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Notes: Great for live performances! The Cosmic ECHO Squared is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 stomp switches, Blast and Warp.

The "Squared" version of the pedal is tailored to live guitar and keyboard performers. It has all the features of the original plus:

Expression pedal input over Rate
Warp and Blast ("Zone" on the Cosmic Echo) are now momentary stomp switches
Blast amount knob now accessible externally

Features:

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

4 knobs: Feedback, Mix and Rate, Blast Amount. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Stomp switch that gives a bright, "small speaker" tone.

Blast button: Stomp switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Blast intensity is adjusted with the Blast Amount knob.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 1590XX case.

Dimensions (L x W x H): 5 3/4" x 4 3/4" x 2 1/8" (146mm x 121mm x 54mm)

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included)

Notes: The Cosmic ECHO is an analogue-sounding LoFi delay that will work with just about anything you plug into it.

The dark, lush, moody tones of the ever-popular PT2399 IC provide an out-of-this-world experience. Our take on this classic pedal pushes the chip's limits so you can explore all the gritty elements drifting at the edge of long delay rates. It already outperforms other bucket brigade style echoes, but just to be sure, we added 2 momentary switches, Zone and Warp.

Dark, rich sounds with the analogue vibe of a tape echo.

Uses the PT2399 IC, a bucket brigade style emulation. This IC has 16-bit sampling for 30-300 milliseconds. After that, the sample rate goes down in relation to the delay length. This results in artifacts and noise being introduced into the audio for weird, cosmic, psychedelic sounds.

Delay length: 30ms-1,250ms

3 knobs: Feedback, Mix and Rate. The Mix is a wet-only control that attenuates the amount of delayed signal in the signal chain. The Rate controls the number of repeats in an organic-sounding way.

Warp button: Momentary pushbutton switch that gives a bright, "small speaker" tone.

Zone button: Momentary pushbutton switch that introduces feedback into the circuit momentarily. Great for adding rhythmic feedback and other strange sounds. The Zone amount can be adjusted by an internal trim pot.

Pedal may have a slight volume drop.

Great for shoegaze, surf rock, ambient and experimental sounds.

Pedal uses a 125B case

Dimensions (L x W x H): 4 7/8" x 2 5/8" x 2 3/16" (124mm x 67mm x 56mm).

Takes a 9V battery or 9V centre negative 2.1mm barrel power supply (not included).

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


This 1-row rack for AE modular is 12 units wide; two of them are used by the MASTER module so you have 14U remaining for other modules.

Via a joint kit (not included) another case of this width (either one-row or two-row) can be attached at a free angle; the bus is connected via a short connector cable between both cases.

The sides are made of red acrylic, all other parts are of wood fibre board (MDF), black painted.

Dimensions:31.1 x 11.2 x 4.5 cm (width x depth x height)

Notes: The classic ADSR envelope with CV control for all parameters

The ADSR module offers the classic four-stage envelope (Attack, Decay, Sustain, Release) that is not only loopable (patch the end output into gate input) but also accepts CV control over each of the stages! For the time values (A, D, R) the value set by the knob can be increased to five times the duration by the corresponding CV value. For the Sustain value the knob and CV value are simply added.

Notes: The CVSHIFTER module is the AE version of the well-known analogue shift register modules that are around in the modular world since a long time. It works like this: The CV input is sampled with each trigger input signal and this CV is sent to the CV 1 output; at the same time, all CV outputs 1-4 are shifted by one.

Compared to the "classic" circuits, this module is digital based and therefore doesn't suffer from drift as some analogue ASRs and S&Hs do. The result is, that you can e.g. control the pitch of up to four oscillators which is a first step into polyphony.

The CVSHIFTER module offers three modes:

Classic: Each trigger shifts the CV outs by one position, the new CV goes to output CV 1
Cycle: Each trigger sends the CV to the next output channel, restarting at out 1; additionally a gate signal at the according output.
Random: The CVs are sent in random order to one of the four outputs, plus a gate at the according output.

Notes: The DIODEFILTER is an adaption of the well-known diode ladder filter that became most popular by Roland's TB-303 bassline. And here it is for the AE modular!

Notes: DRONX is a special mixer designed especially for the DRONE38 module; if has 6 input channels (so you can connect two DRONE38 modules) and offers some sound processing capabilities: A tone control with bass and treble control, a distortion, and finally a dual delay with different algorithms. Two insert points allow to add up to two more audio effects to the internal signal chain. Together with the DRONE38 module(s) you get a quite nice drone synth for dense, dark soundscapes.

Of course, it can be used with any other sound sources!

Notes: Unique, vintage reverb sound.

The SPRINGREVERB module brings the unique sound of this quite old (introduced in the 60's) technique for creating reverbs to the AE modular.

