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Notes: An ultra-compact 10HP VC filter with bags of personality. Camber can be treated as a subtle, non-intrusive sound design tool, or something much more lively.

Camber is designed to be a fun, tactile filter with a small footprint. It's sound is neutral enough for basic filtering without a fuss, with a much more aggressive tone available using high resonance settings in three-pole mode.

Filter Core

The core of the filter is based on a state variable topology using 2164 VCAs and 1% tolerance integrating capacitors. Resonance and feedback control is provided by the fantastic circuit design originally by Neil Johnson "Voltage Controlled 3-Pole State Variable Filter" recently made available in Sound Semiconductor documentation.

Operation

Camber is switchable between low pass and high pass responses with one pole (6dB) and three pole (18dB) flavours of each. It has full CV control of both cutoff frequency and resonance amount. The input is DC-coupled allowing LFO and CV signals to be routed through the filter. The filter will also act as a simple oscillator producing a clean sinusoidal signal with the resonance control turned *almost fully clockwise, and no signal at the audio input. Dialling in the resonance so that it is just under the point of self-oscillation allows the filter to be "Pinged" by sending gate signals to the audio input. This is useful for tuned percussion sounds and FX.

Specifications

Intellijel 1u format
Width 10HP
Depth 33mm
Power requirements ~40mA +12V/~40mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: An ultra-compact 10HP VC filter with bags of personality. Camber can be treated as a subtle, non-intrusive sound design tool, or something much more lively.

Camber is designed to be a fun, tactile filter with a small footprint. It's sound is neutral enough for basic filtering without a fuss, with a much more aggressive tone available using high resonance settings in three-pole mode.

Filter Core

The core of the filter is based on a state variable topology using 2164 VCAs and 1% tolerance integrating capacitors. Resonance and feedback control is provided by the fantastic circuit design originally by Neil Johnson "Voltage Controlled 3-Pole State Variable Filter" recently made available in Sound Semiconductor documentation.

Operation

Camber is switchable between low pass and high pass responses with one pole (6dB) and three pole (18dB) flavours of each. It has full CV control of both cutoff frequency and resonance amount. The input is DC-coupled allowing LFO and CV signals to be routed through the filter. The filter will also act as a simple oscillator producing a clean sinusoidal signal with the resonance control turned *almost fully clockwise, and no signal at the audio input. Dialling in the resonance so that it is just under the point of self-oscillation allows the filter to be "Pinged" by sending gate signals to the audio input. This is useful for tuned percussion sounds and FX.

Specifications

Intellijel 1u format
Width 10HP
Depth 33mm
Power requirements ~40mA +12V/~40mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width: 18HP
Depth: 32mm
Power requirements: ~60mA +12V/~58mA -12V
Control voltage range: 0-8V
Impedance Input: 100K / Output 1K

Notes: Lush analogue EQ switchable between tilt and Baxandall high-shelf configurations.

Perform a variety of mixing and sound design duties ranging from subtle brightness and clarity adjustments to low-end rumble removal, boosted low-pass filtering and sweep EQ.

In the default tilt mode, turning the control knob clockwise simultaneously boosts treble and cuts bass. Turning anti-clockwise boosts bass and cuts treble. These boosts and cuts are pivoted around the mid-range. With the control knob at 12 o'clock the frequency response is neutral.

With Baxandall high-shelf mode enabled, turning the control knob clockwise past 12 o'clock introduces and gentle high-shelf EQ weighted around the upper mid-range. Turning the control knob anti-clockwise results in a wide high-shelf cut with subtle bass and mid-range adjustments.

Patching the channels in series allows for radical sound shaping and band-pass responses. Each channel provides up to +/- 8db of low and high-frequency gain control, summing into a low noise output stage. Hot input signals over 15vpp are saturated by active Zener diode clipping.

Features

Precise voltage control of EQ tilt and shelf
Seamless switching between EQ modes
High-quality components used throughout

Specifications

Intellijel 1U format
Width 18HP
Depth 32mm
Power requirements ~60mA +12V/~58mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: Tilt is the first in Laine's series of core modules, which will take cues from the main product line and strip back the features so both the module width and cost can be shrunk dramatically.

Comprising an 'Ambler' style tilt EQ network similar to the 'Stilts' topology, Tilt allows simultaneous cut and boost of low and high frequencies using a single control.

Tilt control circuits are known for the transparency of their cut and boost curves, coupled with the inherent emphasis gained from cutting one end of the frequency spectrum whilst boosting at the opposite end.

It sounds pretty good on all audio source material but is especially suited to tracking drums, guitar and lead, or manipulating effects sends and returns.

With the control knob at 12o'clock the sound passed is neutral. Turning the control knob clockwise will boost high and cut low frequencies pivoting from a fixed mid-range point. Turning the control anti-clockwise below 12 o clock will in turn boost low frequencies and cut the highs.

In addition to the EQ there is a soft clipping network which will begin to saturate signals over 15 volts peak to peak.

Tilt uses the same high quality OPA op amps, Alpha pots and ENIG PCBs as found in our main product line.

Features

Compact EQ tilt control in 1U
Soft clipping network
High-quality components used throughout

Specifications

Intellijel 1U format
Width 8HP
Depth 28mm
Power requirements ~10mA +12V/~10mA -12V
Impedance Input 100k / Output 1k

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: LOCI Crate 30 is a 30hp case for small Eurorack configurations. Supplied with strong 3D printed LOCI Rails (inspired by vector rails) and stainless steel threaded strips. At just L49.99 RRP inc VAT it's an incredibly affordable route into the modular synth world.

Great for small Eurorack Modular setups.
Assembled in seconds.
Super strong.
Precision laser cut from ethically sourced and renewable 6mm Oak veneer.
Beautifully detailed with laser etched logo.
Non-slip pads.

Notes: LOCI Flex is an organically styled 30 degree stand. It has an additional crossbar for supporting larger items and is perfect for studio and performance use.

Great for Desktop Modules and 25 key synths and Eurorack Modular setups.
Crossbar for extra width.
Assembled in seconds.
Super strong.
Precision laser cut from ethically sourced and renewable 6mm Oak veneer.
Beautifully detailed with laser etched logo.
Non-slip pads.
Packs flat to slide in your case or bag.

*** The Akai and Arturia units are not included, they are shown for demonstration purposes only.***

Notes: ProFX10v3+ is a compact analogue mixer and USB-C audio interface with features from a studio recording console. Equipped with essentials including one-knob compression, EQ, Hi-Z switches and 100 Hz low-cut filters, it's the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. The award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features:

4 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetooth for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 9/10
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 10
Mic inputs: 4
Aux sends: N/A
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Part of Mackie's excellent ProFX series, the 12v3+ combines a 12-channel analogue mixer with built-in USB audio interface for quality recordings. Includes GigFX+ digital effects, colour LCD screen and Bluetooth input.

Supplier's Notes:
12-channel professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with award-winning Onyx preamps, channel EQ and analogue compression. Upgraded GigFX+ effects enhance your sound, plus you can edit and save your presets on the fly via the full-colour display. Switch between recording modes to track dry or include the FX, or use loopback mode to stream video games or perform over backing tracks without feedback. You can even bring in podcast guests over the phone via Bluetooth on a dedicated channel. With easy connectivity, the warmth of analogue and an upgraded FX engine, Mackie ProFX12v3+ is the perfect centrepiece for your studio.

Mackie ProFXv3+ Series is a professional analogue mixer and USB-C audio interface with powerful enhancements for studio-quality recordings and live streams. Capture your performance with Onyx preamps and channel EQ, add computer audio via loopback, bring in calls via Bluetoothr and enhance your sound with upgraded GigFX+ effects on a colour LCD screen.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetooth channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Features

7 Onyx mic pres with up to 60 dB of gain and ultra-low noise performance
High-resolution GigFX+ effects engine
Full-colour LCD display for editing and saving effects presets
24-Bit / 192 kHz 2x4 USB-C audio interface
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
3-band EQ on all channels
One-knob compression on channels 1-4
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 11/12
Separate FX, monitor and subgroup busses
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line Inputs: 12
Mic Inputs: 7
Aux Sends: 1
Subgroups: 2
Compressors: 4
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording Modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Part of Mackie's ProFXv3+ series, this six-channel model offers great value, with built-in audio interface, Bluetooth streaming and GigFX+ effects.

Supplier's Notes:
Mackie ProFX6v3+ is a professional 6-channel analogue mixer and USB-C audio interface featuring Onyx preamps and EQ, switchable USB recording modes, Bluetoothr for capturing phone calls and upgraded effects you can adjust on a colour LCD screen.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

With up to 60 dB of gain and ultra-low noise, ProFXv3+ series mixers allow you to sound better than ever. Record podcasts, stream gameplay or produce the next hit-all with ultra-clean, transparent audio. Our award-winning Onyx Mic Preamps deliver analogue warmth so you sound great, no matter what you do.

Enhance your sound using high-resolution GigFX+ effects, with 12 presets you can edit and save on the fly via the full-size LCD screen. Combining the warmth of an analogue recording console with precise digital effects, ProFXxv3+ is an ideal mixer for home studios and live events alike.

