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Notes: A digital DJ looking for a professional, durable case solution for your Ableton Push 3? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Ableton Push 3, this case is perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,90 kg / 1.98 lbs
Outer Dimensions (W x H x D): 42.4 x 40.7 x 6.1 cm | 16.7 x 16.0 x 2.4 inch
Inner Dimensions (W x H x D): 38.4 x 32.2 x 4.5 cm | 15.1 x 12.7 x 1.8 inch
Material: Durashock moulded EVA foam

Protection:

Covers main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Extra space for cables
Heavy duty handle
Easy grip zipper pulls

Fits

Ableton Push 3 + extra cables

Notes: Limited-edition white version of Arturia's ever-popular MiniLab controller, now in its third iteration. Features 25 velocity-sensitive keys, eight RGB pads, eight rotary encoders and four faders.

Supplier's Notes:
MiniLab 3 Alpine White

Ice-cold music maker

MiniLab 3 Alpine White is a music-making controller keyboard with a fresh makeover. Control music software, create your own tracks with inspiring sounds & samples, and get playing with comfy keys & pads - all in dazzling white.

A MIDI controller with a minimalist aesthetic

Rediscover the keyboard controller of choice for today's production pros & beginner music makers alike, decorated with a lush modern aesthetic to elevate any setup.

A fresh all-white look

This mini keyboard controller is going for that ultra-clean, contemporary design vibe with a white exterior, white keys, and white controls.

A fresh all-white look

This mini keyboard controller is going for that ultra-clean, contemporary design vibe with a white exterior, white keys, and white controls.

Easy to use

Explore amazing synth & instrument sounds on your computer, make beats & musical ideas in minutes, and sharpen your production skills - great for beginners.

Everything you need

Play keys, punch in a drum loop, connect to MIDI gear, and get creative with premium musical software included as standard.

Be creative anywhere

MiniLab 3 Alpine White is tiny. It fits perfectly in your lap, in small spaces in your home studio, balanced on top of other gear, and even on an airline tray-table. Don't let a lack of space get in your way. Whenever you get the chance to live out your creativity, this little controller will be ready.

Pint-sized control freak

Small but mighty, MiniLab 3 Alpine White has an expressive, velocity sensitive keyboard, 8 RGB backlit pads, 8 rotary encoders, and 4 faders to put you in total control of your virtual instruments, DAW, and effects. 1 knob is even clickable, letting you navigate menus and select presets right on your controller!

Every sound you need included

What software & sounds do you get with MiniLab 3? From recording software to a library of over 4 million samples, you're totally kitted out for whatever music you want to make.

A Hands-on Experience

Explore the layout, features, and hidden talents of MiniLab 3 in detail, from its quality slim keyboard to its easy-to-use creative commands.

Main Features

Premium Keybed quality

25 high quality note velocity-sensitive slim keyboard

Pads & controls
2 banks of 8 velocity & pressure sensitive pads with RGB backlighting
8 rotary encoders
4 sliders
2 capacitive touch sensors for pitch bend and modulation wheel

Display control
Mini display & clickable browsing knob
real-time feedback on tweaks and controls

Smart features

Built-in arpeggiator
Chord mode
Hold function
Octave up and down buttons
Semitone transpose

Software integration

Seamless integration with all Arturia software instruments, including Analog Lab: select sounds, browse presets and smart-assigned controls
1 DAW preset for automatic integration with any major DAWs
DAW Transport Control with MCU protocol for every other DAWs
Up to 5 user presets for a totally customizable experience
Connectivity

USB-C connects to computers and iPad
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB powered

Size & weight

Instrument size: 14 x 8.7 x 2 inches (355 x 220 x 50mm)
Instrument weight: 3.3 lbs (1.5 Kg)

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple

Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments

Notes: Introducing the Ergonomic Studio Stand for Ableton Push 3: a game-changer in the world of music production. Designed with your comfort and productivity in mind, this stand is the ultimate solution for those seeking a more immersive and ergonomic music-making experience.

Crafted with precision, the stand offers a sleek and sturdy design that seamlessly integrates with your Ableton Push 3 controller. By elevating your controller to an optimal height and angle, it eliminates the strain on your wrists and neck, allowing you to focus on your creativity without any discomfort.

One of the standout features of this stand is its ability to enhance your visual experience. With a specially designed screen mount, it brings the Ableton Push 3's display closer to your line of sight, ensuring crystal-clear visibility of every detail. No more squinting or straining your eyes to read parameters or follow your music-making process. The screen becomes an extension of your creativity, effortlessly accessible at all times.

The stand's ergonomic design also promotes a more organized and efficient workspace. Its integrated cable management system keeps your cables neat and tangle-free, reducing clutter and allowing you to concentrate fully on your music production. Additionally, the stand's robust construction ensures stability, even during intense sessions, guaranteeing a secure and reliable platform for your Ableton Push 3.

Whether you're a professional music producer or an aspiring artist, the Ergonomic Studio Stand for Ableton Push 3 offers unparalleled comfort and convenience. It enhances your workflow, minimizes physical strain, and maximizes your creative potential. Take your music production to new heights with this exceptional accessory that is both stylish and functional.

Upgrade your studio setup today and revolutionize the way you create music with the Ergonomic Studio Stand for Ableton Push 3. Experience comfort, visual clarity, and an improved working environment that will elevate your musical journey to new levels of excellence.

Notes: Poti II expander notable features:

- per-channel input and output attenuation for the SINE and ASSGN outputs
- per-channel shape modulation with switchable destination (wave folding, shape switching, PWM)
- stores settings during a power cycle
- LED indication of the discrepancy between the stored setting and current pot position
- 4HP
- +10/-0mA from Batumi II

Notes: Plastic dust cover for Soma Laboratory Terra.

*** The Terra is not included, it is shown in the pictures for demonstration purposes only. ***

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
24HP wide

Notes: Polycarbonate Protection

Transparent polycarbonate lid for the Cascadia made by Decksaver. Keep your synth patched and dust-free:

Clearance to leave your Cascadia patched with a Lid attached.
Perfectly sized to fit with Cascadia in our Cascadia Gig Bag.
Lightweight and rigid.
Made by Decksaver UK with smokey polycarbonate.

Notes: NANOPATCH M is a tiny and incredibly versatile patch bay, with mini jacks sockets on both the rear and the top panel. It is ideal for connecting to instruments and a mixer when used in conjunction with NANOPATCH X.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

Mini jack sockets on the back panel makes it easy to connect to eurorack systems and small instruments such as Korg Volcas.

