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Items 351 to 361 of 361 on page 8 of 8
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Stomp Wizard Cosmic Echo 2 Squared LoFi Tape Saturation Echo Effects Pedal Stomp Wizard Cosmic Echo 2 Squared LoFi Tape Saturation Echo Effects Pedal Stomp Wizard Cosmic Echo 2 Squared LoFi Tape Saturation Echo Effects Pedal Stomp Wizard Cosmic Echo 2 Squared LoFi Tape Saturation Echo Effects Pedal
Cat: 1001349 Rel: 04 Mar 24
 
LoFi tape saturation echo effects pedal
Notes: Great for live performances! The Cosmic ECHO Squared is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 stomp switches, Blast and Warp.

The "Squared" version of the pedal is tailored to live guitar and keyboard performers. It has all the features of the original plus:

Expression pedal input over Rate
Warp and Blast ("Zone" on the Cosmic Echo) are now momentary stomp switches
Blast amount knob now accessible externally

Features:

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

4 knobs: Feedback, Mix and Rate, Blast Amount. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Stomp switch that gives a bright, "small speaker" tone.

Blast button: Stomp switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Blast intensity is adjusted with the Blast Amount knob.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 1590XX case.

Dimensions (L x W x H): 5 3/4" x 4 3/4" x 2 1/8" (146mm x 121mm x 54mm)

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included)
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 1 in stock $181.86
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quote 1001349
Pigtronix Class A Boost FET Clean Boost Effects Pedal Pigtronix Class A Boost FET Clean Boost Effects Pedal Pigtronix Class A Boost FET Clean Boost Effects Pedal Pigtronix Class A Boost FET Clean Boost Effects Pedal Pigtronix Class A Boost FET Clean Boost Effects Pedal
Cat: 1001608 Rel: 21 Feb 24
 
FET clean boost effects pedal
Notes: Warm and cozy

Class A Boost will fatten up and boost anything you feed it. This deceptively simple design uses discreet J-FET transistors in a single-ended "Class A" configuration to achieve the warmest possible tone. Class A Boost can deliver up to 20db of clean boost and remains effective with both instrument and line level signals. Superior signal to noise performance allows you to put the Class A Boost anywhere in your pedal chain. It can add punch and extra output to a classic overdrive sound and is able to push distortion pedals into extremely aggressive crunch land. Class A Boost is also ideal for hitting the front end of a tube amp to achieve an added layer of sweetness.

Knob-by-knob

Level: Sets the overall output volume.

Satisfying saturation

The feed-forward J-FET based design of the Class A Boost provides up to 20db of high-headroom boost with just enough class A saturation to warm up your tone.

Gotta bounce

Late for a rehearsal several light years away, Marvin thought it was a space mirage when he first saw Class A Boost-a trampoline strapped with rocket boosters. But before he knew it, he was blasting through time and space, landing in his buddy's garage right before their drummer (also late) counted in.

Model name: Class A Boost
Function: FET Clean Boost
Category 1: Utility
Bypass: True Bypass

Electronics

Voltage: 9-18VDC
Current draw: 100mA
Input impedance: 10M O
Output impedance: Freq. dependent

Body

Length (inches): 1.5
Width (inches): 3.75
Height (inches): 1.75
Weight (lbs): 0.5
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 1 in stock $91.32
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All-Pedal Galactavise Intergalactic Compression Effects Pedal All-Pedal Galactavise Intergalactic Compression Effects Pedal All-Pedal Galactavise Intergalactic Compression Effects Pedal All-Pedal Galactavise Intergalactic Compression Effects Pedal All-Pedal Galactavise Intergalactic Compression Effects Pedal All-Pedal Galactavise Intergalactic Compression Effects Pedal
Cat: 1001983 Rel: 28 Feb 24
 
Allpedal's flagship compressor; built with the musician's needs in mind, it boasts an uncompromisingly sweet compressor circuit with a Mix control for dialling in that perfect balance of compressed tone and clean tone.
Notes: The GALACTAVISE is Allpedal's flagship compressor. Built with the musician's needs in mind, it boasts an uncompromisingly sweet compressor circuit with a Mix control for dialling in that perfect balance of compressed tone and clean tone.

The top end can often be make or break with many compressor circuits, so AllPedal also added the ability to adjust just the right amount with the Presence control. Made with the highest quality components for a low noise floor and road-worthy durability.