Capture your stream or performance at pristine 24-bit / 192 kHz quality with a built-in 2x4 USB-C audio interface, complete with three recording modes: Standard for the full mix with effects, Loopback to include computer audio with mixer signal for streaming, and Interface to record channel 1-2 without effects processing.

Use the dedicated Bluetoothr channel to send and receive audio from devices like smartphones and tablets. For podcasters, it's an effortless way to bring in phone calls. For musicians and performers, it's the easiest option for streaming outside music and backing tracks.

Product features
Three recording modes: Standard, Loopback and Interface
Bi-directional Bluetoothr for music playback and caller integration
2-band EQ on channels 1 and 2
One-button compression on channels 1 and 2
Hi-Z switches allow direct connection of instruments
100 Hz low-cut filter and 48V phantom power on all mic channels
Stereo 1/8" input on channel 5/6
Headphone output with separate level and blend control
Easily blend between monitoring your computer output and a latency-free feed from the mixer
Waveform OEM recording software Included
Legendary Built-Like-A-Tank design
Solid steel chassis
Tough ABS side protection

Line inputs: 6
Mic inputs: 2
Effects: GigFX+
USB I/O: 2x4
USB Type: C
Recording modes: Yes
Bluetooth w/MixMinus: Yes

Notes: Introducing the CTRL CASE PUSH 3 - the perfect protective solution for live performers on the go. Custom designed to a hold the new Ableton Push 3 and is a very lightweight and convenient solution to carry the standalone instrument well protected to your next studio or live session. Crafted from rigid Durashock moulded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize power plug, audio cables and accessories.

Fits

Ableton Push 3
Ableton Push 2
Ableton Push

Specs

Outer measures: 43 x 37 x 10,5 cm
Inner measures: 39 x 33 x 5 cm
Weight: 1,3 kg

Notes: Make Noise's 208hp 7U 4 Zone CV Bus Case arrives ready to use. Just add modules, patch cables and inspiration. The powder coated metal construction offers excellent mechanical durability. The lid is removable and can be closed with the system fully patched. The sleek matte black finish was selected to match Make Noise's line of Black & Gold modules, and it looks great with just about any module installed. This finish will show the story of your modular synth's travels over the years.

The Make Noise 4 Zone Power Bus Board is a new approach to accommodating the ever-growing universe of Eurorack modules. The multi-zone solution is like having 4 independent bus boards in a convenient single bus board package. Each Zone features isolated +12 VDC and -12VDC supplies and a dedicated ground return path. The +5VDC supply is shared amongst all 4 zones.

The multiple section of the CV Bus was originally designed in 2013 for Alessandro Cortini's personal Make Noise system. It provides visual indication of level, rate and polarity for up to 4 control signals that will be shared throughout a patch. These 4 control signals are colour coded and distributed across the centre of the system allowing for quick, clean and intuitive patching. The distribution method is unlike the typical multiple since the control signals will appear beneath their possible destinations allowing for the use of shorter patch cables. The colour coding and visual indication makes navigating complex patches easier and more intuitive. Typically, the CV Bus would be used to share the most important control signals in a patch such as your Master Clock.

This new version of the CV Bus also includes useful modular utilities:

The Voltage Math is found at the left end of the CV Bus. Like the similar circuit on the 0-Coast, it is a small collection of universally useful modular utilities. The two inputs are summed at the output, one at unity and one adjusted by the input attenuverter. The attenuverted input is also normalled to a DC offset, for purposes of level shifting, voltage mirroring etc. The output strength and polarity is indicated by the Green and Red output LEDs.

A high quality Stereo Line Driver converts powerful modular synthesizer signal levels to the commonly used Line Level. There are mini-jack inputs for Left or Mono, and Right for Stereo sound, a single master volume control, as well as a stereo line output pair, and finally a TRS line/headphone out on a single jack. This output is capable of driving a long cable out to a PA System or a set of Headphones. It is AC coupled with a built-in limiting circuit (with visual indication) that prevents damage to ears and PA system when the patching gets experimental.

Includes

Two 104 hp 3U rows for Eurorack modules, One 104hp 1U row fitted w/ CV Bus
Hybrid switched/linear power solution for low noise and excellent load regulation
Multi-Zone, allowing isolation of noise-prone modules from noise-sensitive ones
Black powder coated metal w/ embossed logo on lid
Sealed to keep dust out during travel or storage
Lid offers space to close w/ your system patched
Recessed side mounted on/off switch and power inlet for safe travel
Locking power connector helps prevent on-stage power loss accidents
Solid carrying handle and rubber feet so the case travels w/ ease
Meets carry-on luggage size requirements for most airlines
Universal AC power adapter works world wide (Need IEC Cable for non-US outlets)
Blued Steel Stand sold separately

Specifications

Size: 7U
Total HP: 208 @ 3U, 104 @ 1U
Outer Dimensions:
22.25" x 14" x 7.25" w/ lid
Max Module Depth: 2.5"
Weight: 12.75 lbs. (w/ powered bus board, CV Bus installed)
Power: +12VDC @ 4A, -12VDC @ 2.4A and +5VDC @ 1A
Connectors: 32
Includes: CV Bus, Powered Bus Board, 120 Sliding M2.5 nuts w/ Black screws, AC Adapter

Notes: The Dual Stereo Gate (DXG) music synthesizer module is a Dual Stereo Low Pass Gate and Mixer. It follows in the footsteps of the QMMG, Optomix, RxMx, DynaMix, and LxD. Unlike its predecessors, the DXG is specifically oriented around mixing stereo signals, making it an important addition to any system containing modules like XPO, QPAS, Morphagene, Mimeophon, and other stereo modules by Make Noise or others.

Unique to the DXG is a new low pass gate circuit that does not use vactrols. This circuit is 100% analogue and its response was arrived at after many months tailoring it to meet or exceed the expectations that have been set by all the vactrol low pass gates that Make Noise has created over the years.

In the past, Make Noise produced the Dynamix module and Dynamics circuit in the 0-COAST, both of which are vactrolless LPGs; however, the DXG is a completely new approach which better implements the gentle single pole filtering of a low pass gate, while also emulating the slow decay and memory of the vactrol based low pass gate. This new circuit makes possible the consistency of response necessary for versatile stereo use, while also keeping the module small and affordable so that it can be a key part of just about any modular system.

As on all of Make Noise's low pass gates, the DXG's Control parameter is used to set both the amplitude and the frequency content of the sound that passes through it. The control parameter tends to open faster than it closes, imparting a subtle decay phase onto any envelope shape that is used to modulate it.

Unlike previous low pass gates made by Make Noise, all the DXG's inputs and outputs are stereo. Each set of inputs is normalled so that the left input can be used for a mono signal, sending a copy to both left and right outputs. The Auxiliary inputs are also a stereo pair with mono normalization. These normalizations allow for the DXG to be used as a simple three channel stereo mixer, with one or two of the channels additionally being used for dynamics control and note event generation. The Aux inputs can be used to chain together larger decentralized mixes using additional DXG modules, or X-PAN, Optomix, modDemix etc.

Features

- Make Noise's first Stereo Low Pass Gate

- Vactrol-free design for classic Low Pass Gate sounds, but with the balance and consistency needed for true Stereo

- Fully Stereo i/o for easy integration into a Stereo-equipped modular synthesizer

- All Left inputs normalled for easy use with Mono signals

- STRIKE Input allows use of Gate signal to trigger Low Pass Gate circuit, creating "plucking" or "pinging" sound from any Gate

- Summing stage with Stereo AUXiliary IN allows for chaining of multiple units, creating larger mixes

- Part of a decentralized mix console integrated throughout the system along with X-PAN, Optomix, XOH, etc.

- Pairs well with XPO, QPAS, Morphagene, Mimeophon, Spectraphon etc.

Width: 8hp
Power:
74mA @ +12V
86mA @ -12V
Module Depth (incl power cable): 43mm

Notes: Saturation is a sound designer's best friend. As applying saturation to a sound can make it sound warm, rich and defined. But without any other processing the opposite can happen; making the sound harsh, destroyed and undefined. An often used technique in music production is to saturate specific parts of the spectrum, adding harmonics to enrich the sound but not lose its original quality.

Wyvern takes this technique and makes it a creative sound design tool. When deconstructed Wyvern is built out of a specific chain: Filter EQ, Saturation, VCA, Dual Filter, Dry/Wet Balance. Different combinations of these stages can be used for a variety of sound design and patch situations. And it is all in stereo, so you can apply it to your final mix and stereo signals with ease too!

The Filter EQ stage has a high-shelf, low-shelf and bell curve to boost or diminish parts of the spectrum. When the gain is set to a minimum the EQ curves turn into low-pass, high-pass and notch respectively. A Resonance control puts emphasis on a certain frequency, or it can be used to make Wyvern scream. This is then sent to a Saturation stage. The Drive control sets the amount of Saturation of one of the three

Saturation types

Soft clipping puts more emphasis on the third harmonic and compresses the sound.