3.5 mm to 6.35 mm cables can be used when connecting to equipment with 1/4" sockets.

Using standard eurorack cables, easily patch signals from a NANOPATCH M through effects connected to a NANOPATCH X (and back again).

How It Works

Rear sockets labelled 1/2, 3/4, 5/6 and 7/8 can be used for either mono or stereo signals. For example, if a TRS cable is plugged into rear socket 1/2, the left and right channels will break out to sockets 1 and 2 on the top panel. If another cable is plugged into rear socket 2, rear sockets 1 and 2 will correspond to sockets 1 and 2 on the top panel, both in mono.

Normalling

Channels 1-4 can be full-normalled to channels 5-8 using DIP switches located on the side of the NANOPATCH M.

This allows a signal to pass through from instrument to mixer without the need for any patching. When a patch cable is inserted into either socket of a normalled pair, the connection is broken, allowing for custom routing of the signal.

Typical Setup

A typical setup would be to have four instruments connected to channels 1-4 and four mixer channels connected to channels 5-8.

Connections to the mixer could either be made with four separate mono cables (utilizing the sockets on the side) or with two insert cables (as in the diagram).

Notes: Module A-130-2v is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control (also named Initial Gain) and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently the VCAs can be used to process both audio and control voltages (e.g. for voltage control of the level of LFO or envelope signals). The signal input has no attenuator available but is capable to process up to 16Vpp signals (i.e. -8V...+8V) without distortion. For the processing of higher levels an external attenuator (e.g. A-183-1) is recommended.

The amplification range is 0...1. Even with a higher external control voltage the amplification remains at 1 (kind of "amplification clipping" at 1).

Controls (for each of both units):

Gain: manual gain control (Initial Gain) in the range 0...1
CV: attenuator for the CV input
lin/exp: switches the VCA characteristic to linear or exponential, in center position the VCA is off (mute function)
Inputs and outputs (for each of both units):

CV: control voltage input, min. +5V required for max. amplification (1) with CV control fully CW and Gain fully CCW
In: signal input, max. 16Vpp (+8V...-8V) without distortion
Out: signal output

A-130-2v is the slim version of module A-132-3 and offers essentially the same features. But the distances between the controls are smaller and rubberized small-sized knobs are used. In return the front panel has 4 HP only which is half the width of the A-132-3. The module is primarily planned for applications where only limited space is available.

Power consumption: 30mA at +12V and 30mA at -12V

Depth: 50mm

HP : 4

Notes: Module A-130-4 contains four linear VCAs with a common level control section for all four VCAs. It can be used for all applications of simultaneous amplitude/level control of up to four different audio or CV signals. A-130-4 is the replacement of the no longer available module A-132-2. Compared to the A-132-2 the width has been reduced from 8HP to 4HP.

The module has these controls and in/outputs available:

Control Man.: manual control of the amplification
Control CV: attenuator for the control voltage applied to socket CVo socket Input 1
Sockets In 1...4: VCA inputs 1...4
Sockets Out 1...4: VCA outputs 1...4

Application examples:

simultaneous amplitude/level control of up to four different audio or CV signals
polyphonic application 1: simultaneous control of the frequency modulation depth of 4 VCOs (Quad-LFO A-145-4 or Quad-VCLFO A-147-5 > A-130-4 > FM inputs A-111-4)
polyphonic application 2: simultaneous control of the pulsewidth modulation depth of 4 VCOs (Quad-LFO A-145-4 or Quad-VCLFO A-147-5 > A-130-4 > PWM inputs A-111-4)
simultaneous control of quadrophonic signals

Technical notes:

The maximum amplification for each VCA is about 1 ("Man." control fully CW). Even with an external control voltage applied to the CV input the maximum amplification is limited to 1.
The module is equipped with two internal connectors (pin headers with 4 pins each). Pin header #1 can be used to normalize the four inputs to other modules (e.g. Quad LFO A-145-4 or A-147-5, Quad ADSR A-143-2). Pin header #2 can be used to connect the four outputs to other modules.
The max. level at the VCA inputs without clipping/distortion is about 20Vpp or +/-10V.

Dimensions
4 HP
45 mm deep

Notes: The bestseller goes digital

iRig USB gives guitar and bass players an affordable and easy way to practice, play and record at home or on the go. This digital version of IK's widely popular iRig 2 features a sleek new enclosure with USB-C connectivity and comes bundled with IK's latest amp and effects modelling technology.
Easily record ideas or jam along to your favourite backing tracks with killer tones and without the need of any other gear. When it's time to play out loud, iRig USB offers a dedicated Amp Out so you can use your device tones with a real rig for playing and performing.

Whether it's through headphones or loudspeakers, iRig USB makes playing fun again and inspiring wherever you go.

Key features

Compact audio interface for guitar or bass
Works with iPad, Mac, PC and iPhone 15*
1/8" headphones out for silent practice
1/4" Amp out connects to your amp or pedalboard
Works with your favourite learning, practice and recording apps
Packed with AmpliTube & TONEX amp modelling apps
Powered by your device, no batteries required
*Lightning devices require Apple's Lightning to USB 3 Camera Adapter

Ultra-compact with big sound

iRig USB is small enough to fit in your pocket, yet features a wide frequency response and dynamic range on the instrument input to work with any guitar or bass, active or passive. Setting your level is quick and easy using the large gain control knob with clipping indicator. And for listening back, both the Headphone Out and Amp Out offer exceptional sound quality for a device this size.

Play more, learn faster

Practicing should be fun and inspiring. Use iRig USB anywhere and connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's never been easier to make progress on your guitar journey.

Rcording ideas

Next time inspiration hits, launch your favourite app and start recording in seconds. iRig USB is recognized by all desktop and iOS** recording apps. TONEX and AmpliTube for Mac/PC both work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. On mobile devices, you can use iRig USB to record a DI or record a processed guitar part with the included TONEX or AmpliTube CS for iPhone and iPad.

**with iOS lightning device, the iRig USB will require a CCK connector/adapter.

Exclusive software included

iRig USB is ideal for exploring new sounds for guitar and bass. With Mac/PC and iOS versions of both TONEX and AmpliTube included, you'll always have your dream rig with you for practicing and recording.

TONEX SE gives you the power of AI Machine Modelling and comes loaded with 200 Premium Tone Models, which are captures of real amps and pedals, plus you can browse, demo and download unlimited Tone Models from ToneNET. You can even use TONEX software for capturing your own amp and pedals to use at home, on the go and inside AmpliTube 5.

