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Notes: Replacement stylus Nagaoka MP-150

JN-P150, Tonar article 6823

Cantilever: hardened tapered aluminum alloy

Stylus: 0.4 x 0.7

Mil naked elliptical block diamond stylus tip

Notes: Module A-147-4 is a dual voltage controlled LFO (Low Frequency Oscillator). Each LFO has the five waveforms triangle, sine, rising and falling sawtooth, as well as rectangle available. The rectangle output features manually adjustable pulsewidth and pulsewidth modulation by means of an external control voltage. The core waveform is triangle. The other waveforms are derived from triangle by means of waveform converters. The frequency of each LFO can be adjusted manually and modulated by means of an external control voltage with associated attenuator and polarity switch. By means of a jumper the basic frequency range of each LFO can selected: about 0.02 Hz (~ 50 seconds) ... 2.5kHz or about 0.0017 Hz(~ 600 seconds) ... 220Hz. That way each LFO can be used also as a VCO with a max. frequency of about 2.5kHz. Each LFO features a reset input which can be used to reset the triangle signal.

The module has these controls and in/outputs available:

Control F : manual control of the frequency, for each LFO the frequency range can be selected by means of a jumper from two values (see technical notes)

frequency coverage of control F in the high frequency range: about 0.075 Hz (~ 13 seconds) ... 1,4kHz

frequency coverage of control F in the low frequency range: about 0.007 Hz (~ 140 seconds) ... 125Hz

Control CV: attenuator for the signal applied to the CV socket, by means of a jumper a small positive voltage can be applied to the switching contact of the /CV/ socket, as long as no patch cable is connected to /CV/ socket the CV control then works as fine control for the frequency

Switch CV Pol.: polarity switch for the signal applied to the socket /CV/

Control PW/PM: combined control for manual and CV control of the rectangle pulsewidth:

when no patch cable is connected to socket /P/ the control is used to adjust the pulsewidth (PW) manually

when a patch cable is connected to socket /P/ the control works as attenuator for the external CV signal with a basic pulsewidth of 50:50.

Socket /CV/: frequency control voltage input, in the factory the module is adjusted so that the sensitivity of this input is exactly 1V/octave when the CV control is fully CW.

Socket /R/: reset input, according to the associated jumper the reset input is edge triggered or level controlled (see technical notes for details)

Socket /P/: pulsewidth control voltage input

Sockets with waveform symbol: output of the waveform in question (triangle, sine, rising and falling sawtooth, rectangle)

The output voltage ranges are about -5V ... +5V (10Vpp), except the rectangle output

For the rectangle output one can choose by means of a jumper if the range is about -5V ... +5V or 0...+10V.

LED: visual control of the LFO (triangle)

The inputs of the module are labelled with white characters on black background (in the text included into two slashes). The outputs are labelled with black characters.
Technical notes and special features:

The basic frequency range of each LFO can be selected by means of a jumper. The settings correspond to two different capacitor values for the VCO circuit. The relation between the two ranges is about 1:11. When the upper range is selected frequencies from about 0.02 Hz up to 2.5kHz can be generated. For the lower range the values are about 0.0017 Hz ... 220Hz. To obtain these full frequency ranges external control voltages are required. With the frequency control F only the frequencies mentioned above are possible.

Apart from that the range for the manual control F can be reduced to obtain a finer resolutuion. For this a jumper has to be removed. The range of control F is then reduced to about 1:4.5 only.

In the factory the starting voltage of the triangle output after a reset is adjusted to 0V, i.e. the triangle starts from 0V with the rising slope after a reset. By means of a trimming potentiometer the starting voltage can be adjusted to another value (e.g. to -5V).

Another jumper is used to set the reset behaviour to edge triggered or level controlled. When set to edge triggered the rising edge of reset signal is used for the reset (independent of the duration of the "high" state of the reset signal). When set to level controlled the triangle output remains at the starting voltage as long as the reset signal is "high". Only when the reset signal turns "low" the triangle starts.

Dimensions
8 HP
45 mm deep

Current Draw
80 mA +12V
70 mA -12V

Notes: Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.

Notes: ZED-6FX delivers Allen & Heath's renowned build and audio excellence in a compact, portable format, making it the ideal choice for quality conscious musicians, singer / songwriters and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6FX is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analog warmth and depth. ZED-6FX is the first mixer to include a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that ZED-6FX comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6FX features an exceptional new preamp design, created by analog guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analog range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

ZED-6FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: Compact, affordable and truly powerful DJ controller from one of our favourite brands. One of the best options for starting out with DJ software. Hook up to a smartphone, tablet or computer and get mixing.

Supplier's Notes:
This compact and powerful 2-channel DJ controller was designed and developed in close partnership with Algoriddim for the tightest integration possible with their award-winning djay app.

The Reloop Buddy offers DJs of any level all the tools they need to perform creatively and efficiently at a high level. Thanks to its powerful features and the brand new Neural Mix controls, the BUDDY is space-saving without compromising any functionality.

Whether you're a complete beginner or an experienced DJ, the Reloop Buddy offers you full control over your mixes thanks to powerful features including the intuitive pad section consisting of 8 performance modes (hot cue, auto loop, touch FX, sampler, slicer, bounce loop, Neural Mix™, looper), dedicated loop controls, a flexible effect section with FX paddles (hold & toggle), and responsive jog wheels for precise mixing and scratching.

Also, the Reloop Buddy includes extensive Neural Mix controls (pad / EQ mode) to isolate beats, instruments, and vocals of any song in real-time for even more creative mixing possibilities.

The Reloop Buddy offers you large FX Paddles with HOLD and ON positions for instant effect mixing.

In terms of outputs, a full headphones cue section and 14 inch jack are conveniently located at the side of the unit, together with an RCA out port for direct connection to active speakers and sound systems.

Thanks to its dedicated integration with Algoriddim's djay software, and built-in USB audio interface, the Reloop Buddy enables instant plug and play compatibility with smartphones, tablets, and computers.

The Reloop Buddy is built from quality, durable materials, and its space-saving, highly-portable design makes it perfect for your home setup, mobile use, and even on-the-go or while traveling. Furthermore, its built-in device slot can hold smartphones and tablets up to 12.9", which keeps the overall footprint of the unit to a minimum.

Not only can tracks be loaded to djay from your crates and libraries, but it's also even possible to mix millions of tracks instantly from popular streaming services such Tidal*, Soundcloud Go+*, Beatport LINK*, and Beatsource LINK*.

*Please note: An internet connection and a TIDAL Premium or HiFi subscription, Soundcloud GO+ subscription is required. Beatport Link and Beatsource Link are accessible with all 3 offered subscriptions.

