with you on the road.

General specifications

Speaker type: 2-way powered speaker, Bass-reflex type
Frequency response (-10dB): 60 Hz - 22 kHz
Frequency response (-3dB): 83 Hz - 20 kHz
Crossover: 2.3 kHz
Maximum Output Level (Measured peak, IEC noise@1m): 102 dB SPL
Components: HF: " Dome, LF: 4.5" Cone
Nominal impedance: 6 O
I/O connectors: [Input Connector] L Side: COMBO (XLR/TRS Phone) ×2, RCA ×2, Stereo Mini, R Side: Speaker Input; [Output Connector] L Side: Headphone, Speaker Output
Output power: 26 W + 26 W (Dynamic, RL=6 O), 20 W + 20 W (THD 0.1%, 1kHz, RL=6 O)
Input sensitivity: LINE 1 (COMBO): +4 dBu, LINE 2 (RCA, ST Mini): -10 dBu (Volume: Maximum)
Input Level: LINE 1 (COMBO): +20 dBu, LINE 2 (RCA, ST Mini): +6 dBu (Maximum Input)
Input impedance: LINE 1 (COMBO): 20 kO, LINE 2 (RCA, ST Mini): 10 kO
Controls: Front: Volume, Rear: ROOM CONTROL SWITCH (0/-2/-4 dB under 500 Hz), HIGH TRIM SWITCH (+2/0/-2 dB above 2 kHz)
Indicators: Power ON (White LED)
Power requirements: Depending on area of purchase; 100-240 V, 50/60 Hz (*)
Power consumption: 15 W
Cabinet material: MDF

Dimensions

Width: L Side: 150 mm (5.9"), R Side: 150 mm (5.9")
Height: L Side: 240 mm (9.4"), R Side: 240 mm (9.4")
Depth: L Side: 213 mm (8.4"), R Side: 203 mm (8.0")

Net weight: L Side: 3.7 kg (8.2 lb), R Side: 3.1 kg (6.8 lb)

Accessories: Stereo Mini - RCA Cable 1.5 m, Speaker Cable 2.5 m, Anti Slip Pad, Quick Start Guide, Safety Guide
Packaging: Pair

* While this product will work at a voltage of between 100 V to 240 V, as limiter settings vary depending on the supply voltage, make sure to use this product at the supply voltage indicated on the rear panel of this product.

Notes: Part of Xaoc's Leibniz Binary Subsystem, the updated Drezno ADC/DAC module builds on the original with higher resolution converters, allowing you to use it for pitch quantisation.

Supplier's Notes:
Drezno II is an improved version of the original Drezno module. It is an essential member of the 8-bit Xaoc Devices Leibniz Binary Subsystem. The Leibniz subsystem is a family of modules that operate on 8 binary (two-state, on/off) signals. These signals are arranged as 8 bits of digital data and may represent analogue signals and voltages, or they may be whatever you want them to be (clocks, gates, rhythms, etc.).

Drezno features an ADC (analogue-to-digital-converter) and DAC (digital-to-analogue-converter), allowing it to act as an analog front-end of the system. In other words, Drezno allows one to convert analogue signals and CVs into digital numbers, as well as to obtain analogue signals back from some other digital numbers (or 8 binary signals). Between these two conversions there is a whole universe of digital shenanigans waiting to happen resulting in all kinds of signal transformations and modulations.

Both (ADC and DAC) sections of Drezno can work independently, or they can be linked. Input and output range of analogue signals may be adjusted using Gain and Offset sliders. Individual bit outputs (for the ADC) and inputs (DAC) allow for extensive cross-patching and the creation of complex waveforms and rhythms. A very fast clock (up to 2MHz) at which the conversions are performed may be replaced with any external clock (for each section separately).

Compared to its predecessor, Drezno II uses new converters of much higher resolution which results in much lower noise floor and higher accuracy. The lower bits are much more stable than before. It is easy now to use Drezno for quantizing pitch voltages with accurate results with 128 or 256 semitone steps. Potentiometer ranges are factory calibrated for precise chromatic scale. A new switch on the front panel allows the user to select the calibrated range of 10Vpp or 20Vpp, so that the lowest bit or the second bit correspond to 1 semitone.

Technical details

Eurorack synth compatible
12hp, skiff friendly
Current draw: +80mA/-50mA
Reverse power protection

Notes: Part of Mackie's ProFXv3+ series, this six-channel model offers great value, with built-in audio interface, Bluetooth streaming and GigFX+ effects.

Supplier's Notes:
Mackie ProFX6v3+ is a professional 6-channel analogue mixer and USB-C audio interface featuring Onyx preamps and EQ, switchable USB recording modes, Bluetoothr for capturing phone calls and upgraded effects you can adjust on a colour LCD screen.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetoothr channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Product features
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
2-band EQ on channels 1 and 2
One-button compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 5/6
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 6
Mic inputs: 2
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Customized to hold the Pioneer DDJ-REV5 Controller and a 19'' rack mount device (1U) such as a wireless microphone system, power strip or storage drawer. Crafted from 9 mm vinyl laminated plywood, sturdy aluminium profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road. The included 19" rack mounting brackets allow individually fastening of a 1U 19" unit (or smaller devices) at the front underneath the controller.

