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Notes: The NTG2 is a lightweight condenser shotgun microphone, designed for professional applications in film, video, television and broadcast. Its full frequency response, low noise and audio transparency makes it ideal in a range of applications including filmmaking, voice-over and streaming. It can operate either from P48 phantom power or via a removable AA battery for maximum flexibility in the studio or in the field. It also features a switchable high-pass filter for added flexibility.

Key Features:
Premium dual-powered shotgun microphone
Operates from either P48 phantom power or AA battery
Low noise and full frequency response
Highly directional
High-pass filter (80Hz)
Lightweight and easy to use

What's in the Box
Dual-power Shotgun Microphone
1 x NTG2
Padded Zip Pouch
1 x ZP2
Durable Mic Clip
1 x RM5
Windshield Svm
1 x WSVM

Specifications

Acoustic & Electrical
Acoustic Principle
Line Gradient
Active Electronics
JFET impedance convertor with balanced transformer output
Capsule
0.50"
Polar Pattern
Supercardioid
Address Type
End
Frequency Range
20Hz - 20kHz
Output Impedance
250O
Maximum SPL
131dB SPL
Maximum Output Level
6.9mV (@ 1kHz, 1% THD into 1KO load)
Sensitivity
-36.0dB re 1 Volt/Pascal (15.00mV @ 94 dB SPL) +/- 2 dB @ 1kHz
Equivalent Noise Level (A-Weighted)
18dBA
Power Requirements
AA Battery and P48
Output Connection
XLR

Mechanical
Weight (g)
161
Dimensions (mm)
280 (H) x 22 (W) x 22 (D)

Notes: ***B-STOCK: Box damaged, product in perfect working order***


A few years ago ZVEX Effects released the Candela Vibrophase, a candle-powered vibrato/phaser machined from solid brass and glass that used a mix of 1800s technology (a Sterling heat engine) and 60s/70s audio circuitry to create a lovely swirling effect. After numerous requests to put that sound into a guitar pedal, they came up with a way of dramatically broadening the spectrum of textures available using the original circuitry from the Candela.

It's presented to you here as the Vibrophase, a five-knob four-stage phaser that creates phase and vibrato nuances never heard before. Five knobs! Count 'em! Speed sweeps from maddeningly slow to puppy dog flippy, vibrato/phase sweeps from, erm, you'll figure that out, feedback sends the output back through the phaser again to raise intensity, and there are controls for the top end and bottom end of the sweep so you can completely tailor the sound to your song.

Notes: The Zoom G2x Four is a compact, easy-to-use multi-effects processor that offers a huge range of sounds with new amp modelling, multi-layer IR technology and over 100 effects:

Features

22 amp/cabinet models with newly developed multi-layer IR technology
79 guitar effects including boutique pedal modelling
Use of up to 7 effects simultaneously
250 preloaded patches with sounds that recreate guitar sounds from the 50s to today
300 patch memories in total
Additional effects/patches can be installed, edited and saved via the Handy Guitar Lab app for iOS and Android.
Expression pedal lets you control effects such as volume, pitch and wah in real time
Lightweight and compact design that fits in the pocket of your guitar case
80-second looper function
68 rhythm patterns that can be played in sync with the looper
Output EQ for quick adjustment of the overall sound to the playing environment
AUX IN jack for connecting a music player, etc.
Autosave function that automatically saves effect settings
Tuner function that supports open tuning and drop tuning
USB connection for Handy Guitar Lab, 2-in/2-out audio interface and firmware updates
Can be powered via USB bus (computer or power bank) or via the supplied AC adapter (AD-16)

Sounds without end

Using all-new amp modelling and innovative IR technologies, the Zoom G2X Four gives guitarists more sound variations to choose from than ever before. You can create amazing sounds right out of the box.

Comprehensive amp models

The G2X Four takes amp modelling to the next level. Carefully recreated emulations of classic amps are combined with speaker simulations using our new multi-layer IR technology. As a result, guitarists benefit from great sounds and always have the feeling of being on the "big stage", regardless of the environment.

Multi-layer IR

Each amp model is based on Zoom's innovative Multi-Layer IRs, which capture the sound characteristics as well as the feel of classic amps and speaker cabinets. These IRs have been miked at three volume levels through legendary cabinets and can be crossfaded and activated depending on the volume of your guitar.

Historical guitar sounds

Preloaded in the form of 250 presets, these patches were designed to document the sonic evolution of guitar sound. Each patch recreates the sound of a legendary song from the 1950s to the present day.

Brimming with effects

The internal patches include over 100 effects, recreating a wide range of traditional and boutique sounds, from classic spring reverbs to extreme distortion and modulation effects to wah-wah and more. Mix and match up to 7 effects to create your own patches.

Controls

Zoom's new cross-key navigation concept helps you control the pedal with just your feet and make adjustments on the fly. In addition, four endless knobs allow you to quickly adjust effect parameters as well as output settings.

Programming

The redesigned control surface makes it even easier to edit effect parameters, rearrange effect chains, and access the looper and tuner.

The perfect addition to your pedalboard
The G2X Four's compact design and diverse effects selection make it a powerful addition to any existing pedalboard.

Optimised for amps, monitor speakers and headphones

The G2X Four is designed to connect to guitar amps, studio monitors, PAs and headphones. After switching on, set up the G2X Four perfectly for your setup by selecting between LINE and AMP.

Looper

Use the built-in 80-second looper for songwriting or enhance your performance with additional sound layers.

Play to the beat

Play along to any of the 68 beats on the built-in rhythm machine. This rhythm section is the perfect accompaniment when practising, whether it's metal, blues or any other genre.

Express yourself

The G2X Four features an expression pedal for controlling volume, wah-wah and more.

Audio interface

Record at home or in the studio with your favourite effects and amp models by connecting the G2X Four to your computer via USB-C.

Guitar lab

Thanks to the ever-growing library of patches and effects, every guitarist can expand their sound selection via the Guitar Lab app (for iOS / Android).

Notes: This monitor comes with free Studio One Prime and Studio Magic plug-ins.

The Eris E5 2 way active 5.25" studio monitor from PreSonus delivers an accurate response with tight bass and a clear upper end. The Kevlar low frequency transducers, low-mass silk-dome tweeters and responsive Class AB amplification combine with acoustic-adjustment controls to create a versatile and adaptable listening system.

The E5 begins with a front-ported enclosure made of vinyl-laminated MDF. It features a 5.25" Kevlar low-frequency driver mated with a 45W, Class AB amplifier. For the highs, the Eris employs a 1" silk-dome tweeter powered by a 35W, Class AB amplifier. The E5 outputs a clean 102 dB peak SPL. Its frequency response is rated at 64Hz to 22kHz.

The Eris E5 provides a balanced XLR, a balanced 14" TRS, and an unbalanced RCA line-level input. Once you're plugged in, set the input gain and you're ready to go.

The Eris provides 3-EQ controls in its acoustic tuning section: high, mid, and low cutoff. These controls enable you to fine-tune the monitors to your space. The low control also is useful when using the E5 with a subwoofer.

