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Notes: Amnis is a shift register with a few tricks up its sleeves. It can be used as a generative sequencer for gates and CV, as a tunable digital noise source, as a random gate and CV generator, as the center of a chaotic system and more.

It needs two input signals to start doing its thing. A Clock and some Data. Data can be pretty much any signals. From these two signals Amnis will generate 8 gate outputs, always on the clock. From these gate outputs, it will generate 3 staircase CVs and a slewed CV. With 8 gates and 4 CV outputs it can be the heart of any patch.

Amnis has an XOR input for linear feedback. A shift register with linear feedback is the core of the Rungler, the chaotic core in Rob Hordijk's Benjolin and Blippoo Box. With Amnis you can recreate these type of behaviors with any oscillators you have on hands.

Amnis is compatible with the Turing Machine expanders thanks to its expansion port at the back.

Due to popular demand for a 3U shift register, Amnis replaces (and expands on) Ruissellement, which was the 1U version of this module.

Notes: QEG Quad Loopable ADSR Envelope Generator with 16 Trigger and Mix Outs

Quad Version of FEG plus Trigger Outs

Mix Out ( normal and reversed) of all envelopes for multistage applications

Very exponential "snappy" course and rounded

Edges for a compressed "bonky" sound

Two time zones are offered

Remote control via CV of two time zones

Loopzone from Attack to Release

One shot mode for trigger signals

Jumper at the back for reset mode

Manual Trigger button

Normal and Inverse Output

Trigger Outs for each section: Begin of Attack, End of Attack, End of Sustain, End of Release

Power consumption: 120 mA (+12 V) / 100 mA (-12 V)
Rackspace: 20HP
Depth: 25mm

Notes: Compact, affordable and truly powerful DJ controller from one of our favourite brands. One of the best options for starting out with DJ software. Hook up to a smartphone, tablet or computer and get mixing.

Supplier's Notes:
This compact and powerful 2-channel DJ controller was designed and developed in close partnership with Algoriddim for the tightest integration possible with their award-winning djay app.

The Reloop Buddy offers DJs of any level all the tools they need to perform creatively and efficiently at a high level. Thanks to its powerful features and the brand new Neural Mix controls, the BUDDY is space-saving without compromising any functionality.

Whether you're a complete beginner or an experienced DJ, the Reloop Buddy offers you full control over your mixes thanks to powerful features including the intuitive pad section consisting of 8 performance modes (hot cue, auto loop, touch FX, sampler, slicer, bounce loop, Neural Mix™, looper), dedicated loop controls, a flexible effect section with FX paddles (hold & toggle), and responsive jog wheels for precise mixing and scratching.

Also, the Reloop Buddy includes extensive Neural Mix controls (pad / EQ mode) to isolate beats, instruments, and vocals of any song in real-time for even more creative mixing possibilities.

The Reloop Buddy offers you large FX Paddles with HOLD and ON positions for instant effect mixing.

In terms of outputs, a full headphones cue section and 14 inch jack are conveniently located at the side of the unit, together with an RCA out port for direct connection to active speakers and sound systems.

Thanks to its dedicated integration with Algoriddim's djay software, and built-in USB audio interface, the Reloop Buddy enables instant plug and play compatibility with smartphones, tablets, and computers.

The Reloop Buddy is built from quality, durable materials, and its space-saving, highly-portable design makes it perfect for your home setup, mobile use, and even on-the-go or while traveling. Furthermore, its built-in device slot can hold smartphones and tablets up to 12.9", which keeps the overall footprint of the unit to a minimum.

Not only can tracks be loaded to djay from your crates and libraries, but it's also even possible to mix millions of tracks instantly from popular streaming services such Tidal*, Soundcloud Go+*, Beatport LINK*, and Beatsource LINK*.

*Please note: An internet connection and a TIDAL Premium or HiFi subscription, Soundcloud GO+ subscription is required. Beatport Link and Beatsource Link are accessible with all 3 offered subscriptions.

HIGHLIGHTS:

Compact performance controller for djay across all platforms (iOS/Mac/PC)

Powerful features: FX paddles, sound filters and 8 performance modes

Neural Mix controls for real-time vocal and instrumental separation

Review: Famously first released in 1973 and transferred to CD in the 1980s with no significant remastering, the Beatles two colour-coded 'best of' collections have long been in need of an overhaul. Apple has typically gone all-out on this 50th anniversary re-issue, not only remastering everything (or at least those tracks that hadn't already been tweaked by Giles Martin in recent years), but also expanding each collection to three discs via the addition of other fan favourites and tracks that missed out first time round. As for the vinyl itself, it has been half-speed remastered to guarantee superior sound quality. This boxed edition boasts both compilations, plus an insert with fresh liner notes from music journalist-turned-Guardian scribe John Harris.

Notes: Shortwave

(Lo-fi Radio and Wire Recorder Emulation)

Inspired by espionage devices used during World War II and the Cold War, Shortwave transforms audio into clandestine operations of the past; Russian number stations, mysterious sounds transmitted by radio, and eerie sounds stored on early portable recorders.

Choose between 2 types of noise and interference, and control it with the Exposure parameter. Velocity and Focus control the amount of pitch stabilization. Shortwave will add an interesting emotional response and atmosphere to dry, simple sounds, or destroy a signal like no other fuzz pedal can.

Hand-wired in Seattle, Washington. Shortwave operates on a standard "Boss" style 9vdc power supply, not included. True bypass switching. Includes a limited lifetime warranty, if registered within 30 days of purchase.