Let the GALACTAVISE blast your tone into orbit!

GALACTAVISE is the best guitar compressor pedal for musicians seeking to balance their sound's dynamics. As the best compression pedal on the market, it allows guitarists to control their volume levels efficiently, ensuring a consistent sound output. This guitar compression pedal is an essential tool for both studio recording and live performance.

As with all their effect pedals, AllPedal took special care in the GALACTAVISE's aesthetics with its finish, sophisticated artwork and anodized knobs.

GALACTAVISE is proudly made by hand in Paducah, KY in the USA using the latest cutting-edge technology in the pursuit of ultimate tone.
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 1 in stock $220.03
Solid Gold FX Aurras Optical Vibraphase Effects Pedal Solid Gold FX Aurras Optical Vibraphase Effects Pedal
Cat: 1000399 Rel: 28 Feb 24
 
Optical phase-shifter effects pedal
Notes: The AURRAS Optical Vibraphase by SolidGoldFX is a powerful effects pedal named after the goddess of sound that meets the legacy of its predecessor the Athena Vibraphase in a harmonious blend of legendary, vintage Uni-Vibe textures and innovative, modern prowess.

Rich, Energetic Soundscapes

AURRAS Optical Vibraphase is a 2-stage asymmetric phase shifter built around a pair of selected and individually controlled opto-isolators offering a clearer signal with minimal distortion while simultaneously isolating the audio path from any possible LFO interference.

The dual LFO setup, powered by a microprocessor, provides limitless sonic flexibility. Drawing inspiration from albums such as Band of Gypsys or the Dark Side of the Moon, the AURRAS delivers the lush modulation and heavy pulse that have shaped Rock & Roll history.

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes. While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping.

Comprehensive Tone-Shaping Controls

With its dual LFOs, expression pedal input, adjustable dry mix control, and offset combined with Speed, Depth and Level knobs, AURRAS transcends eras with a rich tapestry of intriguing, lush liquid soundscapes.

While the AURRAS features a 100% analogue audio path from input to output, it takes advantage of precise digital controls, offering soft-touch relay-based true bypass switching, on-board tap tempo and speed ramping. Set your effect with the Speed knob, Expression Pedal, Tap Tempo, or by using the Ramp function. You can ramp up your LFO speed by simply holding the Tap Tempo footswitch, which will automatically ramp up to double your speed.
You can also ramp down your LFO speed by simply holding down the Bypass Footswitch. This will automatically decrease your speed to half. Repeat this process as many times as you'd like to achieve the desired speed.

Let's talk about LFO Offset

AURRAS runs on a pair of opto-isolators each operating on an independent LFO. While most Phaser or Modulation pedals use a single LFO to create their effect, independent LFOs can open a new array of effects by offsetting their symmetry.

The OFFSET ADJ knob and OFFSET MODE FREQ|PHASE knobs work in tandem. For a more conventional effect, turn the OFFSET ADJ mode fully counterclockwise, allowing both LFOs to be in sync with no offset.

The FREQUENCY OFFSET adds rhythmic patterns by slowing down the second LFO, while the PHASE OFFSET fine-tunes the throb by introducing asymmetry between the LFOs.
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 1 in stock $197.91
Walrus Audio Fable Granular Soundscape Generator Effects Pedal (all black) Walrus Audio Fable Granular Soundscape Generator Effects Pedal (all black) Walrus Audio Fable Granular Soundscape Generator Effects Pedal (all black)
Cat: 1005021 Rel: 14 Mar 24
 
Granular soundscape generator effects pedal, all black
Notes: In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analog Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Granular soundscape generator
Unique soundscapes ranging from smooth ambience to bizarre reverberance to chaotic glitchy swarms
Powerful dual DSP architecture with individual feedback paths
Combine delay programs in series with granular sampling algorithms
5 programs centered around sample and chop delay algorithms
Program 1: Reverse Delay into Reverse Granular
Program 2: Forward Delay into Octave Up Granular
Program 3: Analog Delay into Octave Down Granular
Program 4: Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)
Program 5: Forward Delay into Randomized Pitch Granular
Manipulate sampling length, position and buffer size of grains (short samples)
Play grains at double- or half-speed, reverse or from multiple positions to achieve different effects
Tap Tempo switch
Top-mounted Input and Output
Coated in a slate grey enclosure with white, black, cream, red, and orange ink
9-volt DC, Centre Negative, 300mA minimum
Buffered bypass
Power supply not included.
Designed and assembled in USA
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 1 in stock $313.72
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quote 1005021
Walrus Audio Lore Reverse Soundscape Generator Effects Pedal (all black) Walrus Audio Lore Reverse Soundscape Generator Effects Pedal (all black) Walrus Audio Lore Reverse Soundscape Generator Effects Pedal (all black)
Cat: 1005023 Rel: 14 Mar 24
 