Hard clipping puts emphasis on odd harmonics. Finally an Allpass distortion adds phase shifts and distortion. The Saturation stage also has a level control which can be used to decrease the gain after saturation is applied and can function as a unipolar VCA. The Saturation stage is also accompanied with a clip indicator led and a boost switch to scale input signal correctly or simply add more or less harmonics.

The Post-Saturation stage is a high-pass and low-pass combo. Allowing you to select a frequency band from the previous stages. Along with a balance control to adjust the balance between the dry and wet signal.

Whether you are looking to destroy your sound or go for subtle analogue warmth; Wyvern has got you covered. Even when not used for saturation alone. It can be a Stereo Tone Controller, EQ, Filter, VCA and Phaser, all and anything in between. Making it a very fun and powerful sound design tool!

Features

- Filter EQ with Low-shelf, High-shelf, Bell, Low-pass, High-pass and Notch curves.
- Resonance to add emphasis on a frequency or to make it scream.
- Soft clipping, Hard clipping and Allpass distortion for a variety of flavors.
- Boost switch and clip indicator led to set Saturation scale.
- Level and VCA to adjust level while Saturation amount remains the same.
- High-pass and Low-pass combo to select a part of the spectrum.
- Dry/wet control to dial in the right amount of processed signal.
- Gain with increased and adjustable center detent position.
- V/oct tracking with temperature compensation.

165mA @ +12V // 150mA @ -12V

Notes: Sixteen Seconds Delay vintage eurorack version, inspired by the original looping delay from 1983.

The device topology is the same as first digital delays from that era, with an all-analogue signal path, pre emphasis and de-emphasis, compression and expansion, antialias and reconstruction filtering and input output buffering and mixing.

Digital processing is limited only to analogue to digital conversion, memory management and storage and digital to analogue conversion, all in glorious eight bits.

There's also an analogue triangle Low Frequency Oscillator for modulating delay time/pitch Maximum delay time has been increased to 32 seconds, there are toggle switches for slow/fast speed/pitch , freeze function and reverse playback.

On board modular inputs for CV control of sample rate, infinite/freeze, reverse, slow/fast, reverse, delay line retrigger for sync and stutter experimentation.

Slider illuminated controls are delay time coarse, delay time fine, sweep rate and depth, feedback and mix.

Proudly hand built in Uruguay, by Maneco Labs also creators for the Grone Drone machine Eurorack, Tabletop and Pedal drone generators among others.

Notes: This is a digital effects pedal in a compact format, including reverse delay - pitch shifter - delay and modulated reverb.

Effects engine is 12 bit and includes analogue filtering before and after digital conversion, based on vintage eighties units' topologies, but it allows for all the effects to be simultaneously available.

Despite its complexity, operation is simple and intuitive, all functions are directly controlled by the corresponding knob.

Pots controls:

1-Blend controls mix of effects over final output signal
2-Octave blend mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component 5-Balance controls mixture from reverb and
delay.
6-Sample rate controls the frequency operation for the whole pedal, modifying delay time
and reverb decay.
7-Reverse blends the reverse component with the direct signal.

Indicators:

Signal: indicates clipping, the input path has compression and limiting so it gives an idea of how hard you are driving the pedal.

Tap: blinks at the rate of the delay, depending on tap and sample rate.

Tap/freeze: turns red while tapping time, blue indicates reverb freeze.

Bypass: global effect on/off

Footswitches:

1-Tap/ freeze works as a tap tempo for the delay and reverse delay, and freeze/infinite for reverb, selected by the associated toggle switch. Max delay time is around 6 seconds, depending on sample rate setting.

2-Bypass: buffered bypass for the whole pedal.

Power consumption: 150 milliamps.

Notes: Drums4 is a 4 voice, sample based percussion sound generator.

Each voice can select its sound from a 48 sample global bank, samples are curated from the manufacturer's collection of percussion sources used in their music.

Each sample can be tuned and has an individual output for independent processing , and there's also a simple mixer that controls levels to the main mixed output.

Operation is simple and intuitive, the selected sample is remembered after power down for each of the 4 voices.

Incoming triggers are displayed on each voice LED indicator.

Controls:
for each voice:
-PITCH potentiometer : for tuning sound over a wide range.
-SAMPLE SELECTOR encoder : allows choosing among 48 global samples , setting is
remembered after power down
-MIX potentiometer: adjust blending of each voice to the mix output

Connectors:
for each voice
TRIGGER jack : trigger or gate input , accepts a wide range of sources from 5v to 12v
OUT jack : individual sound output for voice
CV jack : allows external control of voice pitch, 0 to 5 volts range, over voltage protected.
Main Mix jack: summed output of mixed voices, controlled with mix pots.

Specifications:
width : 12HP
depth: 28 millimeters
Power consumption: 130 milliamps +12v , 10 milliamps -12v

Notes: Fuzz meets synth meets reverb in this clever pedal. Built-in drone VCO, noise generator, LFO and effects allow you to warp and twist input signals into completely new tones and textures.

Supplier's Notes:
Grone 2 Dark Drone machine Pedal Version

Blocks description

Drone VCO:

Generates sound based on equations converted to analogue signals, there are sixteen equations selected by algorithm up pot. Four LEDs indicate equation number in binary mode. Three Pots modify numbers used by the equation, A0, A1 and A2, fourth pot Sample Rate controls pitch and speed of the oscillation. There's an expression jack input, EXP2 for controlling sampling rate.

NOISE GENERATOR: White noise with noise level pot.

Voltage Controlled Filter: MS20 resonant low pass filter, with CUT frequency pot control, RESONANCE, MODULATION 1 amount pot, Expression jack input 1 controls filter cuttoff.

LFO1: Low frequency oscillator routed to MOD1 from VCF, RATE and WAVEFORM shape Pots.

Waveforms are: ramp up, ramp down, square, triangle, sine, sweep, random levels, random slopes

FUZZ Section: gain stage that affects input signal, with controls for input gain and level.

Effects Section: Consists of a chorused reverb with delay, adding octave up or down component, with freeze function

Pots controls:
1-Blend controls mix of effects over final output signal
2-Octave blends mix a pitched signal to the input of the reverb
3-Octave -1 +1 controls tuning of pitch component
4-Repeat controls feedback of delay component
5-Balance controls mixture from reverb and delay.
6-Pitch controls the sampling rate of the whole effects section, modifying delay time and reverb decay.

Footswitches:
1- Synth: mutes or enables the drone VCO and noise generator
2-Filter: Bypass for the VCF
3-Fuzz: Bypass for the fuzz that processes the input signal.
4-reverb: Bypass for the reverb/delay section
5-Freeze: toggles freeze function for reverb section

Jacks:
Input, Expression 1 input (VCF) Expression 2 (VCO sample rate), Output

Notes: A lot of fun from this quirky little box, designed to hold up to eight minutes of samples and then allow you to trigger, warp and manipulate them in real time with hands-on controls.

Supplier's Notes:
Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits:

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.

Notes: Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits.

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.
12HP eurorack module

Notes: This new pedal in Maneco's line is a versatile fuzz device , true stereo and with powerful tone shaping capabilities.

Main features:

True Stereo operation
Silicon Transistors gain stage.
Big Muff tone stack
Buffered clickless Bypass
Input gain for fine tuning distortion quality, also adapting for wide range of input signals
Bass, guitar , drum machines and synthesizer friendly
9v standard power supply, center tip negative

Notes: Honey is a palm-sized, touch-based noise instrument based on the bytebeat principle. It runs on a single AAA battery and emits sound through a speaker. It doesn't have an audio jack. It creates dynamic sounds by manipulating variables and mathematical operations through touch.

The internal dynamic equations consist of five variables and four operations, with six possible operators for each operation. They are constantly changing and forming new equations, creating chaotic randomness.

If the unit does not respond correctly, the battery needs to be replaced.

Powered by one AAA battery

Notes: Simple, straightforward and effective. The XVI-M offers 16 high-resolution faders, 16 programmable buttons and MIDI output over USB or TRS. Solidly built metal enclosure promises durability.

Supplier's Notes:
XVI-M MIDI Controller, 16 Faders, 16 programmable buttons, 14bit resolution

XVI-M Desktop is a 16 channel desktop MIDI control surface.

Features:

Long throw LED 60mm faders
USB MIDI, MIDI TRS#1 and MIDI TRS#2 outputs
USB Powered (USB C, Cable included). Stand alone adapter available but NOT included
14bit (MIDI Pitchbend) resolution faders. Can be set to any 7 bit CC or NRPN/RPN
Online parameter editor: https://misw.us/editor
Fader output can be routed to USB MIDI, TRS MIDI A or TRS B
3 color programmable button can be momentary, 1 state toggle, 2 state toggle, or 3 state toggle with each state sending a MIDI msg
Durable metal case
Includes:

XVI-M Control Surface
USB C to USB A cable (2m)
1.5m TRS A to MIDI DIN cable

Notes: A mini-modular synthesizer for real-time composing, sound processing, and having fun.

Pluto is compact and portable, with abilities that belie its small size. Five channels of modulation (named for the five moons of Pluto), two voices, two sequencers, a mini-keyboard, and onboard delay make Pluto its own complete sound environment, but it can happily play with all your other gear.