Enclosure size: 4.77" x 2.6" x 1.39"

Notes: Bleeding Hearts Eurorack Modular Device

(Random Sequencer, Rhythm Generator, Destroyer, and Filter)

The Bleeding Hearts is a device that starves, bit crushes, splatters, and filters audio sources like no other. Feeding a gate signal to the Bleeding Hearts enables a whole new world of strange and random analog-generated movement. Each position of the 8-step sequencer can bleed into each other and interact with the destruction effect, creating gated and filtered splatters, glitches, and crunches that move to the beat of your patch.

Designed and assembled in Seattle, Washington. Includes a limited 1-year warranty, if registered within 30 days of purchase.

20hp, 42mm deep.

Notes: ***B-STOCK: Without original box, product in perfect working order***


This monitor comes with free Studio One Prime and Studio Magic plug-ins.

Superior transient response:
In order to dampen resonance peaks at higher frequencies, conventional dome tweeters are injected with fluid to raise their mass, sacrificing transient response time. By contrast, the custom-designed AMT tweeter in the R80 uses an incredibly thin, folded Kapton membrane (< 0.01 mm) with an inlayed aluminum circuit functioning as the voice coil, allowing the tweeter to move at the same instant as the electric current. The resulting reactive response time provides marked clarity and superior transient reproduction.

Wide, consistent stereo image:
An unfolded AMT tweeter diaphragm provides 8 to 13 times the projection area of a traditional 1-inch dome tweeter, enabling R80 monitors to provide a much wider stereo soundstage than traditional designs. At the same time, the R80 provides a very limited vertical dispersion, which helps to reduce reflections from the ceiling and desktop that can cause phase coherence issues. Because it's less subject to room-anomaly interference, the R80 reacts predictably and sounds consistent from room to room.

Transparent sound:
The R80 utilizes an 8-inch, custom-coated, woven Kevlar low-frequency driver. This rigid cone maintains a more consistent dispersion pattern across its frequency response range. Biamped and driven by a 150W Class D amplifierimaking the R series some of the most powerful monitors in their categoryithese monitors deliver an open, clear, and less fatiguing listening experience.

Have it your way:
You can customize the R80 in several ways. It's available with black or blue faceplates to fit your studio decor. With balanced XLR, balanced 1/4" TRS, and unbalanced RCA line-level inputs, it's easy to feed audio to your R80 monitors from a mixer, an interface, a media player, or almost any other line-level source. And R series monitors offer user-adjustable contour features for optimizing the monitors for your mixing space. This enables full integration into any studio environment.

Accuracy defined:
The R80's AMT monitor design provides lifelike sonic reproduction that will allow you to hear the room in your recordings. Its transparent sound and responsive transient reproduction makes it an ideal solution for anyone who is mixing high-resolution audio. Hear the R80 at your favorite PreSonus dealer.

Notes: Bring hands-on control to your software with Presonus' simple little USB controller. Physical transport controls and a nice long fader to help streamline your creative process in your DAW.

Supplier's notes:
The latest generation of PreSonus classic USB control surface, the FaderPort enables you to record and mix with a smooth, touch-sensitive, motorized, 100 mm fader; transport controls; and many of the new workflows introduced in the FaderPort 8 and 16. Manage markers, punch in and out with a footswitch (not included), arm tracks, and employ the innovative Session Navigator to control your favourite DAW application quickly and easily. The FaderPort connects via USB 2.0 and offers native control of PreSonus Studio One DAW (Studio One Artist is included), including Control Link support and parameter follow, allowing quick hardware access to any control.

Notes: Part of the excellent Eris range, the Studio 8 is PreSonus's eight-inch two-way studio monitor, offering solid performance all the way down to 35 Hz and crystal clear reproduction thanks to 1.25-inch silk-dome tweeters and Elliptical Boundary Modeled waveguides.

Supplier's Notes:
With a smooth, accurate frequency response; powerful amplification with tons of headroom; and Acoustic Tuning functions that ensure you get the best sound, it's no wonder that Erisr-series studio monitors have been a runaway hit since their introduction. Building on the reputation of its award-winning predecessors, the Eris Studio 8 is a substantial update that delivers richer low-end and more controlled high-frequency response, reproducing every detail in your recordings with a natural sound unparalleled in its class.

Designed for superior performance in both home studios and professional mix rooms, the Eris Studio 8 features a custom-designed EBM (Elliptical Boundary Modeled) waveguide that provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a 1.25-inch, silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite, 8-inch, low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 140W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 8 to reach down to an astonishing 35 Hz - with no subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

8-inch woven composite, low-frequency transducer
1.25-inch (31.75 mm), ultra-low-mass, silk-dome, high-frequency transducer
100-(H) x 60-(V) EBM waveguide for a wide sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
140W, Class AB bi-amplification
35 Hz to 20 kHz frequency response
106 dB SPL (Peak, @ 1 meter)
Acoustic Tuning controls: HF (i6 dB, continuously variable); Midrange (i6 dB, continuously variable), and Acoustic Space (flat, -2, -4 dB), plus highpass filter (Off, 80 Hz, 100 Hz)
RF interference, output-current limiting, over-temperature, transient, subsonic protection, and amplifier "soft start" feature (eliminates popping on power-up)
Internal power supply with IEC connector and power switch with on/off LED
Balanced XLR and 14-inch inputs and unbalanced RCA inputs

Set up your studio monitors for your room.

Erisr Studio 8 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonusr studio monitors, the Erisr Studio 8 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space, and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10 kO

Performance
Peak SPL: 6 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, centre 10 kHz, continuously variable) Mid Frequency (+/-6 dB, centre 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)
Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 16.50 x 9.80 x 11.70 IN

Depth: 11.73" (29.8 cm)
Height: 16.5" (41.91 cm)
Width: 9.84" (25 cm)

Notes: Really great value monitors from PreSonus, packing a punch from 4.5-inch woofers despite their compact overall dimensions. Bluetooth connectivity for added versatility.