Reverse soundscape generator effects pedal, all black
Notes: Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as, Lore. Walrus Audio is excited to announce their next experiment into ethereal ambiance called the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. to create the soundtrack to your storybook adventure. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Explore vast time stretching and reverse sounds with five different custom programs:

I. Reverse Delay into Reverse Reverb
II. Reverse Delay into Octave Up Reverb
III. Reverse Delay into Octave Down Reverb
IV. Reverse Reverb into Forward Reverb.
V. Pitch Delay into Pitch Delay.

Further explore the Lore with momentary features for adjusting modulation speed and a time warping effect that can shift the clock rate up or down, giving a rising or sinking effect. The Lore comes coated in a muted green enclosure with cream, orange, brown and dark green ink with art by David Huttner. The die-cast enclosure's exact size 9,2 cm x 12,2 cm x 5,72 cm including knobs. Power requirements are 9VDC, centre negative (300mA minimum).

Dimensions and power consumption: 9,3 x 11,8 x 5,6 cm (W x D x H)
300 mA

In the box:

Walrus Audio Lore
Manual
Sticker
Guitar pick
Pouch
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 1 in stock $313.72
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quote 1005023
Walrus Audio Melee Wall Of Noise Reverb & Distortion Effects Pedal (all black) Walrus Audio Melee Wall Of Noise Reverb & Distortion Effects Pedal (all black) Walrus Audio Melee Wall Of Noise Reverb & Distortion Effects Pedal (all black)
Cat: 1005024 Rel: 14 Mar 24
 
Wall of sound reverb & distortion effects pedal, all black
Notes: With Melee, Walrus Audio have given you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less-is-more approach, Walrus have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out there.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs
The Melee comes coated in a glossy neon pink enclosure with white, yellow, and green inks with art by David Huttner.
The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes: DSP, DSP+True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

High-Gain Distortion and Reverb combo
Controls: Vol, Tone, Decay, D>R|R>D (determines order of effects), Joystick (distortion level + reverb mix), bypass, sustain switch
Joystick control to meld reverb and distortion and inspire a wealth of creative output
Joystick controls reverb mix (x-axis) and distortion level (y-axis)
Switch signal-chain-order of distortion- and reverb-effect
D>R (distortion into reverb) or R>D (reverb into distortion)
D>R mode: traditional set up. Notes and chords remain their clarity
R>D mode: notes and chords are muddied to create a wall of sound
3 different reverb programs: Ambient, Octave and Reverse
Ambient Reverb: Huge reverb with massive trails
Octave Reverb: Lower octave on reverb trail. Like "Dark" mode on Walrus Audio Slo.
Reverse Reverb with Feedback: Add reversed reverb trails or push into reverse feedback overload.
Tone 3-way-toggle-switch sets the tone of reverb and distortion: normal, dark, bright
Decay 3-way-toggle-switch sets time of the reverb: minimum, medium, maximum
Set modulation via secondary control (decay 3-way-switch): none, slight (33RPM), high (45RPM)
Use momentary bypass to create a moment of texture
Sustain switch ramps up reverb trail to maximum or latches current reverb decay
3 bypass modes: DSP bypass, DSP+ true bypass, true bypass
9-volt DC, Centre Negative, 200mA minimum
Power Supply not included
Designed and assembled in the USA
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 1 in stock $315.81
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quote 1005024
Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal Keeley Electronics Super Rodent 4-In-1 RAT & SD-1 Style Overdrive & Distortion Effects Pedal
Cat: 1005025 Rel: 12 Mar 24
 
4-in-1 RAT & SD-1 style overdrive & distortion effects pedal
Notes: 4-in-1 RAT and SD-1 Style Overdrive and Distortion

Keeley put two very different overdrive & distortion pedals in one box and gave you two new sounds in the process. The Keeley Electronics Super Rodent is a 4-in-1 pedal that gives you two well-known distortion circuits and two brand new sounds by way of the toggle switches! It's almost like pedal modelling, except these are 100% analogue circuits and you decide which tone-control or clipping-section you want to play through.