The High control is a shelving filter that boosts or cuts all frequencies above 4.5kHz by as much as 6dB. The mid control is a mid-frequency peak filter that boosts or cuts frequencies centered at 1kHz and extending about one octave above and below that frequency. The low cutoff control rolls off frequencies below either 80 or 100Hz at a slope of 12dB/octave. This control is especially useful if you also have a connected subwoofer.

A 3-position acoustic space switch controls a second-order, low shelving filter that cuts frequencies below 800Hz by either 2 or 4dB to compensate for the boundary bass boost that occurs in close proximity to walls or corners.

The RF shielding protects against radio frequencies that could be introduced to the signal and become audible. The Eris monitors also provide overheat protection, current-output limiting and subsonic protection. The Soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.

Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-240 keeps the same driver count but reaches the next level of detail and clarity thanks to its hybrid configuration. Instead of two dynamic drivers like the MP-220, this monitor swaps one out for a balanced armature driver and a custom crossover that splits the frequencies between the two drivers.

Hold on just a second, what does balanced armature mean?

This is a unique type of driver that is ultra-compact and offers incredible efficiency especially with mid to high frequencies. To keep the ample bass response while enhancing the clarity, we went with the hybrid design for the MP-240. This is the perfect combination. Punchy, accurate bass and beautiful mids and highs.

Notes: The new standard in column keyboard stands is here; STAY's TOWER is a sturdy and ingeniously designed solution. Made from ultra-strong extruded aluminium, TOWER weighs nearly half of the leading column stand, yet supports comparable weight easily. Support legs are curved to lift the stand off the floor, allowing pedal placement wherever the player desires - even under the stand. TOWER also breaks down in seconds and comes with a sectioned carry bag for easy transport of all components.

- Maximum load capacity: 120 kg
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 5.4 kg
- Tote bag included

Notes: Rightly considered a Eurorack classic, Plaits is the successor to the much-loved Braids oscillator. Huge range of modes offering everything from speech synthesis to analogue drums. Superb.

Supplier's notes:
Plaits is the spiritual successor of Mutable Instruments' best-selling voltage-controlled sound source, Braids. Not just an MKII version: its hardware and software have been redesigned from scratch.

Just like its predecessor, it offers direct access to a large palette of easily tweakable raw sonic material, covering the whole gamut of synthesis techniques.

Simplicity first:

Gone are the screen, menu system, hidden settings, and the long list of somewhat redundant synthesis models.

Thanks to additional CV inputs, and to the use of three timbre-shaping parameters per model, Plaits is straightforward to use, and much closer to the ideal of one synthesis technique = one model. What were fragmented islands of sound in Braids are now part of a continuum of sounds.

Ready for percussion:

Patch a trigger generator or sequencer into Plaits' trigger input and instantly use the module as a percussive source thanks to its built-in virtual low-pass gate (LPG).

An internal D (decay) envelope generator is normalled to all unpatched CV inputs. Just turn the corresponding attenuverter to add pitch, timbre or morphing modulation. And if plucks and snappy hits are not your thing, patch your own envelope or CV source into the LPG CV input.

Notes: Premium tone for players on the go

Ultra-portable and easy to use, the GT-1 delivers pro-level tones everywhere you play. Driven by the powerful BOSS GT-series engine, it gives you access to a huge selection of world-class amps and effects for all types of music. A streamlined interface enables quick and intuitive sound creation, while an assignable control switch and expression pedal provide dynamic real-time effects adjustment. And by connecting to BOSS TONE CENTRAL, you can download free pro patches, editing software, and more. Equally suited for beginners, weekend warriors, and traveling players, the GT-1 packs premium sound in a compact and rugged package.

Exceptional Sound

Thanks to its Premium BOSS sound engine, the GT-1 provides tone quality and sound-shaping ability that far exceeds typical compact multi-effects. A history of BOSS processing is at your fingers, from classics such as the OD-1 Overdrive to modern effects powered by innovative MDP technology. There's a huge selection of COSM amp tones on tap too, including vintage legends and BOSS original amps optimized for ideal tone and response. Specialized effects like Acoustic Simulator, Guitar Simulator, and others provide numerous tonal options, and there's even a looper to enhance your practice sessions and stage performances.

Portable Tone Partner

The GT-1 was designed for musicians on the move. It's surprisingly lightweight and compact, yet still delivers the rugged durability that BOSS is famous for. The modern design is easy to slip in and out of a guitar bag's accessory compartment, with no worries of hard edges causing damage to your axe. AC or battery power provides flexibility for any performing situation, and up to seven hours of battery life is available for street performing and other mobile gigs.

Easy Patch Selection and Sound Creation

With the GT-1, it's simple to find fantastic tones for your style, and just as simple to customize them to taste. Beginners can get great sounds right away, while more experienced players will appreciate how quick and intuitive it is to adjust sounds. The Easy Select function allows you to choose patches by genre, distortion, or effect type, while Easy Edit lets you tweak drive, modulation, and echo tones to perfection with little effort. Dedicated panel buttons provide quick on/off switches for effect groups, and also unlock deep-dive parameters for microscopic fine-tuning.

BOSS Tone Central and BOSS Tone Studio

At BOSS Tone Central, you'll find tons of free patch collections for playing all types of music with the GT-1. Created by pro guitarists, these patches are dialled-in and ready to use, and make great starting points for advanced players who like to create their own custom sounds. The free BOSS Tone Studio software provides a full-featured editor/librarian for the GT-1, as well as integrated access to all the patch collections at BOSS Tone Central.

Maximum Control in a Small Space

The GT-1's three footswitches are smartly designed to provide patch selection, tuner access, looper control, and more in a minimal footprint. The dedicated CTL1 switch is freely assignable to functions like tap tempo, effects on/off, and numerous others, while the expression pedal and toe switch are assignable to volume, wah, and various effects parameters. If you crave more control, there's even a jack for connecting up to two external footswitches or an expression pedal. And in addition to providing access to BOSS Tone Central and BOSS Tone Studio, the GT-1's USB jack lets you record tones with your favourite DAW.

Specifications

Sampling Frequency: 44.1 kHz
AD Conversion: 24 bits + AF method
* AF method (Adaptive Focus method) is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 24 bits
Effects: 108 types
Patches: 99 (User) + 99 (Preset)
Phrase Loop: 32 sec
Nominal Input Level: INPUT: -10 dBu, AUX IN: -20 dBu
Maximum Input LevelINPUT: +7 dBu, AUX IN: 0 dBu
Input Impedance: INPUT: 1 M ohm, AUX IN: 27 k ohms
Nominal Output LevelOUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater
Controls: DOWN switch, UP switch CTL1 switch, EASY SELECT button, EASY EDIT button, FX1/COMP button, OD/DS button, PREAMP button, FX2/MOD button, DELAY button, REVERB button, MEMORY EDIT button, EXIT button

Display: Graphic LCD (132 x 32 dots, backlit LCD)
Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks: 1/4-inch phone type, CTL2, 3/EXP2 jack: 1/4-inch TRS phone type, AUX IN jack: Stereo miniature phone type, PHONES jack: Stereo miniature phone type, USB COMPUTER port: USB type B, DC IN jack
Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw: 200 mA

Expected battery life under continuous use:
Alkaline: Approx. 7 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Owner's manual, Leaflet "USING THE UNIT SAFELY", Alkaline battery (AA, LR6) x 4

Options (sold separately):
AC adaptor: PSA series
Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression Pedal: FV-500L, FV-500H, Roland EV-5

Size & weight

Width: 305 mm / 12-1/16 inches
Depth: 152 mm / 6 inches
Height: 56 mm / 2-1/4 inches
Maximum height: 74 mm
2-15/16 inches
Weight (including battery): 1.3 kg / 2 lbs 14 oz

Notes: Module A-143-1 is a complex envelope generator that consists of Attack/Decay generators. For the complex envelope generator the four units are daisy-chained, i.e. the preceding unit triggers the following unit. The four units can be used even as four separate AD generators (switch position AD) or AD-type LFOs (switch position).

Details: Module A-143-1 contains four separate attack/decay type envelope generators. Each unit can be switched into a free running mode (LFO mode). The LFO mode differs in several points from a regular LFO (like A-145, A-146 or A-147): The slopes are exponential - in contrast to linear slopes of a normal LFO, and the frequency is defined by both controls. The attack control defines the time of the rising slope, the decay control the falling slope.

Each unit has available a comparator that compares the AD output voltage with a manually adjustable threshold and switches the corresponding comparator output (Cp 1...4) to "high" as soon as the AD output voltage goes in the decay phase below this value. The comparator output is normalled to the trigger input of the next stage via the switching contact of the trigger input socket. Consequently the first unit triggers the second, the second triggers the third and so on.

Each AD generator is equipped with a Polarizer (look at the Voltage Controlled Polarizer A-133 concerning details about the polarizer function) and a mixer that adds up all polarizer outputs. This allows to add up all AD/LFO output signals inverting or non-inverting with adjustable level to the mix output. Additionally a single output (Env 1...4) is available for each unit.

If the trigger input of unit 1 is controlled by a normal gate signal (e.g. from a keyboard resp. MIDI-to-CV/Gate interface) one obtains a very complex envelope signal at the mix output. The signal contains 8 segments controlled by Attack 1, Decay 1, Attack 2, Decay 2, Attack 3, Decay 3, Attack 4 and Decay 4. The transition between the stages (i.e. when the following AD generator is triggered) is controlled by threshold knob. The positive or negative contribution of each unit to the mix signal is adjusted with the Mixing Polarizer control. If the trigger input of unit 1 is controlled by the comparator output of unit 4 one obtains a 8 stage LFO.

The single AD outputs can be used to control VCAs or VCFs that open one after another corresponding to the AD signals (a little bit similar to the Shepard generator A-191).

The default-connection between the four units (CPn = Trig.n+1) can be interrupted by patching cables into the trigger inputs. Consequently the four units can be used as separate AD generators or LFOs. In any case the mix signal is available (e.g. mix of four AD generators or LFOs with adjustable level and sign).

In the LFO mode the comparator output serves as LFO rectangle output with adjustable pulse width (= threshold control).

Each unit is equipped with a separate LED display for envelop and comparator output. The shortest attack/decay time is about 5 ms, the longest attack/decay times are about 3 seconds (attack) / 10 seconds (decay). By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

The sketch at the bottom of the page shows the module principle with 4 daisy-chained AD units (as predetermined by the normalled sockets), that are mixed with the integrated polarizing mixer.

Notes: We created the Tucker & Bloom Sidekick 45 Bag for the working DJ.

45 Bag Dimensions: 9.5" depth x 8" height x 8.5" width with 2" pockets on either side
Shell material waterproof-backed 1680 ballistic nylon
An open main chamber lined in velveteen-flocked nylon fabric with shock-absorbing closed-cell foam backing is secured by two velcro rain flaps.
The main chamber fits 100 seven-inch records.
Durable, metal, side-release buckle on the front with an adjustable tab to keep the flap taught
Interior Lining: purple velveteen with high-density foam backing
A sturdy latigo leather grab handle that tucks neatly behind the bag while not in use
Back slip pocket for easy access to train tickets, a notebook, or a cell phone
Zippered top pocket for adaptors, business cards, etc.
Side pockets with velcro closures to keep DJ needles and headphones secure while on the move
Adjustable shoulder strap with a felt lined leather pad and clips for hands free carry.
Hidden velcro stash pockets on interior flaps
Covered by our lifetime warranty

Tucker & Bloom products are made to ensure satisfaction and service during the natural life of the product. It warrants to the original purchaser that its products will be free from defects in material and workmanship for a period of a lifetime from the date of the purchase. Under no circumstances will the warranty be assumable if the product is sold. This warranty does not cover damage resulting from product misuse, product neglect, product abuse, product tampering, product alterations and unauthorized product repairs. Furthermore, this warranty does not cover any consequential damage to a person or property other than the product purchased. This guarantee will begin from the date the product is received and will only run for the same model originally purchased. To apply for this benefit you should contact Tucker & Bloom Customer Care Department. Just send an e-mail to customercare@Tucker-Bloom.com to become acquainted with the specific details. The Tucker & Bloom product purchase must be legitimated by an order number and an invoice.

Notes: We created the Tucker & Bloom Sidekick 45 Bag for the working DJ.

45 Bag Dimensions: 9.5" depth x 8" height x 8.5" width with 2" pockets on either side
Shell material waterproof-backed 1680 ballistic nylon
An open main chamber lined in velveteen-flocked nylon fabric with shock-absorbing closed-cell foam backing is secured by two velcro rain flaps.
The main chamber fits 100 seven-inch records.
Durable, metal, side-release buckle on the front with an adjustable tab to keep the flap taught
Interior Lining: purple velveteen with high-density foam backing
A sturdy latigo leather grab handle that tucks neatly behind the bag while not in use
Back slip pocket for easy access to train tickets, a notebook, or a cell phone
Zippered top pocket for adaptors, business cards, etc.
Side pockets with velcro closures to keep DJ needles and headphones secure while on the move
Adjustable shoulder strap with a felt lined leather pad and clips for hands free carry.
Hidden velcro stash pockets on interior flaps
Covered by our lifetime warranty

Tucker & Bloom products are made to ensure satisfaction and service during the natural life of the product. It warrants to the original purchaser that its products will be free from defects in material and workmanship for a period of a lifetime from the date of the purchase. Under no circumstances will the warranty be assumable if the product is sold. This warranty does not cover damage resulting from product misuse, product neglect, product abuse, product tampering, product alterations and unauthorized product repairs. Furthermore, this warranty does not cover any consequential damage to a person or property other than the product purchased. This guarantee will begin from the date the product is received and will only run for the same model originally purchased. To apply for this benefit you should contact Tucker & Bloom Customer Care Department. Just send an e-mail to customercare@Tucker-Bloom.com to become acquainted with the specific details. The Tucker & Bloom product purchase must be legitimated by an order number and an invoice.

Notes: Beautiful lo-fi delay

Similar to the thick and gooey sound of the Echo Dream 2, the MICRO DREAM is a streamlined and compact version that still retains the beautiful, decayed delay sound. that made the Echo Dream famous. Push the delay past its limits by increasing the delay time to a full second, introducing lofi chirps and noise as the circuit protests. Additionally, a gain stage on the delay line makes the Micro Dream perfect for pseudo looping or just an incredible slapback. Set the internal trimpot to adjust the feedback point so that it can stay mellow or scream into self-oscillation. The Micro Dream is a simple yet incredible-sounding delay - all the time.

