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Cat: 718636 Rel: 01 May 19 • View all Synthesisers
 
Experimental 25-key paraphonic analogue/digital hybrid synth
Notes: A synthesizer like no other, MicroFreak is a peculiar, exceptional instrument that rewards the curious musician. It blends wavetable and digital oscillators with analogue filters. It features a unique poly-aftertouch flat keyboard. It adds controlled randomness to sequences. This isn't a revolution, it's a mutiny.

This out-there little music machine features a versatile digital oscillator so you can create rare and interesting sounds with ease. Modes like Texturer, KarplusStrong, Harmonic OSC, and Superwave give adventurous musicians the chance to explore totally new, unheard possibilities. Like having dozens of synths in just one instrument, both wild-eyed newcomers and seasoned professionals will fall in love with MicroFreak's flexible, powerful synth engine.

Physical modelling, wavetable synthesis, virtual analogue, there is nothing as complete and exciting as the MicroFreak oscillator on the market. It's hard to believe from such a small synth, but here it is, ready for you to explore. Excite your creativity and reward your curiosity with a large, diverse sound palette. MicroFreak features 11 awesome oscillators, 4 bespoke Arturia engines, and 7 modes from our friends at Mutable Instruments.

Inspired by the trailblazing 12-dB Oberheim SEM filter, you can make MicroFreak's filter scream or whisper to taste. The filter is state-variable, and can even auto-oscillate! You can use this is any way you like, from taking the edge of the razor-sharp wavetable sounds, or automating the cut-off by modulating it with keyboard pressure or the in-built sequencer.

Record up to four automations, edit notes per step or use the innovative Spice and Dice sequencer functions to find happy accidents. Add randomization to create evolving, original patterns, and virtually rewire and reconfigure its signal chain and controls with the 5x7 modulation matrix.
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 2 in stock $237.13
Cat: 761638 Rel: 17 Mar 20 • View all Headphone amplifiers & monitors
 
headphone amplifier DIY kit
Notes: Clever little valve-based headphone amp from Korg's NuTekt DIY range. Some basic assembly required but no soldering. Fully customisable for advanced users.

Supplier's notes:
The HA-S is a Nutube-equipped DIY Headphone amp kit that will let you enjoy the highest quality audio anywhere. No soldering is required, so even if you are new to the world of DIY, you will be able to assemble the HA-S to add a warm, analog tube-driven signal boost to any sound source in no time! Build your own Headphone amplifier This DIY HA-S kit allows you to build your very own Headphone amplifier in an easy and fun way, without any soldering needed. Not only that, it provides the authentic vacuum tube sound that audiophiles know and love. Built-in Nutube Nutube is a new and revolutionary fully analog vacuum tube developed by KORG INC. and Noritake Itron Corporation. The same as a conventional vacuum tube, Nutube is constructed with an anode, grid and filament, and operates as a complete triode tube, effectively generating the response and same rich harmonic characteristics of conventional vacuum tubes in a more compact, stable and energy-efficient way. The transparent case of the HA-S delivers a glimpse into this technology; allowing the glow of the tube to be visible at all times. Energy efficiency The filament of the Nutube is powered by a DC to DC converter, which consumes less electric current and thus allows for a longer battery life than other vacuum tube equipped amplifiers. The design is so efficient that the HA-S can drive the Nutube with a line voltage of 26 V using only two A4 batteries., for a rich and authentic vacuum tube sound. Sound possibilities The HA-S has a special NFB (Negative Feedback) switch, that allows you to choose from a high fidelity clean and pristine sound, or a warmer, more harmonically rich sound as expected from a vacuum tube. When the NFB switch is OFF, the harmonics present in the Nutube (triode tube) will be amplified to create a sound rich in harmonics, warmth and textures. When the NFB switch is ON, the distortion ratio and frequency characteristics will be modified, creating a really detailed and clean sound. For further sound modification, we have included two OP amp options for the output: the premium audio oriented "MUSES01" and the industry standard NJM4580, both from JRC. These can be easily replaced so even the most purist audiophiles will be able to customize and adapt the sound of their HA-S to heir heart's content. For advanced users who want to customize their amplifier even more, the circuit diagrams are readily available, making it really easy to change discrete components and make your own and unique headphone amp matching your desired tone and performance -, the possibilities are endless!
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MRP:$335.74 SAVE 34%
 3 in stock $221.41
Cat: 557488 Rel: 19 Dec 14 • View all Synth modules
 
Analog computer synth module designed for musical purposes
Notes: MATHS is an analog computer designed for musical purposes. Amongst other things, it will allow you to:

- Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
- Integrate an incoming signal
- With no signal applied, generate a variety of linear, logarithmic, or exponential functions
- Add, subtract and OR up to 4 signals
- Generate analog signals from digital information (Gate / Clock)
- Generate digital information (Gate / Clock) from analog signals
- Delay digital (Gate / Clock) information
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 5 in stock $286.03
Cat: 686269 Rel: 27 Apr 18 • View all Synth modules
 
Universal, patch-programmable modulation source - 14HP
Notes: Mutable's segment generator is a one-size-fits-all approach to LFOs, envelopes and modulation. A surprisingly creative module with potential way beyond the basics.

Supplier's notes:
ASR envelope, complex 6-stage envelope, LFO, 4-step sequence or switched LFO: Stages can be any kind of modulation.

Not because all these behaviours have been pre-programmed in the module, but because it allows you to describe your own modulations in terms of basic operations: ramp from one voltage to another, hold a voltage at a set level, wait for a trigger and slew. With or without looping.

Whether you need one complex envelope, or several simpler modulations, Stages reconfigures itself according to which of its gate inputs are patched. There is always a role for it in your patch.

That's it. Really, there isn't more to the story.

Self-generating chiptunes? Very weird LFO shapes? Random gate delay? Stages probably does strange and wonderful things when patched in a certain way.

Flexible input/output layout:

The module detects the presence of jacks on its gate inputs to group its segments: whether it is configured as a complex 6-stage envelope, or 6 individual envelopes, or 3+3, 2+4... depends simply on how you patch it. Dummy patch cables might come handy!

When used as a multi-segment envelope, a segment activation signal is produced on all secondary outputs - for example to trigger an external event when an ADSR envelope enters its decay, sustain or release stages.

In case more than 6 segments are required, up to six modules can be chained together thanks to a connector at the back of the module.

Three segment types:

- Ramp segments go from one voltage to another, in a CV-controlled amount of time, with an adjustable curve (accelerating, uniform, decelerating). They are the building block used for the attack, decay or release segments in envelopes... or for LFOs.
- Hold segments stay at a constant (but CV-controllable) voltage for a programmable amount of time. They serve as the sustain or hold segments in envelopes.
- Step segments glide to a target (CV-controllable) voltage, then stay at this voltage for a certain amount of time until a trigger is received. They are the main ingredient for step sequences, but also for building sequential switches or a sample-and-hold.

Looping:

A segment, or a group of segments, can loop on itself: if the last segment of the envelope is included in the loop, the loop lasts forever. Otherwise, the loop remains active while the gate is high, then continues past the last segment of the loop. These two behaviours allow the creation of self-looping envelopes (LFOs), or the sustain stage of a good old ADSR envelope!

Single segment processing:

Even when they aren't part of any group and don't receive any gate or trigger signals, individual segments can perform interesting functions: Ramp can loop on itself and turn into an LFO, Hold can delay a CV and Step can slew it.

