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Good Girl (feat Asia Argento)
Losers (feat Anna Prior)
One More Time (feat Delila Paz)
Ghost Rider
Everyone (feat Jehnny Beth)
New Love (feat Best Youth)
Bright Lights, Big City (feat Ray & Sean Riley)
Keep It Burning (feat Sarah Rebecca)
Once I Knew No Pain (feat Calcuta)
Will We Be Alright
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Review: 3 Men Gone Mad were an independent group formed in Blackburn and Darwen in the UK. They fused electronic sounds with rock and were prolific in the 1990s when they became cult favourites amongst those who know. You Try is a much sought-after collection that has been restored by Utopia Records many years after it made its way onto John Peel's 1991 Festive 50. He heard in it a mix of The Clash, Joy Division and Talking Heads and that still rings true. The main mix has a raw energy that captures the angst of Britain at the time - and still today, frankly. A spaced-out dub brings a fresh feeling of euphoria and an extended B-side mix draws out this record's undeniable pleasures.
… Read more in stock $14.27
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You Should Always Keep In Touch With Your Friends (reissue) (limited transparent blue vinyl 7" + poster)
Cat: ON 506. Rel: 05 Mar 24
Indie/Alternative
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Review: Following on from 2022's critically acclaimed, Mercury Prize nominated debut LP The Overload, crossing over the bridge provided by last year's absurdist, Black Mirror-indebted eight-minute stand alone single 'The Trench Coat Museum', everyone's new favourite Leeds based post-punks Yard Act are set to capitalise on their momentous winning streak with the highly anticipated sophomore effort Where's My Utopia? Recorded in collaboration with Gorillaz member Remi Kabaka Jr handling production duties, sonically the band have opted to open their playful dynamic to as many sprawling influences as possible, simultaneously leaning into synth-laden new wave territory whilst citing Fela Kuti's political messaging and worldly psychedelia as an integral aspect. As lyrically snide and sharp as ever, the reliable brand of tongue-firmly-in-cheek socio-political commentary reaches ludicrous new heights when unpacking the band's success to date, their self-awareness of being signed to a subsidiary of a subsidiary of another soulless corporation aggressively at odds with the members' personal ethos, and even the increasing admiration/begrudgery that stems from the ascension within the eyes of their supporters. It's all clever, dense, humorous and delivered via an onslaught of razor-focused bangers. In essence, it's Yard Act.
… Read more in stock $13.24
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Cat: 196588 45682. Rel: 16 Feb 24
Indie/Alternative
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Weak People (coloured vinyl LP + insert (comes in different coloured vinyl, we cannot guarantee which colour you will receive))
Cat: MLTVR 029V. Rel: 01 Jan 90
Indie/Alternative
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Cat: NEMYCD 013. Rel: 01 Feb 24
Indie/Alternative
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Review: Walls Have Ears first surfaced as a bootleg live album from an unknown source, cropping up in conjunction with a throng of incendiary live performances by Sonic Youth made between London and Brighton at the height of their fame. Though the original bootlegger's identity is unknown - Thurston Moore was livid at the fact, famously mumbling, "our creative control was put on the spot by this guy" - the album is tightly and expertly assembled, lending it enough credo to be reissued by Goofin this 2024. As Sonic Youth biographer Steve Chick wrote of the album, "unloved by its creators, Walls Have Ears proves that artists sometimes aren't the best judges of their own artistic output," and this is, nonetheless, a whoppingly firecracking sound.
… Read more in stock $14.01
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Review: Given their Radiohead connections Thom Yorke and Jonny Greenwood make up two thirds of the band), there's always been an enormous amount of interest in The Smile - a lockdown-born project that has plenty of potential. Wall of Eyes, the trio's second album, is certainly impressive. For proof, check the moody, suspenseful and slowly unfurling title track (all pulsing, low-slung semi-acoustic grooves, eyes-closed vocals, dense electronic textures and soundtrack strings), the heady, subtly jazz-flecked wall of sound that is 'Friend of a Friend' (listen out for the music concrete-style sound collage sitting in the background of the White Album era Beatles-esque 'Friend of a Friend'), and the lo-fi, string-laden headiness of the largely beat-free 'Bending Heretic', whose cut-glass horror strings and Nine Inch Nails style guitars are impressively intense at times.