This monitor comes with free Studio One Prime and Studio Magic plug-ins.

Supplier's notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E4.5 BT has you covered with rear-panel, left and right 1/4-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E4.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E4.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.

Notes: Exceptional value from PreSonus's entry-level studio monitors, packing a surprising punch for such small speakers. Add the optional Eris Sub 8BT subwoofer for serious low-end power.

Supplier's notes:
Presonus' best selling studio monitors just got better! Eris 4.5 BT media reference monitors deliver studio-quality sound in an elegant, compact form factor that makes them ideally suited for bedroom studios, video production, and high-fidelity gaming setups.

With 25 watts per side of onboard power, the Eris 4.5 BT reference monitors pack a serious punch, while still delivering clear, accurate audio. The weave and nature of the Eris 4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces refined high-frequencies and is designed to radiate sound with a wide pattern, creating a large optimal listening area. Improved speaker voicing over previous designs delivers richer lows and a smoother crossover transition for articulate, accurate transient reproduction through the frequency range and a less-fatiguing listening experience.

A convenient front-panel knob sets the level of both the power amp and the loud, clear headphone amplifier, with its front-panel jack. With four types of inputs, including fast, reliable, stereo Bluetoothr 5.0 connectivity, it's easy to connect just about any audio source to your Eris 4.5 BT reference monitors. High- and low-frequency controls let you easily adjust your Eris speaker's frequency response to compensate for the acoustics of your space and create the most accurate sonic reproduction possible.

Need a little more low end? Add an Eris Sub8 BT to build a perfectly matched 2.1 sound system that fits almost anywhere.

Features

4.5-inch, woven-composite, low-frequency driver
1-inch, ultra-low mass, silk-dome, high-frequency driver
Fast, reliable stereo Bluetoothr 5.0 wireless input
50W, Class AB dual amplification
70 Hz to 20 kHz frequency response
100 dB SPL (Peak, @ 1 meter)
High- and low-frequency Acoustic Tuning controls
Balanced, 14-inch TRS inputs; unbalanced, 1/4-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel 1/4-inch output
Protection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filter
Power Saver mode (engages after 40 minutes)
Comes with speaker wire, 1/4-inch TRS to stereo RCA cable, and stereo RCA to stereo TS cable

Built to match your room.

Unlike other home audio speakers that hype the bass at the expense of other frequencies, Eris speakers provide an even response throughout the frequency range, from bass to treble. This means you'll hear your favourite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 4.5 BTs precisely to your environment to further ensure the best sound possible.


Honest. Expressive. Powerful.

Like all PreSonus media reference monitors, the Eris 4.5 BT offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theatre setups, and gaming rigs, and their smooth and even frequency response ensures that your music - and everyone else's - will sound incredible.

Electronics

Voltage: 220-240V UK
Wattage: 25 Watts (Each Speaker)
Input impedance: 10 kO

Performance

Peak SPL: 100 dB (@ 1 meter)

Speakers
Crossover frequency: 2.8 kHz

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard
Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Low Frequency (+/-6 dB, center 100 Hz, continuously variable)
Monitor inputs: Bluetooth 5.0, 1 x Stereo 1/8", 2 x Balanced 1/4" TRS, 2 x Unbalanced RCA
Power amplifier type: Class AB

Measurements

Dimensions: 9.50 x 6.40 x 7.00 IN

Product depth: 7" (17.8 cm)
Product height: 9.5" (24 cm)
Product width: 6.4" (16.3 cm)

Notes: Enlightening

Elevating the groundbreaking optical compression of the original Philosopher's Tone to a new plane of tonal enlightenment, the Philosopher's Tone 2 is a world-class compressor/sustainer with footswitchable Grit, allowing for more versatility than ever before. Featuring a refined implementation of the overdrive circuit first heard in the limited-edition Gold version of this iconic compressor pedal, the unique germanium distortion found in the Philosopher's Tone 2 delivers smooth top end and rich midrange response, tailored to perfectly match the characteristics of the optical sustainer driving it. In addition to Volume and Sustain controls, the Philosopher's Tone 2 features a parallel clean Blend knob that allows musicians to mix their instrument's original tone with the compressor/sustainer effect when the Grit circuit is bypassed. This mixing technique restores natural pick-attack and allows clean settings with extreme sustain to remain dynamic and musical. When the Grit circuit is engaged, the Blend knob is automatically bypassed, circumventing the compromises of the original unit and imparting a colourful distortion to your sound in both Germanium and Silicon modes. This nonlinear diode-clipping can range from subtle overdrive to overflowing distortion, all without unwanted feedback. A Treble control located just before the master Volume provides 6db of cut or boost at 2kHz for fine-tuning the frequency response of the effect. The Philosopher's Tone 2 features true-bypass switching and internal 18V power rails for maximum clean headroom that is ideal for use with hot pickups, active bass, synthesisers and other line-level sources. Runs on 9VDC.

Knob-by-knob

Volume: Sets the overall output volume.
Treble: Boosts or cuts treble at 2kHz.
Sustain: Sets the amount of sustain.
Blend: Mixes your compressed effect with your clean signal. Note: This control is only active when the Grit footswitch is turned OFF.
Grit: Controls the gain of the overdrive stage. Note: This control is only active when the Grit footswitch is turned ON.

Rare design

Generations of guitar players have sought noiseless clean sustain from a compressor, and this was the guiding goal of the research and design behind Philosopher's Tone, yielding a compressor with an internal 18 volts of headroom and naturally musical tone control.