HIGHLIGHTS:

Compact performance controller for djay across all platforms (iOS/Mac/PC)

Powerful features: FX paddles, sound filters and 8 performance modes

Neural Mix controls for real-time vocal and instrumental separation

Notes: Endorphin.es Cockpit² is a 4-channel stereo mixer with side-chain ducking.

Key facts:

Increased headroom
Improved sound quality
The LEDs are blue/red instead of red/green (Daltonic friendly)
No TRRS jacks anymore
New aluminium knobs on the black module version

Power consumption:
240 mA +12V
75 mA -12V
0 mA 5V

Dimensions:
6 HP
38 mm deep

Notes: Bin Seq is an eight-step switchable gate sequencer. Besides individual signals, it is also possible to notate tied events. In addition to clock and reset inputs, there are manual control options for both functions. A great utility module, which can not only be used to create simple beats, but to manipulate other sequencers or trigger modulators rhythmically as well.

Notes: F8R is a 8 channel, 16hp control surface for Eurorack

16HP Width, 20mm Depth
Current Draw: +12V 50 mA, -12V 40 mA

Basic Usage instructions:

Front:

Voltage Select switches: Independent for each channel. Does NOT affect MIDI/I2C data

Slider LED color: To change the LED color, simply remove the cap and rotate the square LED 180s. Do NOT force the LED back in, it should slide in easily, may require wiggling.

Rear:

Power Header: Standard 10pin power cable, there is NO polarity for this connection. It can be connected either way

MIDI Out Header: This is a 4 pin header but only 3 or 2 connections need to be used. To connect to a DIN cable, either GND, 5 (to pin 5, current sink/aka -), and 4 (to pin 4, current source/aka +) should be used. For internal module to module connections, only pin 4 and 5 should be used. The ground pin is only for the shield in a midi cable, it is never connected on a midi input and isnt necessary for the short module to module lengths

I2C Header: 3 pin header to connect to other I2C devices in your rack, this is an unbuffered connection so cable lengths should be as short as possible (20cm/6" recommended). There are 4.7k pull up resistors on this connection

Module Orientation jumpers: There are 3 of these jumpers which determine how the module operates depending on if the jacks are on top or bottom. They will come installed in the position matching your panel but can be changed should you want to flip it. "INV" is Jacks on Top, the white position is jacks on bottom. Changing these jumpers will change the numbering of the faders from left to right (1->8) in both MIDI and I2C and will invert the voltage response (i.e. 10->0V from top to bottom). The jumper is shown in the "jacks on top" position in the pic below. ALL THREE JUMPERS MUST BE IN THE SAME POSITION for the module to operate correctly.

Module Config DIP switch: This allows you to switch between I2C Follower and I2C Leader modes easily. Simply move the switch to the "lead" position and restart the module (you can press the blue reset button once). The other 3 positions are for future expansion and not currently implemented.

Connector for Expander: This connects the F8R to the I/O expander. The cable is attached to the expander. Note the keyway at the top of the part, the connecter will ONLY connect one way

Notes: Popple is an 8hp multimode stereo filter based on the Mutable Instruments Ripples V1 filter section. Popple maintains the buttery smoothness of Ripples filter while giving you two separate audio paths. The audio paths share a resonance, control, a frequency cutoff control, resonance CV input, and a v/oct cutoff CV input. Each channel then has it’s own cutoff CV input with attenuverters (which are normalled to a 2.5V signal).

Popple will also self-oscillate at high resonance settings, when coupled with the v/oct CV control, it can also act as a dual sine wave oscillator.

Notes: Alan (micro Turing Machine) Shift Register Based Sequencer

The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.

Notes: nRings

This is a new build of a micro version of Rings from Mutable Instruments. MicroRings, also called NanoRings, retains all the same functionality as a full-size Rings module.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

These modules use tall bushing potentiometers to offer a more stable feel.

Notes: Pique (uPeaks)

Pique is a micro version (4HP) of the popular Peaks module from Mutable Instruments. It can be an ADSR-style envelope generator, an LFO and a drum emulator.

The module is calibrated, comes with a power cable, and a one year warranty.

Notes: Designed with versatility in mind, the Fold 6 is a six-stage wavefolder with simultaneous series and parallel outputs, dual signal inputs and voltage-controlled folding and overdrive shaping.

Supplier's Notes:
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

While there is a bewildering array of filter types within the synthesiser world, most wavefolders fall within only a few categories. Diode wavefolders in particular come in just two variants: series and parallel circuit topologies. Choosing a specific folder also means being limited to specific sounds and capabilities.

For the first time, Fold 6 puts forward a 6-stage hybrid series/parallel topology, yielding a greater sonic palette than ever in just 4 HP. Having both main (series) and alternate (parallel) outputs means a single module now gives access to just about all wavefolding tones imaginable.

To take things even further, an integrated symmetrical soft clipper limits the output signals to approximately 10 Vpp, keeping the amplitude within typical Eurorack levels and making it easier to create overdriven sounds at high fold ratios. This clipping stage can be driven continuously using the shape parameter, smoothly transforming the folded waveforms into pulse waves for even more harmonic content.

Two signal inputs are included, to mix audio signals or add in a DC voltage for asymmetric folding. The symmetry can also be manually controlled using the dedicated knob. Of course, both fold and shape parameters feature voltage control, to enable continuous timbral modulation.

Moving beyond simple signal processing, Fold 6 also lends itself perfectly for feedback patching, CV folding or frequency multiplication; its modest size belies the sonic capabilities within.

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: Erica Synths Black Dual VCF is a dual multimode filter with CV control over cutoff and resonance for serious modular patches.

At the core of this VCF is a highly stable, custom multimode VCF chip AS3320 (produced in Riga, btw). This module can be used as two independent VCFs with simultaneous HP, BP and LP outputs, controls can be linked to stereo application and both VCFs can be chained in series or parallel to the summing output for ultimate modulations. Bonus feature - the 16 band spectrum analyser gives you visual feedback on what happens on summing output.

Technical specifications:

Audio output amplitude: 10 Vptp
CV input (full sweep): 10 Vptp
Panel width: 18HP
Module depth: 35mm
Power consumption: 40mA@+12V, 36mA@-12V

Notes: The A-143 series of modules contain multiple modulation sources. Module A-143-2 is a four-fold ADSR type envelope generator. Other modules of this series are the Complex Envelope Generator A-143-1 (Quad AD) and the Quad LFO A-143-3.