AmpliTube 5 SE for Mac/PC plus AmpliTube for iOS offer the ultimate tone processing and recording studio. Both versions give you essential amps, effects and speaker cabs to create amazing guitar and bass tones. Play, practice and record on your desktop or mobile device with the most authentic and hyper-realistic gear models ever made.

Jamming out with friends

No more lugging a pedalboard to rehearsal spaces or someone's garage. Access to all your favourite tones is right in your pocket. Just show up, connect iRig USB's Amp Out jack to an external amplifier or powered monitor and start playing incredible-sounding AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Grow wherever you go

Whatever your level and style of music, iRig USB will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and recording ideas. Sound better, play more and improve faster throughout a lifetime of guitar with iRig USB.

Common

AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz and 48 kHz
Host connection: USB Type-C socket

Instrument Input

Input impedance: 500 kOhms
Maximum input level: +13.5 dBu
Frequency response: From 20 Hz to 20 kHz within 0.5 dB (48 kHz sample rate)
Dynamic range: 90 dB(A)

Amp Output

Configuration: Unbalanced
Output impedance: 3.3 kOhms
Frequency response: From 10 Hz to 20 kHz within 1 dB (48 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output

Output impedance: 22 Ohms
Maximum output level: approx 6mW into 50 Ohms load
Frequency response: From 10 Hz to 20kHz within 1 dB (48 kHz sample rate)
Dynamic range: 94 dB(A)

Package includes

iRig USB interface
USB-C to USB-C cable (60 cm/23.62")

Dimensions

Size: 99 mm/3.9" x 42 mm/1.65" x 25 mm/0.98"
Weight: 54 g/1.9 oz.

Compatibility

Computers

Mac: macOS 10.6 or later. One free USB port.

Windows: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

iOS Devices

Compatible with iPhone and iPad devices with USB-C connector.

Also compatible with iPhone and iPad devices with Lightning connector using Apple's Lightning to USB 3 Camera Adapter.

Android Devices

Compatible with Android devices running Android 5 or later and with USB digital audio capabilities.

Notes: Moog is synonymous with synthesizers, and we have created a triple stand for three of their latest inventions. This triple stand is designed for the Mother32, DFAM, and Subharmonicon. You can assemble the parts as a triple stand, or you can use them separately as a double stand and an elevated single stand. While these synthesizers already have a slight incline, you will see how much more comfortable it is to use them together in a column and how much space you can save on your studio table. CoverUp studied the cabinets of each device to design a stand that fits perfectly and takes advantage of each shape to add strength and stability. Spce has been left to ensure the rear connectors don't collide with the stand. All of CoverUp's stands come with 3M rubber feet to prevent scratching or slipping.

Notes: You've been plugging, patching and sweeping for hours, when it hits you: you're not actually listening to what you're making. Up until this point, the sad reality of modular has been that your ears won't hear the sweet sounds of your music, unless you invest in a bloated, oversized output module or a professional mixer. This ends now.

The Herzlich Micro Phone Out is an active headphone output in only 2hp - and it includes a very pleasantly tactile volume slider! Gone are the days where you would have to spend untold hp on useful and clean headphone outputs, now all that remains is beautiful, small simplicity.

No stereo signals to process? No problem. The left channel automatically works as a mono input with nothing plugged into the right channel. Forget everything else - this is the one and only output module you'll need!

Dimensions
2 HP
34 mm deep

Notes: Soft case for Soma Laboratory Terra.

Notes: Remote extension module that allows to connect 16 signals (audio, CV, gate or whatever) between large or spread-out cases.

To avoid bleeding, signals are isolated with a ground line between them (both in the ribbon cable and the printed circuit).

The bundle consists in two XT modules and two ribbon cables (1, 1.5 or 2 meters depending on the option selected).

This is a passive module, it does not draw any current.

5 HP

Notes: Remote extension module that allows to connect 16 signals (audio, CV, gate or whatever) between large or spread-out cases.

To avoid bleeding, signals are isolated with a ground line between them (both in the ribbon cable and the printed circuit).

The bundle consists in two XT modules and two ribbon cables (1, 1.5 or 2 meters depending on the option selected).

This is a passive module, it does not draw any current.

5 HP

Notes: Remote extension module that allows to connect 16 signals (audio, CV, gate or whatever) between large or spread-out cases.

To avoid bleeding, signals are isolated with a ground line between them (both in the ribbon cable and the printed circuit).

The bundle consists in two XT modules and two ribbon cables (1, 1.5 or 2 meters depending on the option selected).

This is a passive module, it does not draw any current.

5 HP

Notes: As the name suggests this module can produce sub frequencies of -1 and -2 octaves relative to the square wave signal provided at the input jack.

But this is not just a simple SUB generator. It also has a little mixer that will let you add different levels of -1 and -2 octave signals to the original square wave. You can select the -2 octave signal to be a square wave or a pulse wave.

The module has individual outputs for the mixed signal, the -1 octave and the -2 octave.

This little modules can produce enough timbral variation to make you bass sound exciting.

Tech specs:

- 4HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 12mA , -12V 9mA

Notes: Dust cover designed for the ALM 84HP 9U modular synth case.

Notes: ABY; Consistent Connectivity

"To A and B or not to B - that is the question."
Enrico Shakespeare, ye-olde scribe of Berlin

An ABY box is not something that will set the world on fire. But what a good ABY box can do, is start a flame that'll fully ignite your creativity, and this new ABY pedal is a REALLY GOOD one. Expertly built, noise-free, gorgeous looks AND affordable - it just ticks all the boxes.

Whether you're looking to switch or combine your mono input signal using two separate outputs, or switch or combine two separate input signals into one output, the KMA Machines ABY pedal is a dependable little helper for your tonal quest.

Created with a focus on durability, reliability, simplicity and hassle-free operation, this passive ABY switcher also features True Bypass active silent relay-based soft switching to reduce mechanical noise and unwanted pops and clicks when in use.

So, all you have to do is choose your path and perform!

KMA's ABY pedal features a fully passive design for the best signal integrity, along with KMA's True Bypass active silent relay-based soft switching.

While that might be a hell of a wordy mouthful, what it means practically is that the audio signal itself is entirely untouched and without any colouration. Plus, you can use the device in either direction, for sending to different sets of amps or effects or for switching inputs/instruments/devices into your chain.

However, the actual switching is taken care of by KMA's reliable and sturdy soft switches as a separate active circuit. By employing this switching technology, mechanical noise is greatly reduced, as is the risk of those pesky loud clicks and pops that have plagued so many boards and has haunted so many musicians, since the inception of ABY boxes.