The evolution of Philosopher's Tone

First released in 2009 and igniting a new following for Pigtronix, the Philosopher's Tone 2 is a "best of" design, incorporating the best elements of previous iterations plus a completely redefined Grit knob for significantly more versatility.

Modern-day alchemy

Practitioners of the mystical and ancient art of alchemy long sought an element called the Philosopher's Stone. They believed, if found, it could turn lead into gold and bestow immortality upon the person who wielded it. Philosopher's Tone 2 allows players to conjure gleaming sustain, soaring lead tones, and articulation across all six strings.

Model name: Philosopher's Tone
Function: Optical Compressor Sustainer
Category 1: Compression
Bypass: True Bypass

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 150ohms

Body
Length (inches): 1.5
Width (inches): 3.75
Height (inches): 1.75
Weight (lbs): 0.5

Notes: Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.

Notes: Morph across the spacetime spectrum.

Years in the making and the first of its kind, Cosmosis is a stereo, high-fidelity ambient reverb that allows musicians to tailor three original spaces-Theatre, Temple, and Cosmos-as well as manipulate them in real time. In addition to controls for the size of the reverb, wet/dry blend, and filtering, Cosmosis features a unique Morph function that allows musicians to alter their reverb settings in real-time by pressing the left footswitch. The three space algorithms found inside of Cosmosis are all-original and truly unique. Theatre puts the player in a variable room that ranges from cozy to highly reflective using multiple parallel short reverberators. Temple occupies a dramatic, large indoor space by implementing numerous long reflections in both parallel and series. And Cosmos creates an enormous spectrum of heavenly reverb derived from the harmonic content it's fed. The Morph feature found in Cosmosis provides a simple way for players to trigger a gradual change to various reverb parameters over a specified amount of time set by the accompanying Morph Rate knob. Players can set both "red" and "green" values on their Tone, Blend, and Size knobs, then engage the Morph footswitch to oscillate between the two reverbs at their desired rate. Any combination of knobs can be assigned to morph. Create elegant morphs for subtle movement or sweeping, cinematic morphs for dramatic sound design effects. Save up to four custom reverb presets, including morphing. Cosmosis runs on standard 9VDC power.

Knob-by-knob

Size: Sets the size of the reverb space.

Blend: Sets the balance between wet (reverb) and dry (clean signal)

Tone: Clockwise from noon, this control applies a high-pass filter, making the reverb sound brighter. Counter-clockwise from noon, this control applies a low-pass filter, making the reverb sound darker.

Morph Rate: Sets the time it takes for parameters to change between "red" and "green" values when the Morph footswitch is engaged.

Morph: Enable morphing for any combination of the 4 on-board knobs. Push to toggle through knobs, press and hold to select. Press and hold again to deselect.

Preset Select: Push to toggle through 4 pre-loaded presets, press and hold to select. To save a custom preset after making changes, press and hold. Presets can also be toggled and selected using only footswitches (see manual).

Space Select: Push to toggle through 3 available reverb spaces.

Three evocative spaces

The three unique space algorithms found inside of Cosmosis are entirely original and comprise a combination of primary source impulse responses, imagined reflections, and inspired mathematics. Theatre is a vintage-inspired small room sound ranging from cozy to reflective; Temple is a rich and flowing larger space featuring long reflections in both parallel and series; and Cosmos makes use of divine inspiration to create an enormous spectrum of harmonically-informed reverb. Kill the Size knob in any space to conjure a ghostly, full-wet "reverse" reverb effect.

Enter the world of cosmosis

A portal of such divine proportions was always missing in the Pigtronix universe. One day, traveling further than ever before into the outermost reaches of what he knew to be true, Marvin caught glimpses of refracted light and mist hovering in the atmosphere of a new, far-distant planet. This was the long-sought Cosmosis-a planet that takes in the sounds of the galaxy, sublimates them, and ushers them to the other side forever changed.

Model Cosmosis

Model name: Cosmosis
SKU: COS
Function: Stereo Ambient Reverb with Morphing
Category 1: Reverb
Expression: TRS Remote
Bypass: Buffered

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: High
Output impedance: 1k
Body

Length (in): 3.25
Width (in): 4.5
Height (in): 2.2
Weight (lbs): 1

Review: Persona 3 Reload reimagines Atlus' iconic RPG with updated graphics, gameplay, character designs, and new music. The soundtrack pays homage to the original's late-2000s style while infusing modern elements, creating a unique blend. 'Reloaded' tracks cleverly reference the original tunes while introducing fresh elements for a captivating experience. With Persona's signature swagger, the Atlus Sound Team explores diverse genres like opera, hip-hop, and house. The Persona 3 Reload 4xLP by iam8bit features the Reloaded soundtrack on stunning Holographic Broken Glass Vinyl, ensuring the premium mastering treatment for tracks like 'When the Moon's Reaching Out' and 'Aria of the Soul.'

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


More bang for your buck? Omnitronic's four-channel offering is a competitively priced alternative to entry-level mixers from Pioneer or A&H. Built-in mp3 playback from USBs and audio streaming over Bluetooth.

Supplier notes:
- 4 input channels with gain control, LED level meter, 3-band equalizer, cue button and channel fader
- DJ microphone channel with level control, 2-band equalizer, on/off and talkover switch
- Integrated Bluetooth audio streaming for your smartphones and tablets
- MP3 player with USB port and blue LCD screen
- Pre-fader listening to all input channels and the master output via adjustable stereo headphones output
- Crossfader with assignment switches and adjustable curve
- Master channel with level and balance control
- 10-digit stereo LED level meter
- Adjustable monitor output (DJ booth)
- 10 line and 2 phono inputs via RCA jacks
- Balanced XLR and RCA outputs
- Record output, independent of the master

Notes: More bang for your buck? Omnitronic's four-channel offering is a competitively priced alternative to entry-level mixers from Pioneer or A&H. Built-in mp3 playback from USBs and audio streaming over Bluetooth.