The module contains 4 independent ADSR-type envelope generators. Each sub-module has available the controls Attack, Decay, Sustain and Release. The three-position Range switch allows to select the desired time range (low - high - medium). The adjustable envelope time ranges from several minutes to some milliseconds. On top of this each sub-module is equipped with three digital outputs (high/low): "End of Attack (EOA)", "End of Decay (EOD)" and "End of Release (EOR)". As soon as the criterion is valid (e.g. end of decay state) the corresponding digital outputs turns to "high". These outputs can be used e.g. to daisy-chain several ADSR sub-modules. For this the digital output in question (EOA, EOD or EOR) has to be connected to the Gate input of the following ADSR. Even automatically running envelopes (pseudo LFOs) or so-called "quadrature envelopes" with cyclical modulations of several ring-shaped, daisy-chained ADSRs are possible. To obtain a pseudo LFO simply the EOD or EOR output has to be connected to the Gate input of the same ADSR.

In addition to the obligatory Gate (G) input for envelope generators each sub-module has available a Retrigger (Rt) input. The retrigger turns the direction to "upward" if the envelope has already reached the decay state while the retrigger pulse occurs. If the envelope is still in the attack phase the retrigger input has no meaning. This a different behaviour from A-140 and A-141!

The Gate inputs of the units 2, 3 and 4 are normalled to the Gate input of unit 1, i.e. Gate input 1 is connected to the switching contacts of the Gate input sockets 2, 3 and 4. Thus one Gate signal applied to Gate input 1 can be used to trigger all four sub-modules simultaneously.

The envelope outputs are displayed with LEDs.

The maximal envelope voltage (Attack/Decay reversal point) is about +8V.

If voltage control of all parameters is required module A-141 is available.

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: Simple but effective output module, converts stereo instrument-level signal to balanced XLR outs. Ideal for live use but just as good for avoiding unwanted hum in the studio.

Supplier's notes:
Whether it's in the studio or on a live stage, keeping audio interconnections free from unwanted hum and interference can be a challenge. Balanced lines are the proven solution to this problem.

Conventional balanced output solutions often rely on transformers providing galvanic isolation to mitigate the effects of ground loops. Unfortunately, these components are bulky, expensive and colour the sound (often unfavourably, especially in the low end).

Instead, Transmit 2 (or TX2 for short) takes a fully solid-state approach. Offering a stereo pair of XLR balanced outputs, it ensures that the sonic clarity of your carefully planned modular system is not lost in its interface to the outside world.

Engineered to provide massive headroom while retaining extremely low noise and distortion, Transmit 2's circuitry incorporates low-impedance design practices, radio-frequency (RF) filtering and premium balanced drivers to provide transformer-like interconnect performance in a compact and affordable module. And thanks to the electrostatic (ESD) and phantom power discharge protection, it's rugged enough to survive the rigours of performing on the road.

Adjusting the main output level is a breeze thanks to the dual peak-responding LED meters. A high-end headphone amplifier is included as well, controlled by a separate level knob. It can deliver the voltage and current required to power practically any headphones, regardless of the impedance or driver technology. This 3.5 mm stereo socket can function as an auxiliary stereo line output or even drive small passive speakers, making Transmit 2 an all-round flexible answer to all your output needs.

Notes: The "u16MCC" module is a compact MIDI interface, which converts received MIDI control change commands on 16 outputs into CV voltages between 0 and + 5V. The resolution of the data bytes is 7bit. The outputs each have a passive lowpass filter, which smoothes the output voltages.

Each of the outputs can be assigned a separate control change number between 0 and 127 on its own MIDI channel. The module is programmable via the LEARN function with a MIDI key- board and MIDI controllers, or via SYSEX commands. Some SYSEX files with default settings already exist.

The module has two MIDI sockets (mini jacks in TRS-B standard) INPUT and THRU. The data received at MIDI-IN is forwarded via MIDI-THRU. Additional MIDI modules can then be connected there.

Connections: Ribbon cable adapter for Doepfer bus +/-12Volt
Inputs: 1x MIDI (TRS-B standard) 1/8th inch stereo jack
Outputs: 1x MIDI (TRS-B standard) 1/8th inch stereo jack
16x CV 0..+5v, 1/8th inch mono jacks 1 push button with LED (LEARN key)

Notes: Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from-the early days till modern times often leaning toward the more experimental side.

Notes: CR8S-XBT

8" powered studio subwoofer

The CR8S-XBT subwoofer brings a tight, clean bass to your studio monitoring or home listening setup. This subwoofer is designed to meet the demands of modern musicians and content creators while offering Bluetooth connectivity for easy streaming

Feel the bass

Ready to upgrade your listening experience? With the Mackie CR8S-XBT subwoofer, you won't just hear the bass-you'll feel it too. The CR8S-XBT houses an 8" polypropylene-coated woofer within an all-wood sealed enclosure. The result? You get powerful bass reinforcement that delivers the bottom end you've been dreaming of.

Product features
Premium 8" Woofer and Wood Cabinet
Sleek, Brushed Metal Grille with Outlined Design Flexible I/O-1/4" TRS, RCA and Bluetooth
Included CRDV Desktop Volume Remote

Studio-quality sound

How else are you going to hear those deep 808s when you're mixing or listening to music? Adding the CX8S-XBT to your setup brings powerful low-end to your studio or home audio system. You'll know it when you feel it.

Sleek cosmetics

Sounding great is only half the battle-your multimedia monitors should reflect your style too. The sharp aesthetic of CR8S-XBT monitors looks great in the studio, the bedroom or any home listening setup. Be bold and make it loud without sacrificing style.

Bluetooth streaming

Effortlessly pair any Bluetooth-enabled device for easy streaming. We'll let you in on a secret. Paired with the CR8S-XBT, you can transform a set of regular CR-X monitors into Bluetooth monitors that you can pair with any compatible device. Has your dream come true yet?

Control it

All the control you need is always within reach. We include a CRDV desktop remote to give you control over the input and output levels of your subwoofer and stereo speakers. You'll never have to get up from your chair to adjust volume ever again.

Flexible inputs and outputs

In addition to Bluetooth connectivity, you can connect your subwoofer using TRS or RCA cables. This makes it easy to use your subwoofer in a studio or a home listening setup-the choice is all yours.

Wattage: 200W
Driver Size: 8"
Bluetooth: Yes

Notes: To monitor everything, the Mackie Producer Bundle provides Mackie's MC-100 Professional Headphones, which deliver clear rich lows and highs and very good noise isolation. They're excellent for tracking and referencing your mix.

The Mackie Creator Bundle is a must-have for content creators, podcasters, and streaming both in the personal studio and on the go. The Creator Bundle starts with Mackie's EM-USB cardioid condenser microphone, which connects directly to a computer via USB-C and captures everything with amazing detail-no EQ required. The mic includes onboard headphone monitoring, gain control, and mute and includes a tripod stand, mic clip, USB-C cable and other accessories.