Now patch a trigger signal: the self-looping Ramp turns into a tempo-synced LFO, the Hold segment becomes a pulse generator, the Step segment a sample-and-hold.
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 6 in stock $238.17
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Cat: 697102 Rel: 06 Aug 18 • View all Drum machines
 
Drum machine featuring bold, hard-hitting pure analogue sounds
Notes: The little brother to the original DrumBrute arguably packs a bigger punch. Gritty analogue sounds are on offer, but the sequencer is just as inspiring. A great alternative to the usual Roland suspects.

Supplier notes:
This is the drum machine you've been waiting for.

Combining bold, hard-hitting analogue sounds, a monstrous output distortion, performable controls, superb connectivity, and a powerful sequencer, DrumBrute Impact will fill your music with energy and muscle.

Putting the focus on "Brute", DrumBrute Impact features 10 high-energy, refined, punchy analogue sounds.

You can also use the exclusive "Colour" sound-shapers to introduce unique, per instrument effect for some variation. Boost the harmonic content, add some drive, snap, or crack at the touch of a button, you can even automate tonal changes by creating a "Colour" sequence. If you want your drums to push even harder, use the built-in distortion on the output for some drum-optimized crunch.

DrumBrute Impact is a drum machine for musicians and producers who crave raw power and monstrous tone.

Awesome drums made easy:

Sharing the same prize-fighting sequencing architecture found in the original DrumBrute, you'll love the simple, fun, and intuitive sequencer in DrumBrute Impact.

Whether you want to create complex, phasing polyrhythms or straight, pounding rhythms; record a finger-drumming performance; punch in a step-sequenced masterpiece; DrumBrute Impact beats to your rhythm. Use the touch strip to create some real-time glitchy, beat-repeat breakdowns, spice up a single instrument or your whole pattern with a dedicated 'Random' knob, and add some syncopation and groove with the 'Swing' feature.

A true analogue experience:

Connect to your other gear, sync up, and make some music the old-school way.

Get away from computer screens, say goodbye to sub-menus, and jump into the world of tactile, instant, analogue satisfaction. Featuring a huge array of sync and connectivity options, you'll be able to hook up and jam with practically any other synth, sequencer, or MIDI-enabled instrument. Mix on the fly with dedicated controls for every function, multitrack, record, effect, and mix the sound your way with multiple bus outputs. Save patterns that you love, chain them together, and create full songs and live sets, all without looking at a single screen.

DrumBrute Impact is a massive sounding, creativity fuelling beast, with effortless workflow and amazing performance controls.
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 1 in stock $235.05
Goldring 1042 Cartridge & Stylus (cartridge & stylus)
Cat: 661184 Rel: 01 Nov 17 • View all Hi-fi cartridges
 
Audiophile record cartridge with Gyger-S diamond stylus
Notes: The 1042 is a record cartridge for the audiophile who demands the ultimate sonic performance from their system, together with the convenience of a user replaceable stylus. The extended groove contact of its Gyger-S diamond gives the 1042 unsurpassed resolution of the fine groove modulations, producing an exceptionally detailed, smooth and musical sound.
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 3 in stock $250.66
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Cat: 718062 Rel: 18 Feb 19 • View all Synth modules
 
2-channel quantizer & step sequencer - 8HP
Notes: Scales is an 8hp dual-channel note quantizer and step sequencer. Fundamentally, it takes an input voltage, quantizes it to notes in a user-defined scale, and sends that quantized voltage to an output, where you can use it as a melodic pitch source for oscillators or any other module that expects to see discreet note values at its input.

Scales goes far beyond the fundamental, allowing you unprecedented control of the pitches and intervals hiding inside your control voltages; turn LFO's into arpeggiators; random voltages into harmonic counterpoint; and unquantized external CV sequencers into chromatically tuned note sequencers.

Quantization can be locked to an incoming trigger. There are a number of trigger output options as well, ranging from no triggering (good for pitch shifting drones); through triggers that sync with either of the two outputs (or both); to a trigger or gate transmitted in sync with one sent to the module's TRIG input.

Shift:

Scales features two independent outputs, enabling you to create shifted harmonic intervals within your chosen scale using only a single pitch input. Using the SHIFT input you can modulate changes on OUT A and/or OUT B.

You can also use the shift input to switch between scales or to change the root of any existing scale pattern or split Scales into two quantizers - each conforming to a common scale, but fed entirely different voltage sources.

Sequence:

Scales also features a 128-step SH-101 style step sequencer (complete with storage for up to 35 fully programmable patterns) - allowing you to feed OUT B with sequenced notes and rhythm patterns, while OUT A continues to function as a standard pitch quantizer for external voltages. You can even sync the sequencer to quantizer events on OUT A.
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 3 in stock $265.21
Cat: 672345 Rel: 15 Jan 18 • View all Effects pedals
 
Multi effects processor featuring 55 high quality amplifier models
Notes: MOOER has unleashed a brand new multi effects processor which delivers unparalleled amp modelling in its price range and an amazing array of effects and features which will surely impress even the most disconcerting of tone chasers. The GE200 has been designed from the ground up to be the musicians perfect partner. Be it live on-stage, in the recording studio or back home in the practice den.

GE200 houses 55 amplifier models which utilize the same cutting-edge technology as MOOER's hugely successful range of MICRO PREAMPS. These digital amp models will completely recreate the tone, touch and feel of their real-life counterparts.

This mini floorboard contains an entire array of high quality digital effects. Including Compressors, drives, noise gates, EQ's, modulation, pitch, filters, delays and reverbs. The effects signal chain is fully customizable within each preset allowing each of the individual effects blocks to be internally routed in any order. The 3.5" full colour display makes viewing the UI an absolute pleasure and programming presets is as easy as 1, 2, 3 using the effect blocks dedicated edit buttons.

The built-in expression pedal and 3 brightly lit footswitches provide full control over the GE200 for rocking out live on stage. Providing real-time adjustment to some very special control options like the MERGE feature, which opens up limitless creative possibilities.

The integrated 52 second looper with half-speed and reverse effects, team up well with its optional drum machine and auxiliary input for practicing songs at home with the same sounds you will use live at the gig.

Connect GE200 to a PC via USB to record directly to your DAW. With fully configurable outputs and monitoring, GE200 can be the main hub at your home guitar studio.

All of this is housed in a sleek, brushed aluminium shell which looks fantastic in the home or studio and provides a heavy-duty roadworthy chassis for taking on tour.
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 6 in stock $218.54
Cat: 685635 Rel: 06 Jun 18 • View all DJ turntables
 
Professional high torque turntable system
Notes: Great value turntable from one of the most innovative brands in DJ tech. Classic Technics-style design updated with nice modern features like adjustable pitch range and reverse function.

Supplier's notes:
The RP-4000 MK2 is a solid DJ turntable for advanced users. The new MK2 version comes with several improvements, including a newly developed top panel and reworked metallic buttons with enhanced feel as well as a variety of functions.

The precision-engineered die-cast platter is accelerated by a powerful motor with a high-torque direct drive of more than 1.8 kg/cm. The precise motor control with 3 speeds (33 1/3, 45 & 78 rpm) allows for the RP-4000 MK2 to play back any record. The pitch section with a selectable range of +/-8% and +/-16%, respectively, is suitable for the finest pitch adjustments.

The RP-4000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Via the universal connection for pick-up systems (SME) a large number of pick-up systems can be connected.

The new deep black metallic top panel construction is equipped with metallic buttons for start/stop, platter speed, pitch control, reverse function and tempo reset. The improved touch upon hit offers a clear haptic feedback. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.
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MRP:$324.51 SAVE 28%
 1 in stock $234.02
Cat: 625489 Rel: 28 Nov 17 • View all VST instruments & samplers
 
Virtual keyboard instrument plug-in with over 500 keyboard sounds
Notes: KEYSCAPE is an extraordinary new virtual instrument featuring the largest selection of collector keyboards in the world. From "holy grail" pianos to stunning keyboards you didn't even know existed, this is a keyboardist's dream come true.