Supplier notes:
- 4 input channels with gain control, LED level meter, 3-band equalizer, cue button and channel fader
- DJ microphone channel with level control, 2-band equalizer, on/off and talkover switch
- Integrated Bluetooth audio streaming for your smartphones and tablets
- MP3 player with USB port and blue LCD screen
- Pre-fader listening to all input channels and the master output via adjustable stereo headphones output
- Crossfader with assignment switches and adjustable curve
- Master channel with level and balance control
- 10-digit stereo LED level meter
- Adjustable monitor output (DJ booth)
- 10 line and 2 phono inputs via RCA jacks
- Balanced XLR and RCA outputs
- Record output, independent of the master

Notes: Low-budget flexibility from the German brand. Three channels with three-band EQ, plus streaming from Bluetooth or USB for added connectivity.

Supplier notes:
- 3 input channels with gain control, 3-band equalizer, cue button and channel fader
- DJ microphone channel with level control and 2-band equalizer
- Integrated Bluetooth audio streaming for your smartphones and tablets
- MP3 player with USB port and blue LCD screen
- Pre-fader listening to all input channels and the master output via adjustable stereo headphones output
- Crossfader with adjustable curve and reverse function
- Master channel with level control and 6-digit stereo LED level meter, switchable between master and PFL signal
- 6-digit stereo LED level meter
- 6 line and 2 phono inputs via RCA jacks
- Balanced XLR and RCA outputs
- Record output, independent of the master

Notes: Possibly the best value DJ isolator on the market. Classic three-band design with full kill on each band, allowing you to perform dramatic filter effects. Joe Claussell vibes on a budget.

Supplier's Notes:
3-band frequency isolator with vintage rotary knobs for DJs

With the Omnitronic ISO-23 MK2 frequency isolator DJs get an effective tool for creative sound shaping in the club or studio. Using high-grade, long-life ALPS RK27 potentiometers, the rack-mounted isolator has excellent sound characteristics.

The large, smooth rotary knobs enable DJs to radically boost or cut low, mid or high frequencies, making it easy to create instrumental or a cappella versions. The isolator provides XLR and RCA connectors and features a bypass switch for bridging.

Control range: kill to +9 dB
Lows: 20 Hz - 300 Hz
Mids: 300 Hz - 4 kHz
Highs: 4 kHz - 20 kHz

Bypass switch
Balanced and unbalanced inputs/outputs (XLR/RCA)
Incl. mounting brackets for 483 mm rack installation (1 U)
(19") 48.3 cm rack installation 1 U

Power supply:
100-240 V AC, 50/60 Hz

Power consumption: 12 W

Isolators:
Master Gain:- 8 bis +9
Low/mid 300 Hz, 18db/oct , Butterworth
Mid/high 4000 Hz, 18db/oct , Butterworth

Connections:
Input: 2 x line via 3-pin XLR
Input: 2 x line via RCA (f) mounting version
Output: 2 x line via 3-pin XLR
Output: 2 x line via RCA (f) mounting version

Max. level:
Input: +22 dBu
Housing design:
(19") 48.3 cm rack installation 1 U

Width: 48.3 cm
Height: 4.45 cm
Depth: 14.5 cm
Weight: 2.15 kg

Notes: Quality belt-driven DJ turntable with built-in USB port and phono preamplifier, for a high-quality and convenient digitization of analog vinyl records. Plug & play: no driver installation required, unit is identified automatically.

- Sampling rates of 44.1 kHz and 48 kHz in stereo, resolution: 16 bits
- Includes software for recording and editing
- 2 speeds, pitch control +/- 10%
- Large start/stop button
- Strobe lamp for exact speed adjustment
- Adjustable anti-skating
- Shock-absorbing feet
- Switchable phono/line output
- Delivery includes removable dust cover, pick-up system, RCA and USB cable
- USB 1.1 support
- Suitable for Windows XP, Vista,7, 8, 10 and Mac OS X

Notes: Seeking to unapologetically tear apart the definition of a chorus pedal, Old Blood Noise Endeavors have created the BL-82 Chorus. An ode to delay time, this is a device with a variable clock control to shift between recognizable shimmering chorus and chaotic modulated delays.

Two delay lines, modulated by opposite synchronized LFOs, are combined in parallel and the timing of the delay lines, as well as the speed and depth of the LFOs, are all determined by one tactile slider. This allows you to instantly open up the modulated floodgates on the fly and go from well-known waves, to deeply unknown oceans of sound.

BL-82 is a chorus pedal, technically. It creates a swirling shimmery sound somewhere between chorus and flanger from a mono instrument signal. Its two delay lines are stretchable, and that's where the pedal's genre blurs from chorus into modulated delay into trailing pitch bending uncertainty.

The control set for BL-82 is dead simple. A Clock slider sets the timing of the entire system. The sample rate that determines signal fidelity, the centre delay time and the speed of the delay modulation are all affected as the slider slides. The interface is rounded out with feedback, volume, and mix add to an immediate experience that breaks open the boundaries of what it means to be a chorus and allows you to further craft the undulations of this mesmerizing device.

Notes: Further pushing the boundary of clock-defined pedals, the latest entry in Old Blood Noise Endeavors' BL series is a Phase Repeater, in the process making a genre entirely of its own.

Phase repetition takes the modulation of a phaser and applies it to the realm of time, creating a completely unique sound and more like delay or reverb than its namesake phaser. First used in the OBNE Dweller pedal, the BL-52 Phase Repeater represents a new spin on the sound, with simple controls including a Clock slider that enlightens the timing of everything in the pedal.