The Creator Bundle also includes Mackie's MC-100 headphones-perfect for live production. For editing, critical listening, and general music listening, you can rely on Mackie's CR3-X multimedia monitor speakers, which deliver pro-quality sound using a 3-inch, polypropylene-coater woofer; 0.75-inch, ferrofluid-cooled, silk-dome tweeter; and 50W stereo amplifier. The CR3-X front panel sports a convenient on/off/volume control, a headphone jack that auto-defeats the speaker output, and a 1/8-inch Aux input for use with a media player or smartphone. On the rear are flexible 1/8-inch, 14-inch, and RCA line-level inputs. The speakers come with cables and other accessories.

Notes: This is Befaco's take on an analogue spring reverb module. Featuring VCAs for the two available inputs (with different routing), CV control for DRY/WET and visual feedback for signal levels at input and output of the tank.

Reverberation can be defined as the sum of all the reflections created from an initial sound source within a space, at a point within that space, over time.

To simulate this effect we can pass a sound through a spring with two transducers at either end. As the sound propagates it will cause the spring to expand and contract, creating a series of reflections that are picked up by the transducers (along with the original sound). This creates a simulation of reverberation with (in the case of spring of the reverb) a characteristic and classic colour.

Electronically generated audio will usually sound starkly different to acoustically generated sound. This is more-often-than-not a desirable thing, but there are times when you might want to bring the "depth" of an acoustic environment back into your mix.

The obvious difference between acoustic and synthesised sounds is that acoustic instruments have resonators, and exist in reverberant spaces. One way to add depth to an electronic sound is to somehow simulate the characteristics of a space, and mix this with the original sign

Specifications

Current needs: +12V: 51mA, -12V: 35mA
Width: 8 HP
Depth: 40mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: A-132-8 is an octal VCA and primarily planned for polyphonic applications. The module contains four VCA pairs. Each pair includes two daisy-chained VCAs. One VCA has a linear control scale, for the second VCA linear or exponential control scale can be chosen by means of jumpers. We decided to provide two VCAs for each voice because usually one VCA is required for loudness envelope and a second one for velocity (or other functions like individual voltage-controlled loudness of each voice, amplitude modulation and so on).

These controls and in/outputs are available:

- Default Gain 1 (GL)
- Default Gain 2 (GX)
- CV Input VCA 1
- CV Input VCA 2
- Audio Input
- Audio Output

In addition, an Audio Sum Output is also available.

The module features two Default Gain controls (GL, GX), that enable the opening of the first VCAs (L) and/or second VCAs (X). For this the controls GL and GX generate two internal control voltages 0...+10V which are connected to the switching contacts of the sockets 1L...4L (control GL) and 1X...4X (control GX). As long as no patch cable is inserted into the socket in question the internal default control voltage (GL or GX) is used to control the corresponding VCA. This is necessary when the VCA in question is not in use (i.e. no external CV available). Otherwise the VCA would close and there would be no output signal even if the other VCA in the chain is open. The controls GL and GX are also useful for testing polyphonic patches (e.g. for tuning the VCOs).

In the factory the CV inputs are adjusted for a CV range 0...+10V - matching to the polyphonic ADSR module A-141-4. But the sensitivity of each CV input can be adjusted by means of a trimming potentiometer to adapt the CVs even to other control voltage ranges.

Notes: Solid power amplifier designed to run PAs, DJ rigs and passive studio monitors. 250 watts RMS power and 2000 watts peak. Strong, clean and reliable power at a very low price.

Suppliers notes:
The XGA-2000 amplifier offers clean, reliable power in a durable, lightweight enclosure. If you demand professional amplification performance, the XGA-2000 is perfect for delivering pure, consistent wattage night after night.

With 2000 watts of Instant Peak Power (250 watts RMS), the XGA-2000 is ideal for powering PA systems and DJ rigs. To ensure seamless, reliable performance, the amp features front-to-rear airflow and a cooling fan for thermal stability, DC output protection and short circuit protection.

For true connecting convenience, the XGA-2000 boasts XLR and 1/4-inch balanced inputs and three Speakon outputs. The unit also provides front panel indicators for Signal, Clip, Protect and Bridge, plus level controls for channels 1 and 2. Selectable modes for Stereo and Mono Bridge give you even more flexibility, while its sleek, lightweight design ensures total portability.

With clean, dependable power in a resilient, 17-pound enclosure, the XGA-2000 offers unmatched value for anyone who is serious about sound.

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.

Notes: Buchla-inspired modular business in Korg's small and affordable Volca range. Amazingly creative and experimental synth power in a tiny little box. Highly recommended.

Supplier's notes:
A semi-modular analogue synthesizer that makes modular synthesis more accessible and understandable than ever before.
Creating new sounds that don't exist in the outside world is an unending dream which has continued since the birth of electronic musical instruments. This dream has evolved and expanded throughout the development of new and unique music production devices.

The popularity of modular synthesizers around the world has generated new excitement and interest in the so-called "West Coast style" of synthesis that deviates from traditional synthesis norms.
The compact body of this volca synth features eight modules and 50 patch points. While learning the basics of a modular synth, you can use popular features of the volca synthesizer line to control a unique and different flavour of analogue sounds.

Eight modules:
The volca modular is a semi-modular synthesizer consisting of independent analogue synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

A fusion of West Coast style in a volca format:
Analog synthesizers in which a simple oscillator such as a saw wave or square wave is modified by a filter are referred to as "East Coast style" because of their origin from well-known American manufacturers. Synths of this style, as exemplified by the MS-20, have continued to evolve toward a goal of being used in many mainstream musical genres, thus being equipped with a keyboard for performance. Their sounds are notable for sharp filters and rich presence, and can be heard in many well-known songs.

Patching allows infinite possibilities:
volca modular's modules are connected via the included pin cables, allowing a diverse range of combinations. The unit's compact chassis provides 50 patch points. Inputs and outputs are color-coded for recognition at a glance, and the signals are also marked by symbols to indicate audio, control, gate or trigger. Normally, each signal is connected according to its use, but on the volca modular, signal levels are universally compatible between modules, allowing hidden possibilities to arise from patching that defies common sense. Twenty pin cables are included, and also included is a reference sheet explaining each patch point and providing basic examples of patching.

Sixteen-step sequencer that can automate parameters:
While the volca modular is a semi-modular synth, it is equipped with a full-fledged 16-step sequencer providing a wide range of functions, letting you enjoy automatic performance even when used stand-alone.

Using the 16 buttons familiar from the volca series, you can perform step input or use the buttons as a keyboard for realtime recording. The pattern chaining function plays back multiple sequence patterns in succession, allowing you to connect up to 16 sequences with up to 32, 64, or even 256 steps to create large-scale development.