Ten years in the making, each of these sought-after keyboards was carefully restored and then deeply multi-sampled by the renowned Spectrasonics Sound Development Team. These compelling and highly expressive sounds will inspire you to PLAY!

The process began with going to the ends of the earth to find and restore each one of these rare and incredibly special instruments with the top technicians and expert craftsmen from each discipline. We even went as far as spending years redoing these instruments from scratch again and again until they were totally "right." This incredible attention to detail and meticulous care given to each instrument allowed us to develop these sounds to a whole new level of authentic tone.

While it's every performing keyboardist's dream to have the very best instruments instantly available anywhere, Keyscape is equally useful in the studio for producers and composers. Since these instruments can be easily transformed into amazing "unreal" sounds with the powerful STEAM Enginer under the hood, Keyscape easily turns these coveted instruments from History into innovative new sounds of the Future.

Custom Controls:
The Custom Controls presented for each Patch allow you to go far beyond the original sound. The intuitive interface includes useful performance controls and high-quality creative effects processing specially crafted for each Patch. Hundreds of included Patches showcase the remarkable versatility and ability to dramatically customize these iconic sounds to your music.

Authentic Expression:
With many of these collector instruments, it's really the imperfections that make them so interesting. Instead of cleaning up all the quirks and noises they make, we made sure to closely capture them since they are a big part of their vibe. In addition to that, our software team closely modelled the authentic behaviour and mojo of vintage amplifiers, classic effects units, and unique subtleties like mechanical noises, pedal noises, and release overtones to bring these sounds to a whole new level of authenticity and dynamic expression.

Hybrid "Duo" Sounds:
Along with the hundreds of patches based on the 36 instrument models, Keyscape includes special hybrid "Duo" sounds which combine two of the instruments to create something entirely new. The unique timbre of these Duo patches make them some of the most creative and inspiring sounds in Keyscape!

Omnisphere Integration:
As a bonus for Omnisphere 2 users, Keyscape also integrates fully as a satellite instrument within the Omnisphere interface. Keyscape will simply appear as a library inside Omnisphere's browser for users of both plugins. This capability allows Omnisphere 2 users to harness additional functionality like Live Mode, Stack Mode, Multi-timbrality, endless FX routings and the full synthesis power of the STEAM Engine to explore endless new sonic possibilities and combinations.
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 2 in stock $289.13
Cat: 757112 Rel: 06 Jan 20 • View all Synth modules
 
Analogue 'OTA style' cascaded 4-pole lowpass VCF with self-oscillation capability
Notes: Belgian analogue innovators Joranalogue serve up an ultra-versatile filter module. Multimode flexibility meets self-oscillation for added sonic versatility. A hell of a lot of filter for the money.

Supplier's notes:
Representing the cutting edge in modular analogue voltage controlled filter (VCF) design, Filter 8 offers more possibilities and higher fidelity in 12 HP than ever before.

Starting from the classic OTA-style 4-pole cascaded lowpass (LP) topology, Filter 8 features separate LP outputs, each with their own character. Additional filter responses are achieved by pole mixing: 1-pole highpass, a special band boost and notch response, phase shifter and 4-pole bandpass. All outputs are available simultaneously.

Key to Filter 8's performance is the innovative resonant feedback circuit. By increasing the resonance, all outputs will resonate at the filter frequency, without any low frequency response loss. At higher resonance levels, self-oscillation is achieved, turning the module into an excellent 8-phase sine wave voltage controlled oscillator (VCO) with temperature and switchable gain compensation, low distortion, constant amplitude and accurate frequency tracking over at least 5 octaves. At sub-audio frequencies, Filter 8 can function as an 8-output voltage controlled slew modifier or 8-phase low frequency oscillator (LFO).

Simultaneous exponential and linear frequency modulation is possible, for classic FM tones or chaotic modulation. A hold feature is also provided, 'freezing' the output voltages manually or under gate control. This is useful for halting modulations, or as a sync-like effect at audio frequencies. The dedicated 'ping' input allows you to easily create crisp percussive sounds with different timbres.

While rooted in the legacy of classic synthesisers, Filter 8 provides a new approach to musical signal generators and modifiers: instead of simply a VCF, VCO, slew modifier or VCLFO, a single analogue module can now be any of those, and anything in between.
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 More than 10 in stock $248.58
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Cat: 629325 Rel: 28 Nov 16 • View all Drum machines
 
Compact, versatile drum-synth featuring 17 analogue drum & percussion instruments with built-in 64-step sequencer
Notes: The Arturia DrumBrute Drum Machine is a compact, versatile drum-synth featuring 17 analogue drum and percussion instruments with a built-in 64-step sequencer. The DrumBrute Drum Machine's portable size makes it perfect for studio and live performances alike, allowing you to incorporate live finger-drumming into your sets and productions. The ergonomic layout and full-size controls allows you generate sounds and rhythms with ease, with 64 built-in pattern memories allowing you to create and store your custom patterns. The DrumBrute also features USB/MIDI and Analog Clock I/O for added versatility.

Analog Percussion:
The Arturia DrumBrute Drum Machine features 17 fully analogue drum and percussion instruments including: two kicks, snare, clap, open and closed hi-hats, high and low toms as well as conga, maracas, rimshot, clave, tambourine, zap cymbal and a reverse cymbal. This wide variety of different percussive instruments allow you to create intricate and interesting rhythm patterns with ease. One of the most unique features is the main output which includes a renowned two-mode Steiner-Parker filter. This filter allows you to add frequency sweep and bass drops with ease. Every drum sound also features multiple parameters that can be tweaked and edited to your desire, allowing you to create your perfect kit.

Portable Design, Ergonomic Layout:
The compact and portable design of the Arturia DrumBrute Drum Machine makes it perfect for taking with you to both studio settings and stage performances. The built-in 64-step sequencer allows you to utilise up to 64 steps, which can be chained together in song mode to create original performances. The DrumBrute's layout features a dedicated button, knob or pad for every features available, allowing you to easily navigate between parameters while eliminating the need for tedious menu selections. Its rugged, chunky pads and sturdy knobs are highly reliable, ensuring optimal durability that will withstand the rigors of transportation and extensive use.

In-Depth Editing:
The DrumBrute features a wide variety of effects and editing tools to add a new dynamic to your patterns and sequences. You can use the natural 'Swing' feature to add extra groove into your sequences, adding subtle time shifts to create a natural feel. The 'Randomness' function allows you to add in sporadic glitches into your sequences, while the Step Repeat, Roller and Looper functions allow you to mix up your rhythm entirely. These advanced features give you full rein over all your sequences and patterns, ideal for live performances.

Ideal For Live & Studio Applications:
The wide range of performance effects and portable size makes the Arturia DrumBrute ideal for both live performances and studio settings alike. The DrumBrute features a variety of digital and analogue connectivity plus sync options including: MIDI, Clock, 1PPS, 2PPQ, DIN24, and DIN48. This allows you to integrate your DrumBrute in your existing setup and work with all your other modular, synth and sequencing units. 3.5mm and 1.4'' headphone outputs are included to accommodate both headphone connection sizes, plus the USB and MIDI connections allow you to use the DrumBrute as a dedicated MIDI interface to control your favourite DAW.
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 3 in stock $298.50
Cat: 664142 Rel: 26 Sep 17 • View all Effects pedals
 
Synth engine guitar effects pedal with 3 operation modes
Notes: Building on the synthesis platform of the award-winning Superego, our new Superego+ raises the bar when it comes to creating synth effects, sound layers, glissandos, infinite sustain and more. Plus, we've added a complete effects section featuring 11 effects types, an EXP input for effect parameter control and an EXT jack for a 3-button controller.