At a point, describing sound feels like describing time: the fourth dimensional perplexity of it all! Of course, this makes sense in that time being intermingled with sound and frequencies only existing over a period of time, whatnot. We spend a lot of time thinking about all-pass filters, you and I. How they pass all frequencies, but at different times. How this, in the digital realm, can create a phaser or a reverb, depending on how much memory you allow it and thus, how much of the fourth dimension it's playing with at any given... well, time.

BL-52 is what we call a phase repeater pedal. It's an effect we stumbled upon in our Dweller pedal development, living somewhere between phaser, delay and reverb, as it creates a series of repeats both unexpected and pleasing. It's digital trickery to do something quite unfamiliar and once you've bonded with it, is irreplaceable.

The BL-52 Phase Repeater is solely focused on that effect, with the Clock control setting the timing of the entire system: the sample rate that determines signal fidelity, the timing of the phase repetition and the speed of the LFO that shapes the diffusion of the repetition.

In short, it is an effect that does not require exactness, but rather openness to where the repetition will lead you.

Notes: As an Old Blood Noise Endeavors take on reverb, BL-37 Reverb Variable-Clock Effector is a new voice with a streamlined control set: a reverb both more immediate and more degraded than any other.

Thanks to its simple yet intuitive and interactive control set this modulated reverb can be quick and highly reflective or slow and stretchy with noticeable pitched undulations.

The sheer audacity of sound, to fill a room, to fill our heads, to fill our hearts. To act digitally as if tangible, as if these walls could talk, as if this were a real space and not a series of all-pass filters and modulated delays meant to capture the idea of somewhere we'd been before and something we'd done before and something we were before, as if. To give control over the whole thing, to simply stretch by hand the entire clock! It's a heck of a concept really.

BL-37 is a reverb pedal. It is lush but also ringy, and easily stretchable. It modulates, and sometimes that modulation feels certain, an obvious pitch bend, while other times it washes, simply a shimmering softening element. The control set for BL-37 is simple. A Clock slider sets the timing of the entire system - the sample rate that determines signal fidelity, the timing of the reverb, and the speed of the modulation within that reverb are all affected as the slider slides. Additional controls for Feedback, Mix, and Volume allow you to further craft the spatial voice in play here.

Notes: Excellent value from this entry-level two-channel DJ controller, bundled with Serato DJ Lite to help you get started with digital DJing software. Great for beginners or as a portable option.

Supplier's Notes:
The Mixtrack Pro FX is a Serato DJ controller designed to inspire, develop and hone your DJ skills. It has everything you need to sound professional from the get-go: large 6-inch jog wheels, a 24-bit digital audio interface for pristine sound quality, six dedicated software effects buttons for easy transitions, 16 performance pads for hot cues, auto loop, fader cuts and sampling. Plus, you can even stream the music you love direct from TIDAL or SoundCloud via Serato DJ Lite! With Mixtrack Pro FX, everything the modern DJ demands is here - entering a world of pro DJ performance has never been simpler. Mixing Starts Here!

Center stage on Mixtrack Pro FX are two all-new premium paddle triggers for effortless command over Serato's built-in software effects; there's even quick access buttons to essential effects including Echo, Reverb, Flanger, Phaser, HPF (High Pass Filter) and LPF (Low Pass Filter) - a sure-fire guarantee that everything you need for creating build-ups, crafting unforgettable transitions and adding your own unique spin to your mix is only a touch away!

You demand complete control over your mix, period. Mixtrack Pro FX's large 6-inch capacitive-touch jog wheels emulate an authentic turntable feel for scratching and precise cue placement, while the rugged grooves on the platters side enables you to nudge your mix perfectly into place.

Get creative, remix and perform unforgettable mixes with Mixtrack Pro FX's 16 multi-function backlit performance pads! With dedicated quick-access pad mode buttons per deck for Hot Cues, Auto Loop, Sample and Fader Cuts (a signature crossfader effect that emulates a 1-4 click flare on the pads), reimagine and reinterpret your favourite tracks, creating something totally unique!

Mixtrack Pro FX's Auto Loop makes it simple to mix and blend between songs, increasing or decreasing the loop segment with the on-board Loop Multiplier buttons to make electrifying build-ups.

Your set demands the best, that's why Mixtrack Pro FX comes pre-mapped with Serato DJ Lite for Mac & PC (software included) and is upgrade-ready to the full version of Serato DJ. For first-time DJs, Serato DJ Lite now comes with demo music and an easy on-boarding tutorial that will walk you through the basics so you can start DJing right away. Built on Serato DJ Pro technology, Serato DJ Lite is designed to be intuitive, reliable & feature rich.

Never run out of music and keep the dance floor shaking! The Mixtrack Platinum FX comes with Serato DJ Lite, giving you access to stream millions of songs via WIFI from TIDAL or SoundCloud. Upgrade to Serato DJ Pro to unlock even more features. Plus, get 3 free months of TIDAL Premium to get you started!

As if all of this wasn't enough, Mixtack Pro FX features everything you need for immediate DJ performance, right out the box! Fusing plug and play high speed USB connectivity, a dedicated mixer section outfitted with a full 3-band EQ, filter knobs, channel faders and a cross fader, plus an onboard microphone input, RCA outputs and a headphone output, Mixtrack Pro FX covers all your bases, catering for anything your next DJ set demands!

Simplify your lighting control with a 2-month trial of SoundSwitch premium DJ lighting software included with the Mixtrack Pro FX. SoundSwitch is a Digital Lighting Workstation that lets users create lighting displays that are performed in time with audio files when played back live in Serato DJ. It allows DJs and lighting designers the ability to sync lighting visuals with live audio seamlessly.