The reverb works by sending the audio signal to a set of 3 springs; at the other end of the springs the sound is picked up by a transducer, converting the mechanical movement of the springs back into an electrical signal. When the audio signal arrives at the end of the springs, the waves are reflected several times; these reflections create the reverb sound.

The spring "tank" (a metal box containing the springs and transducers, size approx. 24 x 9 x 3.5 cm) is connected externally by a cable.

The product contains all components: The module itself, the spring tank and the connection cable.

Note: The sound of a spring reverb is quite unique and has a strong vintage character; if you are looking for a more "clean", natural sounding reverb please take a look at the MULTIFX module.

Notes: With the STOMP-IO module, you can integrate guitar effect pedals and similar devices into your AE modular system! For output (send) and input (return) return there is a mono minijack socket; two minijack to 1/4" socket adapters are included as effect pedals usually work with the latter ones. Send and return levels can be controlled with separate knobs.

Notes: Complete system built on Tangible Waves's AE modular format. Includes analogue sound sources, drum sampling, sequencing and everything needed to make music in a single unit.

Supplier's Notes:
The Synth Explorer "Ultimate" is a fully featured modular synthesizer which has been designed primarily for educational purposes. It offers a lot of synthesis features in a very small and portable package and includes the modules that invite for DIY modification and experimentation with code and circuits.

This system includes the following modules:

MASTER I/O (power, MIDI, CV/Gate, Audio in/out)
2OSC/d (two oscillators with sawtooth and square waveforms)
DRUMKIT 010 (lofi drum samples)
2LFO (two low frequency oscillators with various waveforms)
2ENV (two attack/decay envelopes with looping function)
WASPFILTER (an iconic filter with a lot of character)
SVFILTER (a state variable filter which can go into self oscillation)
2VCA (two voltage controlled amplifiers)
BRAEDBOARD (a blank canvas for circuit experiments)
2S&H (dual sample and hold)
2ATT/CV (dual attenuator and CV generator)
MM-DIV (multi mode clock divider)
SEQ8 (8 step CV and Gate sequencer with different run modes)
QUANTIZER (4 channel CV quantizer with many different scale modes)
METER (oscilloscope, frequency spectrum, tuner, voltmeter)
GRAINS (fully programmable module based on the Arduino)
MIXER 4-4 (two 4 channel mixers)
DELAY (analogue delay)
HPAMP (headphone amplifier with dual outputs and volume control)

Notes: XMIX is a swiss knife for signal mixing and attenuating, offering four(!) mixers and two attenuators in a 1U module. It is designed especially with very small AE systems in mind.

You get:

A three channel mixer "A" with knobs
a passive mixer "B" with four channels
two four-channel mixers "C" and "D" with full level / one-third-level inputs
two attenuators with seven different attenuation levels

All mixers can be used / switched for audio and CV signals.

Notes: The module was named Kuzmin Filter in the past as a tribute to the developer of the Polivoks, Vladimir Kuzmin. For certain reasons, the module will now be called GRUNGE Filter (due to the sound), with the circuitry remaining unchanged.

The Polivoks was a Russian synth that was produced between 1982 and 1990.This module is the AE version of the filter that gave the Polivoks a unique, rough sound.

Beyond the basic design, this filter offers some additional features:

Two different resonance characteristics, hard and soft
An FM function, that adds the input signal to the modulation of the filter
An optional overdrive for the output, making the sound even more rough and untamed.

Notes: A tiny studio microphone with a large-diaphragm capsule and groundbreaking features.

CM-1; the latest addition to Teenage Engineering's field system.

A versatile studio quality, ultra-portable microphone that comes with a built-in professional SUB-C audio interface with built-in preamp. Add a 3.5 mm jack and a 48v phantom powered mini XLR, and you have a truly one-of-a-kind battery-powered studio microphone.
A rarity in the field.

Large-diaphragm capsules are preferred for professional recording, but are rare within the world of portable equipment. CM-15 features an ESS sabre analogue-to-digital converter, preserving high-fidelity sound and capturing exceptional detail in any recording situation.

Clean, mean and lean mic-machine.

Clean, rich, transparent and natural sound. Period.

Use the gain switch on the back for padding those mean drums, or the other way around. Battery-powered with an integrated audio interface and preamp, cm-15 is always ready to use wherever you like to record. In other words: 'lean operation'.

CM-15 includes a standard 1/4" and 3/8" adapter, making it universally compatible with standard mic stands and tripods.

The included adapter allows for a 90- to 110- tilt, so you can mount the mic onto a boom arm or to better record overheads. Use tripod mini for portable setups (available separately).

Dynamic sound for any occasion.

Teenage Engineering's first microphone also means a unique sound quality to discover.

Rich, transparent and natural, cm-15 captures clear and clean sound for professional audio productions, always ready to set up wherever you like to record.

Pure craftsmanship.

CM-15 is an incredibly versatile microphone, both inside and outside the studio. The large-diaphragm condenser capsule essentially means you get a better signal, so there is less noise and better depth of sound.

Vocal recording

As a directional mic, CM-15 is perfect for the vocal booth, focused on picking up sounds in front of it.

Instrument recording

With the flattest frequency response at a 50 cm distance, CM-15 is perfect for capturing a variety of instruments, including your drum kit.

Interview/podcast

CM-15 is great for podcasts and interviews, where high audio quality and portability is necessary.

Field production

With a compact form factor and 10 hour rechargeable battery, it's a great tool for every 'trip'.

Camera mic

When filming with a video camera, connect CM-15 through the line out to record synced audio directly.

Multi-use connectivity.

CM-15 has multiple outputs that can be used simultaneously:

mini XLR, 3.5 mm jack and USB-C. It can also be powered three ways, through phantom power, battery or USB-C, instantly detecting the right power source for your connected device.

On the bottom side of CM-15, you will find three audio outputs: mini XLR, 3.5 mm jack and USB-C. The built in table stand can be used to rest and angle the microphone on a surface.

CM-15 includes a mini XLR to XLR cable for connecting to your recording console. The 3.5 mm jack can be used with headphones, while USB-C is used for digital audio interface connection, firmware updates and charging.

Technical specifications

CM-15 highlights

1-inch large-diaphragm capsule
10 hour rechargeable battery
48 V phantom power compatible pseudo-balanced mini xlr output
dual mono 3.5 mm jack line output
USB-C class compliant device with high performance
ESS sabre ES9822Q PRO analogue to digital converter

Dimensions and weight

90 mm x 65.5 mm x 19 mm
132 g / 54.6 oz

Audio characteristics

Self noise: 14 dBA

Max SPL for 0.5% THD: 138 dB
USB SNR dBA FS: 120 dB
Polar pattern: supercardioid
Polarity: positive

The field system.

CM-15 is part of Teenage Engineering's ultra-portable sound recording and performance system. All battery-powered, rechargeable via USB-C and with full interconnectivity (MIDI and high resolution audio). Compatible with iOS, macOS, and windows it's the most powerful, highest quality, portable system in the world 'as we know it'.

Notes: Designed with versatility in mind, MapVolt is a dual-channel Universal Voltage Processor built for flexibility in handling audio and CV signals.

With only 6hp, Mapvolt is a multipurpose tool for voltage-controlled scaling, inverting, offsetting, subtracting, and mixing functions.

Each channel of MapVolt can operate in either Polarizer or Attenuator mode, allowing manual control via knobs or CV signals. In Polarizer mode, it functions as a Voltage Controlled Attenuator-Inverter, granting control over signal level and polarity. Additionally, it can be used as a Four-Quadrant Multiplier or Ring Modulator for audio signals, with the processor input serving as the carrier signal and the polarizer's CV input acting as the modulator.

In Attenuator mode, MapVolt operates as a VCA, providing control over signal levels. Its VCA CV input range of +5/-5 makes it well-suited for amplitude modulation (AM) with other +/-5V waveforms.

MapVolt is equipped with dedicated Voltage Offset knobs for each channel, which can be controlled via CV. If no input is patched into the Processor input channel, the Voltage Offset knobs can be used as Offset Generators.

With its dedicated mixing stage, MapVolt enables the combination of both channels into a shared output. Furthermore, if one of the processor channels is inverted, it allows for the subtraction of one signal from the other.

Dimensions
6 HP
33 mm deep

Current Draw
65 mA +12V
65 mA -12V

Notes: The OpticTone is a combination of a 12dB multi-mode Vactrol Filter and a Vactrol Voltage Controlled Amplifier.

It is a completely original circuit inspired by the singular nature of Vactrols and their fluid and natural character.

The Filter section provides the three fundamental filter types: Lowpass, Bandpass and Highpass.

A Resonance knob with voltage control input is available for improved modulation flexibility. The feedback knob interacts with the Resonance path, tempering it from creamy resonance to wacky self-oscillation.

Filter and VCA run in parallel, both are controlled by the Freq/Amp knob and it's associated voltage-control input. The combination of both signals can be crossfaded with a dedicated knob.

The Freq/Amp is also controlled with direct touch control on the panel via the 3 lines below the knob.

The filter frequency control can be inverted by the Inv Freq switch, providing the possibility to change the filter direction. This feature allows the filter to "close" when the VCA is "opening" or the other way around.

The Ping input allows to generate the well known vactrol filter percussive sounds if a gate or trigger signal is provided. The Ping frequency if controlled by the Freq/Amp knob, ranging from low kicks drums to high pitch bongos.