The Superego+ is equipped with the following effects:

- DETUNE: pitch detune, EXP pedal controls pitch
- DELAY: warm, analog sounding delay, feedback is preset, EXP controls delay time up to 2 seconds
- ECHO: pristine digital delay, feedback is preset, EXP pedal controls delay time up to 2 seconds
- FLANGE: Electric Mistress style w/filter matrix, rate and feedback. EXP pedal controls rate
- PHASE: Small Stone style phase shifting with rate and depth control. EXP controls rate
- MOD: pitch-based vibrato or chorus. EXP controls rate
- ROTARY: rotary speaker style sound. Depth controls tweeter/horn balance. EXP pedal controls rate
- TREM 1: sine wave tremolo. EXP controls rate
- TREM 2: square wave tremolo. EXP controls rate
- PITCH: pitch shifting effect over a +/- one octave range. EXP controls whammy
- FILTER: resonant low-pass filter. EXP pedal controls frequency

The pedal provides enough sound shaping control to please the most sonically adventurous player and is equipped with Dry, Effect, Attack, Decay, Threshold, Layer and Gliss knobs, plus Rate and Depth knobs for the Effects Section. Four foot-switchable Freeze modes: Moment, Sustain, Auto and Latch, plus a Live Effects mode where the dry signal is routed thru the built-in effects and the internal synth engine is disabled, are included.

The polyphonic Superego+ works with guitar as well as other instruments including bass, keyboards, vocals, drums, etc. and comes equipped with an EHX 9.6DC-200 AC Adaptor.
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MRP:$289.56 SAVE 29%
 7 in stock $206.97
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Cat: 676565 Rel: 19 Jun 18 • View all Synth modules
 
Complex 16-step CV sequencer - 10HP
Notes: Mimetic Digitalis is a 10HP step sequencer optimized for live use. MD includes four individually editable CV outputs and a trigger out. Each step can be manually programmed or use MD to live record CV sequences using the encoder. The zero button mutes the CV at a step and shred randomizes the voltage. Save and load up to 16 patterns. Edit a pattern and use undo to return to the unedited version.
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MRP:$298.30 SAVE 21%
 2 in stock $237.14
1999 (remastered) (Super Deluxe Edition) (180 gram vinyl 10xLP box set + DVD + book + MP3 download code in slip case)
Cat: 060349 7850051. Rel: 29 Nov 19
Funk
  1. 1999 (LP 1: original album remastered) (6:19)
  2. Little Red Corvette (4:59)
  3. Delirious (4:06)
  4. Let's Pretend We're Married (7:21)
  5. DMSR (8:21)
  6. Automatic (LP 2: original album remastered) (9:24)
  7. Something In The Water (Does Not Compute) (4:03)
  8. Free (4:55)
  9. Lady Cab Driver (7:55)
  10. All The Critics Love U In New York (6:11)
  11. International Lover (6:39)
  12. 1999 (LP 3: Promo mixes & B-sides remastered - 7" Stereo edit) (3:36)
  13. 1999 (7" mono Promo-only edit) (3:37)
  14. Free (Promo-only edit) (4:30)
  15. How Come U Don't Call Me Anymore ("1999" B-side) (3:43)
  16. Little Red Corvette (7" edit) (3:08)
  17. All The Critics Love U In New York (7" edit) (3:13)
  18. Lady Cab Driver (7" edit) (5:05)
  19. Little Red Corvette (dance remix Promo-only edit) (4:33)
  20. Little Red Corvette (Special dance mix) (8:28)
  21. Delirious (LP 4: Promo mixes & B-sides remastered - 7" edit) (2:41)
  22. Horny Toad ("Delirious" B-side) (2:11)
  23. Automatic (7" edit) (3:40)
  24. Automatic (video version) (8:22)
  25. Let's Pretend We're Married (7" edit) (3:44)
  26. Let's Pretend We're Married (7" mono Promo-only edit) (3:44)
  27. Irresistible Bitch (Let's Pretend We're Married B-side) (4:07)
  28. Let's Pretend We're Married (video version) (4:03)
  29. DMSR (edit) (5:06)
  30. Feel U Up (LP 5: Vault tracks) (6:41)
  31. Irresistible Bitch (4:40)
  32. Money Don't Grow On Trees (4:21)
  33. Vagina (3:27)
  34. Rearrange (6:15)
  35. Bold Generation (5:52)
  36. Colleen (5:20)
  37. International Lover (LP 6: Vault tracks - take 1 - live In Studio) (7:19)
  38. Turn It Up (5:26)
  39. You're All I Want (2:54)
  40. Something In The Water (Does Not Compute) (3:59)
  41. If It'll Make U Happy (4:16)
  42. How Come U Don't Call Me Anymore? (take 2) (6:13)
  43. Possessed (LP 7: Vault tracks - 1982 version) (8:49)
  44. Delirious (Full-length) (5:58)
  45. Purple Music (10:55)
  46. Yah, You Know (3:10)
  47. Moonbeam Levels (2019 Remaster) (4:03)
  48. No Call U (LP 8: Vault tracks) (4:30)
  49. Can't Stop This Feeling I Got (2:40)
  50. Do Yourself A Favour (8:56)
  51. Don't Let Him Fool Ya (4:37)
  52. Teacher, Teacher (3:37)
  53. Lady Cab Driver/I Wanna Be Your Lover/Head/Little Red Corvette (Tour demo) (7:02)
  54. Controversy (LP 9: live In Detroit 11/30/82) (5:34)
  55. Let's Work (5:32)
  56. Little Red Corvette (4:11)
  57. Do Me, Baby (7:24)
  58. Head (6:44)
  59. Uptown (2:37)
  60. Interlude (0:26)
  61. How Come U Don't Call Me Anymore? (6:40)
  62. Automatic (LP 10: live In Detroit 11/30/82) (6:49)
  63. International Lover (8:41)
  64. 1999 (9:58)
  65. DMSR (7:52)
  66. Live In Houston 12/29/82 (DVD)
 in stock $254.81
Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter
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 5 in stock $294.34
Cat: 561278 Rel: 16 Jul 15 • View all MIDI controllers
 
Pro controller & performance sequencer with 2 monophonic step sequencers & 16 track drum sequencer
Notes: The ultimate sequencing powerhouse.

BeatStep Pro is unique: a world-class controller, performance sequencer and composing tool all in one very connectible package.

BeatStep Pro is unlike anything you have ever used on stage or in the studio. Wherever you are, whatever gear is available, taking control of the creative process has never been so easy.

Step into the spotlight

Two independent melodic sequencers and a drum sequencer put thousands of on-the-spot ideas at your disposal.

With BeatStep Pro you are master of the performance, taking full control of virtual devices, analog and digital instruments, drum machines and iPad apps all at once. 16 Projects are instantly accessible, each of which contains 16 sequences per melodic sequencer and 16 patterns for the drum sequencer. That's over 4000 possible combinations per Project!

Each melodic sequence can be up to 64 steps long with individual articulation of pitch, velocity and gate time per note. These are the most powerful step sequencers ever made. The drum sequencer has 16 separate tracks per sequence (one per pad). Record in real time from the pads or use the step buttons for that classic drum machine workflow.

Perfect performance

BeatStep Pro brings together the most unique and sought-after performance effects available: a looper with a touch strip, a randomizer, swing settings and a slew of hands-on controls that will make your performances the stuff of legend.

Take control

Control mode lets you trigger clips in your favorite DAW, play sounds from an external device or make magic with your plug-in of choice. Take your music from idea to reality with BeatStep Pro.