You can play through the classic yellow 'Japanese Super O-Drive' or a 'Rodentia Michigander' distortion circuit, or even better, you can Frankenstein new monster tones with the two hybrid modes.

The creative design keeps the pedal a simple and space-saving three-knob distortion pedal with an amazing tone. It only takes two seconds to make the Super Rodent either buffered-bypass or true bypass, whatever works best on your pedalboard. The Keeley Super Rodent Overdrive and Distortion is entirely designed and manufactured by Keeley Electronics in a new aluminium enclosure.

Tone Control

The Super Rodent gives you two tone control circuits to choose from. When the Tone Switch is down and in the RT Position the tone control simply rolls off high-frequencies. If the Tone Switch is up and in the SD Position you have an active low pass filter and more bass and treble frequencies are available.

Diode Clipping

Hard or Soft Clipping: The Super Rodent gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the RT Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the SD Position that uses Soft Diode Clipping, like a softly overdriven tube amplifier.

Buffered and True Bypass

The Keeley Super Rodent features our Jfet buffer for noise free switching. Keeley have developed an amazing sounding buffer which not only makes your rig sound better, it gives you silent switching with no tone loss.
No more pops and clicks to distract from your music. If you prefer true bypass, simply press and hold down the foot switch for two seconds and the LED will flash twice to indicate success. True Bypass is great for players that want the effect of plugging directly into their amp when the pedal is off.

Alternatively, players that want a strong and clear signal whether the Super Rodent is on or off, simply hold the stomp switch down for two seconds and the effect is back to Buffered Bypass (LED flashes three times). Enjoy truly silent switching and let your music be the only voice.

Made In The USA

Keeley have designed, engineered, and manufactured the Super Rodent in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.
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 1 in stock $226.35
Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal Keeley Electronics Angry Orange 4-In-1 DS-1 & Civil War Big Muff Style Distortion & Fuzz Effects Pedal
Cat: 1005026 Rel: 12 Mar 24
 
4-in-1 DS-1 & Civil War Big Muff style distortion & fuzz effects pedal
Notes: Drawing on the classic Boss DS-1 and 'Civil War' Big Muff, the Angry Orange serves up two iconic flavours of distortion and fuzz, plus two hybrid modes via a combination of tone control and clipping settings.

Supplier's Notes:
4-in-1 DS-1 and Civil War Big Muff Style Distortion and Fuzz

Keeley crammed two legendary distortion and fuzz circuits into one stompbox and gave you two new sounds in the process. It's sort of like pedal-modeling except these are 100% old-school, analogue circuits and you decide which tone control or clipping section you want to rock.

Heavily saturate your guitar through either a legendary '78 Japanese Orange Distortion or a '91 Soviet Civil War Fuzz. Use the Angry Orange to make your own fuzzztortions with the hybrid modes, all with only three simple knobs.

This pedal can be True Bypass or Buffered Bypass, it only takes two seconds to switch between the modes. The Keeley Angry Orange is entirely manufactured at Keeley Electronics and is in the new aluminium enclosure.

Tone Control

The Angry Orange gives you two tone control circuits to choose from. When the Tone Switch is up and in the MF Position the tone control is a scooped sounding, passive tilt-style. If the Tone Switch is down and in the DS Position it also features a passive sounding tilt control, voiced a little differently.

Diode Clipping

Hard or Soft Clipping: The Angry Orange gives you both styles of diode clipping. Diodes are used to create hard clipping distortions or smooth overdrive sounds. If the Clipping Switch is in the DS Position it features Hard Diode Clipping which is an edgier, more aggressive tone. When the Clipping Switch is in the MF Position that uses Soft Diode Clipping, like a muffled fuzz tone.