There is also a Drive knob to take care of your saturation needs. The Overdrive range is wide, from soft textural clipping to heavy distortion.

All voltage controlled inputs have an attenuator-inverter knob.

Features:

Vatrol based 12dB multi-mode Voltage Controlled Filter: Lowpass, Bandpass and Highpass.
Vactrol Based Voltage Controlled Amplifier.
Crossfade between VCF and VCA section.
Voltage controlled Resonance.
Ping Input for percussive sounds generation.
Cutoff Frequency polarity inversion switch. Doesn't change VCA polarity
Overdrive and Feedback controls.
Attenuator/inverter knobs on all voltage controlled inputs
Touch control over Frequency and Amplitude.


Specs:

Width: 10HP
Depth: 33mm
Power consumption: 55mA +12 / 55mA -12
Eurorack Format
Doepfer power connection

Notes: SkipLog, a probability processor with sequence capturing and looping features, along a range of other versatile functions waiting to be explored.

SkipLog is a 3-channel rhythmic probability processor designed for inventive rhythmic exploration in modular setups. Introduce unpredictable rhythmic possibilitis to your creative flow.
SkipLog's basic operation is simple: when a trigger or gate is received at one of its three channels' inputs, the same channel’s Probability knob allows you to control the likelihood of these triggers or gates reaching the output. This inputs are internally connected .

SkipLog continuously captures the binary outcomes of its use, storing them for potential sequences. Activate the Loop function to break from pattern creation and loop the recorded sequences. Individual Loop Length knobs for each channel allow adjustment of the loop sizefrom 1 to 16 or 32 steps (as selected on the back), providing evolving rhythmic patterns.

To fine-tune your arrangement, SkipLog introduces functions like Mute for real-time channel silencing, Inv for signal inversion, and Choke for establishing channel priorities. Lastly, the G/T (Gate/Trigger) Mode enables users to specify whether the channel output is a gate or a trigger.

Dimensions
8 HP
33 mm deep

Current Draw
100 mA +12V
22 mA -12V

Notes: VastWave is a complex analogue Oscillator with advanced waveshaping capabilities that invites new textural and harmonic exploration beyond subtractive synthesis principles.

Crossfading between harmonically rich folded waveforms and waveforms with Odd/Even harmonics, the VastWave waveshaper expands on the Principal Oscillator heritage, bringing an additional set of waveforms with Odd and Even harmonics and a pulse waveform derived from the Waveshaper's Final output stage.

Furthermore the linear FM input has a dedicated VCA for external FM amplitude modulation and an on board linear Glide delivers a more musical approach to this classic feature.

Features:

Voltage controlled complex waveshaping.
Triangle core.
FM input with voltage controlled amplitude for FM amplitude modulation.
On board linear Glide.
Voltage controlled Pulse-width modulation for Pulse and Final Pls waveforms.
Modern temperature and tuning stability.
High Frequency (VCO) or Low Frequency (LFO) operation.
External Timbre input with sine wave normalization if no external source is patched.
Attenuator/inverter knobs on all voltage controlled inputs.
Inverted or double Sawthooth waveform (selectable by jumper).


Specs:

Width: 16HP
Depth: 33mm
Power consumption: ###mA +12 / ###mA -12
Eurorack Format
Doepfer power connection

Notes: ***B-STOCK: Without original box, product in perfect working order***


Gate Expander for Sweet Sixteen mkII.

This is an expander, brings 8 gate inputs for the Sweet Sixteen mkII.

The panel is reversible, so jacks & buttons can be in the left or right side.

The orientation of the 10 pin ribbon cable is marked by the 'do not plug power here!' legend on the PCB, so it could be with the red stripe facing that in both GESS and Sweet Sixteen mkII modules.

Notes: ***B-STOCK: Box damaged, but product is in excellent condition and in perfect working order***


Professional mobile digital recorder for perfect shots "on the road"

Recording your own concert or conference call, recording professional sound during interviews or preserving the ambient sounds of your favourite place: the application examples of handheld recorders are extremely versatile and have absolute justification even in the age of high-end smartphones.

The user interface of the Mobile Digital Recorder is optimized for simple and fast operation. The main functions such as recording, playback, cancelling, noise suppression, sound split. In addition to recording with the internal microphone, an external microphone (not included) can also be used.

Recordings can be made in mono or 2-track stereo at 32Kbps, 64Kbps, 128Kbps, 192Kbps, 512Kbps, 768Kbps, 1024Kbps and 1536Kbps, with 512kbps as the default. The user has an Auto Gain function and eight effect preset modes at his disposal, including rock, funk, hip hop and jazz.