The design of Pluto draws from a legacy of portable electronic instruments, from the Buchla Music Easel to 80's Casio synthesizers. With a focused, approachable interface, Pluto invites exploration.

Features

Portable 2-voice, 2-sequencer patchable synthesizer
Easily create complex, randomized sequences
Low-aliasing digital oscillators, wavetable oscillators
Rechargeable battery
Built-in delay and reverb effects
Mini touch keyboard
Audio input for audio processing
Audio output (stereo headphone, line)
Quantize to preset scales, MIDI, or even audio input
Eurorack-compatible patch signals (5v)
Sync In & Out
MIDI In & Out (TRS, USB)
2 channels CV Out (0-5v, 1v/oct)
USB-C cable included

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Killer digital drum machine from the excellent Modor. Six instruments, 128-step sequencer and some of the freshest, most innovative drum sounds we've heard in a long time.

*** New upgrade - July 2023 ***

Introducing this new upgrade for the DR-2, OS010. Built in cooperation with Berlin-based Canadian electronic music artist Nicolas Bougaieff!

Bougaieff frequently uses polyrhythmic structures, dividing bars or musical phrases of different instruments into different numbers of steps. Have one instrument play 17 steps in the time another instrument plays only 16 steps, or 8 steps in 5 steps, or... Like stretching N steps of one instrument over M steps of a second one, giving them an N:M speed ratio.

He felt that there were only rather limited possibilities in hardware sequencers and drum machines to achieve this.

The process of achieving this was quite challenging, but the result was worth it! This is a very intuitive way to work with polyrhythms, making use of stretched clocks. It is ready for download now on Modor's download page on their site!

Apart from the main sequencer clock, the DR-2 now has 2 polyrhythmic clocks (or 'polyclocks'), called polyclock A and B. Each of these 2 clocks relates to the regular 'main' clock with a certain N:M ratio. The polyclock takes N steps in the time the main clock takes M steps.

Next, every instrument can separately choose a clock:
the main clock,
the A polyrhythmic clock,
or the B polyrhythmic clock.

This means, you can let, for example, a snaredrum play 7 steps while the rest of the instruments plays 8 steps. The 7 steps are stretched equally in time over the 8 steps of the other instruments.

How is this done?

Keep the A or B button down, and set the N:M ratio using the SELECT/BPM (for N) and VALUE/SWING (for M) knobs.

Keep an instrument button A...F down and hit the A or B button to assign that instrument to one of the polyrhythmic clocks. Hit it again to return to the main clock.

Supplier's Notes:

The DR-2 is a 6 instrument digital DSP drum synth, with a built-in 128-step drum sequencer. At first sight, it will feel recognizable in some ways. There are sounds that will remind you of the good old classic drum machines, and the step sequencer will get you building drum riffs from the first second you touch it. But Modor uses digital sound synthesis to get beyond the possibilities of a classic drum machine, and the step sequencer does more than just hitting drums...

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not built to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound.

The DR-2 has 6 drum 'channels', drumsets made of 6 drum instruments. These channels don't have predefined instruments. You can choose freely which instruments you want in your 6-channel drumsets. The DR-2 works with drum 'models', of which you can pick one for every channel. You can consider these 'models', or synthesis algorithms, as a collection of small but dedicated drum synthesizers, of which you can pick 6 to form a drumset. There are models for bass drums, snares and cymbals, but also for some more unusual drum sounds, clicks and ticks.

Every model has up to 12 sound synthesis parameters: Pitch with pitch decay, curve and amount, amp volume with panning, amp decay and curve, and parameters X, Y, Z and T that have a different function in every model, see the table below.

The DR-2 has an output jack connector for each of the 6 channels A-F, and 2 master L/R outputs. If there's no cable connected to a channel output, the corresponding channel is sent to the master L/R outputs. The individual channel outputs are mono, but have a panning parameter to give it a stereo position in the master mix.

But there is more! The A-F output connectors are actually insert points, you can use 6.35mm (1/4") TRS jack connectors to route a channel out of the DR-2, and send it back in if you want. This way, you can use external effects, equalisers, compressors, ... on each of the 6 channels individually, and still have them panned and mixed in the master outputs of the DR-2.
Next to the audio connectors, the DR-2 has 6.35mm (1/4") TS connectors for 24PPQN clock input and output, and has classic din-5 MIDI IN, OUT and THRU connectors.

The sequencer of the DR-2 has a lot more options than just the classic 16-step sequencer. First of all: you can use 32nd notes, so the DR-2 doubles the resolution of a classic 16-step sequencer. The DR-2 has 16 step buttons but you can see 32 step leds on the front panel. Keep the '16/32'-button pressed to access the steps-between-the-steps.

A pattern can use up to 4 of these 16/32-step pattern parts, these can be accessed with the 1-16/17-32/33-48/49-64 buttons. Using SHIFT + one of these buttons sets the pattern length. So, it's actually a 4x32 or 128-step sequencer.

But there's more: each instrument has it's own Accent, Flam, Tuplet, Break and Reverse patterns. Keep the ACC, FLAM, SHIFT+FLAM, BREAK or REV button pressed while using the step buttons.

MEASUREMENTS
Width: 440mm without rack ears, 480mm with rack ears (19")
Height: 267mm (10.5"/ 6U)
Depth: 40mm (front) - 80mm (back)
Weight: +/- 6kg

CONNECTIONS
9V, 600mA adapter connection, positive voltage on center pin
MIDI IN/THRU/OUT connections, 3x 5-pin DIN connection
Clock In/Out connections, 2x 6.35mm mono jack
Audio Instrument Outputs/Inserts, 6x 6.35mm TRS or mono jack, unbalanced
Audio Left/Stereo output, 6.35mm TRS or mono jack, unbalanced, capable of driving headphones
Audio Right output, 6.35mm mono jack, unbalanced

Notes: MOOER has unveiled its latest effect pedal innovation, the MVP1 AUTUNER vocal processor. Unlike most of MOOER's products, this pedal is designed primarily for use with vocals, offering precise pitch correction and exceptional vocal enhancement features. However, MOOER hasn't forgotten about its primary audience, so AUTUNER still provides features that will interest guitarists.

Due to the pedal's primary focus on vocals, the device includes several features specifically designed for microphone usage. This includes XLR input and output, in addition to support for 48V phantom power, ensuring that the pedal supports both dynamic and condenser microphones. However, AUTUNER also includes standard 1/4" guitar inputs and outputs, along with convenient footswitch control to switch between mixed or individual signals.

The pitch correction features behind AUTUNER are highly versatile. With an LED button, users can choose between flat, warm, and bright vocal tones, each indicated by a different colour. Once a tone has been chosen, the 'correction' dial can be used to define the sensitivity of the pitch correction. Users can also press and hold the left footswitch to trigger the pitch correction's vocal synthesizer mode.

AUTUNER's versatility shines particularly brightly thanks to its built-in effects modules. The first of these is delay; the delay module can be can controlled with its dedicated dial, with users having the option to choose between tape delay, digital delay, slapback delay, or bypass. The pedal's left footswitch serves as a tap switch, which allows the user to determine the speed of the delay module.

A reverb module is also featured within AUTUNER. This too has its own dedicated dial, which can be used to morph between room delay, hall delay, and plate delay. Whilst the pitch correction features of the pedal are limited only to vocals, these delay and reverb modules ensure that the pedal has plenty of dedicated features to offer MOOER's guitarist fanbase.

As is common with MOOER products, AUTUNER features a wide range of control mechanisms. In addition to the left footswitch's dual functionality, the right footswitch also acts as a bypass for the pitch correction and effects, whilst still ensuring the tone processing remains active. The pedal's tonal enhancements can then be fully bypassed with the 'flat' tone option.

In addition to its core features, the MVP1 AUTUNER also includes a gain dial, a 48V phantom power switch for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Overall, the features of this pedal ensure that musicians have everything they need for impressive pitch correction, vocal synthesis, and special processing, whilst ensuring that they never have to rely on external batteries.
Vocal pitch correction feature with a controllable sensitivity dial
Footswitch-controllable vocal synthesizer mode
Three vocal tone modes: flat, warm, and bright
Four delay modes: tape, digital, slapback, and OFF
Four reverb modes: room, hall, plate, and OFF
Tap tempo footswitch for delay speed
Bypass footswitch functionality for isolating the tone from effects
Multifunctional footswitches for 'hidden mode'
LED button for tonal control
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: Proper futuristic amp modelling and effects courtesy of Mooer's next-level GE1000, featuring AI-driven auto-EQ and a five-inch touchscreen. Hook up to the GE Cloud app to edit and share sounds.

Supplier's Notes:
MOOER has consistently pleased the guitar pedal market with its GE multi-effect range, and its latest addition, the GE1000, is set to be no exception. The GE1000, built with a futuristic and sleek "Walking Star" design, builds upon past GE products, offering an even larger range of guitar processing effects, preamps, amp simulators, and features than previous entries.