Randomize function that can generate accidental ideas:
The sequencer of the volca modular lets you specify randomization for notes, active steps, and micro tuning. Irregular phrases, rhythms, and scaling that would be unlikely to come to mind can be generated by applying randomness, letting the volca be a source of unknown ideas.

Two new modes added for sequence playback:
Two new sequence modes have been added: bounce sequence mode which makes a round trip through the steps, and stochastic sequence mode which gradually proceeds while randomly moving forward and backward. Playing back a recorded sequence in a different form can add dramatic changes to your song or performance.

Musically advanced scales, keys, and micro tuning:
Although the volca modular is a West Coast style synthesizer, it also provides flexible support for music as a contemporary instrument. You can choose from 14 types of scale including equal temperament. Since you can also specify the tonic key from which these scales start, you can play these scales in any key.

Connectors that allow synchronized performance and external control:
With a sync jack that allows easy connection to a Korg groove machine, you can connect the volca modular to another volca series unit, a minilogue, monologue, or prologue, an electribe, or the SQ-1, and enjoy sessions with the sequencer synchronized to the playback.

Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions.

Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Enhanced comfort with Alcantarar over-ear memory foam cushions.
Modular product design - Headphones for life.
Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Technical specifications

W+ Link Headband

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 16 hrs
Bluetooth version: 5.0
Bluetooth range: 10 m
Charging time: 2 hrs
Battery: 970 mAh
Omnidirectional mic: 100 Hz - 10 kHz
Bluetooth codecs: AAC, SBC

W+ Link Transmitter

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 30 hrs
Charging time: 3 hrs
Battery 2700 mAh

Notes: When you add drive, dirt or other sound manipulation devices to your signal, the trade-off is always noise. So, many players turn to noise gates to help tame these unwanted nasties. Unlike many noise gates on the market, the PYLON ATB Noise Gate seeks to not only drive back the hordes of fizz and hum, but also arms and reinforces your tonal attack, shutting down the noise and yet helping you enjoy your rig's true potential.

This advanced, multi-functional and super-versatile pedal not only features an ultra-fast Gate with a smooth trigger, an integrated Boost section, an External Trigger Input for external bypass switching or Gate-triggering, a relay-based Channel Switcher for your amp but also sports a built-in Audio Transformer to help enhance and balance your rig. Hear and feel the quiet in the eye of the storm!

"Deep within the solitude of the temple, the Sau's of the Per-Ankh assembled in silence. Their conclusion was self-evident. Only those pure of tone could be received in the temple and find sonic peace. From the centre of their silent circle, the Orb swelled and raised above the Pylons. Erupting in a rain of light and spewing forth daggers of lightning, their new God subdued and separated the chaotic ocean of noise from the perfect breeze of stillness. Peace reigned once more, the hordes of cacophony overcome."

When talking about signal gain, we all know drive circuits at full tilt can be noisy malice monsters. To help get a grip on your noise floor, PYLON's NOISE GATE is based on a high-performance Blackmerr VCA and provides lightning-fast and precise performance. To find the right spot, simply choose between one of the two detection-range settings and dial in the THRESHOLD to taste. With either softly decaying notes using HIGH mode or a fast-closing response in LOW mode, you're sure to be able to dial in super tight tones when you need it, but without interfering with your sonic signature. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish and just so you know when it is operating, the white status LED will also turn blue as soon as the gate starts to act.

Providing up to 30 dB of gain, the integrated BOOST circuit can really help to fine tune your tone, but it can also serve as an attenuator too. Its CUT control will tighten up your low end and is selectable between 65-730 Hz to ensure a mid-focussed and cutting lead sound when pushing your amp's preamp into saturation. Choosing between three different modes for the boost's on/off state, gives you plenty of options on how you want to use it. Either leave it ON to always help shape your tone, OFF if you don't need it, or use SYNC mode so it is activated with the GATE. Both CUT & BOOST knobs are backlit, in order to show you the on/off status of the BOOST section at a glance.

Using transformers in pro-audio gear is nothing new, but while they help to easily match the impedance of low-level and unbalanced signals such as from guitar or bass instruments, PYLON's audio-grade-transformer also gives additional warmth with associated nice low-frequency harmonics. Your guitars, synths or in fact anything you put through the pedal will never have sounded so solid. The pedal gives more 'heft' and enhances the core tone, in a much finer way and without any of the phase issues that can happen when using EQ alone!

However, when the output transformer is boosted even further in level, it can overload many amplifier or pre-amp inputs and make things appear muddy, especially with high levels of additional gain. So, to help tame superfluous low end (especially for rhythm chugging and soloing), KMA Machines added a fixed built-in roll off that affects everything below 65 Hz when the internal BOOST section is activated.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >160mA current draw)

Notes: Tarot is a voltage controlled waveshaping module using different techniques to achieve complex waveforms and multilayered sound: Frequency synthesizer who, besides creating frequency multiplications/division, performs demodulation resulting in FM glissando effect, combined with separate stages of wave folding and rectification-this makes Tarot able to produce whole variety of new timbres due to creation of new harmonics. The shifting of those is induced and animated by offsets controlled from CV inputs. It has a built-in LFO to provide synchronized movement acting in phaser-like or, when set to higher rates, in chorus-like (or PWM) manners which can give some huge synth leads, pads or drones. Otherwise search for some hitting metal tones to create your industrial sounds & more.

Like in Tarot there are many constellations to be explored finding different characters within shuffling of its sonic deck of cards.

Dimensions
12 HP
35 mm deep

Current Draw
70 mA +12V
30 mA -12V

Notes: Function Junction

ADSR, Function Generator, LFO, & Mixer

According to the user manual, "Function Junction is a modulation hub combining four independent sections into a single intertwined module that offers much more than the sum of its parts. Although a sum of its parts is one of its best features!"- but Function Junction can do more than a ton of things. In fact, it's downright impressive what's possible with this lovely module.

Function Junction combines three classic analogue modulation sources, ADSR envelope, function generator, and LFO. All are fed into an attenuverting mixer to create a complex modulation junction that can be used as 4 independent sections or in conjunction with each other.
The magic of the module is the ease you can flow from using its functions for basic everyday tasks to creating hyper-complex modulation. The sheer breadth of what you can do and the ease of doing it are simply amazing. Cre8audio highly recommending reading the manual to get a feel for the possibilities.