The bears eyes light up - how awesome is that!? Okay, besides just looking cool and fulfilling boyhood dreams of an army of robot bears with freaking lasers as eyes, the 3 distinct LEDs actually serve a practical purpose; to quickly and easily show you what signal path you've selected at a glance. Red for A, Yellow for B and Blue in the centre for A&B.

This pedalboard-friendly device seamlessly integrates with your existing setup. It's compact, rugged, lightweight, durable, affordable and can be powered via a standard 9V DC power supply, making it convenient for all walks of sonic life. What's not to like?

So, will you choose A or B? With the KMA Machines ABY pedal, the fate of your signal is in your hands!

Notes: Module A-147-5 contains four voltage controlled low frequency oscillators (VCLFO) with triangle waveform outputs. All LFOs share a common frequency control. Each of the LFOs 2, 3 features a Delta control which is used to shift the frequency of the LFO in question up or down. With the Delta controls at center positions the frequencies of all LFOs are roughly the same. To control the frequencies by external control voltages four CV inputs are available which follow roughly the 1V/oct standard.

The module has these controls and in/outputs available:

Control F: manual control of the frequency for all four LFOs
Control Delta F2, F3 and F4: manual control of the frequency shift up/down for the LFO in question
Sockets CV 1...4: Frequency control voltage inputs (normalled from top to bottom)
Sockets with triangle symbol 1...4: triangle outputs
LEDs: visual displays of the triangle outputs (red = positive, yellow = negative output voltage)

Application examples:

Generation of four triangle modulation signals with a common frequency control for all LFOs and individual controls for the frequency deviation of each LFO, manually adjustable and controllable by external control voltages
Generation of modulation signals for polyphonic FM/PWM applications. For this the four CV inputs are connected to the same control voltages which are used to control the frequencies of the corresponding VCOs. That way each LFO follows the frequency of the associated VCO with the possibility to control the frequency of all VCOs (control F) and the frequency deviations (Delta F controls). For the simultaneous modulation depth control the Quad VCA module A-130-4 is recommended.
Generation of complex modulation signals by summing up the outputs (e.g. by means of a mixer module A-138n / A-138i / A-138j)

Technical notes:

The level of the triangle outputs is about +/-5V (10Vpp)
The manually adjustable frequency ranges from about 0.025 Hz (about 40 seconds) to about 50 Hz with the delta controls of LFOs 2, 3 and 4 about center position
The frequency deviations adjusted by the delta controls are about +/-1:5. Example: with 1 Hz in center position the frequency shift ranges from about 0.2 Hz in position -5 to about 5 Hz in position +5 (1 Hz/5 = 0.2 Hz, 1 Hz*5 = 5 Hz).
The manual frequency controls and the control voltage inputs have an exponential control behavior
With external control voltage the max. frequency is about 150 Hz, the minimum frequency
The scale of the CV inputs is roughly 1V/oct (not adjustable)
The CV inputs are normalled from top to bottom. Provided that only socket CV1 is patched CV1 controls the frequencies of all four LFOs.
When each CV input is patched to it's own control voltage each LFO is controlled individually by it's own CV. In this case CV1 controls only the frequency of LFO1.
Internally the rectangle outputs are available at four terminals (typ level +/-10V or 20Vpp). If required they can be wired to four sockets of a DIY breakout module made by the user, 1k protection resistors are recommended to avoid short circuits. If lower levels are required passive attenuators (voltage dividers) may be used.
Internally is even an (unbufferd) triangle sum signal available. For this each of the four triangle outputs is simply connected to the sum output terminal via a 47k resistor. This output has high impedance and should be buffered or amplified to avoid level drop when the load changes (e.g. by means of an A-180-3 or A-180-4 or A-183-3).
By changing the values of the capacitors in the LFO circuits even other frequency ranges are possible (e.g. Quad VCO to form kind of a cloud VCO). Pay attention that the accuracy of the CV input scales is not sufficient for precise 1V/oct VCO applications. The 1V/Oct scales cannot be adjusted and the circuits are not temperature compensated.

Dimensions
4 HP
45 mm deep

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


A-138s is a simple but useful 4-in-2 mixing tool. It has four inputs available. Each input is equipped with an attenuator (Level) and a panning control that is used to distribute the signal to the left and right output. Beyond stereo mixing it is equally suited to create variable parallel routings. For example: Any of the four inputs may be routed in variable intensity to feed two filters.

You may regard the A-138s as a smaller version of the A-138m Matrix Mixer.

Inputs and outputs are DC coupled, i.e. the module can be used for the mixing of control signals too.

- 3U Eurorack module, 8 HP wide, 30 mm in depth
- Power consumption: 10 mA at +12 V and 10 mA at -12 V

Notes: MOOER has been impressing musicians around the globe since 2010 with its cutting-edge guitar pedals, and this is set to continue with the new MOOER Purer Octave pedal. MOOER has taken a minimalistic and sleek approach to the design of Purer Octave, whilst leveraging a cutting-edge repitch algorithm to go beyond the functionality of regular octave pedals.

Purer Octave provides guitarists with 15 different polyphonic octave effect combinations in addition to one detune effect. The DSP algorithm separates the high and low input frequencies to ensure every preset operates seamlessly without spectral artifacts or distortions. These two frequency bands can be isolated or combined dynamically through the independent "SUB" and "UPPER" dials, allowing guitarists to finely craft the perfect effect to suit their specific needs.

Despite the minimalistic interface, Purer Octave users can still save their own presets by using the pedal's three-way toggle switch. Guitarists can choose whether to use the pedal's dials in real-time to craft their sound and once they are satisfied with the effect, they can leverage the three-way switch to save their favorite effects. Bypassing the effect simply requires a foot press from the guitarist, the status of which is indicated via an LED light.

Purer Octave is presented within a compact pedal case with a glossy orange finish, complete with an intuitive and tidy user interface. The pedal provides a standardized 14" mono input and output, powered by a 9V DC power port. These features ensure that Purer Octave can be used on the move by any guitarist, offering a truly flexible and intuitive product for octave effect perfection.

Specifications

INPUT: 1/4" mono audio jack (impedance value 470k Ohms)
OUTPUT: 1/4" mono audio jack (impedance value 100 Ohms)
Power supply: 9V DC (center negative)
Current draw: 120mA
Dimension: 93.5 (D) × 42 (W) × 52mm (H)
Weight: 157g
Accessories: Owner's manual.