Plays well with others (very, very well)

With BeatStep Pro you can connect to virtually any musical device within reach: computers, virtual instruments, modular synths, drum machines; anything with USB, MIDI in and out, CV/Gate outputs, Clock in and out, or DIN sync. From the oldest music technology to the newest and beyond, BeatStep Pro is bound to become the centerpiece of your setup and the heart of your creative efforts for many years to come.
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 1 in stock $204.96
Cat: 734884 Rel: 15 Oct 19 • View all Synth modules
 
6HP VCO with auto-tuning & octave shift
Notes: Simplified version of the Furthrrrr Generator dual VCO, inspired by Don Buchla's designs. Through-zero linear FM, wavefolding, sub-oscillator and auto tuning. Proper west coast synthesis at its best.

Supplier's notes:
The Endorphin.es Godspeed is sort of the single oscillator version of the famous Furthrrr Generator. From its big brother it takes over the digital Thru-Zero core and the legendary wavefolder. But it also has new features like a sub-oscillator output and an immensely practical autotune function.

Especially for people starting with a modular system this oscillator is highly recommended. On 6HP it delivers all the features (and more) needed for diving into the depths of West-Coast-Synthesis!
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 1 in stock $216.33
Cat: 641355 Rel: 24 Aug 17 • View all DJ decks
 
Full-featured CD & USB media player with 4.3" colour screen, moving waveform & onboard search & analysis
Notes: Trying to find your gateway into modern DJing? Look no further than the MDJ-600 Professional Media Controller. It may be small, but this mighty unit has plenty of capabilities without the need for external software with its USB, MIDI and CD compatibilities.

MDJ-600 - Tiny, Yet Fierce:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and active Auto/Manual Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Fast Learning, Faster Results

The MDJ-600's intuitive interface will have you spending less time learning and free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 5-inch touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. Bonus MIDI capabilities mean you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard. Of course, the MDJ-600 is fully compatible with our V-Case Library Management Software, which offers users a faster, easier way to manage their music libraries.
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 1 in stock $216.33
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Cat: 685975 Rel: 19 Apr 18 • View all Music production software
 
Latest Signature Bundle FL Studio software - with a lifetime of free updates!
Notes: FL Studio 20 Signature Edition is the most complete virtual studio. Image Line FL Studio 20 Signature Edition DAW software serves up all of the awesome production power of FL Studio Producer Edition, plus even more outstanding instruments and effects to spur your creativity right from the start. Like the Harmless software synthesizer, a fresh take on subtractive synthesis that sounds amazingly smooth and fat. And Gross Beat, a time and volume effect for creating gating, scratching and glitch effects.

FL Studio 20 is a complete software music production environment, representing more than 16 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music.

What you can do with FL Studio 20 Signature Edition:

- Audio editing and manipulation including pitch correction, pitch shifting, harmonization, time-stretching, beat-detection & slicing, audio warping and standard audio manipulation (cut/paste etc).

- Automate most interface and all plugin parameters by recording, drawing, spline-based automation curves, automation generators with formula-based control of links.

- Be hosted in other DAWs as a VST or connected through ReWire.

- Live music performance including video effect visualization. Mix and remix audio including apply real-time audio effects including delay, reverb & filtering.

- Multi-track audio recording up to the limit of your audio-interface inputs.

- Record & play MIDI input recording from keyboards, drum pads and controllers.

- Sequencing and arranging with pattern and linear workflow possible.

- Synthesizer & effect plugin hosting VST 32 & 64 bit, DX and FL Native formats.

- Make virtually any sound - FL Studio includes over 30 software synthesizers covering acoustic/synthetic bass, electric guitar, multi-sampler tools including piano & strings, general sample playback and beat-slicing (With Rex 1 & 2 support).

- Multi-channel audio inputs - With the ability to simultaneously capture all the inputs on your audio-interface, FL Studio has the flexibility to record a single vocalist, guitar or a full symphony orchestra.

- Arranging audio - Audio can be arranged, with complete freedom in the Playlist. Features include the ability to host an unlimited number of audio recordings, time-stretching, pitch-shifting, beat-slicing, cropping, editing and the re-arranging of audio with only a few mouse clicks.

- Pattern or track sequencing - You choose, record your musical performances and ideas in the most logical way. FL Studio 20 can simultaneously function as a pattern and track based sequencer. Reuse patterns as Pattern Clips in the Playlist or record song-length sequences, as desired.

- Step sequencer or Piano roll - Scoring tools include FL Studio's legendary Step-sequencer, one of the most advanced Piano rolls in any software studio, event and multipoint automation envelopes. FL Studio supports MIDI input, standard controller compatibility, and the ability to simultaneously control multiple instrument channels from separate controllers.

- Determine your own project design - In FL20, you decide how your project will be laid out, including multiple 'Arrangements'. Unlike the competition, FL20's Playlist is a totally flexible and virtually unbounded workspace where Note Pattern, Audio and Automation data can be arranged and edited to suit your creative ideas and preferred workflow.

- The mixer - is about precision, control and flexibility. The mixer's tracks each hold up to 10 effects (VST or FL's proprietary format). To create sub-mixes or mixing chains of almost unlimited complexity, each mixer track can be routed to any other mixer track or the Master track. Sends provide the ability to sidechain inputs to multi-input effects plugins. Finally, each of the mixer tracks can be routed to any output on your audio interface, now that's flexibility.

- Effects - What about effects? FL Studio includes more than 40 effects spanning maximization, limiting, compression, delay, distortion, equalization (graphic & parametric), filtering, phasing, flanging, chorus, vocoding and reverb. These have you covered for the creative broad-brush effects, through to the minutia of the mastering process.
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 3 in stock $230.07
Cat: 749862 Rel: 15 Oct 19 • View all Synthesisers
 
Four-part polyphonic desktop synthesiser with virtual analogue synthesis
Notes: Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 2 in stock $222.69
Cat: 620699 Rel: 10 Aug 16 • View all Synth modules
 
USB/DIN MIDI voice and clock interface synth module in Eurorack format - 6HP wide
Notes: The uMIDI provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.
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 3 in stock $213.21
Cat: 602195 Rel: 10 Aug 16 • View all Synth modules
 
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 5 in stock $204.90
Cat: 718065 Rel: 18 Feb 19 • View all Synth modules
 
4 track gate & trigger sequencer - 8HP
Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.
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 2 in stock $232.98
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Cat: 569585 Rel: 30 Jun 15 • View all Synth modules
 
Tidal modulator signal generator Eurorack synth module - 14HP wide
Notes: Tides is all about waves that go up and down, from minute-long cycles to audio rates... This module is Mutable Instruments' unique take on the looping AD envelope generator - pushing this well-known trope to unknown territories.

The core of the module is a digital asymmetric triangle function generator, which can be used in AD and AR modes (for envelope generation), or looping (as a VC-LFO or VC-DO). The triangle generator is followed by a wavetable waveshaper providing linear, exponential, logarithmic, sinusoidal, or arc-sinusoidal shapes for the A and D segments. Then, a second processor applies either a 2-pole low-pass filter to the waveform, smoothing its sharp edges; or a rubbery wavefolder, adding kinks and "bounces" to the waveform. Because Tides has been designed from the ground up to work at audio rates with minimal aliasing, and because all its parameters are under voltage control, it can be used as a unique self-contained synth voice.

Tides' advanced features include:

- Output level CV input (digital VCA).
- Dual outputs: standard unipolar waveform, and "double-shot" waveform with a positive spike during the ascent and a negative spike during the descent. At audio rate, both of them have a different sound.
- Accurate V/Oct tracking with straightforward calibration procedure.
- Freeze input to temporarily hold the waveform.
- Clock input to lock onto a multiple or fraction of a trigger sequence... or audio signal, PLL-style.