Specifications

Width = 16hp
Depth = 30mm
Power draw: 130mA when running +12V rail, 70mA when running -12V
ADSR / Envelope facts
Fully analogue Pittsburgh Modular Synthesizers developed 4 stage ADSR circuit with independent Attack, Decay, Sustain and Release controls.
Voltage output range 0V - 10V
"Long" button doubles the length of the envelope attack, decay, and release times
"Loop" button enables/disables envelope cycling. The SUSTAIN KNOB and RELEASE KNOB are used to adjust the time it takes to loop.
"A LOOP JACK" - Enables/disable loop mode. An external gate signal will flip the state of the loop mode. If loop mode is on, the gate will turn loop mode off. If loop mode is off, the external gate will turn loop mode on.
Function Generator facts
Function Generator can be used as an envelope generator, a voltage controlled LFO, a slew generator, a gate signal delay, envelope follower, a clock source, voltage controlled clock divider, complex modulation source, and more
Voltage output range +/-5V
ATTACK KNOB - Attack duration control knob.
DECAY KNOB - Decay duration control knob.
CURVE KNOB - Attack and decay response curve. Exponential (full left), Linear (12 o'clock), Logarithmic (full right)
MOD KNOB - Modulation input (F MOD JACK) attenuverter knob.
MOD BUTTON - Assign Modulation input (F MOD JACK) to attack, decay, or both.
LOOP BUTTON - Enable/Disable loop mode.
LOOP BUTTON (2nd FUNCTION) - Press and hold MOD BUTTON then press LOOP BUTTON to assign A LOOP JACK destination to ADSR or function generator.
SUSTAIN BUTTON - Enable/Disable sustain mode.
F IN JACK - Function Generator trigger/gate input gate jack.
F MOD JACK - Function Generator modulation input jack.
F OUT JACK - Function Generator output jack.
F TRIG JACK - Function Generator end of decay trigger output jack. A trigger is output at the end of the decay stage.
LFO facts
Triangle and Square LFO outs
Dedicated rate knob
LFO output voltage +/-8V
Mixer facts
3 channel attenuverting mixer with OR circuit
Mixer can be split into 3 independent attenuverters, one two-channel mixer, and one attenuverter, or a three-channel mixer
OUTPUT 1 KNOB - Channel 1 input (1A JACK) attenuverter knob.
OUTPUT 2 KNOB - Channel 2 input (2F JACK) attenuverter knob.
OUTPUT 3 KNOB - Channel 3 input (3L JACK) attenuverter knob.
1A JACK - Channel 1 input jack. Normaled to ADSR output.
2F JACK - Channel 2 input jack. Normaled to function generator output.
3L JACK - Channel 3 input jack. Normaled to LFO output.
+OR JACK - Analog logic output jack.
OR circuit outputs the current highest voltage value of any of the voltages output by the mixer
1 OUT JACK - Channel 1 breakout output.
2 OUT JACK - Channel 2 breakout output.
MIX JACK - Mixer output.

Notes: Stereo Strip takes the idea of a channel strip and makes it modular. By bringing this long-established component of the audio engineering world into the Eurorack environment and by adding CV control over its key parameters, you will find new, creative ways to use it in your patches!

It features stereo inputs and outputs for audio or CV with EQ, voltage controlled panning, stereo VCA, performable mute and input/output level switching for Eurorack or line level uses. Abusing the input level switching allows for some musical, modulate-able and highly shapeable distortion sounds too.

Stereo Strip was designed to be a creative part of a modular patch. Creating stereo images from mono sources, shaping and modulating existing stereo images, synthesising stereo pseudo ring modulation, sweetening FX with EQ or drastically wave shaping your oscillators, creating send FX routings with benefits or it can simply be used as a channel strip at the end of chain in a patch.

The addition of line level gain boosting (for the input) or reduction (for the output) allow it to work as a stereo input or output interface for external gear with the advantage of the VCA, panning and the EQ to shape the sound. Experiment with bringing external gear into the Eurorack format and then shape and modulate those sounds them on the way in!

Try patching Stereo Strip anywhere you would place a VCA in a system and/or explore its EQ and voltage controlled panning, which are rarer additions to the sound sculpting options for the Eurorack format.

Specs

Current Draw: +12: 63mA -12: 63mA 5v:0
Width: 6HP
Depth: 33mm including power connector
Aluminium, heat-treated front panel.
Designed and assembled in Barcelona.

Notes: An analogue oscillator with through-zero phase modulation. The core of the T-ZED is the SSI2130 integrated circuit. Voltage controlled wave shape and phase modulation index allow for automated sonic versatility, and 2 separate frequency ranges mean the T-ZED can be used as an audio or CV source.

Features

Simultaneous SINE, TRIANGLE, SAW, SQUARE, and variable SHAPE outputs
Phase MOD input with bipolar INDEX circuit
V/OCT input tracks 10 octaves
FREQ spans 10 octaves, TUNE spans 1 octave
Hard SYNC input
SHAPE output (Sine to Triangle to Saw) with CV input and attenuator
Frequency range HI: 10hz-25khz
Frequency range LO: 0,1hz-200hz


Dimensions
12 HP
25 mm deep

Current Draw
55 mA +12V
45 mA -12V

Notes: User-friendly mid/side processing module. Tweak the stereo image or split a stereo signal into mid and side elements then route out to other modules for further processing before summing back together. Powerful.

Supplier's Notes:
Minsk is a stereo image processor. It is a hybrid tool that combines digital and analog processing to facilitate advanced mid/side (M/S) manipulation of a stereo signal pair. It allows for separate treatment of the mid and side components, which affects the depth and width of the auditory scene. Minsk offers both manual and voltage control of the stereo width, as well as two dimension effects for enhancing the existing stereo image or creating a faux stereo image based on the stereo or mono input source. Minsk is especially handy during the preparation of a vinyl release or before a club concert, because it can eliminate out-of-phase low-end frequencies (high pass filter at 300Hz with the filter slope 12dB/oct, 50Hz with the filter slope 24dB/oct).

Dimensions:
6 HP

Current Draw:
140 mA +12V
40 mA -12V
0 mA 5V

Notes: Best value Buchla module ever? An official Buchla module produced by TipTop Audio, the 258t is a dual triangle-core oscillator, with sine/sawtooth wave shapes in the top half and sine/square at the bottom. Bags of character.

Supplier's Notes:
Two independent voltage-controlled oscillators. Each has one processing input, a frequency modulation input and a 1V/oct input.

Waveshapes, as well as frequency, can be voltage controlled. Model 258 oscillators feature low sine wave harmonic content, negligible settling error, and high short and long-term stability, even with rapidly changing ambient temperatures.

Trimmers:

There are three trimmers for each oscillator on the back of the module:

1V/oct is the octave tracking trimmer and is set at the factory using high precision instruments.
SHAPE is the trimmer that set the sine wave, for the lower harmonic content of the sine wave.
VC WAVE SHAPE sets the response of the waveshaper to the incoming control voltage. Both SHAPE and VC WAVE SHAPE trimmers are used to adjust the sine wave purity.