Notes: Your AKAI deserves to be in a comfortable position to enjoy it. That is why CoverUp have designed this stand so that in your studio, you have the best ergonomics and can make music without thinking about anything else.

Notes: Designed specifically for the Akai MPC Live, this stand offers a comfortable and ergonomic position for your equipment.

Crafted with two feet connected by 6mm rods to provide enhanced stability, ensuring your MPC Live stays securely in place.

Assembling the stand takes only seconds, and it weighs just a few grams, making it perfect for musicians who use their MPC Live for live performances.

To protect your MPC Live and prevent slippage, the stand includes silicone feet that prevent scratching and sliding.

Introducing the MPC Live Stand - the ultimate accessory for your Akai MPC Live. Elevate your performance and experience with this specially designed stand that combines comfort, stability, and convenience.

With its ingenious construction featuring two feet connected by sturdy 6mm rods, this stand guarantees rock-solid stability for your MPC Live. Say goodbye to wobbling or shifting during intense performances, allowing you to focus on creating music with confidence.

Setting up the stand is a breeze. In just a matter of seconds, you can assemble it effortlessly, thanks to its smart design. Plus, its lightweight construction ensures that you won't be burdened by unnecessary weight when on the go, making it an essential companion for live gigs and studio sessions.

It is important that you protect your precious MPC Live. That's why the stand includes high-quality silicone feet, meticulously designed to prevent any scratches or slips. Your MPC Live will stay in pristine condition, ready to perform at its best whenever you need it.

Choose the MPC Live Stand and take your music production to new heights. Elevate your setup, enhance your comfort, and unleash your creativity with this must-have accessory.

Weight: 0,5 kg
Dimensions: 10 × 10 × 10 cm

Notes: If you have Behringer TD3 machines in your studio, this is the ideal stand.

Designed and designed exclusively for the Behringer TD3, it may be more comfortable, more spacious and maintains your equipment 100% safe and stable.

All our supports, keep adherent feet 3m behind them so that the support does not loosen.

Notes: For two Make Noise desktop units

Suitable for 0-Coast, 0-Ctrl and Strega

Made of biocompatible PLA plastic

Connection of the side parts via wooden rods

Colour: Black

Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz

Notes: Holds everything you need

Very high-quality and durable padded gig bags for transporting your semi-modular synth cargo. Sized specifically for Cascadia.

The padded main compartment protects your case from bumps and scratches.
Zipped outer pocket for stuffing accessories and other gear.
The rear pocket closes with velcro at the top but unzips at the bottom to become a handle sheath so your case can sit on top of a rolling suitcase.
Super beefy strap connectors with clipped strap.
Lightweight with a single-handle design

Notes: LOCI Flex is an organically styled 30 degree stand. It has an additional crossbar for supporting larger items and is perfect for studio and performance use.

Great for Desktop Modules and 25 key synths and Eurorack Modular setups.
Crossbar for extra width.
Assembled in seconds.
Super strong.
Precision laser cut from ethically sourced and renewable 6mm Oak veneer.
Beautifully detailed with laser etched logo.
Non-slip pads.
Packs flat to slide in your case or bag.

*** The Akai and Arturia units are not included, they are shown for demonstration purposes only.***

Notes: Unleash your creativity!

Whether you're about to stream your story, build your beat, track, or do anything beyond that - with Neva Duo you're ready to go instantly and as easy as never before.

Coming at a super affordable price, Neva Duo offers superior audio quality, elegant design and an extensive software package while retaining a compact form. Equipped with professional pre-amplified microphone and guitar inputs as well as two line inputs, it offers everything you need to get started right away. The USB-C port makes it easy to connect to your computer or mobile device. Neva Duo comes with professional ASIO drivers including DirectWIRE loopback function and more, so you can focus on your creativity.

Features
2 input / 2 output 24-bit / 192kHz USB 3.1 audio interface with USB-C connector
2x XLR microphone preamp with +48V phantom power support
2x Hi-Z inputs with 1/4" connector
USB bus powered (no additional power adapter needed)
Line output with balanced/unbalanced 1/4" TRS connectors
Headphone output with 1/4" Stereo connector and separate volume control
ADC with 97dB(a) dynamic range
DAC with 107dB(a) dynamic range
Zero latency hardware direct input monitoring activated by switch
Master output volume control
Supports Windows 10, Windows 11 with ASIO 2.0, MME, WDM and DirectSound
Supports macOS via the native CoreAudio USB audio driver from Apple
Stereo hardware loopback channel for internal recording
Includes Bitwig Studio 8-Track DAW
Includes Steinberg WaveLab LE audio editor license
Works with Cubasis LE from Steinberg for iPhone / iPad
Includes 3 month (up to 9000 minute) subscription to JackTrip Virtual Studio
Dimensions: 13cm x 9cm x 4cm

Connectors & Functions

LINE HI-Z SWITCH 1 for input 1 to switch between Line / Microphone signals and Hi-Z guitar signals.

LINE HI-Z SWITCH 2 for input 2 to switch between Line / Microphone signals and Hi-Z guitar signals.

+48V PHANTOM POWER SWITCH to provide power for condenser microphones.

DIRECT MONITORING SWITCH to enable or disable input monitoring to listen to the input signals.

GAIN KNOB 1 to change the input gain / input level for input 1. The LED ring indicates the signal level.

GAIN KNOB 2 to change the input gain / input level for input 2. The LED ring indicates the signal level.

HEADPHONE VOLUME KNOB to change the output volume for connected headphones.

MASTER VOLUME KNOB to control the master output volume of the main line output signal.

XLR / TRS COMBO INPUT 1 to connect a microphone via XLR cable, a line signal via 1/4" TRS connector or an electric guitar with 1/4".

XLR / TRS COMBO INPUT 2 to connect a microphone via XLR cable, a line signal via 1/4" TRS connector or an electric guitar with 1/4".

HEADPHONE OUTPUT to connect headphones.

OUTPUT LINE 1/2 to connect the stereo master line level output signal via 1/4" TRS cables for left and right channels.

USB-C CONNECTOR to connect the audio interface to a PC, Mac, tablet or mobile phone.