The clear folder structure and an encryption function for the recordings make the management of your own recordings clear and secure. The Mobile Digital Recorder can be operated via the integrated lithium-ion battery or directly USB bus-powered.

The internal storage capacity is 8 GB. In addition, flash cards are supported.

Properties:

Mobile digital recorder with metal housing
Recording formats: MP3, WMA, WAV, OGG, APE, MPC, AIFF, FLAC
8GB internal memory + MicroSD card slot
Dynamic noise cancellation ensures high-quality recordings
Up to 580 hours of recording time
Supports line-in recording (phone, smartphone calls, etc.)
Voice
Automatic storage when the battery is low
A-B loop points, real-time monitoring
Two microphone capsules - also suitable for recording over longer distances
1.8" TFT colour display
Intelligent folder structure
Rechargeable lithium polymer battery
Battery life: up to 10 hours
Incl. USB connection cable and lavalier microphone

Notes: ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is TipTop#s second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP
Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

Notes: A classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analog polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 105mA / -12V 33mA

Notes: CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

Notes: OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing.

Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

Notes: The S1 is a promotional bundle that Tiptop Audio is offering to users, providing a 33% savings to get you started with ART. With these bundles, this incredible voice is included: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by the beloved 4-pole Z2040 filter that has been with TipTop since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

ART QUAD QUANTIZER is a four channel CV to ART Quantizer to play ART oscillators from CV sequencers, LFOs and anything that outputs CV. This is Tiptop's second ART controller option and is designed for those of us playing ART without a computer or MIDI source. The inputs take in positive, negative, bipolar CV voltages. Scales include Major Minor and the five other modes (Dorian, Lydian, etc). The module is simple to set up with a simple menu and one knob with switch for navigation. The 4th channel can be set to generate Chords and polyphonic note streams for ART Polyphonic oscillators.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 38mA / -12V 4mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop's redesign of the most famous analogue filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colourful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma

Notes: A serious bargain for anyone putting together a modular system, TipTop bundle three VCOs and the Octopus controller with their mixer, filter, dual envelopes and VCA. Great value.

Supplier's Notes:
The S2 is a promotional bundle that TipTop is offering to users, providing a 33% savings to get you started with ART. With these bundles, TipTop have included an incredible voice: the big, beefy 3 VCO stack. The bundles come in two options: Bundle S1, which uses the ART V/OCT Quantizer as a controller, and Bundle S2, which uses Octopus as a controller. In addition to the controllers, there are three ATX1 analogue oscillators, MIX7 for mixing them with plenty of headroom, and followed by TipTop's beloved 4-pole Z2040 filter that has been with them since day one; it just sounds so good. Finally, we end up with Control Path dual envelope plus VCA dynamics modules. This special price is time limited and while supplies last.

OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing. OCTOPUS is TipTop's first ART controller with more to follow, please select between Octopus or ART V/Oct Quantizer to get started with ART. Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA

ATX1: a classic all analogue saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analogue polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. TipTop consider the ATX1 the best sounding analogue VCO they have ever created.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 105mA / -12V 33mA

MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.
Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.

Size: 3HP - Depth: 43mm - Power: +12V 25ma / -12V 20ma

CONTROL PATH is an all in one voice dynamics module that helps build full voices quickly. It contains two analogue envelopes with velocity cv, and one VCA. In a typical voice patch the left envelope will control a filter and the right envelope will be the voice VCA. Velocity control is provided for each envelope and delay front panel trimmers are used to compensate for any miss match between incoming gate signal and velocity CV timings. Envelope cv outs are 0-5V, Velocity cv ins are 0-5V.
Size: 8HP - Depth: 40mm / 1.5"

Power: +12V 50mA / -12V 55mA

The Z2040 is TipTop#s redesign of the most famous analog filter from the polysynths of the 80's and features Tiptop Audio's signature lush, big, and creamy sound. Its frequency sweeps make thick bass lines and leads with great dynamics. When modulated with audio frequencies through its various inputs, the Z2040 gets quite colorful and is capable of creating many new sounds and textures as the forces of the incoming waves and their harmonics blend through the filter's non-linear circuit. When set with Resonance feedback fully up, the Z2040 transforms into a pure sine-core VC-Oscillator, great for making snappy percussive elements and whistling sounds.

A look under the hood will find that the heart of the Z2040 is a discrete design 4-pole low pass filter with a core similar to that of the SSM2040 filter chip, used in the 80's Prophet 5 Rev 2 synthesizer, and its brother the SSM2044, used in the famous early EMU samplers and PPG synthesizers of the 80's. Both filters are considered by many to be, "the best sounding filter ever".

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides dynamic filter sweeps and the unique VC-FM index allows modulation of the incoming FM signals. On top of that, the Z2040 comes with an audio VCA that can be configured to act upon the input or the output of the filter.