Size: 18HP
Depth: 45mm
Power: +12V 70mA / -12V 40mA

Notes: QEG Quad Loopable ADSR Envelope Generator with 16 Trigger and Mix Outs

Quad Version of FEG plus Trigger Outs

Mix Out ( normal and reversed) of all envelopes for multistage applications

Very exponential "snappy" course and rounded

Edges for a compressed "bonky" sound

Two time zones are offered

Remote control via CV of two time zones

Loopzone from Attack to Release

One shot mode for trigger signals

Jumper at the back for reset mode

Manual Trigger button

Normal and Inverse Output

Trigger Outs for each section: Begin of Attack, End of Attack, End of Sustain, End of Release

Power consumption: 120 mA (+12 V) / 100 mA (-12 V)
Rackspace: 20HP
Depth: 25mm

Review: 30 years on, the power of Nevermind has never dulled. Of course it's the most commercially appealing of Nirvana's albums, but it's no less daring for it no matter how many times you've heard it. Well, how to toast an album as world-changing as this one? By going all out on the lavish vinyl edition of course, which in this case means a mammoth eight-disc 180gm vinyl edition with a 40-page hardback book. If you want an altar at which to worship one of the definitive moments in popular music, this authoritative release is surely all the plinth you need.

Notes: Ultra slim envelope generator with looping, ASR and AD modes

CV control over fall (decay / release)
Continuously variable shape over both slopes without stretching the slope's duration in time.
Low aliasing CV generation, 224 kHz sample rate.
1 v/oct input, bipolar and unipolar outputs, end of cycle output.
Audio rate oscillation in cycle mode allows you to utilize it as an oscillator.
Polarizer knob with additional VCA input scales the envelope and inverts it when CV goes to negative voltages, allowing for compact sidechain envelope solution without the need for external mixers / inverts / offset generators.
Slew limiter, S&H, T&H processing for external CV sources

Power consumption:
60 mA +12V
15 mA -12V
0 mA 5V

Dimensions:
4 HP
26 mm deep with power ribbon cable connected

Notes: The ATH-M50xBT2 is the second generation of Audio Technica's critically acclaimed M-Series wireless over-ear headphones. These headphones feature 45 mm large aperture drivers in a wireless design, so listeners will enjoy the same sonic signature of the legendary ATH-M50x studio headphones. With this update, Audio Technica have also introduced several noticeable enhancements, such as improved vocal pickup for better call quality, an updated USB-C connection, and multipoint pairing mode.

So, whether you're looking for high-fidelity audio for your commute to work, conference call setup, or just relaxing and enjoying the music, the ATH-M50xBT2 lets you go wireless whenever you need it.

Building on the acclaimed sonic signature of the ATH-M50x headphones, the ATH-M50xBT2 headphones utilise Bluetooth wireless technology and offer the same studio-quality sound in a wireless package. The large-aperture drivers deliver deep and accurate bass response for an immersive listening experience, while the AK4331 advanced audio DAC and dedicated internal headphone amp provide superior clear, high-fidelity sound.

The ATH-M50xBT2 features dual microphones and beamforming technology, which provide improved vocal pickup ensuring crystal-clear audio call quality. Additionally, users can conveniently mute with the press of a button or access the built-in Amazon Alexa voice assistant, as well as Google Assistant and Siri.

These headphones have a battery life of up to 50 hours on a continuous full charge, with up to 3 hours of use on a 10-minute rapid charge via the USB-C connection, making them some of the longest-lasting wireless headphones available.

The multipoint pairing function allows users to stay connected to two Bluetooth devices at once, making it easier than ever to switch between tasks. You can also personalise and adjust the ATH-M50xBT2 to your preferences with the A-T Connect app. Adjust additional controls like activating low latency mode, adjust and save EQ to your headphones, change the L/R volume balance, select desired voice assistant, and more.

Included Accessories: The ATH-M50xBT2 comes with a 1.2 m (3.9") cable for an optional wired connection.

Expect more from your wireless - the ATH-M50xBT2 headphones deliver the legendary M50x studio sound - with exceptional clarity and deep, accurate bass response - for an exhilarating wireless listening experience.

Enhanced call quality - Dual mics and beamforming technology provide exceptional vocal pickup, resulting in crystal-clear phone calls and reliable communication with the built-in Amazon Alexa voice assistant.

50 hr Battery Life - with the ATH-M50xBT2 there's nothing to hold you back. You get up to 50 hours of continuous use on a full charge.

Personalised Listening Experience - download the A-T Connect app to gain greater control of your headphones. Easily activate low latency mode, adjust EQ, change L/R volume balance, select desired voice assistant, locate misplaced headphones, change codecs, and more.

A permanent quest for quality

How do Audio Technica improve on the original ATH-M50xBT and the same critically acclaimed sonic performance as the original ATH-M50x professional studio headphones? By expanding the limits of audio technology, pursuing an ever-changing purity of sound.

Specifications

Headphones

Type: Closed-back dynamic
Driver Diameter: 45 mm
Frequency Response: 15 - 28,000 Hz
Sensitivity: 99 dB/mW
Impedance: 38 ohms
Battery: DC 3.7V lithium polymer battery
Battery Life: Approx. 50 hours continuous use
Weight: Approx. 307g
Charging Time: Approx. 3.5 hours
Microphone Type: MEMS type
Microphone Sensitivity: -38 dB (1V/Pa at 1 kHz)
Microphone Frequency Response: 85 -15,000 Hz
Microphone Polar Pattern: Omnidirectional

Accessories Included: USB charging cable, (30cm USB Type-A / USB Type-C), Audio cable (1.2m/ 3.5mm stereo mini-plug), Pouch

Bluetooth

Bluetootr Version: Bluetooth Ver.5.0
Operating Range: Line of sight - approx. 10 m (33?)
Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP
Support Codec: LDAC / AAC, SBC

Notes: Novopro CDJ dual table stand

Fully adjustable and universal, twin arm CDJ stand

Heavy duty professional stand that is suitable for two CDJ's, media controllers or other equipment - designed to fit ANY CDJ sized players or controllers

Adjustable tray height and left/right positional adjustment with the pivoting arm bracket

The two trays can independently tilt down at variable angles and are set in place with a securebolt locking system

The trays are depth and width adjustable to fit most players and controllers in the market - from a small controller to a full sized CDJ Nexus player

Your equipment is protected with the supplied foam rubber pads

Designed so that your mixer can be placed upon the steel base plate. This solid, powder coated plate gives a secure and stable base support for the stand and your equipment

The support arms have been updated to a nut and bolt fixing (rather than split-pin fixings) to ensure the trays are tightly secured into place

Each tray has a width of 30.5cm and is depth adjustable using the sliding tray mechanism, from 35cm to 45.7cm

The max height of each tray is 50.5cm (including the brackets)

The base size is 41.5cm wide and 47.7cm deep

Net Weight of the complete stand is 9.9kgs

Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.