Small, flexible and ideal for entering the world of digital audio recording

This stylish 24-bit / 192 kHz USB-C audio interface is so small, it will instantly become your new companion on the go and in your studio. Neva Duo is USB bus powered and Plug & Play, just plug it in and start working! It works with any modern Mac (Intel or M1 CPU or better), PC (Windows 10 and higher) and with many portable devices (iPhone, iPad, etc.). No additional AC adapter is needed. You can use the integrated 2 preamps with 48V phantom power for condenser or dynamic microphones with up to 50dB gain using XLR inputs or connect an electric guitars via 1/4" Hi-Z inputs. On the output side, there is an integrated headphone amplifier and there are stereo TRS outputs with master volume control allowing you to connect a mixer, amplifier or active speakers. You can monitor incoming audio signals with zero latency, just push the direct monitor button. The total of 2 inputs with 97dB(a) dynamic range and 2 outputs with 107dB(a) dynamic range can be used for line level signals as well.

Neva Duo is compatible with virtually all common audio software thanks to ESI's professional low latency ASIO 2.0 driver for Windows and CoreAudio compatibility on the Mac. There is even a DirectWIRE hardware loopback function that allows you to route and mix different sound sources internally: perfect for podcasting or live streaming applications.

All this turns Neva Duo into an ideal device to get started in the world of digital audio recording, no matter if you create your own music, if you want to mix and edit audio, if you work on your podcast or even for live streaming. And yet there is more: Bitwig Studio 8-Track and Steinberg WaveLab LE are included. On the iPhone and iPad, you can use Cubasis LE from Steinberg.

An alternative to Neva Duo is ESI's even more compact Neva Uno with one microphone preamp.

Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.

PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.

Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.

To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.

Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.

So all you have to do is plug in and embark on your next thrilling sound design adventure.

Notes: Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions
8 HP

Notes: The Herzlich Man Machine Interface - a beloved instrument, but what if there was even more of it? An MMI with more than one dimension? An MMI arranged in a manner of... matrix?

With operation identical to it's little brother, the MMI Matrix allows the user to patch inputs to outputs by connecting zig-zagged patterns together with fingers, fruits, cables, pizza slices or any other conductive source. The labyrinth patterns will immediately connect the zig-zags immediately adjacent, whether above and below, or on each side. Furthermore, the two labyrinths within labyrinths will connect ALL adjacent inputs and outputs, which may lead to beautiful disasters or otherworldly insights.

As with its predecessor, the MMI Matrix is fully touch and pressure sensitive, reacting to the amount of pressure exerted, the amount of skin connecting, and the resistive quality of your body. Incredibly easy to perform with, the MMI Matrix offers new and far more advanced ways to patch your performances, whether CV, triggers or audio signals. Create reverb swells that vary between different types of reverb, use multiple fingers and labyrinth patterns to mix trigger signals into complex polyrhythms or create beautiful chords by combining various pitch inputs with a chord oscillator. The MMI Matrix also integrates very well with it's little brother, so there is absolutely no need to hold back!

Oh, and as always, it uses NO power! But it will take up 10hp of space in your system. A fair deal!

Dimensions
10 HP
14 mm deep

Current Draw
Module does not draw current

Notes: You want less sound, and you want it fast. You want a mute that doesn't take up any power, a mute that doesn't take up a lot of space, and a mute that accepts three signals. You want a mute that's nice and clicky, and a mute that doesn't cost an arm and a leg.

You've found it.

Dimensions
2 HP

Current Draw
Module does not draw current

Notes: In recent years, stereo signal paths have increasingly found their way into the wonderful world of Eurorack synthesis - so naturally, utilities should follow suit. Introducing the Herzlich PSA, a simple solution to a problem you might not even realize you had. Far from just useful as an attenuator for audio sources in mixdowns, the PSA can also be used to bring audio down to more managable levels (such as line level), attenuate multiple signals simultaneously (like increasing the modulation depth of two LFO's at the same time! It's like having two hands, but with one hand!) and even function as a multiple: Attenuator 1 is normalled to Attenuator 2, so multing your stereo signal (or two mono signals) while attenuating the two signals individually is easy as pie.

There's not much else to say, except that it's passive, and draws no power - and it looks great!

Dimensions
4 HP

Current Draw
Module does not draw current

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: Compact Tuner-metronome combo

The Korg TM-70T is a compact tuner-metronome combo. Offers precise tuning, clear metronome sound, and a user-friendly display. Features a transpose function, long battery life, and is ideal for a range of instruments. Made in Japan for quality assurance.

The TM-70T combo metronome and tuner is the latest evolution in our TM series, expertly blending a tuner and metronome in one practical unit. Designed for the modern musician, it delivers a suite of features in a surprisingly compact design, ensuring you stay in tune and on beat, whatever your instrument.

The TM-70T is designed to be portable and user-friendly. It's small enough to fit in your pocket, yet features an improved display for easy visibility, making it an ideal companion for musicians of all levels.

Korg have fine-tuned the TM-70T for precision and clarity. The tuning is quicker and more accurate, essential for every performance, and the metronome sound is loud and clear, cutting through even in noisy environments.

Notes: Switchy is a module that allows you to turn on or off up to three modules (or busboard) independently of each other.

No need to turn off the whole case: All three voltages (+12V, -12V, 5V) are interrupted at the same time.

Used to reduce the background noise of certain "noisy" digital modules when not in use, to initialize certain modules or change their function, to change an SD card, to relieve the power supply with energy-consuming modules, etc.

Dimensions
6 HP
30 mm deep

Current Draw
20 mA +12V
20 mA -12V
20 mA 5V

Notes: NANOPATCH X is a tiny patch bay with the primary function of connecting to guitar pedals and other effects processors. It can be used in conjunction with NANOPATCH M or standalone, for a variety of purposes.

It also works with CV, so can be used as a breakout box for semi-modular synths with outputs in hard-to-reach places (e.g. Moog Grandmother) and devices that output CV over TRS sockets (e.g. MPC ONE).

Dimensions: 76 mm x 70 mm x 22 mm (not including sockets and feet)

How It Works

Each 1/4" TRS socket on the back corresponds to two mono TS mini jacks on the top panel.

By using insert cables (TRS to dual TS), connect up to four pedals to a single NANOPATCH X.

The inputs and outputs of the pedals are then easily accessible via the top panel, using standard eurorack or TRS cables.

Patching can be done directly from instrument to mixer or via a NANOPATCH M.

Notes: Need an offset voltage? Of course you do, you probably need one all the time, and you can never seem to find one. Well, here's two.

Yes, the Stereo Offset boasts not one but TWO linked offset voltages, and even better, they can be independently set as unipolar or bipolar with jumpers on the back of the module. To further aid your adventure in offsetting, bicolor LEDs will indicate the current state of both outputs.