Controls

F Back: Controls the feedback of the delays, from slapback to wild runaway oscillation.
Time: Controls the delay time (Numbers shown in milliseconds).
Delay: Sets the volume of the delayed signal.
Internal Trimpot: Sets the point at which the Fback knob will cause the delay to oscillate.

Specifications

Dimensions: 4.95" x 2.61" x 2.34" (including hardware).
Weight: 11 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 28 mA.

Notes: AGOGO is a pack of 8 vactrol low pass gates in an open design configuration.

Why:

To bongo.
To enhance and enrich a weak audio source.
To create sub-mixes of up to 8 inputs.
To send a single source to many outputs and modulate each one of them individually.

With:

Multiple fixed waveforms - use the individual LPGs as a CV scanner.
Stereo sources - control them with a single CV input.
EOC pulses and triggers - this is where it gets percussive.
Slow modulations - take advantage of those vactrols and their natural decay.

How:

"I", the inputs row is normalized from top to bottom.

An input inserted in the first socket will be copied unaltered to the next one.

If a jack is plugged in it will break the normalization.

"V" is for control voltages and they cascade the same way as the inputs following to natural decay of the vactrol response. All the LPGs can be opened simultaneously with a single CV source. Combining the features of both "I" and "V" rows you can control a signal with 8 different CVs or 8 different sources with the same CV.

"O" stands for outputs. They act as an active mixer letting you combine up to 8 signals. As in the previous two rows, the connection can be interrupted in any given point to create sub mixes or individual outputs.

Since Jolin are actively summing copies of the original input, each LPG stage will add saturation to the final out. Thanks to the open design path and normalizations this is just an additional feature: all the LPGs can still be used individually or in multiple combinations for multichannel effects or other creative application. More AGOGOs can be chained together thanks to headers on the back to multiplicate the number of inputs/outputs.

Dimensions:

6 HP
28 mm deep

Current Draw:

150 mA +12V
90 mA -12V

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Premium sound quality from this premium module, based on the classic Moog high-pass filter. Steep 24dB/oct filter curve with precise CV-controlled cutoff frequency tracking over a 12-octave span.

Supplier's Notes:
The AION Modular 904B High Pass filter is an Eurorack clone of the classic Moog Modular High Pass filter.
The 904B High Pass Filter attenuates frequencies below the Fixed Control Voltage(cutoff frequency) point at a rate of 24dB per octave.

The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
LOW- 4Hz to 20kHz
HIGH- 10Hz to 50kHz

Specifications:
Power: +12 60mA, -12 50mA
Depth: 40mm
Doepfer compatible.

60 mA +12V
50 mA -12V
0 mA 5V

Notes: ***B-STOCK: Box damaged, product in perfect working order***


LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma

Notes: Two heads are better than one, and when it comes to live streaming, the same can be said for microphone inputs. The AG06MK2 offers the same user-friendly configuration and operation that has become synonymous with the AG series, but also comes equipped with two phantom powered mic inputs for condenser microphones. Combined with flexible connectivity including an upgraded 4-pole mini I/O, the AG06MK2 opens up a broader range of dialogue, interview, musical ensemble performance, or other streaming applications that the AG01 or AG03MK2 setups can't cover.

The AG06MK2 allows you to connect two condenser microphones of your choice, as well as two stereo line inputs for instruments, and an upgraded 4-pole mini jack (TRRS) for smartphone input/output capability. Of course, it is also possible to add audio from devices connected via USB in LOOPBACK mode as with previous AG models. This diverse range of connectivity makes it possible to use high-sensitivity microphones along with each of the audio sources for a variety of streaming applications such as podcasts with dialogue, interviews, vocal performances with an acoustic instrument, or even a live band.

With a design similar to a mixing console, the AG06MK2 is equipped with a variety of physical controls that help you shape and manage the audio you stream to your audience. The newly added mute button allows you to cut your mic input at a moment's notice if your situation demands it, and can even be controlled using Yamaha's FC5 dedicated foot switch (sold separately) which can also add reverb to your signal while keeping your hands free for other tasks.

Sound quality can often be a deciding factor for whether or not someone will tune in to your live streaming content. With the adoption of USB-C and the requisite improved internal circuitry, the AG06MK2 sees a significant improvement in sound quality compared to previous models giving your streaming a more professional edge.

Regardless of your particular streaming application, you'll likely want to add some depth and dimension to the audio you're broadcasting to add professionalism to your streaming content. The AG06MK2 is equipped with optimized 1-TOUCH COMP/EQ and REVERB controls to dial in the sound that best suits your style, and a 1-TOUCH amp simulator to add authenticity and punch to your guitar input.

All these tools are processed by the internal DSP chip so there is no delay, making it particularly valuable for live streaming when real-time accuracy is crucial.

You also have the option to turn these effects off completely to capture pure, raw recordings through your favorite microphone for music/audio production that will be edited by an engineer later.

AG Controller software allows users to easily and precisely check and configure the DSP audio processing inside the AG. Offering two modes of operation, "Simple" and "Detail", AG Controller gives users of varying music production experience detailed management of their audio from any Windows/Mac or iOS device connected to the AG06MK2 via USB.

The sleek, slim, and compact body of the AG06MK2 can be placed on virtually any flat surface.

By combining it with the optional BMS-10A adaptor, it can be installed on a microphone stand. It can also be connected to a mobile battery to configure a minimalistic, mobile streaming station anywhere.

Specifications

Input Channels
Mono[MIC/LINE]: 2 - CH1: Combo (Mic, +48 V phantom power / Line), 3.5 mm (1/8") stereo mini (Headset mic, Plug-in power), CH2: Combo (Mic, +48 V phantom power / Guitar input / Line) *CH1 input and Headset mic cannot be used simultaneously
Mono[MIC/LINE]Stereo[LINE]: 2 - L/R Stereo: Phone, RCA
Smartphone: 1 - PHONES / HEADSET PHONES *Cannot be used simultaneously
USB: 1

Output Channels
PHONES: 2 - PHONES / HEADSET PHONES *Cannot be used simultaneously
Smartphone: 1 - 4-pole mini input/output (TRRS)
MONITOR OUT: 1
STEREO OUT: 1
USB: 1

Bus: 1 stereo
Functions: MUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)
On-board processors - DSP: COMP/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power input: 1 - Type-C, 5 V DC, 900 mA

Power requirements: 5 V DC, 900 mA
Power consumption: Max. 4.5 W
Dimensions W x H x D: 152 mm (6.0") x 63 mm (2.5") x 201 mm (7.9")
Net weight: 0.9 kg (2.0 lbs)
Included Accessories: USB2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Operating Temperature: 0 to + 40 C

Notes: Two heads are better than one, and when it comes to live streaming, the same can be said for microphone inputs. The AG06MK2 offers the same user-friendly configuration and operation that has become synonymous with the AG series, but also comes equipped with two phantom powered mic inputs for condenser microphones. Combined with flexible connectivity including an upgraded 4-pole mini I/O, the AG06MK2 opens up a broader range of dialogue, interview, musical ensemble performance, or other streaming applications that the AG01 or AG03MK2 setups can't cover.

The AG06MK2 allows you to connect two condenser microphones of your choice, as well as two stereo line inputs for instruments, and an upgraded 4-pole mini jack (TRRS) for smartphone input/output capability. Of course, it is also possible to add audio from devices connected via USB in LOOPBACK mode as with previous AG models. This diverse range of connectivity makes it possible to use high-sensitivity microphones along with each of the audio sources for a variety of streaming applications such as podcasts with dialogue, interviews, vocal performances with an acoustic instrument, or even a live band.

With a design similar to a mixing console, the AG06MK2 is equipped with a variety of physical controls that help you shape and manage the audio you stream to your audience. The newly added mute button allows you to cut your mic input at a moment's notice if your situation demands it, and can even be controlled using Yamaha's FC5 dedicated foot switch (sold separately) which can also add reverb to your signal while keeping your hands free for other tasks.

Sound quality can often be a deciding factor for whether or not someone will tune in to your live streaming content. With the adoption of USB-C and the requisite improved internal circuitry, the AG06MK2 sees a significant improvement in sound quality compared to previous models giving your streaming a more professional edge.

Regardless of your particular streaming application, you'll likely want to add some depth and dimension to the audio you're broadcasting to add professionalism to your streaming content. The AG06MK2 is equipped with optimized 1-TOUCH COMP/EQ and REVERB controls to dial in the sound that best suits your style, and a 1-TOUCH amp simulator to add authenticity and punch to your guitar input.

All these tools are processed by the internal DSP chip so there is no delay, making it particularly valuable for live streaming when real-time accuracy is crucial.

You also have the option to turn these effects off completely to capture pure, raw recordings through your favorite microphone for music/audio production that will be edited by an engineer later.

AG Controller software allows users to easily and precisely check and configure the DSP audio processing inside the AG. Offering two modes of operation, "Simple" and "Detail", AG Controller gives users of varying music production experience detailed management of their audio from any Windows/Mac or iOS device connected to the AG06MK2 via USB.

The sleek, slim, and compact body of the AG06MK2 can be placed on virtually any flat surface.

By combining it with the optional BMS-10A adaptor, it can be installed on a microphone stand. It can also be connected to a mobile battery to configure a minimalistic, mobile streaming station anywhere.

Specifications

Input Channels
Mono[MIC/LINE]: 2 - CH1: Combo (Mic, +48 V phantom power / Line), 3.5 mm (1/8") stereo mini (Headset mic, Plug-in power), CH2: Combo (Mic, +48 V phantom power / Guitar input / Line) *CH1 input and Headset mic cannot be used simultaneously
Mono[MIC/LINE]Stereo[LINE]: 2 - L/R Stereo: Phone, RCA
Smartphone: 1 - PHONES / HEADSET PHONES *Cannot be used simultaneously
USB: 1

Output Channels
PHONES: 2 - PHONES / HEADSET PHONES *Cannot be used simultaneously
Smartphone: 1 - 4-pole mini input/output (TRRS)
MONITOR OUT: 1
STEREO OUT: 1
USB: 1

Bus: 1 stereo
Functions: MUTE button x 1, PAD button x 2, HI-Z button x 1, STREAMING OUT (DRY CH 1-2G / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)
On-board processors - DSP: COMP/EQ, REVERB (SPX Reverb), AMP SIM *Detail is operated on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power input: 1 - Type-C, 5 V DC, 900 mA

Power requirements: 5 V DC, 900 mA
Power consumption: Max. 4.5 W
Dimensions W x H x D: 152 mm (6.0") x 63 mm (2.5") x 201 mm (7.9")
Net weight: 0.9 kg (2.0 lbs)
Included Accessories: USB2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Operating Temperature: 0 to + 40 C

Notes: ***B-STOCK: Box opened, product in perfect working order***


A fresh twist on a simple 303-style acid synth, featuring a triangle/sawtooth/square wave VCO, multi-mode resonant filter, simple AD envelope and a VCA which can be overdriven. Excellent value.

Supplier's Notes:
ADDAC started this module with the idea of developing a complex drum source however, somewhere along the process, it was clear how much better it performed as a synth voice and this lucky accident was embraced.

It features a VCO with a [FREQUENCY] and [FINE TUNE] knob plus a dedicated CV Input and Attenuator knob (tunable over 4 octaves).

The VCO waveform output is achieved by selecting either a Triangle or Saw through a switch. the selected waveform can then be mixed/balanced against the square wave. The resulting mix is then sent to the Filter.

The Filter features a [CUTOFF] and [RESO] resonance knob plus a Cutoff CV Input and Attenuverter knob.

A 3 position switch is used to select the filter type: Highpass, Bandpass or Lowpass.

The resulting output is then sent to the VCA.

The VCA features an Input with [INPUT GAIN] knob which at maximum can amplify the incoming signal by a factor of 2.

This is a very important control, it accepts any signal Trigger, Gate or CV. Whatever input is plugged in the signal is then fed through an AD with a very short attack and controllable decay through the [VCA DECAY] knob plus the CV Input and Attenuverter knob. The resulting slewed signal is then used to control the VCA gain.

This signal is also sent to the CV OUTPUT as well as the LED monitor.

The Accent input adds to the Input signal creating a different amplitude output.


The CV OUTPUT is normalled to the Frequency and Cutoff inputs.

Tech Specs:
9HP
4cm deep
80mA +12V
80mA -12V

The [INPUT GAIN] knob

Usually Attack/Decay envelopes have a maximum voltage of +5v, no matter if the input gate is +5v or above the AD will clip at +5v. In this case, this clipping method was not used, and instead ADDAC allowed the incoming voltage to determine the maximum AD voltage, meaning that if a +5v gate is present then the AD maximum voltage will be +5v but if a gate of +10v is sent then the AD maximum voltage will be +10v.
This also means that with higher input voltages the decay, although falling at the same speed, will be longer than with lower voltages as it has a longer range to go back to 0v.

As previously mentioned, The [INPUT GAIN] knob can amplify the incoming input by a factor of 2, allowing to use a standard +5v gate or envelope and being able to make the resultant AD go up to +10v.

The AD signal is responsible for opening the VCA. Up to +5v the VCA will open to unity gain above this value the VCA will start to amplify and eventually saturate and distort. This saturation will add harmonics to the signal which will change its gentle timbrical nature to a more unique and peculiar timbre that will make the module shine in Acid contexts.

Adding high levels of Resonance or even filter self oscillation in combination with high VCA saturation will create even more harmonics that ADDAC highly encourage the user to explore.

Notes: Two independant Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally or the filter opens incrementally with each extra key press.

We have added independant Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).

Module Width: 12hp

Module Depth: 26mm

Current Usage: 38mA Positive, 15mA Negative

Notes: *** B-STOCK: Box opened, but product is in excellent condition and in perfect working order ***


The Meng Qi Wingie Mk2 is a handheld stereo resonator with built-in microphones and stereo line iput.

Version 2 now also offers MIDI input (via 3,5mm TRS jack), an aluminium case, and a better user interface including 3 switches, 26 buttons, 3 sliders and 2 RGB LEDs that indicates the current mode.

There is a USB-Type C jack for power and convenient data transfer. Wingie can also run on a power bank.

To make sure you always have the most up-to-date capabilities, the USB serial chip can be updated easily.

Power supply via USB (Type C)

Dimensions: 116 x 100 x 33mm including switches

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


BD-Z is a versatile kick drum module for Eurorack system focus, to design a wide range of bass drum percussive sounds.

The implementation of thru-zero FM/PM BD-Z can deliver an immense variety of textures and harmonics, it has an amount of control of the modulation, input to preserve the primary kick drum sound or not.

When applying amplitude modulation with an external signal it can add more harmonics from the modulation source to be able to shape the sound, transform and morph it into many other drums sounds like bongos, congas, etc.

Great care has been taken to make sure the signal gain is always punchy, so that when the amplitude decay or the distortion is fully open it won't get out of control.

The distortion can be subtle or aggressiv - it has a dedicated accent like the vintage style drum machines to add dynamics to the rhythms.

The module also features two amplitude envelopes out to control other utilities with the the shape of the signal.

BD-Z is a powerful kick drum module with many modulation possibilities.

12 HP

Power consumption: 84mA@+12V, 64mA@-12V

Notes: Introducing the MAGMA SOLID BLAZE packs, the new benchmark standard in utility backpacks. Designed for modern creators with eco-sustainability in mind.

The new SOLID BLAZE packs are constructed from recycled plastic bottles as the foundation, while maintaining the perfect balance between high-grade material processing, advanced features, and a clean and ergonomic look. When it comes to comfort, performance and functionality, the new SOLID BLAZE packs are unrivalled in the market. Developed to fit a wide range of applications, they make the ultimate travel packs for pro DJs, music producers, photographers, filmmakers, and content creators.

A true packing backpack designed to carry what you need.

The SOLID BLAZE PACK 120 is an all-purpose travel backpack with modular interior layout crafted for versatility. Whether you are hauling DJ or production gear, photo or video equipment, or other electronics, the SOLID BLAZE PACK 120 enables you to easily and conveniently organize your gear. The spacious and expandable main compartment features removable EVA padding and multiple dividers for ultimate packing experience. The customizable padded interior ensures your gear travels with you safely. Loads of additional compartments, pouches and zippered pockets offer intuitive accessory management and quick access to your belongings. The SOLID BLAZE PACK 120 is crafted from only the highest quality materials, such as its water-repellent RPET 900D shell and YKKr AquaGuardr zippers to protect your laptop, tablet, timecode records and other expensive gear from the elements. Travel comfortably knowing your gear is safe inside the MAGMA SOLID BLAZE PACK 120.

FITS:

Pioneer DJM-S11
Pioneer DJM-S9
Pioneer S-1000
Pioneer Toraiz SP-16
Rane Seventy-Two
Rane Seventy
Rane Sixty-Two
Reloop Elite
Akai MPC Live
Akai MPC Live 2
Ableton Push 2
Roland SP404
NI Maschine MK2
NI Maschine+
Denon Prime Go
12" vinyl
Rodecaster Pro
Laptops up to 17"
Camera gear etc.

Outer dimensions: (H/B/T): 52 x 35 x 23-26*cm / 20.5" x 13.75"x 9"-10.25"* (*extended)

Inner dimensions: 45 x 32 x 14 -17* / 17.75" x 12.5" x 5.5"-6.75"* (*extended)

Weight: 2,3 kg / 5lb

Notes: Odyssey's Black Label Series of ATA flight cases. Made to the exact same standards as our Flight Zone series but with a twist.

Each compartment feature a valley or pit as you might call it that allows for more ventilation of the gear as well as an area for cables management.

The components used to produce this series, including the aluminum trim and hardware, is now anodized and/or powder coated in "Black" for a one of a kind look that is so slick looking it's beyond cool.

Fits 1200 Style Turntables by:
- Technics
- Numark
- Stanton

*Turntables not included*

Notes: The remarkable 4-channel EPQ304 packs a heart-stopping 300 Watts of output power into an exceptionally lightweight (8.8 lbs/4.0 kg) package, thanks to our Accelerated Transient Response (ATR) technology. Ample power (4 x 75 Watts @ 4 Ohms; 4 x 50 Watts @ 8 Ohms) and high-tech efficiency combine, giving you a feather-light, supercharged workhorse that will keep your rig kicking for years and years to come.

Accelerated Transient Response Delivers the Knockout Punch:
It takes huge pulses of energy (current and voltage) to propel a woofer cone out fast enough to match a bass beat. That's called Transient Response and it's the holy grail of amp design. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps are able to react instantly to even the most demanding electronic bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound. Instead of operating relatively continuously like most power amps, the EPQ304 features rail tracking for effectively modulating the power supply rails with only the peaks of the input signal. This technology has revolutionized pro audio amp designs with its outstanding performance and efficiency. When combined with switching-mode power supplies that do away with heavy toroid transformers, our new designs provide more dynamic punch and, since they are so much more efficient, run cooler and don't require huge, heavy heat sinks.

Sublimely Simple Operation:
The front panel controls and indicators provide your system's vital signs at a glance. After pressing the Power button, the Power LED lights to show the amp is ready for action. All channels feature positive-detent Gain controls with Signal LEDs that light when a signal is present, as well as Clip LEDs to indicate when the signal is distorted and you need to reduce the input signal. Just as elegant as the front, the rear panel is home to the balanced XLR and 14 " TRS Input connections, as well as the professional locking speaker Outputs. The same panel contains the switches that put the Channels 1/2 and 3/4 of the EPQ304 in Mono, Stereo (two channel mode) or mono Bridge mode.

Sound Value:
The remarkable 4-channel EPQ304 power amp was built for the working musician. It is exceptionally light, packs a massive 300 Watts of output power, thanks to our Accelerated Transient Response (ATR) technology and is built rugged enough for life on the road. Plus, the EPQ304's ultra-light price tag will leave cash left over for you to get more stuff to amplify!

Notes: Stylish and modern, the NT3 is a studio and location workhorse. With both 48V phantom and internal 9V battery operation, this Rode is at home anywhere.

Intended for studio, stage and location work, this versatile handheld or stand mounted microphone incorporates a true externally polarized condenser transducer with an internal capsule shock mounting system, and an ultra-low noise electronic circuit that has a high immunity to R.F. interference.

The NT3 incorporates a rugged welded and heat-treated mesh head and all metal body.

Notes: The K-Board Pro 4 hard case is custom built with a rugged but lightweight aluminium and ABS outer construction and high-density form fitting EVA foam inner cushion to keep your instrument safe and secure when on the move. It includes two locking latches with keys, a comfortable handle, and is carry-on compatible on most flights (check with your airline for compatibility confirmation).

Notes: Erica Synths Cymbals is a distinct topology digital/analogue module, where cymbal samples are passed thru AS3330 based VCA and controlled via envelope generators of unique design. The module features 10 sets of custom Crash and Ride cymbal samples with Tune control and individual Decay control. Accent and CV control over Tone and Decay allow you to create lot of variations in the Cymbals track. An extra feature is sample looping - when it's on, a certain part of the sample is looped while the envelope decay is on, thus creating a distinct, delay-like effect. Cymbal samples are developed by producer and musician Nero Bellum.