*For audio demos, please visit - http://mutable-instruments.net/modules/tides/demos
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 5 in stock $205.92
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Cat: 631792 Rel: 13 Apr 17 • View all Synthesisers
 
Analog synthesiser with all-new synthesis structure optimized for monophonic sounds & sequences - black
Notes: Next-generation monophonic analog synthesizer in a vivid five-colour line-up:
Fully programmable, analog synthesis for all players; monologue is the next-generation monophonic synthesizer that shares the spirit of the acclaimed minilogue, with a completely new voice and powerful new features.

The monologue is a 25-key, fully programmable monophonic analog synthesizer with a voice all its own. While sharing its sleek layout, knob-per-function workflow and high-quality construction with the best-selling minilogue, monologue is a truly unique new synth for all types of musicians; featuring new voicing and sound sculpting abilities - at an amazing price. The monologue's completely new filter, modulation, drive, and LFO can generate powerful basses and sharp leads, creating awesome mono sounds that showcase its single-voice design. The step sequencer has also been dramatically expanded, allowing more intuitive and more complex editing. With a line-up that gives you a choice of five eye-catching colours, this compact instrument has a strong personality to match your own.

Redesigned monophonic analog circuitry:
The monologue contains monophonic analog synthesizer circuitry that builds on the circuitry of the minilogue. But that doesn't mean that the monologue is simply a one-voice model of the minilogue. It's a monophonic beast with stunning power that comes from a redesigned envelope section, modulation routing, and a filter with powerful low-end punch.

The structure is 2VCO, 1VCF, 1EG, 1VCA, and 1LFO. In addition to the same distinctive circuits as on the minilogue (such as the wave shaping that shapes the overtones of the oscillator, and a sync/ring switch), the filter section uses a two-pole filter to deliver aggressive sound. Newly featured is a drive circuit that adds overtones and distortion to the sound, letting you generate fat basses and sharp lead sounds to your heart's content. The LFO rate can be adjusted into an unprecedentedly ultra-high-speed range to generate crazy space-shattering sounds, or switched to one-shot mode to act, in a sense, as an additional envelope.

Fully programmable:
The monologue goes beyond analog synths in its price range by adding 100 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep subs to brilliant cutting leads and even percussive sequences. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. Built-in programs provide 80 preset sounds and sequences made by creative artists around the world including legendary electronic artist Aphex Twin, plus 20 user locations for saving custom sounds.

16-step sequencer for highly-evolved motion sequences:
The step sequencer of the monologue has been significantly enhanced to deliver musical, complex rhythms that are easy to capture, see, and edit. It supports both real-time recording with overdubbing capability as well as step recording that lets you record simply by pressing keys in the desired order, and you can also use the 16 physical buttons for quick editing or for improvisatory performance. The motion sequence function lets you record up to four knob movements to apply time-varying change to the sound, and allows you to record not only continuously changing values as on previous models, but also values with step-wise variation. Since it's designed to let you create different sounds at each step, you can make unprecedented sequences, such as a sequence that generates a drum pattern from a single program.

There's also a key trigger function that lets you play back a sequence while you hold down a key, and even transpose it. Another new function is slide, which can be used to produce smooth bass lines by specifying portamento for each step.

Battery-powered analog:
From smooth curves to muscular straight lines. The stylish visuals featuring aluminium and wood are inherited directly from the minilogue, but have been modified to a straight, direct design that bespeaks the power of a monophonic instrument. In spite of its stout construction, the compact and light-weight body is only 1.7 kg / 3.78 lbs., providing an unprecedented combination of toughness and portability.

In addition, unlike most analog synthesizers in its class, the monologue can operate on batteries. Even if you're a hardware performer who uses numerous units, you won't need to worry about providing additional power supplies and installation space.

Sync with Audio Sync:
In addition to 5-pin In/Out and USB MIDI, monologue includes Audio Sync connectivity, which allows it to play in time and integrate seamlessly with KORG volcas, electribes, minilogue and SQ-1. Use the monologue with your DAW as a USB MIDI controller or a versatile analog voice. Send clock over USB and use Audio Sync to chain monologue's clock to other Audio Sync-equipped products.
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 2 in stock $233.58
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Cat: 607837 Rel: 18 May 16 • View all Synth modules
 
Eurorack SID voice synth module - 19HP wide
Notes: The original SID GUTS took the legendary SID chip and tailored it into the eurorack modular environment. By use of a real SID chip the classic sound was taken in a new direction with the levels of direct and voltage control only a modular system can offer.

The 'SID GUTS DELUXE' improves upon the original SID GUTS 'Eurorack SID Voice' by adding both new features and further control.

The module now includes improved frequency control, a chord mode using all available oscillators and numerous other tweaks.

*SWIN SID chip included (please note - ALM & Juno do not offer any support for this product)*

Technical Specifications:
Supply: +/-12V
Current Draw: ~50-200ma (with vintage SID chip)
Size: 19 HP
Depth: 32mm (including power header)
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 5 in stock $268.33
Cat: 670607 Rel: 10 Jan 18 • View all Synth modules
 
Expander module for the Befaco Hex Mix
Notes: Hexpander adds great functionality to Hexmix module. Featuring Three aux send with stereo returns, individual outputs for each channel, complete PFL system and balanced output.

Hexpander is designed to be placed on top of Hexmix. Expanding Eurorack concept to 6u, allows every channel to be aligned as in traditional tabletop mixers.

Auxiliar sends:
For every channel you have three auxiliar sends. One pot will measure the amount of signal sent to each of them.

Every auxiliar send has a volume pot, that will measure the level of the signal sent. There are two jacks available so it is possible to send the signal both pre or post fader/EQ at the same time, allowing to patch externally depending if its desired to have the original signal, or the signal after being EQ'ed on the effect.

Returns are stereo, having a switch to select if the signal is coming from synth or line level. Like this, levels can be set, for example, either for a guitar pedal or a FX module at synth level.

Monitor section:
Hexpander features a complete PFL system, to send channels to the headphones before you add them to main mix.

Flip PFL switch to send that channel to the headphones out.

With PFL/Master Pot you can do a crossfade between the master signal and every channel sent to PFL. Headphones out will control headphones volume.

Level meter will show the level of the sum of all active PFLs. When there is no PFL active, it will show master level.

Output section:
Every channel has individual 6,5? jacks out at line level. Here you have the signal of every channel post EQ.

As an addition, you have master balanced output.
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 3 in stock $298.51
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Cat: 526565 Rel: 11 Aug 14 • View all Synthesisers
 
String synthesiser unit with fully polyphonic string sections and monophonic solo sections
Notes: Streichfett combines the best of the now extinct species of String Synthesizers of the 70s and early 80s. Its dual sound engine features a fully polyphonic strings section and a monophonic solo section, which is essential for recreating how adult movies sounded thirty years ago. The Ensemble Effect handles lubrication of the String Section, while the Effects section adds adjustable Phaser or Reverb. Alternatively, the Effect section can be used to animate the strings registration, allowing spectacular sound morphs.

The Solo Section offset presets named Bass, E-Piano or Clavi, and just like in your typical string machine, the sound has little to do with that name. Instead, these are shimmering and slightly percussive sounds that blend well with the string section.

Although the User Interface is simple and easy to comprehend, it controls a rather complex sound engine which is capable to delivers rich and creamy pads unlike any other instrument.