Fits

Pioneer DDJ-Rev5

Basics

Heavy duty construction of 9 mm vinyl laminated plywood
Solid aluminium profiles and spring loaded latches
Incl. gliding laptop platform (removable)
Incl. two 19" rack mounting brackets to fix 1U devices underneath the controller
Full padded interior keeps controller well-protected
Detachable front cover/panel
Incl. recessed wheels for easy transportation
Solid rubber feet

Specs

Outer measures: 82,4 x 50,7 x 22 cm
Inner measures: 73,6 X 36,3 X 5 cm (Controller-compartment)
Weight: 17 kg

Notes: The highly coveted Octave Clang has made a triumphant return to Death By Audio's Queens workshop. Long presumed extinct, the OC was never really gone, merely in a state of hibernation-evolving, refining, and enhancing its already extraordinary sound.

In the decade since it disappeared, Death by Audio have revisited the original Clang circuit, sculpting it into something better-a more ferocious, menacing, and thunderous force that is as usable as possible for today's musicians.

Embraced by professionals and punks alike, the vintage Octave Clang was created to unleash distinctly unconventional tones that captivated the senses. In this, it succeeded, but many users found it difficult to tame. Today, Death By Audio have refined and extended the range of the original controls, added a foot-switchable octave, and did some under-the-hood supercharging.

The resulting circuit is an insane yet versatile beast, empowering you to easily sculpt discordant ringing drones, visceral octave scrapes, and ground-shaking distortion. The revitalized Octave Clang is primed and ready to destroy!

Controls

Bypass (Left Footswitch): Turns the Octave Clang on and off (red LED).
Octave (Right Footswitch): Toggles the Octave Up mode (yellow LED). The yellow LED stays on/off when the pedal is bypassed to indicate if the Octave Up is engaged.
Volume: Controls the output level. Goes from totally silent to extremely loud. When set above your normal volume, it propels your chain into overdrive
Gain: Sets the gain of the Octave Clang. This can (and will) drive the rest of the circuit into overdrive and fuzz. Can provide up to +39dB of gain.

Tone: A powerful pre-gain tilt EQ, this control adjusts the amount of highs and lows going into the rest of the circuit. This can make the octave and fuzz react very differently. Overloading the lows yields a larger, more blown-out sound while overloading the highs gives a more cutting and clear sound.

Bias (Internal): Allows misbiasing the distortion circuitry. Leave this control in the middle (5-6) for standard functionality, or turn it left or right to skew the character of the distortion to a rougher sound.
Access this control by removing the back plate of the Octave Clang.

Specifications

Dimensions: 4.8" x 3.7" x 2.1" (including hardware).
Weight: 11.5 oz.
Power: The Octave Clang is powered by a standard 2.1mm 9V DC adapter with a centre-negative polarity. Isolated power supplies are recommended. It is also possible to use the Octave Clang with a 9V battery (not provided). When not using a battery, the internal battery snap should be attached to the corresponding battery snap holes on the board. This will prevent the contacts from shorting out against the circuitry. Do NOT leave the battery snap floating inside the pedal when not using a battery.
Current Draw: 10 mA

Notes: ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is TipTop#s second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP
Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

Building off of the lush, tonal landscapes that the Julia Analog Chorus/Vibrato created, Julianna is an all analogue, digital LFO, stereo chorus/vibrato with new expanded features. Julianna is able to produce mild smooth chorus, to seasick vibrato, to everywhere in between.

Familiar controls like Lag, Dry-Chorus-Vibrato Blend, and selectable LFO wave shapes are all still here, but Julianna employs some new tricks: The Secondary LFO speed, modulation drift, tap/expression control and momentary features will have you commanding all new kinds of sounds not found in traditional chorus pedals.

Unlike most other chorus pedals, the Julianna and Julia have a special feature called Lag control. The Lag knob lets you set the centre delay time that the LFO modulates. From smooth and tight modulation at lower settings, to a warbling detune at maximum, the Lag knob adds a new dimension to the traditional chorus/vibrato landscape.

D-C-V KNOB

The DCV knob sets the ratio of dry to wet signal through the mono channel of the Julianna. Traditional mono chorus sounds can be heard with the knob set around noon. Pitch vibrato is found in the full clockwise position. The ground in between offers unique blends of chorus and vibrato not commonly found on other chorus pedals.

When both outputs are connected, set the DCV knob to full counterclockwise to send your dry signal to the mono output and vibrato signal to the stereo output for a traditional stereo chorus sound. Explore other variations by turning the DCV knob up slightly to add some vibrato signal to the dry output changing the stereo image.
Dimensions and power consumption:

6,6 x 12,2 x 5,6 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julianna
Manual
Sticker
Guitar pick
Pouch