Smoothly transition between voltages to simultaneously control other functions in your system, either by applying identical voltages to two different places, or by using simultaneous unipolar and bipolar signals for advanced control over your Eurorack system.

Do the right thing - get an offset generator you will love.

Dimensions: 2 HP

Notes: This is an envelope follower based on a classic module from the seventies but with some improvements to suit modern needs.

The IN signal is bifurcated to the envelope follower circuit and also to a THRU output, so the original signal is also available for external processing.

The envelope follower has three controls, a switch to select response time (fast, medium, slow), a pot to adjust GATE threshold and a pot to adjust the envelope CV level.

This little module will help you shape the timbre and/or the level envelopes of your sounds. From dynamic envelope filtering to compressor like side chaining there are lots of possibilities to mangle your audio.

Tech specs:

- 4HP width
- 35mm depth behind front panel including the power connector
- standard 10 pin euro power +12V / -12V
- power consumption +12V 18mA , -12V 16mA

Notes: Unleash your creativity

Designed for seamless pairing with MiCreator Studio, the Satellite microphone unlocks powerful creative flexibility. Link Satellite and MiCreator Studio via the in/out ports to track an additional sound source or even achieve true stereo recordings and capture the energy of the moment. Satellite even works as a standalone mic and offers a headphone jack. Start recording how you want, when you want with Satellite.

Custom Condenser Capsule - Record in top notch audio quality
Max SPL: 130 dB SPL - Record even very loud sources
FlexTilt mechanic - Easily position the mic head for optimal recording
Full metal housing - Longlasting and durable
Headphone jack
Exchangeable & customizable face plates for an individual and personalized look

Technical Specifications

Directional characteristic: Cardioid
Frequency range: 20 Hz - 20 kHz
Max. SPL: 130 dB SPL
Weight: 220g
Dimensions: 100 x 60 x 28 mm

Notes: Turn your MiCreator Studio into a mobile content creation powerhouse with Y-Lav. Record multiple speakers simultaneously by tethering Y-Lav to your MiCreator Studio. And hear your audio in real time with onboard direct monitoring output. No matter what you create, make sure it sounds as good as it looks with Y-Lav.

Pairs seamlessly with MiCreator Studio to unlock powerful creative flexibility
Connected via the Link Connection (In/Out jack on the MiCreator Studio)
Record high-quality audio for video projects and more
Connect a second pair of headphones via the built-in headphone jack

Technical Specifications

Polar pattern: Omni
Connections: 3.5 mm / 1/8" TRRS, 3.5 mm 1/8" TRS Klinke
Weight: 30 g
Dimensions: 35 x 17 x 17 mm

Notes: Custom backpack for the BOSS RC-505mkII and RC-505 Loop Stations

Transport your RC-505mkII or RC-505 in style with the CB-RC505, a premium backpack-style carrying bag for BOSS's popular tabletop Loop Stations.

The slimline design is light and easy to carry, while the plush internal padding fully protects your RC when you're on the move. There's also a sub-compartment for stowing a laptop or tablet, plus a large outside pocket for essential looping accessories.

Creative Magic Everywhere You Go

The RC-505 series eliminates the need to carry lots of additional gear, thanks to its onboard multi-effects, integrated mixing features, and versatile connectivity options. This bag's slim design is just right for users of the tabletop Loop Station, trimming unneeded bulk while providing a protective home for the instrument and core items you need to create and perform.

Smart Onboard Storage

The outside pocket on the CB-RC505 is big enough for a mic, headphones, AC adaptor, and cables, standard accessories for beatboxers and other vocal-based loop performers. And with the flat pocket inside the main compartment, you can expand your creative setup with a laptop or tablet. If you're a looping instrumentalist who needs more room for foot pedals and other external gear, the CB-BU10 Utility Gig Bag is an ideal option.

Premium Construction

The CB-RC505 is built to last with quality materials and construction throughout. The water-resistant nylon exterior is rugged and protective, and there are two thick rubber feet for impact protection when setting the bag on the ground. The padded top handle is comfortable to grab and reinforced for years of travel, and you can easily hide the backpack straps in dedicated pockets when they're not needed.

Custom backpack for the BOSS RC-505mkII and RC-505 Loop Stations
Rugged construction with water-resistant nylon
Plush interior with thick padding
Hideaway backpack straps and handle with comfortable padding
External pocket for a microphone, AC adaptor, and other accessories
Slim sub-compartment for a laptop or tablet
Thick rubber bottom feet
Heavy-duty zipper with custom BOSS pull

Specifications

Compatible Models: RC-505MK2, RC-505
Main Material: Nylon cloth (front cloth), Polyester (inner cloth)

Size & weight
Dimensions (excluding protruding parts):
470 (W) x 310 (D) x 185 (H) mm
18-9/16 (W) x 12-1/4 (D) x 7-5/16 (H) inches
Weight: 1.28 kg / 2 lbs 14 oz

Notes: Uni is a triple attenuverter utility module designed to give cases gigantic macro control knobs.

Inputs:

CV inputs 1 and 3 - CV input for bidirectional attenuation. When input cables aren't plugged into these jacks, 5v reference signals will be used.
CV input 2 - CV input for either unidirectional or bidirectional attenuation. When an input cable isn't plugged into this jack, a 5v reference signal will be used.
Switch - toggles CV input 2 between unidirectional and bidirectional attenuation.

Outputs:

CV outputs 1, 2 and 3 - attenuated CV output. If no cables are plugged into an output jack, it is summed into the subsequent output jack.

25 mA +12V 20 mA -12V 0 mA 5V
10 HP 27mm deep

Notes: ***B-STOCK: Box damaged with tears on packaging, but product is in excellent condition and in perfect working order***


Introducing the Roland Compact 3-Tier Modular Equipment Stand

Elevate your musical experience with the Roland Compact 3-Tier Modular Equipment Stand, a versatile solution designed to enhance your stage setup. Crafted with precision using cutting-edge 3D printing technology, this stand boasts a perfect blend of form and function, offering musicians a truly exceptional experience.

Key Features:

Modular Design: The Roland Compact stand features a smart, modular design, allowing you to use it either as a complete unit or as separate tiers. This adaptability ensures that your equipment setup is tailored precisely to your needs.

Eco-Friendly Materials: We're committed to sustainability! Our stand is created using eco-friendly materials, reducing its environmental impact. You can enjoy your music guilt-free, knowing that you're contributing to a greener world.

Lightweight and Portable: Musicians are always on the move, and we've got you covered. This stand is exceptionally lightweight, making it easy to transport from one gig to another. Say goodbye to the hassle of heavy gear!