Size: 8HP - Depth: 42mm - Power: +12V 20ma / -12V 20ma

Notes: An ART wavetable dual oscillator mono voice source that can be used to build polyphonic patches and multi voice patches. It generates its harmonically rich sound using two 80s vintage D/A converters to feed your filters and effect processors. VORTEX comes loaded with dozens of wavetables, plus additional user wavetables can be loaded from the front panel SD card. A detune knob controls the second VCO and adds effects from deep phasing to a sub octave. The position knob and CV input selects waves in the tables and vibrato from LFOs to create FM. Like other ART sound generators a dedicated Gate output manages the voice envelope or any modulation synced to that voice. VORTEX is a great companion to the analog ATX1 and a must for digital synthesist enthusiasts.

Size: 8HP - Depth: 40mm / 1.5"
Power: +12V 80mA / -12V 25mA

Notes: How It Works

Chaining up an EQ, compressor and overdrive pedal will never give you the same result as SkarBassOne achieves, not by a long shot! The precise filters in SkarBassOne is what gives you the extremely surgical tone and the wide range of possibilities without breaking a sweat!

No matter the settings you will always keep the clean powerful low end with this multiband overdrive and that is a must for bass. Controlling the mids of a bass sound has never been easier! You will get out of the way from other instruments masking frequencies and take up all the space that is ment for you and ONLY you!

It might look simple on the outside, but I assure you the inside is a matrix of years with development. The flexible multiband drive is smooth all the way thru it's range and I promise you it will never ever mess with your low end!

Details

Compression:

One knob FET compressor with fast attack and release. It handles dynamics with ease and creates a solid wall of tone.

Compression LED:

Visual indication of how hard the compressor is working.

Mid:

Mid filter to achieve the surgical studio tone! Create a defined, in the pocket frequency response for the bass to sound massive and to make it sit with other instruments. Your band mates will never beg you to turn down your bass again!

Mix:

Quickly set the tonal balance between low frequencies and high frequencies. Find the sweet spot in any situation.

Footswitch:

On/Off switch for Drive and Tone.
Red channel =Drive and Tone active.
Blue channel = Drive and Tone off.
Compression, Mid and Mix is active on both channels.

Drive:

Set the amount of multiband drive, from gentle push to full on bark!

Tone:

Hi-cut filter to control the high frequencies of the output.

Notes: A digital DJ looking for a professional, durable case solution for your Ableton Push 3? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Ableton Push 3, this case is perfect for the travelling DJ that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,90 kg / 1.98 lbs
Outer Dimensions (W x H x D): 42.4 x 40.7 x 6.1 cm | 16.7 x 16.0 x 2.4 inch
Inner Dimensions (W x H x D): 38.4 x 32.2 x 4.5 cm | 15.1 x 12.7 x 1.8 inch
Material: Durashock moulded EVA foam

Protection:

Covers main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Extra space for cables
Heavy duty handle
Easy grip zipper pulls

Fits

Ableton Push 3 + extra cables

Notes: A music producer/ sound engineer looking for a professional, durable case solution for your Motu M4 or M2? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Motu M4 or M2, this case is perfect for the travelling music producer/ sound engineer that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,54 kg / 1.188 lbs
Outer Dimensions (W x H x D): 23.3 x 15.5 x 5.6 cm | 9.2 x 6.1 x 2.2 inch
Inner Dimensions (W x H x D): N/A
Material: Durashock moulded EVA foam

Protection:

Covers main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Heavy duty handle
Easy grip zipper pulls

Fits

Motu M4 or M2

Notes: A music producer/ sound engineer looking for a professional, durable case solution for your Strymon Timeline/ Bigsky/ Mobius/ Nightsky/ Volante? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Strymon Timeline/ Bigsky/ Mobius/ Nightsky/ Volante, this case is perfect for the travelling A music producer/ sound engineer that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,40 kg / 0.88 lbs
Outer Dimensions (W x H x D): 23.8 x 14.9 x 8.5 cm | 9.4 x 5.9 x 3.3 inch
Inner Dimensions (W x H x D): 22.8 x 13.9 x 7.5 cm | 8.9 x 5.5 x 2.9 inch
Material: Durashock moulded EVA foam

Protection:

Cover main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Removable divider for extra cables or power adapter
Heavy duty handle
Easy grip zipper pulls

Fits

Strymon Timeline/ Bigsky/ Mobius/ Nightsky/ Volante

Notes: Want to take more of your gear with you when travelling? UDG presents the UDG Creator Wheeled MIDI Controller Case Black 22" to bring you the perfect solution for flying and travelling with MIDI controller, laptop and any additional hardware.