Twelve patches can be stored and selected in the Memory section, USB and MIDI are of course on board.
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 3 in stock $200.66
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Cat: 698452 Rel: 21 Aug 18 • View all Effects pedals
 
Digital distortion pedal with high gain modern preamp
Notes: The WMD Geiger Counter is hundreds of entirely new face melting sounds. A high gain modern preamp drives an 8 bit computer, creating sounds which range from nice (tubey overdrive, lofi aliasing, hot gated leads) to total madness (impossible amounts of gain, multiple octave foldover, harsh digital data errors, and piercing sculpted noise).

- High Gain Modern Preamp
- Dramatic Tone Control with Disable
- Sample Rate from 260Hz to 58kHz
- 1 to 8 Bit Depth with Mask mode
- 252 Wave Table Modulator
- CV In for Expressive Control
- Always saves settings
- Hand Wired True Bypass
- Top Quality Components
- Super Hard Epoxy Powder Finish
- Standard 9V Power Jack
- 4.5" x 3.5" Small Footprint
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MRP:$349.47 SAVE 20%
 1 in stock $278.74
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Cat: 747621 Rel: 20 Sep 19 • View all Synth modules
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 2 in stock $231.93
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Cat: 759362 Rel: 30 Dec 19 • View all Synth modules
 
Eurorack bass drum module - 8HP
Notes: Best of both worlds, Crater is an analogue/digital hybrid bass drum that plays as hard as it kicks.

The analogue side is where crater gets its tone and its power.

Like a 909 style kick drum, Crater's analogue section features a pitch envelope that ranges from snappy attacks, to laser sounds, to disco toms. 1 volt per octave tracking and an amplitude envelope that allows users to use Crater for classic 808 style hip hop bass lines as well as rolling techno kicks. Speaking of rolling bass, Crater has a new feature we have yet to see on a dedicated kick drum module, which is the Sustain stage. The sustain knob lets you dial in a sustain level that Crater will stay at as long as the gate is high. Inspired by using samplers in "gate mode", the sustain circuit lets you use gate length to sequence different kick lengths, while keeping your decay setting constant. This is perfect for getting multiple sounds from of one module.

The Digital side is where we feel Crater really becomes unique and ultra-useful in a live performance Eurorack system.

The "secret sauce" of kick drums is usually found in layering different sounds to create a drum that cuts through the mix in the high frequencies, while remaining powerful in the lows. Many kicks you hear in dance music tracks are samples made from layering two or more sounds and we wanted to achieve this level of polished sound with our kick. So, what we did was add in a digital section for the Attack side of the kick drum. The Timbre knob lets you dial in different attack sounds we've created, inspired by classic drum machines, music we like, and sample packs we've used in the past. The "Body" knob shapes the attack while adding a bit of delayed noise which simulates things in the room being affected by the kick such as loose lugs or a snare drum rattling nearby. This gives the kick more of a natural and acoustic feel to the sound.
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 3 in stock $278.74
Cat: 763098 Rel: 04 Feb 20 • View all Synth modules
 
controlled noisillator module
Notes: Really clever noise-based oscillator from AJH. Drones, sweeps and bleeps aplenty, ranging from tamed to out-of-control filth. Also doubles up as a more conventional ring mod and distortion module.

Supplier's notes:
This 14HP wide module is a voltage controlled noise based oscillator, or noisillator for short. It generates 1/f noise and this is then sent through a feedback loop which allows the noise to be "tuned" to varying degrees depending on the settings of the frequency and resonance controls, or incoming frequency or resonance CV's. The tuned circuit can be FM modulated too, for some thunderous sweeping sounds. We have bright and dark outputs, which are pre and post filter respectively. The Bright output will always have a degree of noise present in the signal, whereas the Dark output can be tuned noise only when 4 pole resonance is selected. We also have an external Sync input, which will reset the resonant waveform, and we also have an Audio input, so that an external signal can be mixed into the resonant loop. Combinations of external waveforms to these two inputs can create some massive drone sounds, or sweeping sync sounds.

There is also an XOR ring modulator, which can be used as a module in its own right too. Lastly, we have an XOR amplifier, which is another independant circuit that can be used to add noise and distortion to any audio signal.
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Notes: Truly unique one from AJH, based on the sound of NASA's Apollo voice transmissions. Think outside the box and process drums and synths through this thing. Freaky. May or may not allow you to communicate with real astronauts.

Supplier's notes:
Here's a bit of fun for all fans of space missions from the previous century! This module is designed to re-create the ground to space and space to ground transissions from the Apollo era.

To be "Mission Control Houston" the Quindar PTT (push to talk) button adds a short 2,525Hz Qindar tone to the start of the transission, then at the end of the message the PTT button or switch is released and a short 2,475Hz Quindar tone is added to the audio. The bandwidth is slightly reduced in this mode.

For "Astronaut comms" we press the Capsule PTT switch, which allows us to add coloured noise, distortion, bandwidth reduction and either hum or LGM (Little green men space tone) noise to the audio signal. A deep space electret condenser mic is supplied and an be used with the MIC input.

Obviously the Lunar Module can also be used to add noise, hum, distortion, bandwidth reduction and LGM noise tone to any modular level audio too, and if the mic is left attached theremin like sounds can be added too with careful loudspeaker feedback.

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 2 in stock $218.42
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Cat: 714521 Rel: 22 Jan 19 • View all Synth modules
 
4 stereo channels performance mixer - 6HP wide
Notes: More than just a mixer - The Cockpit can not only be used to sum up mono and stereo signals with modular or line level, but as an effect insert for smartphones and tablets as well. Additionally, the module offers a ducking compressor plus sidechain input. Several Cockpits can be daisy-chained to form a large mixing setup. The audio paths feature a completely analog design to guarantee high-class sound.
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 2 in stock $222.57
Cat: 627705 Rel: 26 Oct 16 • View all MIDI keyboards
 
88-key velocity sensitive MIDI keyboard featuring 8 LED illuminated, velocity sensitive pads
Notes: The Impact LX88+ is a unique USB MIDI controller keyboard designed for keyboard players looking for extra reach. It's jam-packed with intelligent, expressive performance control and hooks up automatically to your DAW! If you prefer to control MIDI hardware, use the build-in MIDI Out as well as the extensive MIDI programing options. Impact LX88+ does it all, and more. Nektar DAW Integration custom designed for most of the popular DAWs, takes Impact LX88+ way beyond functionality normally offered by a MIDI controller keyboard. With Impact LX88+ the hard work is done, so you can focus on your creativity.

IMPACT LX88+ MIDI KEYBOARD:
The 88 note velocity sensitive keyboard is a semi-weighted action with medium tension. Carefully balanced with an even and dynamic response , the Impact LX88+ offers 4 velocity curves that gradually increase in dynamics so there is a match for any playing style. If you don't need velocity, 3 fixed velocity levels cater for a consistent output. The full-size, piano-style keys are covered to protect against dirt and dust while also complementing the Impact LX88+ design.

SPLIT, LAYER & TRANSPOSE BUTTONS:
The Impact LX88+ keyboard can send on up to 3 zones at the same time. Press Layer to add the layer zone and split to add the split zone. When split or layer is active, the corresponding LED button is lit so there is no confusion. Each zone can be programmed to send on its own unique MIDI channel with essential settings either pre-programmed or adjustable during performance. This is where the 2 Transpose buttons below the Split and Layer buttons come in. Four functions are selectable on the fly so you can make important changes at any time, even while you play. A key combination makes assignment quick and easy with the LED display telling you which function you have selected. Choices include sending out MIDI Program Messages, change the Global MIDI Channel or select any of Impact LX88+'s 5 user presets with either the Octave or Transpose buttons.