Buffered and True Bypass

The Keeley Angry Orange allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal. Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Angry Orange in Oklahoma City. Everything about the Super Rodent is geared towards the professional musician and their quest for an inspiring tone when the performance demands it. From the inside of the pedal and its meticulously built circuit boards and metal construction audio jacks to the outside of the effect its newly fabricated aluminium enclosure; Keeley make guitar effect pedals to be finely crafted musical instruments.
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 1 in stock $226.35
Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal Keeley Electronics Blues Disorder 4-In-1 Blues Breaker & OCD Style Overdrive & Distortion Effects Pedal
Cat: 1005027 Rel: 12 Mar 24
 
4-in-1 Blues Breaker & OCD style overdrive & distortion effects pedal
Notes: 4-in-1 Blues Breaker and OCD Style Overdrive and Distortion

Keeley combines two completely different overdrive and distortion circuits to create four different drives in one box. The Blues Disorder has two switches that allow you to separate the tone control from the clipping section.

By mixing and matching the Tone and Drive switches you get two hybrid sounds. With both switches up it's a smooth, soft-clipping Bluesy Breaker. The BB side is a low gain, soft-clipping overdrive. With both switches down it's a fuller sounding, hard-clipping OC Distortion. The clever design keeps the pedal a three knob overdrive with 4 unique sounds.

Switch easily between buffered or true-bypass; whichever sounds best in your rig. The Keeley Blues Disorder Overdrive and Distortion is designed and manufactured entirely by Keeley Electronics in a brand new aluminium enclosure.

Switchable Tone Stacks - Swap Voicings

The Blues Disorder gives you two tone control circuits to choose from. When the Tone Switch is down and in the OC position you will hear an active midrange boost and then the tone control rolls off high-frequency. If the Tone Switch is up and in the BB position you don't have the active mid boost, there's just a simple high-frequency filter and therefore a more transparent sounding overdrive and response.

Switchable Diodes - Hybrid Gain Clipping

The Blues Disorder gives you both styles of diode clipping. Where diodes are placed in the circuit, can have a dramatic effect on gain and compression. This pedal gives you both hard clipping distortion or soft clipping overdrive, depending on the position of the Drive Toggle.

If the Clipping Switch is in the OC position it features Hard-Clipping which is an edgier, more aggressive tone. Alternatively, when the Clipping Switch is in the BB Position, that uses Soft-Clipping and sounds like a softly overdriven tube amplifier.

Buffered and True Bypass

The Keeley Blues Disorder allows you to quickly switch between either mode. Having a great buffer will make your rig sound strong and clear even when the pedal is off.

Buffered switching prevents the pops and clicks of true-bypass switching. If you want to turn on true bypass, simply press and hold the foot switch for two seconds. Holding the switch for two seconds toggle between modes. True Bypass is great if a buffer might affect the tone of a vintage pedal.

Enjoy truly silent switching and a better sounding rig with Keeley's buffered switching mode.

Made In The USA

Keeley design, engineer, and manufacture the Keeley Blues Disorder in Oklahoma City. The Blues Disorder is geared towards the professional musician's demand for an inspiring tone when performance demands it. From the meticulously built electronic circuit boards to the in-house fabricated aluminium enclosure, Keeley pedals are professional grade. Keeley make guitar effect pedals to be finely crafted musical instruments.
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 1 in stock $226.35
Dreadbox Raindrops Stereo Delay/Pitch Shifter/Reverb Effects Pedal Dreadbox Raindrops Stereo Delay/Pitch Shifter/Reverb Effects Pedal Dreadbox Raindrops Stereo Delay/Pitch Shifter/Reverb Effects Pedal Dreadbox Raindrops Stereo Delay/Pitch Shifter/Reverb Effects Pedal
Cat: 895061 Rel: 22 Sep 22
 
Stereo delay, pitch shifter & reverb effects pedal
Notes: Another banger from Dreadbox's excellent effects series. Stereo echo effects based around multiple hybrid delay stages, giving bags of character for reverb, modulation effects and classic delays.

Supplier's Notes:
Dreadbox Raindrops is a Hybrid Delay/Pitch Shifter/Reverb pedal that takes the concept of short echoes to a different level.

It is equipped with multiple delay stages and different chips and you can choose between 3 different play modes, where in each one you can have a whole new experience and alternative soundscapes. You can achieve from simple short echoes, to long, dirty and lo-fi delays and from simple pitch shifting bursts to extensively lasting reverbs.

Specifications

Circuit: Analogue Dry signal / Hybrid Delay / Digital Reverb
Bypass: Buffered OpAmp
Audio: True Stereo IN/OUT
Inputs / Outputs: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 220mA


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 1 in stock $235.81
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