UDG Creator Wheeled MIDI Controller Case Black 22" means more equipment with no compromise on convenience and protection. Featuring protective padded compartments and padded secure strap. It's the only trolley gear bag available that is large enough to house controllers such as the Pioneer DDJ-FLX4/ REV1/ 200/ 400/ SB3 or NI Traktor S3/ S2 MK3/ S4 MK3. Made of tough, durable black exterior & interior material, sturdy in-line wheels for easy transport and mobility with paddings in all the right places for the ultimate carrier of your valuable equipment.

Specifications
Colour: Black
Weight: 3,90 kg / 8.58 lbs
Outer Dimensions (W x H x D): 67.6 x 43.0 x 25.0 cm | 26.6 x 16.9 x 9.8 inch
Inner Dimensions (W x H x D): 56.0 x 36.0 x 10.5 cm | 22.0 x 14.2 x 4.1 inch
Material: Water resistant Ballistic Nylon 1680D

Protection:

Padded compartment for controller or mixer with padded secure strap
Padded compartment for up to 17" laptop
Padded pocket for up to 9.7" tablet and small accessories
Smooth rolling in-line wheels with high quality in-line skate bearings

Extras

Includes removable paddings to fit various controllers
Rear-access pocket for magazine/document
Retractable handle with 2 stage internal trolley system
Additional cable pouch
Soft padded carry handle

Fits:

Pioneer DDJ-FLX4, DDJ-REV1, DDJ-200, DDJ-400, DDJ-SB3, DDJ-RB, DDJ-SB2, DDJ-SR2, DDJ-RR, DJS-1000,
CDJ-3000, DJM-900NXS2,
NI Traktor S3, S2 MK3, S4 MK3, S5, S4 MK2, S2 MK2, Komplete Kontrol A25, Maschine Studio,
Denon DJ Prime Go, MC3000, MC4000, MC6000 MK2,
Reloop Elite, Beatmix 2 MK2, Beatpad MK2, Terminal Mix 4/ 8,
Akai MPC Live II, APC 40, MPK 25,
Novation AFX, Peak, Nocturn 25, Remote SL MK II, Zero SL MK II,
Numark Mixtrack Platinum FX, Mixtrack Pro FX, Mixtrack, Mixtrack II/ III, Mixdeck Express, Mixtrack Platinum, Mixtrack Pro/ II/ III, NV II,
American Audio Encore 2000, VMS4, VMS5,
Roland TR-808, TR-909, DJ-707M, TR-8, TR-8S, DJ-202, System-1,
Rane Twelve, Seventy-Two, Seventy,
Gemini G2V, G4V, GMX,
M-Audio Exponent,
Hercules DJControl Inpulse 500 DJControl Jogvision, DJControl Inpulse 300,
Korg Minilogue XD,
up to 17" laptop, up to 9.7" tablet, audio interface, books and magazines

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 5mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Ableton Push 3 Black also features heavy-duty, spring-loaded handles for a secured lift & load.

UDG Ultimate Flight Case Ableton Push 3 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 12,50 kg / 27.5 lbs
Outer Dimensions (W x H x D): 45.6 x 43.2 x 18.3 cm | 17.9 x 17.0 x 7.2 inch
Inner Dimensions (W x H x D): 38.2 x 31.9 x 6.8 cm | 15.0 x 12.5 x 2.7 inch
Material: Heavy duty construction of 5 mm thick plywood
Protection: Improved powder coated and anodized hardware

High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide black solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Adjustable laptop shelf
UDG heavy-duty spring-loaded handles
Secure stacking due to stackable ball corner

Fits

Ableton Push 3

Notes: The ultimate companion for producers on the move - the UDG Ultimate Producer Backpack Trolley. This sleek and versatile backpack is designed to meet the demands of modern music producers and DJs, combining style, functionality, and durability in one package.

The Producer Backpack Trolley is more than just a bag; it's a travel companion designed to make your life easier while maintaining a sleek, professional look. Whether you're a DJ, music producer, or someone who needs a reliable, feature-packed backpack for travel, this is the perfect choice. Elevate your gear transportation experience with the ultimate in style and functionality. Get yours today!

Specifications

Colour: Black, Orange inside
Weight: 4,25 kg / 9.35 lbs
Outer Dimensions (W x H x D): 39.5 x 62.0 x 32.0 cm | 15.5 x 24.4 x 12.6 inch
Inner Dimensions (W x H x D): 35.0 x 45.5 x 15.5 cm | 13.8 x 17.9 x 6.1 inch
Material: Water Resistant Nylon 420D

Protection

Padded MIDI controller compartment
Inseparable wheel cover
Comfortable moisture absorbent shoulder straps
Ergonomic back padding provide exceptional comfort
Integrated with a TSA combination lock
Easy backpack to trolley mechanism