The GE1000 comes preloaded with an impressive bank of guitar effects and amp simulations, but this is augmented further through MNRS GE Cloud support. MOOER's MNRS files consist of IR samples from real amplifiers, facilitating authentic feeling tones that can be downloaded, uploaded, and shared via MOOER's 'GE Cloud' app for free. The GE1000 also supports third-party IR files of up to 2048 sample points, enabling further expansion of the pedal's portfolio of amp simulators.

Further adding to the GE1000's impressive amplification and tone features, the GE1000 includes a cutting-edge AI-driven automatic equalizer, a first for MOOER. This automatically adjusts a 5-band EQ based on the user's playing and music style choice, providing further possibilities for creativity whilst still providing the flexibility of a manual-controlled EQ interface.

MOOER hasn't only focused on tone and pitch with the GE1000 exclusively, which is illustrated perfectly by the integrated Groove Station rhythmic toolkit, consisting of a style-specific drum machine and a looper. These features have been designed to work both independently and in tempo synchronization, making them adaptable for all types of jam. The looper even includes automated record and count-in functions, activating the loop recording when an input signal is detected, providing a unique hands-free looping experience.

MOOER has always excelled at providing innovative UI experiences, and the GE1000 is set to continue this trend. The pedal features a 5-inch high-quality coloured touch screen designed for intuitive multi-effect workflows while keeping some fan favourites from previous GE pedals. These include the signature MOOER multi-purpose control dials, buttons, and a quick-access expression pedal.

Additional flexibility can be found within the pedal's cutting-edge control systems, including programmable MIDI ports, bundled preset management software, and compatibility with the MOOER mobile app.

This level of flexibility is matched by the pedal's audio routing solutions, which feature Bluetooth playback, USB audio interfacing, serial and parallel TRS stereo FX LOOP compatibility, and industry-standard input and output ports.

Notes: MOOER burst onto the music products scene in 2010 and has been impressing guitarists ever since. However, the company has expanded it's horizons this year with its VP vocal processing pedal series. The MVP2 Harmonier is a powerful example of this - it's a versatile and innovative vocal processor pedal designed to elevate both vocal and guitar performance, offering tonal precision, creativity, and convenience in one compact pedal.

At its core, the pedal offers a versatile pitch harmonizer effect. The 'Key' dial allows users to choose to harmonize their important with any note in the chromatic scale, with the 'Sharp' LED button being used to select sharp notes. Once chosen, the 'Mode' dial facilitates further customization, offering 11 different harmony modes that control the harmony's interval. This includes all classic intervals such as octaves, fifths, and thirds.

The 'Level' dial adjusts the volume of the harmonizer effect, but Harmonier offers even further tonal flexibility thanks to its reverb function. Users can press and hold the 'Sharp' button while rotating the 'Level' dial, which allows them to adjust the volume of the pedal's internal reverb module. The pedal also offers tone modes: flat, warm, and bright. These can be controlled by activating the pedal's unique 'hidden mode' and using the 'sharp' button.

'Hidden mode' is activated by pressing and holding both of the pedal's footswitches, but this is just one example of Harmonier's unique control system. The left footswitch can be held to save effect presets, and pressed to scroll through 7 preset slots. The right footswitch can be pressed to turn on the pedal's effects, pressed again to isolate the reverb, and held to turn off all effects except for the tone setting.

Unlike most of MOOER's pedal offerings, Harmonier supports both XLR and 1/4" inputs and outputs. These can be used in 'mixed mode' by holding the right footswitch whilst plugging in the power supply or repeating this action again to switch to 'individual mode', which isolates the signals to their given ports.

Alongside its fundamental functionalities, the pedal features a gain dial, a 48V phantom power switch designed for internal microphone amplification, a grounding switch, and a DC 9V 500mA power input. Collectively, the MVP2 Harmonier's features guarantee that both vocalists and guitarists have all the necessary tools to augment their instrument's sounds with stunning harmonies, without ever having to worry about the pedal's batteries running low.
12 pitches with 11 different harmony mode
11 harmony modes that provide different harmonic intervals
High-quality internal reverb module with adjustable volume
3 tone modes: flat, warm, and bright
7 preset slots
Dual-functionality LED button
Two multi-functional footswitches
Customizable effect, tone, and reverb isolation
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch for condenser microphones
Line in toggle switch for instruments and dynamic microphone
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: Ever since MOOER launched onto the guitar pedal scene in 2010, it has been producing pedals that have consistently pushed the boundaries of audio effect processing. 2023 has seen many impressive new entries, but the new Harmony X2 is set to sit at the top of Christmas lists this year. This device is a highly specialized and versatile harmonic shifting pedal, complete with every harmonic capability a guitarist could need for live performance and recording.

First and foremost, users of the Harmony X2 can select between the 12 pitches of the chromatic scale to customize their harmonies, with each pitch facilitating both major and minor scales. Once a root note has been chosen, a further 11 harmony modes enable further customization of harmonic intervals, including classics such as thirds, fifths, sevenths, and octaves.

Interestingly, the Harmony X2 is designed to specifically facilitate independent stereo harmonies. This means that guitarists can choose separate harmonic intervals for the left and right output, both of which can also have their volume adjusted independently by their dedicated dials. This allows the pedal to stand out from other harmonic pedals, facilitating harmonically rich tones that make optimum use of the stereo field.

After experimenting with these versatile parameters, guitarists can finely tune the intensity of the effect with the 'Dry' dial, determining the level of unprocessed guitar signal in the overall mix. Once satisfied, users can then save their favourite harmonic combinations with the 'Save' button, enabling them to return to their favourite preset at any time.

Despite the advanced nature of the Harmony X2 pedal, its use has been designed to be very simple. A dual foot-switch setup is provided to seamlessly toggle harmonic effects independently for both left and right pannings, and a simple and sleek combination of dials and LED indicators help the user clearly visualize their harmonic effects.

The Harmony X2 supports standard 1/4" inputs and outputs, with both containing two ports to facilitate both mono and stereo usage. However, these can interestingly be used in 'mixed' or 'individual' mode, enabling outputs that either correlate or merge the stereo inputs. The pedal is powered by the included DC 9V power supply, ensuring that guitarists never are never limited by the frustrating process of swapping out batteries during a performance or recording session.

Features:
High-quality pitch processing module
12 pitch options with 11 harmonic modes
Two dials for isolated left and right harmonic customization
Two dials for left and right harmony volumes
Dedicated dial for adjusting the level of dry signal
Support for both major and minor scales
LED indicator for harmony mode
Two LED indicators for major or minor mode
Multi-purpose 'Save' button
Dual-footswitch setup for independent harmonic bypassing
Two 1/4" inputs, supporting both mono and stereo
Two 1/4" outputs that support stereo mixed or individual output modes
Powered by included 9V DC power supply

Notes: MOOER has been impressing musicians with its unique effect pedals for over a decade, and the new MVP3 Loopation is set to continue this trend. It's a versatile and feature-packed pedal designed to enable musicians to create seamless loops with their voice and instruments and is part of MOOER's recent VP series which provides versatile support for microphone input.

Loopation provides 11 save slots for recorded audio loops, with 8 of these slots featuring 5 minutes of recording time, and the other three having 10 minutes. Slots can be selected with the simple 'song' dial, and once audio has been recorded, the files will automatically save onto the device. The pedal offers two recording modes: real-time, and auto.

Recording in real-time mode is activated when the right footswitch is pressed, in the same style as traditional loop pedals. In contrast, the auto mode enters standby when the right footswitch is pressed and begins recording once signal is detected, stopping recording with another press.

However, the looping functions don't stop there. Pressing the right footswitch commences file playback, and during playback, another right footswitch press will enable dub mode, which will continue until the footswitch is pressed once again. Playback can be halted with two quick presses of the right footswitch, or alternatively by switching to a different save slot.

When playback is stopped, users can delete all recorded layers by holding the right footswitch for 1 second, or by holding the second 'stop' footswitch press. Finally, users can undo their dubs by holding the left footswitch whilst an overdub is playing and can complete this motion again to restore this deleted layer. If the musician wishes to reverse the audio file, this can be achieved through a single left footswitch press.

Loopation provides both XLR and 1/4" inputs, which can be used in either 'mixed' or 'individual' mode. Users can toggle between these modes by holding the right footswitch while plugging in the power supply. In mixed mode, both inputs will be active, which can be balanced using the 'mix' dial, whereas, in individual mode, the input signals will be isolated to their respective outputs. The master dial allows users to adjust the overall volume of both outputs.

Amazingly, Loopation augments these features further with built-in reverb and tonal effects. By holding the 'tone' button whilst rotating the 'master' dial, the reverb volume can be adjusted. The tone button can also be used independently to switch between the pedal's three tone modes: flat, warm, and bright.

