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Played by: Thread London
in stock $4.98
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out of stock $4.95
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Review: Happenstance can be a fortuitous element. A union-funded single discovered in a dusty store, a long disbanded band found, leads to unreleased post punk dubs in a box of unreleased demos.
Formed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
… Read moreFormed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.
Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.
Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.
Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.
The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.
in stock $4.94
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Review: Emotional Rescue returns to early 1980s Manchester with the previously unreleased music of Michael James Pollard and his beautiful distillation of indie pop in Too Confusing and bedsit cover version of Ashford and Simpson's Surrender.
While studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
… Read moreWhile studying photography at Manchester Polytechnic, (MJ) Pollard lived and played in a band in a ramshackle house in Walley Range. In the cellar studio he would write and record his own songs using their guitars, fretless bass and keys, as well as his own Casio VL-Tone VL-1 and Simmons Clap Trap to augment his drums onto a 4 track TEAC.
By 1983, and now solo, he was recording out of Dislocation Dance's studio (ERC111), had secured a Peel Session and via Factory Records' Lindsay Reade, was discussing with Fundacao Atlantica about releasing an album.
Working with singer Sioux Goddard as a duo, they put down 8 songs in 2 weeks in summer '84. However, Fundacao Atlantica's financial difficulties and soon closure meant the songs were lost until now.
Recovered off the original tapes and lovingly restored, Too Confusing captures the optimism of the sessions, a summer love melody of forlorn youth. Surrender accompanies, recorded back in that cellar in '81, with friend Stephanie Danziger on vocals, its lo-fi simplicity is a perfect take on an all-time classic, making this a newly prized gem of British indie pop history.
in stock $4.94
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in stock $4.93
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Cat: STAR 2372077. Rel: 11 Jul 18
Indie/Alternative
out of stock $4.90
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out of stock $4.90
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Cat: SBR 126. Rel: 29 May 15
Indie/Alternative
out of stock $4.90
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You Took The Words Right Out Of My Mouth (7" flexi-disc + insert + MP3 download code)
Cat: ER 807. Rel: 30 Nov 18
Indie/Alternative
out of stock $4.89
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out of stock $4.89
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Review: Should you find yourself in continental Europe, or the little islands surrounding it, you may be feeling a sense of the autumnal blues upon the release of this European Heartbreak LP. It's far from a morose and downcast listen though, with the choral of Annelotte de Graaf's voice a shining light to lead you through the trepidation of winter. On top of her two law degrees and work for the international war crimes tribunal, this latest opus provides her with a second album following Fading Lines of 2016, and expect spells of tatty pop intertwined with boops and breathy vocals that meet with subtle brass instrumentation, pianos and folky practices, all sung with a slight smug and smirk of discontent.
… Read moreout of stock $4.89
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Devinyl Splits No 6 (clear vinyl 7" + insert + MP3 download code)
Cat: 616892 341741. Rel: 19 Dec 16
Indie/Alternative
out of stock $4.89
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Review: Scottish indie stalwarts Franz Ferdinand thrust onto the scene back in 2004 seeking to antidote the then bad-boy aesthetic of groups like The Libertines with smart, suave 'music to dance to'. Fourteen years on and following a slight lineup change, their objective doesn't appear to have changed with their fifth album 'Always Ascending'. Produced by Philippe Zdar of famed Parisian duo Cassius - it's a slick, tight record that's doused in their trademark off-kilter panache. Over forty energetic minutes, there's a lot to dig into; the ballad 'The Academy Award' and art-pop oddball 'Huck & Jim' let Alex Kapranos' dry wit come to the fore, the infectious funk-channeling chorus on 'Finally' sounds like a dip into 60's pop, while 'Feel The Love Go' is vintage Franz Ferdinand. 'Always Ascending' sees Franz Ferdinand full of charm, reinvigorated, and perfectly comfortable in no longer needing to prove anything.
… Read moreout of stock $4.89
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B A Nobody
Shuvels
out of stock $4.89
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Paper The House
Galloping
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Kathleen (Record Store Day 2014) (1-sided white vinyl 7")
Cat: COMM 094. Rel: 01 May 14
Indie/Alternative
out of stock $4.89
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Sad Love & Other Short Stories (limited blue vinyl 7")
Cat: FPOP 168. Rel: 08 Aug 14
Indie/Alternative
out of stock $4.89
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Review: The story of Canadian model and occasional singer-songwriter Randall A Wulff - AKA Lewis - is a fascinating one. In truth, few know much about him; he could have been a conman, an international jet-setter, or just a chancer. Either way, his 1984 L'Amour album - a strange mixture of fragile, impassioned songs with a folk meets new age bent - was considered a lost, private-press gem until Lght in the Attic reissued it earlier this year. Following the release, another album from the mysterious artist came to light, with the only known copy changing hands for nearly $2,000 online. Here, that album - entitled Romantic Times, and arguably even more impassioned than L'Amour - gets a reissue. With both Wulff and the soft-focus backing tracks sounding particularly haunting, it's an atmospheric and beguiling listen.
… Read moreout of stock $4.89
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Review: Curve ball release of the week goes to Planet Mu with Mercury, the debut LP from the Miracle pairing of Steve Moore and Guapo's Daniel O'Sullivan. Best known for his luscious and at times transcendental output on LIES, Future Times and Death Waltz, Steve Moore is undoubtedly one of the most accomplished (and prolific) composers to surface out of the US synth underground. Apparently first crossing paths with O'Sullivan back in 2006 when the pair were touring in their respective bands Zombi and Guapo, Mercury is the result of some four years of musical collaboration. Planet Mu describe the nine track set as a collection of "anthemic power ballads" and as soon as O'Sullivan's vocals kick in you'll find it hard to disagree though Moore's musicianship is just as integral a part and shines through on the arpeggio heavy "Falling Into The Night" which also perhaps best captures Miracle's dual inspiration of 80s cinema classic The Lost Boys and Giallo horror.
… Read moreout of stock $4.89
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Grace For Saints & Ramblers
My Side Of The Road
Played by: Juno Recommends Rock/Indie
out of stock $4.89
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All The Time
Fast Animals
Played by: Ender, Juno Recommends Rock/Indie
out of stock $4.89
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We Found Love
California Sun
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