Extras

Multiple external pockets for accessories & smaller gear
Quick access top pocket
Top & side carry handles
Retractable handle with 2-stage trolley system
Smooth rolling in-line wheels with high quality in-line skate bearings

Fits

Main compartment fits up to 18.4" laptop.
Pioneer CDJ-3000, Ecler Warm4, Reloop RMX-95, Roland SPD-SX Pro, Ableton Push 3

Notes: UDG have further fined-tuned what was already a great design concept of a flight case into one specially for the most discerning creative performers. Constructed from aluminium thus providing an extremely stable structure with lighter weight compared to traditional flight cases. The inner sides are protected with pick & pluck foam, which allowing user to create individualized adapted compartments. The pick & pluck foam allow you to pluck out any desired shape you require for Ableton Push 3 and creating another slot beside for cable storage. This pick & pluck foam creating an easy, do-it-yourself customized system of case interiors.

The UDG Ultimate Pick Foam Flight Case Ableton Push 3 is designed to keep your Ableton Push 3 protected from accidental damage when you transport it to and from gigs. They're compact and lightweight yet tough enough to keep your gear safe.

Specifications

Colour: Black
Weight: 5,50 kg / 12.1 lbs
Outer Dimensions (W x H x D): 39.0 x 50.0 x 16.5 cm | 15.3 x 19.7 x 6.5 inch
Inner Dimensions (W x H x D): 38.0 x 49.0 x 15.5 cm | 14.9 x 19.3 x 6.1 inch
Material: Aluminium

Protection: Corrosion resistant aluminium profiles with strong rounded corners
Fully-lined with high density foam protective padding & egg-crate foam on lid
Two side strong butterfly lock
Rubber feet at the bottom for support in standing

Extras

Lighter weight than traditional flight cases
Black Diamond finishing surface
Ergonomic & sturdy carry handle
Pick & pluck foam with two separate layers

Fits

Ableton Push 3, power adapter, extra cables

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Black
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.0 C-Male to A-Male cable
Maximum data transfer rates up to 5 Gbps
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Blue

Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.0 C-Male to A-Male cable
Maximum data transfer rates up to 5 Gbps
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Green
Length1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.0 C-Male to A-Male cable
Maximum data transfer rates up to 5 Gbps
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Orange
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.0 C-Male to A-Male cable
Maximum data transfer rates up to 5 Gbps
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Red
Length: 1.5 m | 4.92 ft
Weight0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.0 C-Male to A-Male cable
Maximum data transfer rates up to 5 Gbps
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: White
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage

High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.0 C-Male to A-Male cable
Maximum data transfer rates up to 5 Gbps
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.0 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Yellow
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.0 C-Male to A-Male cable
Maximum data transfer rates up to 5 Gbps
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Black
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Blue
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Green
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Orange
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Red
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:
Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras:

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits:

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: White
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Yellow
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Designed to integrate sound sources from outside Eurorack, Verbos's Real World Interface offers three channels including built-in microphones, preamps, envelope followers and a frequency detector.

Supplier's Notes:
The Real World Interface is a 3-channel external processing module intended for connecting with sound sources outside the system. The channels are oriented as vertical channel strips. The left and right channels have a built-in condenser microphone, preamp, envelope follower with variable decay and gate extractor. In addition to a preamp, envelope follower and gate extractor, the centre channel also has an Automatic Gain Control (fixed high ratio compressor), fundamental extractor (tracking lowpass filter), frequency detector and locked oscillator. Internal microphones are useful for introducing electro acoustic room sounds into the modular. Envelope followers can be used to have external signal levels effect parameters such as filter cutoff or level for building dynamics processors. Gate extraction allows external sounds such as metronomes, clicks, claps or room sounds to advance sequencers, trigger sounds or initiate other events. The Frequency Detector can extract the pitch of simple monophonic sounds but is also a semi chaotic CV source in the tradition of such modules since their introduction in the 1960's. The Locked Oscillator plays a sine wave at the same pitch as the input signal.

Size: 18HP

Notes: The Vermona MEX3 is a midi extension for the meloDICER sequencer and allows the sequencing of synthesizers outside the modular system.

Features:

MIDI output of sequences
Sequences can now be polyphonic with up to three voices
meloDICER can receive MIDI Control Change messages to remotely control all parameters.
All meloDICER controls can send MIDI Control Change messages
Direct synchronisation to a MIDI clock including shuffle conversion (e.g. from a Multiclock)
MeloDICER converts the MIDI real-time messages START, STOP and CONTINUE.
Module width: 4 TE
Power supply via meloDICER

Included in delivery:

MEX3
Connection cable to meloDICER
2 x MIDI cable DIN-3.5mm; 150 cm (Type A)
To use the meloDICER with the MEX3, the latest firmware must be installed. This can be downloaded from the manufacturer's website.