Notes: Many monitoring setups contain a subwoofer as an essential ingredient. Although many studio monitors such as the aktiv 05, uniK 04 or uniK 05+ for example, provide sufficient bass frequency response for many applications, adding a aktiv 10s subwoofer will help you to provide a much better picture of the low frequencies in your mix. Whether you are producing classical 2.1 sound or 5.1 / 7.1 surround sound productions, aktiv 10s will easily and quickly become an important part of your monitoring setup. It's compact size with a stylish design, yet powerful output will easily convince you.

Features/specifications

10" bass reflex powered subwoofer
Amplifier power: 150W@100Hz, 4 Ohm, 0.1% THD
Subwoofer crossover frequency: 50Hz - 180Hz (adjustable)
Separate satellite output crossover frequency: @100Hz and flat (adjustable)
Phase control
Input level control
Power mode: standby and on
Inputs: balanced XLR, unbalanced 1/4" TRS
Outputs: balanced XLR
Input impedance: 20kOhm balanced, 10kOhm unbalanced
Foot switch input as mute control
Dimensions: 340mm(H) x 340mm(W) x 340mm(D)
Weight: 14 kg

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44A 7 is designed to be a replacement for the SHURE M447, while the J44D is designed to be a replacement for the SHURE M44G. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44A 7 and the J44D are the same exact cartridge, just as the original SHURE M447 and M44G cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44-7 stylus that is included with the J44A 7 offers a brighter sound than the N-44G stylus that is included with the J44D, with a thicker bass sound-the same difference as with the SHURE 44 cartridges. JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models, but the tracking ability of the J44 performs as the same with sticking to a record groove with high jump/skip resistance and low record wear.

The JICO J44A 7 with N44-7 stylus provides a crisp and clear sound in the higher frequencies, with the bass being heavy, bold and pronounced. This gives a lively, vigorous and dynamic sound experience. The J44A 7 produces powerful bass frequencies with a smooth, balanced sound, similar to the specification of the genuine Shure M44-7 cartridge.

Cartridge: J44A 7
Cartridge: Type Moving Magnet
Stylus: N44-7 DJ IMP Nude
Stylus: Type Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 8 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: True
Use: DJ (scratching)

Notes: The N-44G stylus offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The AURORA type styli use the material which glows in the dark for the plastic resin part. It allows for enhanced visibility, and adds a bit of flair to the DJ booth with a fluorescent stylus.

Additional information

Manufacturer: SHURE
Cantilever: Aluminium
Cartridge number: M44G
Tip: NUDE Conical Stylus
Tracking Force: 3.5 - 4.5 g
Type: Moving Magnet

Notes: The N-44-7 stylus offers a brighter sound than the N-44G stylus that is included with the J44D, with a thicker bass sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs as the same with sticking to a record groove with high jump/skip resistance and low record wear.

**Glows in the dark**

The tracking force is slightly heavier than genuine Shure products, to reduce jump during scratches.

JICO replacement styli for Shure N-44-7, the tracking force of which is the same as genuine Shure N-44-7 ( 1.5 - 3.0 g ), are also available.

The AURORA type styli use the material which glows in the dark for the plastic resin part. It allows for enhanced visibility and adds a bit of flair to the DJ booth with a fluorescent stylus.

Additional information

Manufacturer: SHURE
Cantilever: Aluminium
Cartridge number: M44-7
Tip: NUDE Conical Stylus
Tracking Force: 3.5 - 4.5 g
Type: Moving Magnet

Notes: The ATH-M50xBT2 is the second generation of the critically acclaimed M-Series wireless over-ear headphones. These headphones feature 45 mm large aperture drivers in a wireless design, so listeners will enjoy the same sonic signature of the legendary ATH-M50x studio headphones. With this update, Audio Technica also introduced several noticeable enhancements, such as improved vocal pickup for better call quality, an updated USB-C connection, and multipoint pairing mode.

So, whether you're looking for high-fidelity audio for your commute to work, conference call setup, or just relaxing and enjoying the music, the ATH-M50xBT2 lets you go wireless whenever you need it.

Building on the acclaimed sonic signature of the ATH-M50x headphones, the ATH-M50xBT2 headphones utilise Bluetooth wireless technology and offer the same studio-quality sound in a wireless package. The large-aperture drivers deliver deep and accurate bass response for an immersive listening experience, while the AK4331 advanced audio DAC and dedicated internal headphone amp provide superior clear, high-fidelity sound.

The ATH-M50xBT2 features dual microphones and beamforming technology, which provide improved vocal pickup ensuring crystal-clear audio call quality. Additionally, users can conveniently mute with the press of a button or access the built-in Amazon Alexa voice assistant, as well as Google Assistant and Siri.

These headphones have a battery life of up to 50 hours on a continuous full charge, with up to 3 hours of use on a 10-minute rapid charge via the USB-C connection, making them some of the longest-lasting wireless headphones available.

The multipoint pairing function allows users to stay connected to two Bluetooth devices at once, making it easier than ever to switch between tasks. You can also personalise and adjust the ATH-M50xBT2 to your preferences with the A-T Connect app. Adjust additional controls like activating low latency mode, adjust and save EQ to your headphones, change the L/R volume balance, select desired voice assistant, and more.

Included Accessories: The ATH-M50xBT2 comes with a 1.2 m (3.9") cable for an optional wired connection.


Specifications

Headphones
Type: Closed-back dynamic
Driver Diameter: 45 mm
Frequency Response: 15 - 28,000 Hz
Sensitivity: 99 dB/mW
Impedance: 38 ohms
Battery: DC 3.7V lithium polymer battery
Battery Life: Approx. 50 hours continuous use
Weight: Approx. 307g
Charging Time: Approx. 3.5 hours
Microphone Type: MEMS type
Microphone Sensitivity: -38 dB (1V/Pa at 1 kHz)
Microphone Frequency Response: 85 -15,000 Hz
Microphone Polar Pattern: Omnidirectional
Accessories Included: USB charging cable(30cm?USB Type-A / USB Type-C), Audio cable (1.2m/ f3.5mm stereo mini-plug), Pouch

Bluetooth

Bluetooth Version: Bluetooth Ver.5.0
Operating Range: Line of sight - approx. 10 m (33')
Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP