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Notes: ***B-STOCK: Box opened, product in perfect working order***


The Heart and SOL of Your Pedalboard

SOL is the ultimate solution for bringing life to a small to medium-sized pedalboard setup, especially if you are using power-hungry pedals. SOL is the smallest mains-powered switch-mode power supply we make at CIOKS (no wall-warts here) and the no-frills design plus massive power will leave you free to focus on your creative spark. Featuring the same 660mA at 9V DC per outlet and four switchable voltages on each outlet as its bigger brother CIOKS DC7, SOL is the most powerful small form-factor power supply available today with a total of 30 watts of DC power available.

Specifcations

Mains input: 100-240V AC universal
Outlet 1-5:
9V DC / 660mA or
12V DC / 500mA or
15V DC / 400mA
or 18V DC / 330mA each
Total output power: max. 30W

What's in the box

9 Flex cables included:
3 x 1030 - Type 1 - 5,5/2,1mm DC plug, centre negative, L-shape, 30cm (black)
2 x 1050 - Type 1 - 5,5/2,1mm DC plug, centre negative, L-shape, 50cm (black)
1 x 2050 - Type 2 - 5,5/2,1mm DC plug, centre positive, L-shape, 50cm (red)
1 x 4050 - Type 4 - 5,5/2,5mm DC plug, centre positive, L-shape, 50cm (green)
1 x 1035 - Split Flex type 1 - 30 & 50cm (black)
1 x 1533 - 3-way daisy chain Flex type 1, 30+30+50cm (black) Included in the box
SOL power supply
AC mains power cord (region specific)
Mounting hardware for Pedaltrain and Templeaudio boards (two screws and one hex-key)
Product manual
Flex Guide
CIOKS sticker sheet

Notes: All Prestige series styli are compatible; any of these styli will work in any Prestige body. All the Styli; Green, Black, Red, Blue & Silver Styli. The performance difference translates into real sonic improvements; as you move up the Prestige line, the sound becomes smoother, more open and more detailed.

Genuine replacement styli for all Grado Prestige cartridges including black, green, blue, red, silver and gold

A worn stylus can cause serious (irreversible) damage to your records, and provide poor sound quality

Notes: The COMPACTMIXER module is complete "final" mixer for your AE system; if offers the following features:

6 mono input channels with minijack and AE patch socket each

2 stereo input channels with stereo minijack and AE patch sockets each

Click-free mute buttons per channels

Per channel: level, pan and two FX-send knobs

2 FX send-return sections (send mono, return stereo) to connect either AE internal FX module or external FX devices

Master level control

Stereo headphone output with separate level control.

Shipping of this module will start approx. mid March 2022.

An internal connector allows the extension of input channels by a future extension module (similar to MIXCONSOLE/3CH)

Notes: Module A-154 is a supplement to the A-155 Analog/Trigger Sequencer module. It offers a lot of new features that are not available in the basic control unit of the A-155. The A-154 is used to replace the control unit of one or two A-155, i.e. the section marked "Control" with Start / Stop / Step / Reset buttons and inputs in the upper left corner of the A-155 front panel. If the A-154 is used to control the A-155 the control section of the A-155 is put out of action.

These are the features of the A-154:

Several running modes: forward, backward, pendulum, random, CV controlled step adressing. All modes are available as loop or one-shot.

LED display of the 5 different current modes and one LED for loop/one-shot display

Manual and voltage controlled selection (with attenuator) of the running mode. If no external control voltage is applied one of the 10 modes (5 modes x 2 loop/one-shot) is simply selected with a rotary knob. The CV input with attenuator is used to modulate the running mode with an external control voltage (digital high/low CV to switch between two modes or continuous analog CV to sweep through different modes). With the combination of manual control and CV with attenuator it is possible e.g. to use only two neighbouring modes (e.g. forward/backward) or sweep through all possible running modes

Manual and voltage controlled selection (with attenuator) of first and last step of the sequence. The range is step 1...8 in 8 step mode resp. 1...16 in 16 step mode

If the running mode "CV Controlled Step Address" is selected the First Step section is used to determine the active sequencer step. Consequently manual and voltage controlled selection (with attenuator) of the active step is possible: the active step can be set by hand with the first step manual control and then modulated by an external control voltage (e.g. LFO, Random, S&H, Theremin, Light CV source, Joy Stick) at the first step CV input (with attenuator).

An internal voltage controlled clock generator with manual and CV control (with attenuator) is available. The output of the clock generator is displayed with a LED and is used as sequencer clock provided that no external clock signal is connected to the Clock In socket (normalled socket). If the CV input of the Clock section is connected to one of the analog outputs of the sequencer the time for each step can be set separately. Even jumps (or skipping) will be possible as we will introduce the feature that a very short clock pulse will be generated if the control voltage exceeds a certain value. For example the gate row of the A-155 can be used to obtain skipping of steps: the gate output simply has to be conneted to the CV input of the A-154 clock generator. If the corresponding switch of the A-155 is set correspondingly in the gate row the step will be skipped.

Manual and voltage controlled (with attenuator) pulse width (PW) of the clock signal. This features can be used to obtain a different gate length for each step: e.g. one of the CV outputs of the A-155 can be used to control the PW. With a PW control voltage coming from a LFO/random/S&H the gate length will change automatically. CV coming from Theremin A-178, ribbon controller A-198, light controlled CV A-179, joy stick A-174 are other ways to control the gate length.

8/16 step mode: A toggle switch us used to select 8 or 16 steps. The "16 step" mode requires two A-155 and one or more voltage controlled switches (e.g. A-150-1 or A-150-8). The voltage controlled switches are controlled by the "A3" output of the A-154. This output remains "low" as long as the active step is in the range 1...8 and turns to "high" in the range 9...16. The voltage controlled switches are used to switch between the CV/trigger/gates outputs of the first A-155 (step 1...8) and the second A-155 (step 9...16). In the A-154 user's manual the corresponding patch is shown.

If two A-155 are used they can work in parallel (8 steps) or serial (16 steps). The 8/16 steps switch determines if the 8 step mode (one A-155 or two A-155 in parallel) or the 16 step mode (two A-155 serial) is chosen. Both modes work with CV controlled step addressing too (see below). In 8 step mode only the steps 1...8 are addressed, in 16 step mode the steps 1...16. For serial operation an additional VC switch (A-150) is required - as mentioned above.

The functions of the Start/Stop/Step/Reset buttons and inputs are the same as for the "old" control unit of the A-155:

A high level at the Start input or operating the Start button starts the sequence from the momentarily addressed step. Not working in "CV controlled step address" mode.

A high level at the Stop input or operating the Stop button stops the sequence (the last active step remains addressed). Not working in "CV controlled step address" mode.

Notes: Step into computer-based music creation and performance with the Keystation 88 keyboard controller from M-Audio. Keystation 88 is a simple, powerful MIDI controller designed for sequencing music and playing virtual instruments on your Mac or PC. It features 88 full-size velocity-sensitive keys and a series of controls that expand the range of playable notes, expressive capabilities, and enhance your recording workflow. Use the octave range buttons; pitch-bend and modulation wheels; and transport and directional controls to play, perform, and record with your music software without using a mouse or trackpad. Keystation 88 also includes a 1/4" (6.3mm) sustain pedal input that lets you use an external control pedal, such as the SP2 (sold separately), for genuine piano sustain.

Lightweight and durable, Keystation 88 is perfect for traveling musicians who want to take command of music software during live performances or producers who wish to add an intuitive MIDI controller with a natural feeling keybed to their studio. For an easy-to-use and portable setup, Keystation 88 is USB-powered, class-compliant, and supports USB-MIDI connectivity. Plus, Keystation 88 supports iOS connectivity with the Apple iPad Camera Connection Kit (sold separately), enabling you to perform and compose with audio apps on your iPad and other iOS devices.

Bundled with Keystation 88 is a premium virtual instrument from SONiVOX. SONiVOX's Eighty-Eight Ensemble is a world-class piano instrument that authentically captures a 9-foot CD327 Steinway piano. Meticulously recorded and expertly sampled, Eighty-Eight Ensemble provides every producer and performer the opportunity to infuse their compositions, recordings, and performances with the breathtaking realism of a world-class grand piano. Use the combination patches to layer strings, synth pads, and choral pads with the high-fidelity piano samples and create evolving, lush soundscapes and textures.

Also included with Keystation 88 is Ableton Live Lite - one of the most popular performance and production programs available in the world. A powerful music creation tool, Ableton Live Lite enables musicians and producers to spontaneously compose, record, remix, improvise, and edit musical ideas in a fluid audio/MIDI environment. Explore sonic possibilities in real time whether on stage or in the studio. When you are satisfied with your work, Ableton Live Lite lets you save it or mix it down.

***UPDATED SOFTWARE COMPATIBILITY***

Pro Tools First and Eleven Lite software are now included with the current line-up of M-Audio keyboards and interfaces - for all existing and new customers! The industry-standard Pro Tools music software bundle and the Eleven Lite plugin gives artists unprecedented creative options with the most realistic virtual instruments/effects anywhere.

Notes: VM95 series Shibata replacement stylus

Aluminium cantilever
Shibata Stylus
Nude Square Shank
VM95 Series - Styli compatibility
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

The VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VMN95C
AT-VMN95E
AT-VMN95EN
AT-VMN95ML
AT-VMN95SH
AT-VMN95SP

Shibata Stylus

Provides a beautiful mid-high range Shibata-signature sound and strong mid-range volume.

Review: Boxset includes:
T.Rex (1970)
Electric Warrior (1971)
The Slider (1972)
Tanx (1973)
Zinc Alloy And The Hidden Riders Of Tomorrow... (1974)
Bolan's Zip Gun (1974)
Futuristic Dragon (1976)
Dandy & The Underworld 1977)

Notes: 44 watts of clean and natural power in a pedal-sized package!

The EHX 44 Magnum Guitar Power Amp head delivers 44 watts of clean and natural power but can also deliver a true amplifier overdrive at the turn of a knob. From your pocket to the stage, the 44 Magnum is the perfect gigging and practice solution. Despite being described as a "guitar head" the 44 has the character and control to work with any electric instrument. Flip the brightness switch for a more defined top end. The sweet tone with an extra power edge that can sit in any backline.

44 watts of power into 8 or 16 ohms
Tone switch toggles between a neutral, flat setting and a Musical top end boost
Maximum headroom potential
Can be driven to a natural, true amplifier saturation
Fits in the palm of your hand
Power adapter included

SPECIFICATIONS
Circuit
Analog
Audio
Mono
Power Supply
24VDC-3000mA power adapter included
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
2000mA
Year Released
2010

Notes: SoundMAGIC enters the arena of full-size headphoneswith the HP100. Music enthusiasts have long been won over by the quality of headphones from SoundMAGIC. Precision tuned drivers, rotating earcups and circumaural design have been combined in this multi-talented offering to the headphone world.

Precision tuned drivers deliver expansive sound stage for the most exacting audio connoisseur with a taste for exceptional musical performance. With single-sided, coiled cable, closed design and earcups that pivot for one-sided listening, the SoundMAGIC HP100 is ideal as a monitor headphone for DJs and studio professionals.

The full size earcups with soft earpads cover the ear completely without applying any pressure on the ear itself making the HP100 comfortable to wear for extended periods.

With folding headband the HP100 can easily be packed away in the included rugged protective case when on the move.

Package Includes
- SoundMAGIC HP100 Headphones
- Detachable coiled audio cable (1.2m)
- 6.35mm jack adapter
- Flight adapter
- Storage case
- Carabiner hook

Notes: Firepower Audio USB/FireWire audio interfaces are the ideal way to stream audio to and from your PC or Mac computer. These handy interfaces feature state of the art XENYX mic preamps, legendary the world over for their pristine clarity and high headroom sonic performance, plus our 24bit/96KHz A/D-D/A converters will really respect your input. Both interfaces support Windows XP/Vista/7 plus Mac OS X and provide onboard phantom power for use with studio grade condenser microphones. Hook up to the Behringer FCA Series and instantly turn your computer into a powerful recording/editing workstation.

When you connect line-level devices, such as synthesizers or the outputs of an audio mixer to an FCA1616 or FCA610, internal 24bit A/D (Analog to Digital) converters swing into action, turning the audio signal into digital data. Now you can record and play back your masterpiece through a pair of active studio monitors or listen in the privacy of your favorite headphones.

With its expanded 16 channel I/O, 4 XENYX mic preamps and ADA8000 ADAT connectivity, the FCA1616 is ideal for more permanent applications, such as home and professional recording studios, as well as live performance multi track recording rigs. All standard I/O formats are supported including analog, S/PDIF (coaxial and optical), ADAT and S/MUX. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware. The single rack space FCA1616 also features 8 analog Inserts for use of external effects such as compressors, gates and EQs, etc. A dedicated power supply is included.

On the rear panels of the FCA1616, you'll find ports for FireWire and USB 2.0. Inputs are balanced 1/4" jacks that accept a wide range of line-level devices. Outputs accept both balanced and unbalanced 1/4" connections. The 2 headphones jacks are conveniently located on the front panel, with a dedicated volume control.

The FCA1616 interface features state of the art, high resolution 24bit A/D-D/A converters, supporting up to a 96 kHz sampling rate. Reliable Windows XP, Windows Vista, Windows 7 drivers and Mac OS X support ensure ultra low latency operation.

Because you'll want to take full advantage of your computer's recording, editing and podcasting potential, Behringer have put together a massive software download at www.behringer.com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You're ready to go live on your PC or Mac right out of the box. You also get more than 100 virtual instruments and 50 FX plugins, turning your computer into a complete home based or mobile recording studio.

Notes: Step Through the Looking Glass Into a New World of Overdrive. Dial in the ideal reflection of your sound with a set of powerful, yet simple controls. You can keep things simple and use the Looking Glass for tone shaping, glassy boost and light overdrive, or go further down the rabbit hole into the raw, psychedelic sounds of a vintage amp pushed to the brink of failure. Featuring a new hybrid of Class-A discrete FET design, the Looking Glass' asymmetrical clipping is so responsive that it can go from one end of the spectrum to the other with not only a flick of a switch, but with pick attack alone.The Looking Glass Overdrive is collaboration between DOD and the boutique pedal company SHOE Pedals. Christopher Venter of SHOE Pedals is known for his unique circuits, colorful perspective on classic effects, and minimalist design aesthetic. Built for maximum versatility, the Looking Glass' unique Input Filter feature allows the player to tame overly bright guitars and interacts with your guitar's pickups to help you cut through the mix without shredding the audience's ears. The versatile, intuitive pre-drive Bass Cut and post-drive Treble controls allow you to retain clarity in the mix or dial in any raunchy raw tone you desire. And, there's enough output and gain on tap to make even the Red Queen lose her head. The Looking Glass is true bypass, which allows your guitar tone to remain pristine even when the it is off and the power supply input makes it pedalboard friendly.

General Specifications
Input1/4" TS Unbalanced - 260 kO (DIP 1 set to on) ; 235 kO (DIP 1 set to off)
Output1/4" TS Unbalanced - 1 kO
Current Draw4 mA
BypassTrue Bypass
Power9VDC alkaline battery (not included) ; HARMAN PS0913DC power adapter (optional)
Dimensions
Length4.68"
Width2.63"
Height2.25"
Weight1 lb.

Notes: Numark add an extra channel to the classic scratch mixer format, bringing additional flexibility and performance options. Three-band EQ/kills per channel plus a mic input for versatility.

Supplier's Notes:
Bonus inputs for total performance.

M4 is a three-channel tabletop mixer designed for any DJ who needs maximum flexibility. It features a replaceable crossfader with reverse and slope controls, a 1/4" microphone input with EQ, and plenty of routing for phono and line level devices.

Where M4 really shines is its impressive input section. Two switchable phono/line inputs plus four more dedicated line inputs give you a total of SIX inputs! Add Master and Record outputs, and steep three-band EQ/rotary kills on each channel, and you've a powerhouse package that's ready to handle whatever the gig throws at you.

M4 has the inputs, controls, and features to turn what would be a problem for the average mixer into a simple plug-in. Don't get stuck without enough inputs at your next gig. Upgrade to M4.

Inputs:
Line: 10K ohm input impedance; 80mV RMS sensitivity for 0dB output
Mic: 600 ohm input impedance unbalanced; 1.5mV RMS sensitivity for 0dB output; 400mV RMS max input
Phono: 47k ohm input impedance; 1.3mV RMS sensitivity @ 1kHz for 0dB output

Outputs:
Line: 7V RMS max
Headphone: 0.5W into 47ohm

Signal to Noise Ratio:
(maximum output JIS-A weighted)
Line: Better than 100dB
Mic: Better than 95dB
Phono: Better than 85dB

Frequency response:
Line: 20 - 20,000 Hz i0.5dB
Mic: 20 - 15,000 Hz i0.5dB
Phono: i1dB; -3dB attenuation at 20 Hz to reduce rumble and feedback

Channel Equalizer:
Bass: +12 / -35dB at 20 Hz
Mid: +12 / -25dB at 1.3 kHz
Treble: +12 / -20dB at 15 kHz

Channel fader kill: Better than 90dB at 1 kHz

Crossfader kill: Better than 75dB

Crosstalk: Better than 80dB at 1 kHz

Distortion: Less than 0.05%

Notes: Introducing MicroTest, a eurorack adaptation of the MI module Tester.

Notes: A combined ADSR and VCA in a small 6HP package with some novel features

Arley Dynamics takes Frequency Central's super snappy CEMvelope, marries it to a VCA from their More VCAs, and throws in a bunch of extras. The result is a super compact combo to control the dynamics of your system.

The ADSR side of Arley Dynamics is based around the famous AS3310 Curtis clone chip, a classic ADSR which pays homage to the SCI Pro One of the past. It has a couple of handy additions to it's functionality:

As well as Normal output, there's an Aux output, which can be selected via a jumper on the rear of the module to give out either normal or inverted envelopes.

The Level CV input can be used to externally control the output level of the ADSR for full dynamic control. Uses include velocity sensitivity, or automated level controls.

The VCA side of Arley Dynamics is OTA based and pays homage to ARP VCAs of the past. Full of warm analogue goodness, it adds some extra functionality:

Selectable CV source, either ADSR or Gate

Drone feature - handy for when you need a constant output for tuning up for example

The Normal output of the ADSR section is normalised to the CV input of the VCA section, you can override this by patching an external signal into the VCA's CV input. So the ASDR and VCA sections are both fully modular and can be used fully independently within your system.

12V draw: 18mA

-12V draw: 18mA

5V draw: 0mA

Depth: 35mm

Width: 6HP

Notes: The S2000Pro/S1000db/S1000MKII stands are a great addition to any home or studio audio set up. It adds style and functionality all in one. The S2000pro/S1000db/S1000MKII stands are a breeze to set up and enhances the look and feel of any environment its in. The atmosphere changes once we set our eyes on the clean lines and wooden finish of these speaker stands.

The well-designed S2000pro/S1000db/S1000MKII speaker stands place the speaker on a solid platform, which helps achieve the best overall sound quality, especially bass. The elegant design negates the effect that vibrations may cause.

Hollowed design - ready to fill with sand to increase stability and eliminate resonance.

Notes: The LPG is a West Coast Synthesis staple! The dual Low Pass Gate creates organic percussion timbres, paving the way for sonic exploration with a Buchla/Subotnick vibe.

The LPG has two low pass gates in one module. Its unique non-linear qualities emulate percussion timbres like congas, bongos, plucks, etc. The LPG is vactrol based, which creates natural-sounding decays. When the CV input is pinged by short/fast envelopes, it results in more organic sounds like bongos. The slide pot functions in two ways: when the the CV input is not patched, it attenuates/mixes the audio signal. When the CV jack is patched, it attenuates the output level and changes the timbre of the audio signal.

Each LPG channel can be used as a VCA. VCA mode bypasses the low pass filter and resonance and doesn't color the sound of your input audio. The vactrol gives the VCA a living, breathing, non-linear response.

A number of vactrols were tested for this module, and the pre-tested NSL-7053 yielded the most positive results. The NSL-7053 has a slower response and a more exponential response curve. The VTL5C4 has a slightly faster response and a more linear response curve. Vactrols have a lot of variance, so even if you use the same vactrols for both channels, each channel may sound a little different. But the LPG will work with a number of different types/brands, including dual vactrols. In fact, each channel can be built with a different set of vactrols. (Note: VTL5C3 and VTL5C3/2 vactrols are not recommended in the LPG.)

Specifications:
Width: 4HP
Depth: 57mm
Current draw:
+12V: 45mA
-12V: 45mA

Notes: Professional 4-channel audio mixer, with DSP effect unit, integrated MP3 player and Bluetooth receiver.

Specs:
Input channels: 4
Number of mix/mono: 2
No. of stereo: 1
Mic input: 0.6 mV, bal. 2 x XLR
Line input: 80 mV (stereo), 1 x 6.3 mm jack L/R - 7 mV (mono), 2 x 6.3 mm jack
Aux input: 340 mV, 1 x 6.3 mm jack L/R
Master output: 760 mV, 1 x 6.3 mm jack L/R
Effect send: 9 V, 1 x 6.3 mm jack
Headphones: = 8 O, 1 x 6.3 mm jack
Frequency range: 20-20,000 Hz
THD: < 0.03%
S/N ratio: > 75 dBA
Equalizer bass: i15 dB/80 Hz
Equalizer midrange: i15 dB/2.5 kHz
Equalizer treble: i15 dB/12 kHz
Phantom power: +48 V
Power supply: ~230 V/50 Hz/15 VA
Mains voltage: ~ 230 V
Mains frequency: 50 Hz
Power consumption, operation: 15 VA
Admiss. ambient temp.: 0-40 -C

Notes: Professional video and live-streaming made simple:

Create high-quality, attention-grabbing videos or stream live on all today's top sites. This new kit gives you all the tools you need to create professional video that will stand out from the crowd, with just your smartphone.

Always get the perfect shot:

The included iKlip Grip Pro is 4 accessories in one - a desktop tripod, handgrip, full-sized tripod and monopod, so no matter how or where you're shooting, you're covered! It fits any sized smartphone and most action cameras securely, to precisely position your phone to get the best angle whether you're at home or on the go.

The convenient 1/4" UNC mount on the top makes it easy to mount accessories like a ring light, and an included Bluetooth shutter lets you start and stop recording remotely.

Crystal clear audio:

iRig Mic HD 2 is a high-quality digital microphone with adjustable sensitivity to capture crystal-clear speech. It connects digitally to your smartphone, with Lightning, USB-C and Micro-USB cables included, and offers 24-bit, 96 kHz sound quality for truly professional results.

Its convenient handheld design is great for interviews or location work, and includes a tabletop tripod for hands-free, desktop use.

Set the scene:

Lighting can make or break a scene, so the iRig Video Creator HD Bundle also includes a 10" LED ring light with adjustable colour and brightness so you always look your best. With up to 3600LM brightness and an adjustable colour temperature between 3200-5500k, you can easily dial in the right lightning for any situation, mood or vibe.

And no batteries are required, just connect to any USB power supply or battery pack and shoot at home or on the go!

Works with all your favourite apps:

Whether you want to create fun, daily videos for your Instagram Story, kickstart your YouTube channel, or engage your favourite Facebook group with live-streaming content, the iRig Video Creator HD bundle works out of the box with any app that captures audio and video. So you can look and sound like a pro with an endless range of ways to create.

Create serious videos that will stand out from the crowd with the iRig Video Creator HD Bundle.

Notes: The ACL Oktave is made with two main functions in mind - allowing you to transpose any sequence or melody up or down by up to four octaves, and to fine tune your signal up or down by nearly 7 semitones. It's great for quick melody transposition both on stage and in the studio, but naturally, we've made sure it can be used more imaginatively than that...

The module has three high impedance inputs, one low impedance inverting output and four low impedance non-inverting outputs. This configuration is made with the intention of controlling the pitch of up to four VCO modules simultaneously, but it also allows you to do more interesting things, like mix up to three incoming CV signals and add DC-offsets to them. And internal buffering means that more VCOs can be controlled simply by using a multiple module, such as the passive part of our Multi II.

Octave tuning is performed with a high quality nine-position rotary switch, spanning -4V to +4V, with 0V in the centre position.

Fine-tuning of the input mix is handled with the Tune potentiometer, with a range of a little less than + / - one fifth. This smooth linear control can be handy for correcting an out-of-tune input signal or deliberate creative offsetting.

To ensure precise and reliable octave tuning and offset adjustment with minimal errors, Oktave features precise on-board voltage reference, precision low-tolerance resistors, and low-noise/low DC-drift/Offset Operational Amplifiers.

Installation depth:

22 mm deep
Current Draw:

7 mA +12V
3 mA -12V
0 mA 5V

Notes: A-132-8 is an octal VCA and primarily planned for polyphonic applications. The module contains four VCA pairs. Each pair includes two daisy-chained VCAs. One VCA has a linear control scale, for the second VCA linear or exponential control scale can be chosen by means of jumpers. We decided to provide two VCAs for each voice because usually one VCA is required for loudness envelope and a second one for velocity (or other functions like individual voltage-controlled loudness of each voice, amplitude modulation and so on).

These controls and in/outputs are available:

- Default Gain 1 (GL)
- Default Gain 2 (GX)
- CV Input VCA 1
- CV Input VCA 2
- Audio Input
- Audio Output

In addition, an Audio Sum Output is also available.

The module features two Default Gain controls (GL, GX), that enable the opening of the first VCAs (L) and/or second VCAs (X). For this the controls GL and GX generate two internal control voltages 0...+10V which are connected to the switching contacts of the sockets 1L...4L (control GL) and 1X...4X (control GX). As long as no patch cable is inserted into the socket in question the internal default control voltage (GL or GX) is used to control the corresponding VCA. This is necessary when the VCA in question is not in use (i.e. no external CV available). Otherwise the VCA would close and there would be no output signal even if the other VCA in the chain is open. The controls GL and GX are also useful for testing polyphonic patches (e.g. for tuning the VCOs).

In the factory the CV inputs are adjusted for a CV range 0...+10V - matching to the polyphonic ADSR module A-141-4. But the sensitivity of each CV input can be adjusted by means of a trimming potentiometer to adapt the CVs even to other control voltage ranges.

Notes: Round out your sound! The Duplicator gives you easy control over doubling and reverb while TC-Helicon's famous 'tone' takes care of your EQ, Compression, De-Essing and Gate. This compact stompbox is the perfect tool for any musician looking to achieve amazing doubling.

Double tracking has been a staple in studio recording for decades. It adds punch and interest at just the right moment. Replicator brings that studio sound to your live performances, giving you tight, loose and octave options that perfectly suit your song.

Reverb simulates a physical space, allowing your voice to fit into the music perfectly. Whether it's something small like a room or large like a concert hall, Replicator's vocally tuned reverb compliments your voice. We're all human and nobody hits every note perfectly. Nobody. With transparent auto-chromatic pitch correction, we nudge your pitch to the nearest semitone. It won't turn a potato into a spaceship, but it can give you a little support when you need it most.

Adaptive EQ (equalization), compression, de-ess and gate automatically control the timbre and shape of your vocal, ensuring that every note you sing is clear and intelligible to your audience. When the crowd can hear what you're singing, they can sing along. Nothing is better than that! Mucking about with mic gain can be a real hassle, especially if you're in a hurry or at a new and unfamiliar venue. Replicator automatically sets your mic gain, so you never have to worry whether things are set correctly.

Sometimes it's just not feasible to find a power outlet when you're performing. That doesn't mean you should be without your Replicator! It can be powered by 4 AA batteries (not included) in addition to the optional 9V adapter.

Notes: Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions.

Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Enhanced comfort with Alcantarar over-ear memory foam cushions.
Modular product design - Headphones for life.
Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Technical specifications

W+ Link Headband

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 16 hrs
Bluetooth version: 5.0
Bluetooth range: 10 m
Charging time: 2 hrs
Battery: 970 mAh
Omnidirectional mic: 100 Hz - 10 kHz
Bluetooth codecs: AAC, SBC

W+ Link Transmitter

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 30 hrs
Charging time: 3 hrs
Battery 2700 mAh

Notes: The J44 models are JICO CUSTOM SHOP brand alternate replacements for the iconic SHURE M44 cartridges. JICO has two products available on the market: the J44A 7 and the J44D. The J44D is designed to be a replacement for the SHURE M44G, while the J44A 7 is designed to be a replacement for the SHURE M447. The JICO J44 models are made to be as close to the actual SHURE M44 cartridges in terms of output performance.

The J44D and the J44A 7 are the same exact cartridge, just as the original SHURE M44G and M447 cartridges. The difference in the sound reproduction is created by the stylus that is used with the cartridge, which produces the distinct sound that is reproduced in conjunction with the J44 cartridges from JICO.

The N-44G stylus that is included with the J44D offers a thicker bass sound than the N-44-7 stylus that is included with the J44A 7, which gives a brighter sound-the same difference as with the SHURE 44 cartridges.

JICO has followed the structure of the SHURE products to release the alternative replacement. Not only the sound output is as close to the SHURE M44 cartridge models but the tracking ability of the J44 performs the same with sticking to a record groove with high jump/skip resistance and low wear.

The JICO J44D offers a vibrant high-definition sound, with a detailed deep warm thickness to the bass. This produces a well-balanced and solid sound. The J44D generates a broad, smooth sound with a musical audio response and 3D audio image, similar to the specification of the genuine Shure M44G cartridge.

Cartridge: J44D
Cartridge Type: Moving Magnet
Stylus: N44G DJ IMP Nude
Stylus Type: Nude Conical (Spherical)
Tip Size: 0.7 mil
Cantilever: JICO S-Type Aluminium
Weight: 5.6 g
Height: 16 mm
Output Voltage: 6 mV
Frequency Range: 20Hz-20kHz
Recommended Load: 47 kO
Direct Current Resistance: 800 O
Compliance: L8.5 / V7.8
Stereo Channel Balance: 1.5 or below
Channel Separation (at 1kHz): 20 db
Tone Arm Mount: 1/2 inch standard mount
Tracking Force: 3.5-4.5 g
Glow in the Dark: True
Use: DJ (scratching)

Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.

Notes: Odyssey presents the Black Label Flight Zone FZGSVCI400BL DJ controller case featuring our revolutionary patented Glide Style laptop platform design.

Specifically made for the Vestax VCI-400 bundled with both Serato DJ Intro software and Virtual DJ LE, it also features our exclusive, patent pending, high-density bevel foam interior that neatly angles upward raising the controller for an efficient control surface. The stylish V-Cut removable panel allows for easy access to the front controls and headphone/mic jacks.

A spacious ventilation pit under the controller is ideal for storing cables and other accessories.

Notes: The TG 100 is the first entry-level wireless system that includes a pilot tone function which provides a lot of advantages. Speech clarity combined with user-friendly handling and improved protection against interference makes the TG 100 a handy all-round wireless system. Developed for smaller sound installations as well as for ambitious hobby musicians the TG 100 wireless system is equally adept to both speech and singing.

Live show or band practice, the handheld transmitter containing a professional dynamic microphone capsule meets all needs. The handheld set is the perfect stage tool for ambitious hobby musicians and offers the necessary flexibility for any kind of performance.

Notes: The Alchemist is a powerful, programmable effects unit and synthesizer that fits in the palm of your hand. It is capable of running all the OWL Patches available in Rebel Technology's library, and you can write your own patches for it. Supported languages include Cycling'74 Max Gen, Pure data, FAUST and C++.

Notes: The 14.7 model carries up to 40 vinyl records and has additional room in an outer front pocket to hold further 20 x 7" ingles, headphones, an iPad or other smaller items. ideally suited to DJs or alternatively as a day to day/work bag.

Notes: Capture audio where it happens - No cables, no wireless, no worries...

The TASCAM DR-10L is an ultra-compact, incredibly convenient digital recorder/lavalier microphone combo. For added flexibility, the included wired lavalier microphone is affixed via a 1/8" screw-down lock connector compatible with most Sennheiser lavalier mics and mics with the same connector.

Designed for both the creative filmmaker and the busy videographer, the DR-10L is an immensely powerful problem-solving tool, delivering professional sonics and revolutionary convenience.

Ideal for location recording, a DR-10L can be mounted to each on camera actor, removing the need for booms, wires or expensive (an unpredictable) wireless systems. Perfect or live events, a DR-10L can be worn by each and every member of even the biggest wedding party to ensure that every last word is captured. And lastly, the combination of a portable, high quality digital recorder and a tiny, professionally spec'd microphone makes the DR-10L an inspiring tool for the experimental audio designer.

Stealth fighter:
Building on the success of the DR-10X and the DR-10SG, the DR-10L marries the industry standard TASCAM portable mini-recorder with a high performance lavalier mic. Easy-to-use - and easy-to-wear - the DR-10L can become your secret weapon in the war against poor production audio.

Dual recording records two files simultaneously at different levels:
Film-makers and videographers often experience sudden audio volume jumps during filming. An actor could decide to scream a line and a documentary subject could do almost anything. Designed to be used as a self-contained remote recording device, the DR-10L is well prepared to deal with these scenarios. The DR-10L has several features to prevent distorted audio, but the most secure is Dual Recording. This feature captures a copy of your signal at a lower level, as a safety track in case of distortion.

Automatic file closing saves file data before the battery runs out:
You can always monitor the battery level on the easy-to-read OLED display. If the battery runs out in the middle of a recording, the unit will automatically save the file before turning off so your take isn't lost. And the case is designed so that batteries can be changed quickly, without removing the recorder from the camera shoe mount.

Automatic level, limiter and other functions solve common recording level problems:
If the input sound level is too low or too high, an automatic level function can increase or decrease the recording volume to an appropriate level. The limiter prevents distortion caused by sudden input overloads. These functions save you from worrying about recording level settings in situations when there is no second chance.

Compact and lightweight body that is only 63 g, including battery:
The DR-10L has been designed to be small, light and easy to conceal. Perfect for on-camera talent, documentary subjects or entire wedding parties, the DR-10L can easily be hidden away and so that noting comes between you and the perfect shot (with perfect audio!)

Operates for up to 10 hours continuously on a single alkaline AAA battery:
One easily obtained Alkaline AAA battery powers the DR-10L for up to 10 hours continuously. The DR-10L can also use disposable lithium or rechargeable NiMH batteries.

In the Box:
- Tascam DR-10L Digital Audio Recorder with Lavalier Mic
- Lavalier Microphone
- Microphone Clip
- Windscreen
- USB Cable
- Carrying Case
- Belt Clip

Notes: Sismo Qadrox is a square wave generator with three analogue oscillators, built in eight step sequencer, manual reset, CV in-out and Sync in-out. Create powerful ambient noises, rhythms, richness, textures and sound effects.

Polyphony: Monophonic
Oscillators: 3 x Square wave
Control: CV in-out, Sync in-out
Power source: 12 Volts DC (centre positive, not included)

Notes: The MiniMod CVMix-Offset-VCA is a compact 10hp wide Eurorack format module. It has been developed to offer a range of useful utilities for the MiniMod system and of course other Eurorack synthesisers.

It comprises a four channel polarising mixer, amplifier, inverter, a voltage source and a DC coupled VCA with switchable CV offset.

Uses include mixing together CV modulation sources, mixing an offset voltage with a CV source, converting a bipolar +/- 5V modulation into a unipolar 0 to +5V.

This useful module is a Bipolar Mixer, DC voltage source and Linear DC coupled VCA.

- With no input to channel 1 the Input 1 pot becomes a voltage source with a range of +/- 6V.
- The control pot and input for channel 4 can be switched to become an offset control and/or a second CV input for the VCA.
- Input 3 has 2x gain, so it can amplify lower level CV's too.
- All inputs are bipolar, which means that either non-inverted or inverted version of the input signal can be added to the mix depending upon the Input control being turned clockwise (non-inverting) or anti-clockwise (inverted). The 12'o'clock position is zero.

Notes: USB version of the excellent value LP60 turntable, featuring a built-in audio interface to help you connect to a computer and digitise your vinyl. Fully automatic design includes line output to connect to speakers.

Supplier's Notes:
With the AT-LP60XUSB fully automatic belt-drive turntable you can experience your vinyl's high-fidelity audio directly or convert it to digital. The AT-LP60XUSB plays both 33-1/3 and 45 RPM records and is equipped with a USB output that allows direct connection to your computer.

Just download the free Mac- and PC-compatible Audacity recording software (or software of your choice) and start converting your records to digital audio files. In addition to the USB output, the turntable is also equipped with a detachable RCA output cable (3.5 mm male to dual RCA male) and a built-in switchable phono preamp so you can connect directly to your home stereo, powered speakers, computer and other components, whether they have a dedicated phono input or not.

This updated version of the AT-LP60-USB features a redesigned tonearm base and headshell to improve tracking and reduce resonance. Noise is further reduced by the inclusion of an AC adapter that moves the AC/DC conversion outside of the chassis where its impact on the signal chain is limited.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the AT-LP60XUSB's Dual Magnet cartridge with replaceable stylus. The cartridge is integrated into the headshell for assured performance and ease of setup.

The turntable comes with a 45 RPM adapter and a removable hinged dust cover.

Specifications

Turntable

Type: fully automatic
Motor: DC servo-controlled
Drive Method: Belt-drive
Speeds: 33-1/3 RPM, 45 RPM
Turntable Platter: Aluminium

Notes: Specially designed to accommodate the Native Instruments S4/S5 MIDI controller, however products such as the American Audio VMS4 and Denon MC-6000 will also feel at home in this cleverly designed controller bag.

Constructed from high quality fabric, the NI-S4 backpack has padded walls to ensure your controller is well protected. The innovative easy-secure main compartment allows for quick access yet holds the controller securely whilst in transit. The side entry laptop compartment is able to deal with models up to 18" and the internal deluxe organiser with spacer mesh pocket ensures that those miscellaneous smaller items are kept safely in place. The bag is designed to be flexible in transit and has a 4 method carryng system.

Notes: Reduxer is a stereo sample reducer effect module.

Depends on it's signal, It can produce dynamic range of sounds from knurly bitcrushing to formant/vowel style effects.

Extra resolution

Custom made Redux potentiometer with 300 degrees rotation for extra crashing resolution.

Double the power

Two proprietary sample reduction circuits with extra offset control on channel 2 via the "Spread", lets you create motion in the streo field for wider effect.

Stereo operation

Inputs are normelized - supporting mono to stereo configuration.

Reduction under control

Redux CV input with attenuator for external control of the bit reduction rate.

Reverse polarity protection

The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.

Dimensions

Width: 8HP
Depth: 20mm

Current draw

+12V: 25mA
-12V: 25mA

Notes: The SetonixSynth Marsupial is a new dual filter design based around the re-issued AS3350 filter IC, originally used in rare synths such as the Synton Syrinx, Crumar Spirit and Rhodes Chroma but never widely utilized. Normalization between the control inputs and a Series/Parallel switch makes it simple to dial in a huge variety of unique and musical filter sounds.

Current draw: 36mA @ +12V; 35mA @ -12V

Eurorack width/depth: 8hp; 25mm

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Everything sounds better with compression - whether you need a bit of extra pressure for your drum sounds or just that extra touch to make your modular mix more nimble and tight, the Erica Synths Stereo Compressor will make your live performances a joy. The module is optimized for percussion sounds and will be a great addition to any Erica Synths Drum module rig. The Stereo sidechain can be used to animate melodic layers on the beat and to truly bring your Basslines to life.

Features

THAT chip-based stereo compressor
DC coupled sidechain
Gain, Threshold and Compression Amount (Ratio) settings
Stereo Link for level detectors
Bypass switch
8 segment output level VU meter

Specs

Audio input level -5...+5V
Threshold -40dB to +10dB
Makeup gain -12dB to +12dB
Ratio 1:1 to 8
Power consumption +60mA, -22mA
Module width 10HP
Module depth 35mm

INPUT LVL; Adjust the input signal level to your taste
GAIN; This knob adjusts the makeup gain of the compressor
THRESHOLD; Set the compressor threshold
COMP. AMT;This knob adjusts the compression ratio
STEREO LINK; Sending hard-panned or significantly different audio levels on the left and right channels into the audio inputs may result in undesired left-right panning on the output of the compressor, because the level detectors on each channel will ensure a different amount of compression. With the STEREO LINK switch on, the level detectors on both channels are merged and the min/max function is engaged. This ensures equal compression on both channels.
PROCESS; The bypass switch allows for turning off the compressor instantly
8 SEGMENT VU METER; 8 segment VU meter gives a visual reference of the output signal
IN L / IN R; These are the L and R audio inputs
OUT L / OUT R; These are the L and R outputs of the module
SIDE IN L / SIDE IN R; These are L and R sidechain inputs. You can process each channel individually
SIDE OUT L / SIDEOUT R; These are the sidechain signal outputs - they are buffered copies of the sidechain inputs

Notes: Built upon the foundations of its acclaimed predecessor, this new version drastically expands the feature set within the same footprint.

All the original goodies are still there, now enriched by a full list of state-based logic functions including a delay line.

Faster processing allows perfect handling of audio signals.

User editable settings are stored in non-volatile memory.

With its versatility and features never seen before, the Klavis Logica XT will arouse your creativity and bring inventiveness to your soundscapes.

Dimensions
5 HP
25 mm deep

Current Draw
21 mA +12V
1 mA -12V
0 mA 5V

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Output Module with Flexible I/O, Balanced Outputs, and VCA Headphone Cue Monitoring

Auscultation is the act of listening to the internal sounds of the body during a medical examination, typically with a stethoscope. While you can't listen to your internal organs with this module, you can easily tap into the sounds of your modular in some useful ways.

Auscult is a main output and monitoring module for eurorack, with some extra-unique features. All inputs are either mono or stereo, and the impedance-balanced outputs provide up to +10dB of gain. There is a headphone cue monitoring system that uses a VCA crossfader to help you audition fresh sounds against your existing main mix, at whatever level you set with the headphone source knob. In addition, there is a quality headphone amplifier with two switchable output levels, making it capable of driving even very high-impedance headphones.

Finally, additional mono/stereo Main and Cue Input connections on the rear of the module allow for connecting to another module's expansion connectors (also ripe for DIY'ers). This leaves the front panel inputs open for use with other modules and on-the-fly connections. Easily flip between the front and rear connections using switches on the front panel.

Specifications:

Width: 8HP
Depth: 3.3 cm
Power: 85 mA @ 12V, 85 mA @ -12V
Output Gain: 8 to +10 dB (modular level)
Inputs/Outputs: Unbalanced modular inputs / Impedance-Balanced Outputs (Unbalanced is fine too)
Input Impedance: 100K ohms
Output Impedance: 330 ohms

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Configuring a streaming setup from scratch can be a daunting task, particularly for users with little or no music production experience. The minimalist design of the AG01 takes this into account by combining a high-quality condenser microphone with DSP effects, a LOOPBACK function, flexible input connectivity, and a simple, intuitive mixer for stress-free streaming operation.

Simply connect to your computer or iOS/Android device along with the headphones of your choice, then set your levels and you've got a fully operational streaming station that can be up and running within minutes. If you're an aspiring live streamer that requires a compact yet comprehensive, high quality all-in-one solution, the AG01 is ready when you are.

In most streaming applications your microphone is likely to feature prominently onscreen so it is important for it to complement your overall vision. With a unique and iconic design that blends classic and contemporary aesthetics, the AG01 looks as good as it sounds, offering both black and white-based models to suit your preference.

In addition to the condenser microphone audio input, the AG01 is equipped with a mini stereo line input jack, and an upgraded 4-pole mini jack (TRRS) for smartphones that allows input and output. You can also add audio from devices connected via USB in LOOPBACK mode. Combined with these features, this microphone-type model can cover a wide variety of streaming styles that could not be achieved in the past without a separate mixing device.

The AG01's high-performance condenser microphone utilizes a cardioid polar pattern that captures your voice or musical instrument performance precisely, and converts it into high resolution audio (192kHz, 24bit) while blocking out unwanted ambient noise from the rear or sides.

The AG01 features high-quality DSP effects, allowing you to easily add COMP/EQ and REVERB to color and hone your audio and get the best sound possible to broadcast to your audience. What's more, these tools are processed by the internal DSP chip so there is no delay, making the AG01 particularly valuable for live streaming, when real-time accuracy is required.

You can also turn these effects off completely to capture pure, raw recordings of the AG01's condenser microphone for music/audio production that will be edited by an engineer later.

There are many situations in live streaming where you may need to make audio adjustments on the fly. The carefully configured physical controls of the AG01 respond to these needs providing a simple operating experience that won't detract from your live content or performances.

AG Controller offers two modes, "Simple" and "Detail," which allow users with varying degrees of audio engineering experience to easily and precisely check and adjust the AG's DSP processing from any Windows/Mac or iOS device connected via USB.

The AG01 can be easily placed on a desk or any flat surface with its dedicated stand, or mounted on a desk arm, making it adaptable to almost any environment.

It can also be used in combination with a mobile battery allowing you to take your fully functioning streaming station anywhere you like.

*For stable operation of the AG01, a power supply of DC 5V 900mA or more is required.

AG01 comes bundled with Cubase AI music production software, as well as WaveLab Cast for audio production and editing. The AG01 is also compatible with Rec'n'Share and Cubasis LE applications for iOS devices which are available free of charge from Yamaha and Steinberg to support and inspire your audio content creation.

Specifications

Microphone Unit: Back electret condenser type
Polar Pattern: Cardioid
Adress Type: Side
Frequency Response: 30 Hz - 20 kHz
Max Input SPL: 110 dB (THD - 1.0% at 1 kHz)
Sensitivity: -34 dB i 3 dB (0 dB=1 V/Pa, at 1 kHz)
Connector: USB Type-C

Input Channels
Microphone: 1 (Mono condenser microphone)
AUX: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1

Output Channels
PHONES: 1 - Stereo mini
Smartphone: 1 - 4-pole mini input/output (TRRS)
USB: 1
Bus: 1 Stereo
Functions: MIC GAIN (HIGH / MID / LOW), MUTE button x 1, STREAMING OUT (MIC / INPUT MIX / LOOPBACK), MIX MINUS MIC (ON / OFF)

On-board processors
DSP: COMP/EQ, REVERB (SPX Reverb) *Detail is Controlled on AG Controller
USB Audio: 2 IN / 2 OUT, USB Audio Class 2.0 Compliant, Sampling Frequency: Max. 192 kHz, Bit Depth: 24-bit, Type-C
USB DC Power Input: 1 - Type-C, 5 V DC, 900 mA

General specifications
Power requirements 5 V DC, 900 mA
Power consumption Max. 4.5W
Dimensions: W: 116 mm (4.6") H: 281 mm (11.1") D: 118 mm (4.6")
Net weight: 1.2 kg (2.6 lbs)
Included accessories: USB 2.0 Cable (1.5 m), Quick Guide, Safety Guide, Wavelab Cast Download Information, Cubase AI Download Information
Others: Operating Temperature: 0 to + 40C