Sturdy and Reliable: Despite its featherweight design, the Roland Compact stand is incredibly sturdy. You can trust it to hold your valuable equipment securely, providing you with the stability you need for a flawless performance.

Space-Efficient: With its three-tier configuration, this stand maximizes your available space. Organize your gear efficiently, so you can focus on making music without worrying about clutter.

Whether you're a solo artist, part of a band, or a live performer, the Roland Compact 3-Tier Modular Equipment Stand is the perfect choice for taking your performance to the next level. Its innovative design, sustainable production, and ease of transportation make it an invaluable addition to your musical arsenal.

Notes: ***B-STOCK: Box opened, product in perfect working order***


The bestseller goes digital

iRig USB gives guitar and bass players an affordable and easy way to practice, play and record at home or on the go. This digital version of IK's widely popular iRig 2 features a sleek new enclosure with USB-C connectivity and comes bundled with IK's latest amp and effects modelling technology.
Easily record ideas or jam along to your favourite backing tracks with killer tones and without the need of any other gear. When it's time to play out loud, iRig USB offers a dedicated Amp Out so you can use your device tones with a real rig for playing and performing.

Whether it's through headphones or loudspeakers, iRig USB makes playing fun again and inspiring wherever you go.

Key features

Compact audio interface for guitar or bass
Works with iPad, Mac, PC and iPhone 15*
1/8" headphones out for silent practice
1/4" Amp out connects to your amp or pedalboard
Works with your favourite learning, practice and recording apps
Packed with AmpliTube & TONEX amp modelling apps
Powered by your device, no batteries required
*Lightning devices require Apple's Lightning to USB 3 Camera Adapter

Ultra-compact with big sound

iRig USB is small enough to fit in your pocket, yet features a wide frequency response and dynamic range on the instrument input to work with any guitar or bass, active or passive. Setting your level is quick and easy using the large gain control knob with clipping indicator. And for listening back, both the Headphone Out and Amp Out offer exceptional sound quality for a device this size.

Play more, learn faster

Practicing should be fun and inspiring. Use iRig USB anywhere and connect to the most popular learning apps while playing through the best amp models. Use the included TONEX and AmpliTube apps to load one of your go-to tones then launch your preferred app to study music, tabs or the original song. It's never been easier to make progress on your guitar journey.

Rcording ideas

Next time inspiration hits, launch your favourite app and start recording in seconds. iRig USB is recognized by all desktop and iOS** recording apps. TONEX and AmpliTube for Mac/PC both work standalone or as plug-ins inside your favourite DAW so it's easy to record a DI or a processed guitar part. On mobile devices, you can use iRig USB to record a DI or record a processed guitar part with the included TONEX or AmpliTube CS for iPhone and iPad.

**with iOS lightning device, the iRig USB will require a CCK connector/adapter.

Exclusive software included

iRig USB is ideal for exploring new sounds for guitar and bass. With Mac/PC and iOS versions of both TONEX and AmpliTube included, you'll always have your dream rig with you for practicing and recording.

TONEX SE gives you the power of AI Machine Modelling and comes loaded with 200 Premium Tone Models, which are captures of real amps and pedals, plus you can browse, demo and download unlimited Tone Models from ToneNET. You can even use TONEX software for capturing your own amp and pedals to use at home, on the go and inside AmpliTube 5.

AmpliTube 5 SE for Mac/PC plus AmpliTube for iOS offer the ultimate tone processing and recording studio. Both versions give you essential amps, effects and speaker cabs to create amazing guitar and bass tones. Play, practice and record on your desktop or mobile device with the most authentic and hyper-realistic gear models ever made.

Jamming out with friends

No more lugging a pedalboard to rehearsal spaces or someone's garage. Access to all your favourite tones is right in your pocket. Just show up, connect iRig USB's Amp Out jack to an external amplifier or powered monitor and start playing incredible-sounding AmpliTube presets or TONEX Tone Models from your iOS device (or laptop).

Grow wherever you go

Whatever your level and style of music, iRig USB will keep you connected to the newest and best tools for sounding great, learning new songs, advancing as a player and recording ideas. Sound better, play more and improve faster throughout a lifetime of guitar with iRig USB.

Common

AD and DA resolution: 24-bit
Sampling rate: 44.1 kHz and 48 kHz
Host connection: USB Type-C socket

Instrument Input

Input impedance: 500 kOhms
Maximum input level: +13.5 dBu
Frequency response: From 20 Hz to 20 kHz within 0.5 dB (48 kHz sample rate)
Dynamic range: 90 dB(A)

Amp Output

Configuration: Unbalanced
Output impedance: 3.3 kOhms
Frequency response: From 10 Hz to 20 kHz within 1 dB (48 kHz sample rate)
Dynamic range: 97 dB(A)

Headphone Output

Output impedance: 22 Ohms
Maximum output level: approx 6mW into 50 Ohms load
Frequency response: From 10 Hz to 20kHz within 1 dB (48 kHz sample rate)
Dynamic range: 94 dB(A)

Package includes

iRig USB interface
USB-C to USB-C cable (60 cm/23.62")

Dimensions

Size: 99 mm/3.9" x 42 mm/1.65" x 25 mm/0.98"
Weight: 54 g/1.9 oz.

Compatibility

Computers

Mac: macOS 10.6 or later. One free USB port.

Windows: Windows 10 or later. One free USB port. For low latency, the IK Multimedia's iRig audio driver must be installed.

iOS Devices

Compatible with iPhone and iPad devices with USB-C connector.

Also compatible with iPhone and iPad devices with Lightning connector using Apple's Lightning to USB 3 Camera Adapter.

Android Devices

Compatible with Android devices running Android 5 or later and with USB digital audio capabilities.

Notes: ***B-STOCK: Box opened, product in perfect working order***


ADSR is a four stage linear envelope with two expressive ranges. Each stage can be modified independently allowing for the creation of complex, multi-segment envelopes. Great for modulating filters, VCAs, and oscillators.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


Dual wireless microphone system with fixed UHF receiver and 2 beltpack transmitters, supplied with a choice of neckband or lavalier microphones. The receiver unit is compatible with standard 19" racks using the included rack ears and front mounting antenna accessories.

In the box:

Dual channel receiver
2 x beltpack transmitters
2 x neckband microphones
2 x lavalier microphones
4 x AA batteries
2 x UHF antennas
2 x antenna leads
2 x rack-mounting ears
Mains power adaptor
6.3mm jack to jack lead