Tech Specs:

Outputs: 1 RCA stereo pair:1 1/4" (6.35 mm) TRS 1 1/8" (3.5 mm) TRS
Inputs: 1 1/4" (6.35 mm) TS
Power: USB bus power
Audio: 44.1 kHz, 24-bit
Dimensions (width x depth x height): 21.1" x 9.7" x 2.0" 53.6 x 24.6 x 5.1 cm
Weight: 5.35 lbs. 2.4 kg
Mac - System Requirements: macOS Catalina 10.15, macOS Mojave 10.14, macOS High Sierra 10.13
PC - System Requirements: Windows 10 - Note: 64-bit only (32-bit operating systems not supported)

Notes: Numark add an extra channel to the classic scratch mixer format, bringing additional flexibility and performance options. Three-band EQ/kills per channel plus a mic input for versatility.

Supplier's Notes:
Bonus inputs for total performance.

M4 is a three-channel tabletop mixer designed for any DJ who needs maximum flexibility. It features a replaceable crossfader with reverse and slope controls, a 1/4" microphone input with EQ, and plenty of routing for phono and line level devices.

Where M4 really shines is its impressive input section. Two switchable phono/line inputs plus four more dedicated line inputs give you a total of SIX inputs! Add Master and Record outputs, and steep three-band EQ/rotary kills on each channel, and you've a powerhouse package that's ready to handle whatever the gig throws at you.

M4 has the inputs, controls, and features to turn what would be a problem for the average mixer into a simple plug-in. Don't get stuck without enough inputs at your next gig. Upgrade to M4.

Inputs:
Line: 10K ohm input impedance; 80mV RMS sensitivity for 0dB output
Mic: 600 ohm input impedance unbalanced; 1.5mV RMS sensitivity for 0dB output; 400mV RMS max input
Phono: 47k ohm input impedance; 1.3mV RMS sensitivity @ 1kHz for 0dB output

Outputs:
Line: 7V RMS max
Headphone: 0.5W into 47ohm

Signal to Noise Ratio:
(maximum output JIS-A weighted)
Line: Better than 100dB
Mic: Better than 95dB
Phono: Better than 85dB

Frequency response:
Line: 20 - 20,000 Hz i0.5dB
Mic: 20 - 15,000 Hz i0.5dB
Phono: i1dB; -3dB attenuation at 20 Hz to reduce rumble and feedback

Channel Equalizer:
Bass: +12 / -35dB at 20 Hz
Mid: +12 / -25dB at 1.3 kHz
Treble: +12 / -20dB at 15 kHz

Channel fader kill: Better than 90dB at 1 kHz

Crossfader kill: Better than 75dB

Crosstalk: Better than 80dB at 1 kHz

Distortion: Less than 0.05%

Notes: Zeus Guitar Pedal Power Supply

NU-X have built an enviable reputation as guitar pedal experts and great guitar sound starts with the power source. Using standard 9Vdc power adaptors usually releases unwanted noise into the signal chain and unstable power can adversely affect the operation and even life expectancy of some boutique pedals. Zeus is an extremely low noise, high current power supply designed specifically for audio effect circuits with 6 fully isolated 9V outlets, 3 switchable 9/12/18V outlets and a fully variable 6-12V outlet. This lightweight and efficient power supply has the flexibility and reliability to run a full pedal board, even with multi-effect units added, with problem-free operation.

Extremely low noise circuitry
Fully isolated outputs
Multiple voltage options
High current capacity
Supplied with various DC link cables to havndle most pedal input types
Supplied with a 2-outlet combiner lead with 2.5mm DC plug for higher power units.

Power supply: 100-240Vac, 50/60Hz (IEC)
Outputs: 6 x 9VDC, 3 x 9/12/18vDC, 1 x 6-12Vdc variable (all DC5521 jack)
USB output current: 1.5A (Type-A outlet)
Dimensions: 195 x 101 x 42mm
Weight: 658g

In the box

The box for this item contains :

Zeus guitar pedal power supply
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.5m
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.3m
1 x DC jack reverse polarity cable (5.5x2.1mm) straight to angle 0.5m
1 x DC jack (5.5x2.1mm) to 3.5mm plug cable 0.5m
1 x twin DC jack (5.5x2.1mm) socket to single DC plug (5.5x2.5mm)
1 x IEC power lead

Notes: Tape Echo is an echo and delay processor with 7 different types of simulation to recreate the sound of vintage echo units. In addition to classic tape echo simulation, the NDD-7 has a separate spring reverb effect, sound-on-sound (SOS) for operation as a 40 second looper, and up to 1600ms of delay. For authenticity, the NDD-7 also has Wow & Flutter settings and Saturation adds natural compression and degradation, which can even drive into self-oscillation, like a true tape echo. Two foot switches operate as effect on/off and tap tempo and they double as looper and display controls. Above the foot switches are Time, Repeat, Level and Reverb controls and 2-band EQ governs the tone of repeats. USB connectivity and MIDI compatibility give further possibilities for deep control and integration with DAW and project studio setups. A full vintage echo collection in a single compact pedal for those seeking the genuine retro echo sound.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Time, Repeat, Level, Reverb, Bass, Treble, Select
Current consumption: <150mA
Sampling Frequency: 48kHz
Sampling format: 32-bit
Frequency response: 20Hz - 20kHz (-1dB)
Input impedance: 5M Ohms
Input level: 1.5V max
Output impedance: 100 Ohms
Output level: 1.5V max
Latency: 1ms
Dynamic range: 103dBu / 105dBu (A-weighted)
THD: +N0.0038% (1Vrms, 1kHz) / 0.01% (1Vrms, 1kHz)
Dimensions: 115 x 105 x 58mm

Notes: The NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high-definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high-definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high-quality audio interface, completing the studio-ready guitar rig. The main output can be stereo or mono for guitar amplifiers or D.I to studio equipment. There is an additional 3.5mm output for stereo headphones. Expanding the control surface has provided space for additional control footswitches for a smoother and more accessible live playing experience.

Specifications

Power supply: 9Vdc, 280mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB type-C for audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Outputs: L/Mono + R 6.3mm jack, stereo 3.5mm headphones
Latency: 1.1ms
Dynamic range: 108dB
THD: +N<0.03%
Input impedance: 470k ohms (Aux 10k ohms)
Output impedance: 1k ohm (Headphones 47 ohms)
Dimensions: 289 x 160 x 71mm
Weight: 920g

In the box

The box for this item contains:
MG-400 multi-FX pedal
9Vdc UK power adapter

Notes: Amp Academy Pedal

The Amp Academy is a complete valve amp modelling rig in a compact stomp box format. 3 storable scenes with 2 channels, selectable from 6 separate classic amplifier models. Each patch has Gain, Master and Boost for overdriven tones and 3-band EQ + Presence control. As with a real professional tube amp, there is an effects loop and internal rever effect. The addition of a noise gate helps to keep everything silent when no notes are played. Balanced or unbalanced outputs give flexible options for live performances via FRFR speakers, mixing console, or even for direct recording. All settings are fully editable via USB using the proprietary Amp Academy software and even self-made or third party IRs can be loaded for custom amp modelling. Next time you are carrying your heavy valve amplifier around, consider this incredibly flexible and pocket-sized alternative.

Power supply: 9Vdc, 100mA (min) pin-negative (not included)
Controls: Gain, Master, Boost, NR, Bass, Middle, Treble, Presence
Connections: Guitar in/out (6.3mm), Loop (6.3mm TRS), Aux (3.5mm), DI (XLR)
Dimensions: 115 x 105 x 58mm
Weight: 440g

Notes: Novopro CDJ dual table stand

Fully adjustable and universal, twin arm CDJ stand

Heavy duty professional stand that is suitable for two CDJ's, media controllers or other equipment - designed to fit ANY CDJ sized players or controllers

Adjustable tray height and left/right positional adjustment with the pivoting arm bracket

The two trays can independently tilt down at variable angles and are set in place with a securebolt locking system

The trays are depth and width adjustable to fit most players and controllers in the market - from a small controller to a full sized CDJ Nexus player

Your equipment is protected with the supplied foam rubber pads

Designed so that your mixer can be placed upon the steel base plate. This solid, powder coated plate gives a secure and stable base support for the stand and your equipment

The support arms have been updated to a nut and bolt fixing (rather than split-pin fixings) to ensure the trays are tightly secured into place

Each tray has a width of 30.5cm and is depth adjustable using the sliding tray mechanism, from 35cm to 45.7cm

The max height of each tray is 50.5cm (including the brackets)

The base size is 41.5cm wide and 47.7cm deep

Net Weight of the complete stand is 9.9kgs

Notes: Xer Dualis is a compact analogue four-channel stereo mixer. Each channel has left and right inputs, a level control, and a mute.

Want to use mono signals? No problem! The left inputs normal to the right ones. On the stereo pair output, XD features a simple meter and a clip indicator to keep your mix clean. Xer Dualis is a compact and performable choice whether you need a submixer for a large system or an easy way to mix all the elements of a portable case together.

Notes: Ultra-simple 16-step Eurorack CV sequencer with randomisation option and storage for up to 16 patterns. Straight to the point business, all in just 4HP of rack space.

Supplier notes:
Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.

Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.

Notes: Sono Abitus is a high-quality output module. It has a stereo pair of Eurorack-level 1/8" inputs that feed a pair of 14" TRS jacks for line output and a 14" headphone output. The headphone output and line outputs have separate level controls, making it easy to monitor while performing or recording.

Size and power:
4 HP

+12v: 50mA

-12v: 50mA

+5v: 0mA

Sono -- from Latin: "to make a noise"

Abitus -- from latin: "way out, exit"

"Make noises exit"

Notes: Quantus Ampla is a compact four-channel VCA. But it's not just any VCA: with some unique normalizing, mixing, and CV options, and a bit of NE flair, you can use it for tonnes of stuff. From the top, each channel has two independent modes: Amplify, which gives you normal VCA response, and Attenuate, which makes the VCAs close instead of open in response to positive CV.

The CV inputs are circularly normalled, so you can easily create ducking effects over multiple voices, volume fades, and transitions, all with minimal patching. Plus, the outputs mix down, so it can be two two-channel mixers, a 3-channel mixer plus a VCA, a 4-channel mixer- mix and match to your heart's content. Did we mention it's DC-coupled? Yep, you can use it to process CV signals, too.

You can never have too many VCAs. Your Quantus Ampla is waiting for you.

Notes: Nive Grad is a level shifter designed for simplicity. Two Eurorack signals can be attenuated down to pedal and line levels, and two external line or pedal signals can be amplified up to Eurorack level. Integrating a drum machine, external synth, effects processor, or guitar with your Eurorack system has never been easier!

Nive Grad uses 1/8" jacks to save HP. If you want to use 1/4" gear with your system, ask your modular supplier about mono/TS 1/8" to 1/4" adapters or adapter cables.

Nive Grad pairs well with Noise Engineering's Xer Mixa system mixer, but can be used in any Eurorack system.

Type: Universal drum synthesizer
Size: Level Shifter
Depth: .9 inches
Power: 2x5 Eurorack
+12 V: 25 mA
-12 V: 25 mA
5 V: 0mA
Nive - level - from Latin niveum

Grad - step or degree- from Latin Gradus