Finally, Loopation offers a gain adjustment knob, a 48V phantom power switch tailored for internal microphone amplification, a grounding switch, a line-in switch, and a DC 9V 500mA power input. When combined with the impressive looping features of the pedal, musicians are left with a complete toolkit for full compositional processes, whether this is in the studio, at home, or during a live performance.
11 loop memory slots with up to 70 minutes of recording time
Unlimited overdubs within each memory slot
Features for overdubbing, deleting, undoing, redoing, and reversing recordings
Built-in volume-adjustable reverb module
Dial for adjusting volume balance between XLR and 14" input
Master volume dial
Dual-functionality LED button
Two multi-functional footswitches
Two output modes: mixed and individual
XLR input and output
1/4" input and output
Internal 48V Phantom Power amplification
48V Phantom Power toggle switch
Line in toggle switch
Gain dial
Ground/Lift toggle switch
DC IN 9V 500mA power input

Notes: The Next Generation of Intelligent Effects Interfaces

Following the success of The Prime P1 - MOOER have refined the concept of a combined ultra-portable digital effects device and audio interface. The Prime P2 features an enhanced user experience courtesy of a 1.3" touch screen as well as a fully revamped effects and rhythm suite.

Users can access 52 amp models + 10 GNR downloadable file slots, 25 Cab Sims +10 GIR/3rd IR downloadable file slots*** and 57 classic and experimental effect models making the need for bulky pedals and multiple power supplies a thing of the past. From touch sensitive vintage amp models to huge stereo reverbs, modulations and delays based on powerful digital algorithms, the Prime P2 can more than keep up with the demands of the modern guitarist and each chain is fully customizable - that's right, you can put your effects in any order you want for maximum versatility.

The Prime P2 is the ideal tool for streaming/social media use and is designed to make immediate, high-quality sound creation as effortless as possible with seamless connectivity via Bluetooth for playback and the USB-C port for on-the-go recordings* as well as a stereo output jack and TRRS headphone input which supports headphone integrated microphone use. In addition, the integrated rechargeable battery gives up to five hours of power - making the Prime P2 a great choice for the musician on the move.

Users can download the MOOER Prime App* for increased functionality via mobile device. This allows deep-dive editing of preset patches and effects chain parameters as well as storage and recall of up to 80 presets. You can also download and share presets on the MOOER Tone Cloud.

While a mobile device can be used to control the tuner, drum machine, metronome and Looper - MOOER recommend an F-Series wireless footswitch (sold separately) for hands free operation. This transforms the Prime P2 into a very powerful live performance tool. MIDI connectivity is also available for Preset switching, Looper and Drum Machine functions using CC commands from an external MIDI controller.

Features:
Eliminates the need to carry a large number of different pedals and their associated power supplies
Easy configuration of an effects chain without complicated user interfaces
1.3" touch screen allows quick preset changes and access to the tuner directly on the device
Based on MOOER's unique MNRS technology, allowing for high-quality digital amp models and effects in a small format
52 amp models created with MNRS technology + 10 GNR slots to store simulation files downloaded from the cloud
25 cab sim models + 10 GIR slots to store simulation files downloaded from the cloud or third-party IR files
57 classic and experimental effect models
Up to 80 presets in 20 banks
Drum machine with 56 groove varieties, can be synchronized with the Looper
4 metronome styles
Looper with a total capacity of 80 minutes (storage for 10 loops with 8 minutes each)
Supports loading of 3rd party IR file
Supports Tone Cloud sound sharing
Supports stereo output for stereo effects
Stereo headphone output with support for headphones with integrated microphones.
Bluetooth audio playback in stereo for practice or jamming
USB-C charging port also supports audio playback over USB and USB-OTG for live streaming and easy recording
Can be controlled using MOOER F-series wireless footswitches
Can be controlled from an external MIDI controller
Integrated rechargeable battery with up to 5 hours of battery life
Free mobile app for easy editing of sounds as well as saving, organizing and sharing presets**
MOOER Studio PC management software for backup and updates, 3rd IR loading.
* An adaptor may be necessary depending on your device
** The MOOER Prime App is available from Google Play Store, Apple App Store or the official MOOER Download-Support website.
***MNRS is MOOERS's proprietary sampling technology which can be used to sample preamps, combos, pedals and speaker cabinets - MOOER MNRS Sample files come in two categories - GNR files (Amps, preamps, pedals and effects) and GIR files (Cabinet models) for a huge array of sounds.

Specifications
Input: 6.35 mm (1/4") TS, 2 MO
Output: 6.35 mm (1/4") TRS, 100 O
Headphone: 3.5 mm (1/8"), 32 O
Screen: 1.28" Touch Screen
USB: Type C for charging or OTG recording
Bluetooth version: 5.0
Bluetooth: Bluetooth audio playback and App control
Wireless control: 2.4G
Wireless footswitch: supported
Battery capacity: 3000 mAh
Battery life: 5 hours*
MIDI Port: 3.5 mm (1/8")
Charging requirement: 5VDC / 2 A (10 W)
Charging time: 2.5 hours for full charge*
Dimensions: 120 x 64 x 21 mm (LxWxH)
Weight: 152 g
Accessories: Quick-Start manual, USB-C to USB-A cable, 3.5 mm jack to 5-PIN MIDI-connector

*Charging time and battery life are based on lab test data.
Disclaimer: Parameter updates will not be notified separately.

Notes: The Next Generation of Intelligent Effects Interfaces

Following the success of The Prime P1 - MOOER have refined the concept of a combined ultra portable digital effects device and audio interface. The Prime P2 features an enhanced user experience courtesy of a 1.3" touch screen as well as a fully revamped effects and rhythm suite.

Users can access 52 amp models + 10 GNR downloadable file slots, 25 Cab Sims +10 GIR/3rd IR downloadable file slots*** and 57 classic and experimental effect models making the need for bulky pedals and multiple power supplies a thing of the past. From touch sensitive vintage amp models to huge stereo reverbs, modulations and delays based on powerful digital algorithms, the Prime P2 can more than keep up with the demands of the modern guitarist and each chain is fully customizable - that's right, you can put your effects in any order you want for maximum versatility.

The Prime P2 is the ideal tool for streaming/social media use and is designed to make immediate, high-quality sound creation as effortless as possible with seamless connectivity via Bluetooth for playback and the USB-C port for on-the-go recordings* as well as a stereo output jack and TRRS headphone input which supports headphone integrated microphone use. In addition, the integrated rechargeable battery gives up to five hours of power - making the Prime P2 a great choice for the musician on the move.

Users can download the MOOER Prime App* for increased functionality via mobile device. This allows deep-dive editing of preset patches and effects chain parameters as well as storage and recall of up to 80 presets. You can also download and share presets on the MOOER Tone Cloud.

While a mobile device can be used to control the tuner, drum machine, metronome and Looper - MOOER recommend an F-Series wireless footswitch (sold separately) for hands-free operation. This transforms the Prime P2 into a very powerful live performance tool. MIDI connectivity is also available for Preset switching, Looper and Drum Machine functions using CC commands from an external MIDI controller.

Features:

Eliminates the need to carry a large number of different pedals and their associated power supplies
Easy configuration of an effects chain without complicated user interfaces 1.3" touch screen allows quick preset changes and access to the tuner directly on the device
Based on MOOER's unique MNRS technology, allowing for high-quality digital amp models and effects in a small format
52 amp models created with MNRS technology + 10 GNR slots to store simulation files downloaded from the cloud
25 cab sim models + 10 GIR slots to store simulation files downloaded from the cloud or third-party IR files
57 classic and experimental effect models
Up to 80 presets in 20 banks
Drum machine with 56 groove varieties, can be synchronized with the Looper
4 metronome styles
Looper with a total capacity of 80 minutes (storage for 10 loops with 8 minutes each)
Supports loading of 3rd party IR file
Supports Tone Cloud sound sharing
Supports stereo output for stereo effects
Stereo headphone output with support for headphones with integrated microphones.
Bluetooth audio playback in stereo for practice or jamming
USB-C charging port also supports audio playback over USB and USB-OTG for live streaming and easy recording
Can be controlled using MOOER F-series wireless footswitches
Can be controlled from an external MIDI controller
Integrated rechargeable battery with up to 5 hours of battery life
Free mobile app for easy editing of sounds as well as saving, organizing and sharing presets**
MOOER Studio PC management software for backup and updates, 3rd IR loading.

* An adaptor may be necessary depending on your device
** The MOOER Prime App is available from Google Play Store, Apple App Store or the official MOOER Download-Support website.
***MNRS is MOOERS's proprietary sampling technology which can be used to sample preamps, combos, pedals and speaker cabinets - MOOER MNRS Sample files come in two categories - GNR files (Amps, preamps, pedals and effects) and GIR files (Cabinet models) for a huge array of sounds.

Notes: MOOER has been impressing musicians around the globe since 2010 with its cutting-edge guitar pedals, and this is set to continue with the new MOOER Purer Octave pedal. MOOER has taken a minimalistic and sleek approach to the design of Purer Octave, whilst leveraging a cutting-edge repitch algorithm to go beyond the functionality of regular octave pedals.

Purer Octave provides guitarists with 15 different polyphonic octave effect combinations in addition to one detune effect. The DSP algorithm separates the high and low input frequencies to ensure every preset operates seamlessly without spectral artifacts or distortions. These two frequency bands can be isolated or combined dynamically through the independent "SUB" and "UPPER" dials, allowing guitarists to finely craft the perfect effect to suit their specific needs.

Despite the minimalistic interface, Purer Octave users can still save their own presets by using the pedal's three-way toggle switch. Guitarists can choose whether to use the pedal's dials in real-time to craft their sound and once they are satisfied with the effect, they can leverage the three-way switch to save their favorite effects. Bypassing the effect simply requires a foot press from the guitarist, the status of which is indicated via an LED light.

Purer Octave is presented within a compact pedal case with a glossy orange finish, complete with an intuitive and tidy user interface. The pedal provides a standardized 14" mono input and output, powered by a 9V DC power port. These features ensure that Purer Octave can be used on the move by any guitarist, offering a truly flexible and intuitive product for octave effect perfection.

Specifications

INPUT: 1/4" mono audio jack (impedance value 470k Ohms)
OUTPUT: 1/4" mono audio jack (impedance value 100 Ohms)
Power supply: 9V DC (center negative)
Current draw: 120mA
Dimension: 93.5 (D) × 42 (W) × 52mm (H)
Weight: 157g
Accessories: Owner's manual.

Notes: MOOER, one of the world's leading guitar pedal innovators, has never been a stranger to octave pedals. The company has already enjoyed a successful response to its "Pure" and "Purer" Octave pedals, but the company's latest offering, the Tender Octaver X2, aims to take guitar octave capabilities to the next level.

Unlike the Pure and Purer Octave pedals which focus on pitch-shifting by the semitone, the Tender Octaver X2 is designed with a more specialized intention, focussing solely on octave shifts. When using the pedal, users can choose between two different octave shift modes, facilitating the addition of both subjacent and upper frequencies to a guitar signal. Both options have two dedicated rotatable dials, one for determining the volume of the added octave, and one for fine-tuning its tonal colour.

Both of these octave effects can be used independently and can be toggled on or off with their own easy-access footswitches, each paired with its own LED light to indicate its current activation status. Furthermore, both effects can also be used simultaneously, empowering guitarists to experiment with unique tri-octave guitar presets.

However, these subjacent and upper octave effects need not be explicit if the guitarist using the Tender Octaver X2 is looking for a more subtle octave manipulation. Thanks to the octave volume dials and the "Direct" dial for dry signal volume adjustment, anything from an explicit pitch shift to a subtle octave underlay can be achieved within the same pedal.

The pedal also contains 14 preset slots, allowing users to experiment and save their favourite parameter combinations with the "Save" button. In classic MOOER fashion, this has been presented in a minimalistic fashion, with 7 LED lights representing the full range of 14 save slots, lighting up blue or red depending on which half of the slots are being browsed. Each slot can be saved into or browsed through the two "Sub" and "Upper" footswitches, providing a further example of MOOER's dedication to making the most out of a minimalistic interface.

Using the pedal will be as simple as plugging it into the included DC 9V power supply, and plugging in a guitar with a standard 1/4" guitar cable. Overall, the Tender Octave X2 is set to be an exciting new addition to MOOER's octave pedal catalogue, and if paired with the "Pure" or "Purer" Octave products, just about any pitch-shift combination is made possible for guitarists of any style or experience level.

Features:
Precise octave-shifting DSP algorithm
Two octave effect options - subjacent and upper
Two effect volume dials, one for each octave
A 'Direct' dial for adjusting the dry signal volume
14 unique user preset slots
A dual-function 'Save' button for presets
7 dual-color preset LEDs, with red representing one half of presets, and blue representing the other half
Two additional LEDs, indicating the activation status of both octave effects
Two footswitches that function both independently and simultaneously for effect toggling and preset browsing
1/4" mono input and output
DC 9V power supply
Minimalistic and compact casing design

Notes: The Morphor Distortion - LED Based module is a compact and characterful analogue clipping distortion module. Loosely based on the legendary MXR distortion circuit this module is perfect for adding some extra crunch to your patches.

With CV-controlled gain setting, three distortion modes and a dry/wet mixing control, this module gives you lots of options to spice up your sound without taking up too much space. Internally the clipping is performed by LEDs which are also shown in the front of the module, so you can see your sound getting destroyed with your own eyes.

Weight: 53 g
Dimensions: 128.5 × 20 × 40 mm
Width: 4 HP

Notes: The Morphor Envelope - Dual ADSR is a slim (6 HP) dual envelope generator. Each channel features standard ADSR (Attack, Decay, Sustain, Release) analogue circuitry, providing the classic, rich envelope shaping tools essential for any modular enthusiast. It features separate control knobs for the attack, decay, sustain and release parameters, two independent channels for versatile envelope shaping and each channel comes equipped with gate, re-trigger, output, and an inverted output.

On the back of the module you can find tiny switches for each channel to change the overall length of the complete envelope:
Short: 5 ms - 30 s
Med: 25 ms - 60 s
Long: 60 ms - 200 s (=3.3 min)

Features

100% analogue
Dual channel
Attack length control
Decay length control
Sustain level control
Release length control
Inverted output
Re-trigger

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 40 mm
Current draw: 12 V : 32 mA | -12 V : 32 mA | +5 V : 0 mA
Dimensions: 128.5 x 30.3 x 40 mm
Weight: 111 g
Power Socket : 16-pin

Notes: The Morphor LFO - Dual is a slim (6 HP) dual LFO. Each channel features analogue triangle, square, sine, saw and inverted saw outputs and a cycle reset input.

Frequency ranges:

Low: 0.005 - 1.5 Hz
Med: 1.5 - 425 Hz
High: 15 - 4250 Hz

Features

100% analogue
Dual channel
Triangle wave output
Square wave output
Sine wave output
Saw output
Inverted saw output
Cycle reset input
Low/Med/High frequency selector

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 25 mm
Current draw: 12 V : 22 mA | -12 V : 22 mA | +5 V : 0 mA
Dimensions: 128.5 x 30.3 x 25 mm
Weight: 71 g
Power Socket : 10-pin

Notes: The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: A (buffered) mult is an essential item in every rack. This buffered DC-coupled module will fulfill all your audio and CV multiplying needs.

With a little switch on the back the module can be configured in two different modes.
The 1-to-8 mode speaks for itself, offering eight identical copies of your input signal.

The double mode offers a 1-to-4 and 1-to-3 buffered multiple with the first input getting normalised to all output jacks if the second input stays unused.

Weight: 27 g
Dimensions: 128.5 × 9.8 × 30 mm
Width: 2 HP

Notes: The Morphor Plectrum - Analogue BBD Pluck is the successor of Morphor's successful module. Now only 8 HP instead of 10 HP with additional CV-able feedback!

Plectrum is a high quality, fully analogue Eurorack module that can produce plucked string-like sounds. It is a compact all-in-one solution for generating amazing bass, acoustic guitar, percussion and other amazing sounds.

The module is based on the Karplus-Strong principle with a true analog audio path built with an authentic bucket brigade delay (BBD) circuit which is recognizable by its specific timbre. By using carefully chosen high quality components, this module has a rich, warm analogue sound.

Now being only 8 HP in width, you won't need a lot of space to get going and start creating some incredible sounds. If you're looking to fully sculpt the string-like sound, you can extend the internal Karplus-Strong loop by breaking out the signal and adding external modules like filters and/or FX modules to it.

Features

100% analogue
Karplus-Strong principle
Built with classic BBD chip
Break-out BBD loop
Internal/external loop switch
Trigger input
1V/oct input
Tune knob
Pitch modulation CV input
Feedback CV input
Colour CV input (i.e. internal loop LPF cut-off frequency)
Mono output

Specifications

Panel width: 8 HP
Panel height: 3 U
Module depth: 40 mm
Current draw: 12V : 40 mA | -12V : 40 mA | +5V : 0 mA
Dimensions: 128.5 x 40.3 x 40 mm
Weight: 259 g
Frequency Range: sub-audio range to roughly 800 Hz
Power Socket: 16-pin

Notes: The Morphor VCF Multimode is an intuitive, no nonsense 8HP fully analogue filter module. Featuring a dedicated lowpass and highpass filter core.

To shape the sound exactly the way you want, both filter sections have a cutoff frequency control over the whole audible frequency range through a knob and bipolar CV jack. Additionally, resonance control and a switchable pole selection are available.

The second output acts as both a bandpass and highpass output, depending on the position of the BP/HP mixing knob. Combining all these features results in an easy-to-use but flexible module to perform your unique filter needs.

Weight: 110 g
Dimensions: 128.5 × 40.6 × 40 mm
Width: 8 HP

Notes: One of the most trustworthy brands in the industry delivers another winner. Proper high-end business, with 12 analogue inputs and 12 outputs, plus an extensive array of digital connections. Great value at this price point.

Supplier's Notes:
Next-gen 28 x 32 USB3 audio interface - Builds on 22 years of proven success as an industry-leading audio interface brand.

New 3.9-inch TFT display - The bright, 24-bit RGB LCD provides 480 x 128 pixel high-resolution metering for all analogue and digital I/O, plus detailed status info and access to hardware settings from a simple and convenient menu.

Superb analogue audio quality and high-end converters - Renowned ESS Sabre32 DAC technology delivers 125 dB dynamic range. Support for all standard sample rates up to 192 kHz.

Ultra-low latency and proven, high-performance MOTU drivers - Round-trip latency (RTL) performance as low as 2 ms at 96kHz with high-performance DAW hosts.

Universal connectivity - Connects to your computer with 5 Gbps USB3 (compatible with USB2) for up to 60 audio channels. Class-compliant firmware and industry standard drivers work with any audio apps. Connects to an iPad™ with USB-C or a Lightning adapter kit (sold separately).

60 simultaneous audio channels - 28 inputs and 32 outputs, including two combo XLR/TRS mic/line/hi-Z guitar inputs with send/return inserts, 8 TRS analogue (line-level) in/out, separate main outs on XLR jacks, two banks of 8-channel optical I/O, stereo RCA S/PDIF digital I/O, and two front-panel headphone outputs.

Advanced mic channels - Cutting-edge components deliver ultra-transparent sound with -114 dB THD+N, 118 dB dynamic range and -129 dBu EIN. Each mic channel provides individual controls for +74 dB of preamp gain, -20 dB pad, 48V phantom power, and phase invert. All settings can be controlled remotely from a computer or iOS device. Each mic channel includes a dedicated send/return insert for outboard gear processing.

Flexible insert returns - When nothing is connected to the front-panel mic inputs, the two rear-panel returns function as additional line inputs with identical signal path characteristics as the other eight line inputs.

DSP mixing and effects processing - Flexible 24-input digital mixer with 8 stereo busses and DSP effects, including reverb, 4-band EQ, gate and compression.

Wi-Fi control - If the 828 is connected to a computer on your Wi-Fi network, you can control everything wirelessly from the CueMix 5 app running on mobile devices or other computers on the same network - even multiple devices at the same time. Manage access to the 828 with network discovery and password protection.

Precision boost/trim for analogue I/O - Calibrate analogue input and output signals in precise 1 dB increments. Apply phase invert individually to analogue inputs.

Control room features - Control your sessions with front-panel "talk" button and "A/B" speaker select buttons to quickly compare your mixes on two sets of studio monitors.

Two flexible headphone outputs - With independent volume control, each headphone output can mirror each other, the Main Outs, any other analogue output pair, any CueMix bus, or any USB output channels. Or you can create a completely customized mix for each headphone that includes live 828 inputs and built-in reverb.

Two banks of optical I/O - Connect outboard digital processors, digital mixers or other gear with 16 channels of ADAT at 44.1/48 kHz or 8 channels of SMUX at 88.2/96 kHz. Bank A can optionally provide stereo TOSLink (optical S/PDIF) I/O up to 96 kHz.

Foot switch input - Connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.

MIDI in/out/thru - connect MIDI gear without the need for a separate MIDI interface.

Word clock in/out/thru - Supports all sample rates up to 192 kHz.

DC-coupled TRS outputs - Use the 828 to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.

Loopback for live streaming and podcasting - Easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the 828 in your host software for live streaming or podcasting.

Guitar re-amping - Connect your guitar to the front-panel input, use CueMix's near-zero latency to loop to any output (with a re-amp adapter, if needed), and record both the dry signal and your mic'd up amp simultaneously. Then re-amp the dry signal later with different amps and cabs - or amp modelling plug-ins - to experiment with different tones.

CueMix 5 app - Control mixing and settings from your Mac, PC or iOS device.

Performer Lite - Workstation software with over 100 included instruments, dozens of effects and 6 GB of included loops to make music right away. Also includes Ableton Live Lite.

Next-gen 28 x 32 USB3 audio interface with DSP, mixing and effects
New 3.9-inch 24-bit RGB LCD with precision metering for all I/O
Superb analogue audio performance driven by ESS Sabre32 Ultra™ DAC Technology
Ultra-low latency and proven, high-performance MOTU drivers (~2 ms RTL with a 32 sample buffer @ 96 kHz)
Universal connectivity with 5 Gbps USB

Technical Specifications
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Mic/line/instr inputs
2 x XLR/TRS "combo" jacks
Individual -20 dB pad and 48V phantom power
Preamp gain: +74 dB in 1 dB increments
1 MO impedance on the line/instr inputs
Independent balanced send/return inserts

Analogue inputs
8 x 1/4-inch TRS line in (balanced/unbalanced)
2 x 1/4-inch insert returns function as balanced TRS line inputs (with no mic inputs connected)
Max level: +21 dBu
+20 dB digital gain on each input

Analogue outputs
8 x 1/4-inch TRS line out (balanced, DC coupled)
2 x male XLR out
Max level: +21 dBu
2 x 1/4-inch TRS stereo headphone
2 x 1/4-inch TRS sends (balanced, pre-converter)

Digital I/O
2 banks (16 ch) of ADAT optical I/O at 1x sample rates
2 banks (8 ch) of S/MUX optical I/O at 2x sample rates
Bank A switchable to stereo TOSLink I/O (optical S/PDIF)
1 x stereo S/PDIF I/O on RCA (up to 96 kHz)

Computer I/O
1 x USB-C 3.2 Gen 1 (5 Gbps) Type C - USB2 compatible USB audio class compliant (no driver needed)
1 x IF-certified USB 3.2 Gen 1 Type C-to-C cable included
Compatible with USB Type A (with a C-to-A cable, sold separately)
Total USB audio channels: see "Total Audio I/O" below
Round Trip Latency (RTL): ~2 ms (32 sample buffer at 96K)

Total audio I/O
28 in / 32 out (60 total channels) at 1x sample rates
20 in / 24 out (44 total channels) at 2x sample rates
10 in / 14 out (24 total channels) at 4x sample rates

MIDI I/O
1 x MIDI In
1 x MIDI Out/Thru
16 MIDI channels to/from computer host

Headphone
2 x 1/4-inch TRS stereo headphones
Output impedance: <1O
Max output: 14.4 dBu

Phantom power: 2 x individual +48V

Foot Switch
1 x 1/4-inch foot switch input
Mapping: pedal up/down to any host keystrokes

Sync I/O
1 x BNC Word Clock In
1 x BNC Word Clock Out/Thru
Sample rates: all (from 44.1 to 192 kHz)

Front panel
2 x XLR/TRS combo inputs
2 x 1/4" TRS headphone outputs
2 x potentiometer - headphone volume
2 x potentiometer - mic/instr input gain
1 x potentiometer - menu navigation
1 x large potentiometer - main volume
12 x switches - (2) 48V, (2) pad, (6) control room, (2) nav
1 x 3.9-inch 480 x 128 pixel 24-bit RGB TFT display
1 x latching power button

Power
Internal 100-240V autoswitching supply
50-60 Hz - 0.5A max

Dimensions and weight
(width x depth x height, enclosure only)
19 x 12.25 x 1.75 inches / 48.26 x 31.1 x 4.44 cm
11 lbs / 5 kgs

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: Candycords - 2x myVolts Halo audio cable, straight mini mono jack to straight mini mono jack, 15cm, liquorice black.

Connector 1: 3.5mm jack, mono, straight
Connector 2: 3.5mm jack, mono, straight
LED signal indicator: Red and Blue
Cable shape: straight
Cable length: 15cm
Colour: Liquorice Black
Unbalanced audio cable
Package includes 2 cables

Notes: Candycords - 2 x myVolts Halo audio cable, straight mini mono jack to straight mini mono jack, 30cm, liquorice black.

Connector 1: 3.5mm jack, mono, straight
Connector 2: 3.5mm jack, mono, straight
LED signal indicator: Red and Blue
Cable shape: straight
Cable length: 30cm
Colour: Liquorice Black
Unbalanced audio cable
Package includes 2 cables

Notes: Candycords - 2 x myVolts Halo audio cable, straight mini mono jack to straight mini mono jack, 50cm, liquorice black.

Connector 1: 3.5mm jack, mono, straight
Connector 2: 3.5mm jack, mono, straight
LED signal indicator: Red and Blue
Cable shape: straight
Cable length: 50cm
Colour: Liquorice Black
Unbalanced audio cable
Package includes 2 cables

Notes: Candycords - 2x myVolts Halo audio cable, straight mini mono jack to straight mini mono jack, 80cm, liquorice black.

Connector 1: 3.5mm jack, mono, straight
Connector 2: 3.5mm jack, mono, straight
LED signal indicator: Red and Blue
Cable shape: straight
Cable length: 80cm
Colour: Liquorice Black
Unbalanced audio cable
Package includes 2 cables

Notes: myVolts Halo Mult is a mini jack duplicator with Halo LEDs indicating power and polarity.

myVolts have embedded the Halo LEDs into a port duplicator, which means you can easily share a signal over multiple outputs, but still have light visualisation on them.

There have been various cable stacking solutions made available for Eurorack, here is the first one with LED indication, while also allowing you the freedom to introduce your own patch cable when you need them.

It was best to keep the design short and squat, allowing for greater stability when stacked, while also reducing pressure on patch ports.

Connector 1: 3.5mm jack, male, mono, straight
Connector 2: 2 x 3.5mm jack, female, mono
LED signal indicator: Red and Green
Colour: Black