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Review: The ninth studio album by the Grateful Dead, Terrapin Station came after a two-year hiatus by the band, who afterward returned to live touring and high-concept jazz-rocking. Something of an achievement in defining the more mathematic elements of prog at the time, several of the songs heard across the album deal in time signatures less common to the Westernized ear, with perhaps the most enduring of them all, 'Estimated Prophet', having been recorded in septuple time. Perhaps mirroring this sense of rhythmic ambition verging on megalomaniac grandeur, the album, seemingly springing forth from this central song, deals throughout with themes of false-prophetic grandiosity - cultic self-aggrandisement - that seemed to emanate from California and the West Coast at the time, especially in the immediate aftermath of the counterculture and in the more musical annals of history in the then-unfurling latter half of the 20th Century.