Features
10 sets of custom cymbal samples
Analogue VCA and EG
Tune and Decay controls
CV control with an attenuators over Tune and Decay
Sample loop for Crash and Ride
Manual triggers
Accent for better expression

Audio output level: -5...+5V
CV level (full span): -5V - +5V
Accent CV level: 10V
Tigger level: 5V
Trigger time: 1ms
Power consumption: 95mA @ +12V, 36mA @ -12V
Module width: 10HP
Module depth: 45mm

Notes: The Goldring 1006 record cartridge is designed for owners who want to get the very best from their systems at an affordable price. This cartridge has an elliptical tip for improved high frequency clarity and a powerful magnet to ensure high sensitivity.

Notes: DJ Controller Case Prime 4

Customized to hold the Denon Prime 4 DJ-Controller. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles and heavy duty butterfly latches, this case provides ultimate protection for mobile use on the road

Fits

Denon Prime 4

Specs

Outer measures: 80 x 59 x 22,5 cm
Inner measures: 72,8 x 42,9 x 8,4 cm (Controller-compartment, excluding screen)
Weight: 12,4 kg

Notes: ***B-STOCK: Box opened, product is in excellent condition and in perfect working order***


Peradam is a distortion module with an internal sidechain, it's a compressors twisted brother. The input signal is split up, with one half going into a VCA, and the other half going into a sidechain rollercoaster.

First its phase is modulated, before a full ring modulation, creating a signal at twice the frequency. This signal then modulates the amplitude of the original, creating complex self distortions.

That output goes into a dual band drive circuit, similar to the one found in Cosmix. before entering the soft clipper output stage. Things get really wild when you start feedbacking this output back into the input.

The module even goes into self oscillation at high feedback levels, producing all sorts of crazy sounds. Modulating all these parameters gives a broad palette of distortions, from subtle saturation to complete destruction.

The signal path is very clean, because the distortion is achieved with a sidechain, instead of just driving up the gain. A blend control allows you to further dial in your tones.

Dimensions
10 HP
25 mm deep

Current Draw
56 mA +12V
45 mA -12V

Notes: Envelope with filter with serious attitude

This mangled, filter-sweeping, abruptly overdriving pedal is designed to respond to your playing. It syncs its wave-thumping movement with the force at which you play. It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. Six selectable frequency ranges mean you're always gonna have just the right quack and oomph for whatever's plugged in! The sounds are wild, the thump is thick, and the animation is deep.

Controls

Input: Plug an instrument in to this jack.
Trig: Plug another instrument in to this jack and use it to trigger the filter sweep.
Out: Connect this to the amplifier.
Sensitivity: Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude.
Intensity: Simultaneously blends in the resonance, amount, and grit of the filter.
Vol: Adjusts the output volume of the DEEP ANIMATION.
Frequency Selector: Selects the frequency range of the filter.
Bypass: True bypass the effect.
Up / Down: Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite.
Additional Features: There is a subtle light to indicate the external trigger behind the main bypass LED.

Specifications

Dimensions: 5.92" x 4.72" x 2.34" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 18 mA.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


*** Onyx Edition ***

The Julia is a fully analogue, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. Julia is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analogue LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds not found on traditional chorus pedals.

In 1999, spectrographs picked up an unexplained sound emanating from dark ocean depths. The source of the sound was untraceable. While most scientists attributed it to an iceberg dragging the ocean floor, some sceptics began to understand the true source of the sound. Julia, the water demigoddess. Crying from the deep in a chorus of melancholy hymns, she remains to be uncaught but the pursuit for her is unceasing. Walrus has captured a fraction of her powers in the Julia Analog Chorus/Vibrato.

9V DC, 30mA
121 x 66 x 41 mm, 0.27 kg
Made in Oklahoma, USA

Dimensions and power consumption:

6,6 x 12,2 x 4,1 cm (W x D x H)
100 mA

In the box:

Walrus Audio Julia V2
Manual
Sticker
Guitar pick
Pouch

Notes: ***B-STOCK: Box opened, product in perfect working order***


Updated take on Nomono's mini synth. Virtual analogue and granular synthesis with effects, sequencer, looping and performance functions. An affordable but flexible instrument.

Supplier's Notes:
The Qun mk2 is a powerful and unique pocket synthesizer with sequencer and looper.

Normally, cheap synthesizers don't have full flexibility because of hardware limitations.

Nunomo had in mind a small synth that has full flexibility of the real synth with an affordable price tag- and Qun mk1 was the synth.

The Mk2 receives a big improvement from the mk1 by adding LED buttons and external processor for UI processing- SD card support is added.

Once you get used to it, it will be so powerful and it will provide tons of flexibility. It is a real synth, not a preset machine.

If you are looking for a pocket music sketch tool, this is it.

Connectivity: Standard MIDI (TRS Type A, comes with the synth), UART MIDI(Supports MAC OS X and Windows through the Nunomo SerialMIDI https://github.com/raspy135/serialmidi .

Analogue Modelling engine

The analogue modelling engine is made from scratch.
All analogue modelling engine parameters can be configured through MIDI.
2 Oscillators, 2 voices. It can be used as Quad tone (4 voices) or Dual Mono.
Flexible MOD (CV) routing. The signal routing is very flexible, close to modular synthesizer experience. You can route signals as normal, or totally radical.
AUX input can be used for external audio signal, or for modulation.
4 Envelope Generators
FM (4 Operators x 2)
1 LFO, rate can be controlled by MIDI notes
1 Organic sounding VCF
2/4 Poles, Low-pass, Band-pass, High-pass, Notch)
Keysync
1 Effect (Delay, Chorus, Flanger)
MIDI clock sync and beat clock sync
Wavefolding.
Granular synthesis
Oscillators can be used as a granular synthesis engine.
Player / Sequencer

Player (Piano mode)
Mind inspiring 64 step sequencer will generate beats for you
Note On/Off/Double/Triple
Transpose / Note width(Length)
Randomness control
Pattern shuffler
Scale quantize
Arpeggiate steps
Looper
Looper can record the sound up to 24 sec per recording, synchronized with the sequencer.

3 tracks
5 Scenes (3x5 = 15 recordings per session)
Play / Rec / Overdub

Preset bucket
Preset bucket is made for quick preset recall
It has 8 bucket per session, each bucket has 8 presets and 64 sequencer pattern
Mixer
3 tracks, stereo panning
Mute buttons
Extra processing mode allows to use the sound engine as a stereo effector.
Integrated compressor
SD card
Saving recording sessions
Saving preset data with sequencer patterns
All recorded data is saved to SD card, you can import the data to your DAW
You can import WAV files to Looper granular
Firmware update via SD card
For the completed manual and other resources, please visit https://github.com/raspy135/Qun-mk2 .

Notes: Flexible ADSR envelope with voltage control of decay and release times. Interesting hold and repeat functions turn the envelope into a LFO with gating functions. Classic ADSR type envelope generator. Decay and release times can be voltage controlled via a common input for positive CVs between 0 and 10V. Time ranges of the segments: Attack: 0,5mS to 10S; Decay: 2,5mS to 20S; Release: 2,5mS to 20S.

Two switches affect the behaviour of the RS-60 in different ways:

- STD/STD: Normal ADSR mode. A gate triggers and holds the envelope up to the release phase.

- HOLD/STD: hold will hold the envelope at sustain level. Signals in the gate input have no effect. A signal at the Trig/Retrig-In restarts the AD phase and keeps the envelope at sustain level until the next trigger.

- ONESHOT/STD: Press the swithc into oneshot position and you´ll fire the envelope once. trigger signals at the Trig-Retrig-In will restart th envelope only when oneshot switch is pressed.

- HOLD / GATED REPEAT and HOLD / AUTO REPEAT have the same effect. Attack and decay phases will be repeated and the module acts as a LFO. Rate is dependent on the A/D times and range from 0.003Hz to 300Hz. A gate at the Trig-Retrig-In holds the signal at 10V, without gate the LFO continues cycling.

- STD / GATED REPEAT: The envelope will onbly be looped when a gate signal is present at the Gate-Trig-in

- STD / AUTO REPEAT: A gate at the Trig-Retrig-In holds the signal at 10V, without gate the LFO continues cycling.

- ONE SHOT / GATED REPEAT and ONE SHOT / AUTO REPEAT have the same effect. The oneshot switch generates a gate and fires the envelope. A gate at the Gate-Trig-in will hold the envelope at 10V, without gate the envelope will be looped. The envelope signal is present at two outputs A and B and it´s level can be controlled and inverted with a potentiometer.

Notes: Nano Rand v2 is a reissue of the classic micro random module. It features a sample and hold, noise source, and random voltage generator in 4HP. It takes inspiration from and improves upon the analogue concept of a random voltage module; moving forward in leaps and bounds into the digital domain.

At its core is an 8 bit microcontroller which allows for an extremely versatile, and more importantly, musical type of random. Containing four random voltage algorithms that include random stepped voltages, random LFO waveforms and frequencies, random frequency audio rate square waves, and a combination of all algorithms, Nano Rand creates a signal that would otherwise take a multitude of modules to produce. On top of the fluctuating random voltage output, it is also capable of producing the most musical random gate output in the Eurorack format. When externally clocked, Nano Rand generates random gate outputs that are musically related to the incoming clock signal. It chooses between eighth, sixteenth, quarter and many other rhythmic divisions, creating unique evolving rhythms.

With a clean, intuitive interface and more random per square millimetre than ever before, Nano Rand is the ultimate in musically significant aleatoric meanderings.

Changes from v1:

- Noise output converted to analogue white noise circuit with extremely flat frequency response
- Algo button converted to smaller version
- Added reverse power protection

Notes: 8HP Tides version 2

Fully calibrated.

With LED Pots for the attenuverters.

Notes: Analogue tremolo meets digital harmonic processing in this expanded take on the Whitecap tremolo pedal. Premium sound, premium build as always from Old Blood Noise Endeavors.

Supplier's Notes:
Old Blood Noise is now offering a harmonic take on their Whitecap dual asynchronous tremolo as a full member of the OBNE roster. The Blackcap retains the analog tremolo side of the original and takes the highly functional digital tap side into the realm of harmonic tremolo. Where before it turned your volume up and down, now it crossfades between your highs and lows. Mixed in parallel or series with the amplitude modulating tremolo, it's a new aural experience.

Notes: This stereo effect pedal offers an array of studio-style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals.

Says Chief Engineer Robert Keeley, "Since the early days of automatic double tracking, pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the de facto way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at same time. The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes."

The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in "Abbey Verb" reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or, through two amplifiers, sublime stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono, this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. Lastly, the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create stunning, new effects.

In Stereo Double Tracker Pro Mode, the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp or flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. Via internal switches, users can program the wet output to have either dry and effected sounds or just the effect, giving them true double tracking in stereo- live.

Notes: The Royale headphones by Aerial7 are a pair of luxury stereo headphones crafted from only the finest materials. From its soft, full grain leather ear cushions and headband to it's premium quality speakers, the Royale delivers unparalleled sound reproduction satisfying even the most acute listeners.

Notes: The Citronic CD player/turntable & mixer coffin flightcase is a robust flightcase for mixer and 2 CD players/turntables (fits any brand). It is ideal for the DJ on the move.

Notes: Description:

"I'm really impressed with this box, nobody's made them like this for years, a nice new home for my best stuff" - Mark 'Butch' Dobson (World #1 Northern Soul DJ)

"Jazzman are already known for making great records, well done to them for making the nicest record boxes I've seen in years" - Norman Jay MBE

"Sturdy and with a classic design, this is the best 7" box I have come across" - Eddie Pillar (Acid Jazz)

"Northern, Funk, Rockabilly, Garage - these are the boxes to keep 'em in, f*** marvellous!" - The Legendary Keb Darge

Introducing the exclusive range of brand new 7" hard-wearing wooden record cases, in equal measure stylish and functional, solving the age-old problem of storing, transporting & displaying your precious 45s once and for all!

These new boxes come in 2 sizes, PRO Large and PRO XL.

The PRO Large holds 150x7" records, the PRO XL holds 300x7" records.

Both are available in your choice of 3 finishes: Antique Pine, Oak or Mahogany - this listing is for PRO Large in MAHOGANY.

The new updated design is again custom made to the exact specification in limited numbers. They don't just look the business, they've been built for professional use and will last for many years to come.

Ugly, bulky industrial cheap n' nasty mass-produced flight cases they are not! No flimsy plastic, chipboard, MDF or cheap cardboard either! These cases are hand-crafted from ethically-sourced & hard-wearing wood, the ultimate 7" record cases for all serious record collectors & professional DJs.

Each case has been hand-made in the EU from wood that has been sourced from managed and sustainable forests. They have been custom built to the exact specifications before being stained and lacquered for a durable finish:

The lid is fully removable via detachable metal hinges so you have unfettered access to your records
Interior lined with soft & durable black felt to add both extra cushioning and a luxurious feel. Each interior is also embossed once with Jazzman's shiny 45CASE logo
All corners made with extra strong interlocking dovetail joints
Dual metal catches on the front are lockable with padlocks (not included) to keep your records secure from unwanted attention
Strong metal brackets feature on all corners to further protect against knocks & damage
Wood sourced from managed and sustainable forests
Extra layer of black foam added to the interior of the lid to gently press down onto the records, reducing movement & shock during transit (PRO XL only)
Both the base and lower side have sturdy rubber feet to protect the case when standing on end and when laid flat (PRO XL only)

Both the PRO Large and PRO XL cases have dual compartments, securely holding 150/300 respectively of your prized 7" records. The interior dimensions will also accommodate double-bagged 45s.

Important note: due to the innate variablity of wood grain, each box is unique and will differ slightly to the image shown. Records are for illustration purposes only and are not included!

PRO Large details:
Exterior size: 420 x 220 x 220mm
Weight when empty: 3.2kg (7lb)
Weight with 150 records: 11kg (24lb)

Review: Steely Dan are the kind of band where everyone has their favourite album, with a fanbase who might well get a little heated debating which phase of the band is superior. But when it comes down to it, everyone will agree Aja is their masterpiece, where that exacting studio process and the elevated songwriting hit some magical sweet spot that yielded the semi-mythical perfect album. The grooves are so slinky as 'Black Cow' opens the record up, they spring with joy out of 'Peg' and they lock down heavy on 'Josie', and there's so much more in between. This faithful reproduction from Analogue Productions is a limited audiophile edition for a band who were made for audiophiles.