… Read more in stock $10.90
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Cat: 725610 2. Rel: 30 Nov 23
Indie/Alternative
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Cat: LCDSTUMM 378. Rel: 01 Mar 24
Balearic/Downtempo
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Cat: SC 491CD. Rel: 29 Feb 24
Folk/Americana
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Review: Skep Wax's first Under The Bridge compilation, released in 2022, reunited the bands, songwriters and producers who populated cult early '90s indie label Sarah Records. This hotly anticipated follow-up repeats the trick, presenting 20 recently recorded cuts from the Bristol-based imprint's original roster of artists. It too, is a hugely successful - and understandably nostalgic - exercise, with hi9ghlights including the bright-and-breezy indie jangliness of Action Painting's 'Just Who Are The Cockleshell Heroes', the shoegaze-influenced dream pop haziness of Soundwire's 'Everything Is Real', the near Balearic soft focus shuffle of 'Double Nine' by GNAC, and the saucer-eyed excellence of The Orchids' 'A Final Love Song'.
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Twice Told Tales (reissue) (limited 180 gram white vinyl LP)
Cat: CLO 4993. Rel: 06 Dec 23
Indie/Alternative
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Review: Ten years after she made her debut on Greco-Roman, singer-songwriter Tirzah drops her third studio album, a collection of imaginative and sugar-free love songs crafted with the help of frequent collaborator Mica Levi. Trip9Love, which was recorded over the course of a year at their homes and "various studios around South-East London and Kent", is relatively minimalistic in terms of the musical elements employed - think looped piano motifs, beats that sit somewhere between lo-fi hip-hop and hyper-pop, and Tirzah's now familiar voice - but still sounds surprisingly "big". It's a great example of a simple idea, executed brilliantly, with standout cuts including the infectious 'You All The Time', the ambient pop style 'Their Love', the gritty and crunchy 'Stars', and the flash-fried '2 D I C U V', where Polly Jean Harvey-esque guitars catch the ear.
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They Say That (Everything's Alright) (reissue) (limited clear vinyl 7" + booklet)
Cat: MR 7363. Rel: 19 Dec 23
Punk/Hardcore
Review: The Zeros were a pioneering punk rock band from Southern California who burst out in the late 70s before calling it quits at the turn of the decade. They had a spell of activity in the 90s, but it was their grip of early singles which cemented their legendary status, culminating in 'They Say That (Everything's Alright)' and 'Getting Nowhere Fast' in 1980. Short, sharp and catchy as hell, this is So-Cal punk rock at its finest, now repressed by Spanish label Munster on white 7" with the original artwork intact.
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Therese (reissue) (limited translucent violet vinyl 7" + poster)
Cat: ON 507. Rel: 05 Mar 24
Indie/Alternative
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Cat: 405053 8958959. Rel: 16 Nov 23
Classics/Ska
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Review: Few bands have sidestepped expectations as cannily as Mount Kimbie. Initially a duo but now expanded into a quartet, the British band has previously excelled in mixing, matching and fusing a wide range of experimental and left of centre electronic music influences. On The Sunset Violet, their first full-length as a quartet, they've shifted sonically once more, leaning into their indie-rock influences on a set recorded in California. The latter aspect - and the impact of being surrounded by sunshine and desert - is reflected in the warmth and haziness of the sound, which draws on the layered vocals and guitars of vintage shoegaze while also reaching for more familiar aspects of the band's previous experimental electronic sounds (for proof, check the ghostly musical vision that is King Krule collaboration 'Boxing').
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