CONTROL CENTER:
Nine 30mm faders, 9 MIDI buttons and 8 encoders are at the centre of Impact LX88+'s control panel. Each control is fully programmable to send any MIDI CC message for use with hardware or software MIDI products. Used with Nektar DAW integration, the controls take on a life of their own, providing flexible pre-mapped DAW control giving you the best of both worlds. Control settings can be stored in any of the 5 Impact LX88+ presets for recall at any time. And if you switch Null on, any parameter values are stored when you change presets so you avoid parameter jumping.

LED BUTTONS:
The 9 LED buttons can be programmed with a variety of MIDI messages including sending specific MIDI Program changes. The last MIDI Program message sent is remembered so a corresponding LED button illuminates correctly, even if Program was sent via, for example, the transpose buttons or the Setup menu. You can also assign the 8 pads to send Program messages so you'll have instant access to 17 buttons without changing preset or pad map. Used with Nektar DAW Integration the LED buttons indicate status for a number of parameters. In Instrument mode, an instrument plugin's switch parameters can be learned with the LED telling you when it's on or off.

PADS:
For groove and beat creation, Impact LX88+'s 8 velocity sensitive pads make life easy. Calibrated to trigger at a light touch, finger drumming is suddenly well within reach with a nice and even velocity response. Each pad can be assigned any MIDI note number or MIDI cc message for use as MIDI trigger or toggle buttons. But the best part is the "Pad Learn" feature, which allows you to just select a pad, play the note or drum sound you want on the keyboard and assignment is done. No complex menus for a task that's essential to getting the most out of your pads.
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 3 in stock $205.35
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Cat: 690903 Rel: 03 Jul 18 • View all Synth modules
 
Cascading analogue waveform sculpting oscillator - 12HP
Notes: True analog innovation, the Lifeforms Primary Oscillator was designed to stretch the boundaries of pure sonic sculpting. The Primary Oscillator uses unique cascading waveform processing to create increasingly complex, fully modulatable waveforms. Through the use of multiple interwoven waveshapers, a simple waveform can quickly mutate into something deeply dynamic and harmonically rich.

Custom waveshapers include a harmonic sine wave; a sine processed to add just enough harmonics to give a resonant filter something to dig into. Next, the included blade wave processor is an evolution of our custom modulation circuit, creating modulatable ramp and pulse waves. The fragments generator is an analog downsampler capable of crushing waveforms to dust without ever sounding thin or cold. Also included, the timbre wave folder enables deep spectral change by repeatedly folding the waveform in on itself until the original waveform is unrecognizable.

The Primary Oscillator is not meant to be a clean oscillator that produces perfect waveforms. Controlled signal interactions and the unique set of cascading waveshapers at the heart of the Primary Oscillator allow for a uniquely musical approach to experimenting with a wide array of interesting sounds. Instead of relying only on the standard set of simple wave shapes, the Primary Oscillator builds on the basics to offer a powerful palate of infinitely variable waveforms. No other analog oscillator offers such a creative and deep set of audio processing tools.
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 2 in stock $218.42
Cat: 746914 Rel: 11 Sep 19 • View all Handheld recorders
 
Four-track audio recording for music, film, podcasting & beyond
Notes: The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.

Welcome to the new gold standard in field recording.

The Filmmaker's Favourite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favourite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row centre.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a 1/8" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favourite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artefacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the centre with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.

The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs:
The two locking combo connectors accept either XLR or 1/4" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.

Outputs:
A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

What's included with the H4n Pro:

- H4n Pro Handy Recorder
- Protective case
- 2 x AA batteries
- Operation manual
- Download license for Steinberg Cubase LE and WaveLab LE software
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 3 in stock $216.33
Cat: 641356 Rel: 24 Aug 17 • View all DJ decks
 
High-quality USB media player with 4.3" colour screen, moving waveform & onboard search & analysis
Notes: Looking for a convenient media controller that practically does the work for you? The MDJ-900 is expertly designed to focus on ease of use - meaning you'll spend less time learning and more time pushing this unit to its full potential.

Dramatic Accuracy:

A large 4.3-inch vivid full-colour screen is the brilliant focal point of this unit, providing real-time visual feedback of your tracks. Full track information including Title, Time, BPM, and Pitch are clearly displayed alongside the precise full-size waveform window. You'll appreciate the additional visual feedback for Slip Mode, Hot Cues and Auto/Manual Loops meaning you can confidently use scratches or hot cues without ruining your mix. The 100mm pitch fader ranges pitch from 4% to 100%; you'll mix with surgical precision.

Expand Your Style:

LINK mode enables up to 4 players to be connected over Ethernet and share music from the same USB stick. Two players can connect with standard Ethernet, and four players can quickly and simply connect via a LAN Router. Sharing your personal music library may have gotten easier, but we guarantee it's just the beginning of what you can do.

Connecting four MDJ-900s may seem daunting, so enable SYNC and match the tempos for a smoother mixing experience. This will free up precious time for you to experiment with the 4 Hot Cues, 8 Auto Loops, and the 8? touch-sensitive jog wheel with LCD display and resistance control to Slip and Scratch. With bonus MIDI capabilities, you can even control the parameters of your favourite DJ software directly from the unit, routing your audio through its 24-bit/192kHz soundcard.
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 1 in stock $287.05
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Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.
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 7 in stock $289.15
Cat: 757120 Rel: 07 Jan 20 • View all Synth modules
 
High-stability precision analogue triangle-core VC(LF)O with fine and coarse tuning
Notes: Any signal can be expressed in terms of a few parameters: frequency, phase, amplitude and timbre. It is through modulation of these aspects that synthesists create electronic sound. With Generate 3, it is now possible to create a signal and control all its parameters by through-zero modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise triangle-core voltage controlled oscillator (VCO) at the module’s heart. Through-zero linear frequency modulation (FM) enables rich yet pitch-stable FM sounds, by allowing the oscillator to run backwards into ‘negative frequencies’.

The resultant triangle wave is then processed by the through-zero phase modulator, providing a total phase shift range of 900°. Phase modulation offers an interesting alternative for FM, as it enables deep FM-type tones without actually changing the oscillation frequency.

The timbre of a signal is determined by its harmonic content. This full set of harmonics can be grouped into three main parts: the fundamental, even and odd harmonics. Generate 3’s harmonics generator separates out these three timbral ‘channels’. By adjusting their relative amplitudes, a vast array of different waveforms can be created, including but not limited to the classic sine, saw and square waves.

While the amplitudes can be adjusted manually, each timbral channel supports through-zero amplitude modulation, also known as balanced or ring modulation. When audio-frequency modulation signals are applied, the harmonics become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis techniques, the extensive set of modulation options makes Generate 3 especially suited for exploring multiphonic synthesis: a monophonic source creating a complex timbre, much like throat singing, yet by electronic means.
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 5 in stock $296.42
UMC
Cat: 060254 7464095. Rel: 19 Apr 16
Metal
  1. Angel Of Death (Reign In Blood) (4:51)
  2. Piece By Piece (2:02)
  3. Necrophobic (1:40)
  4. Altar Of Sacrifice (2:50)
  5. Jesus Saves (2:56)
  6. Criminally Insane (2:23)
  7. Reborn (2:11)
  8. Epidemic (2:23)
  9. Postmortem (3:39)
  10. Raining Blood (4:03)
  11. South Of Heaven (South Of Heaven) (4:56)
  12. Silent Scream (3:06)
  13. Live Undead (3:50)
  14. Behind The Crooked Cross (3:15)
  15. Mandatory Suicide (4:04)
  16. Ghosts Of War (3:53)
  17. Read Between The Lies (3:20)
  18. Cleanse The Soul (3:01)
  19. Dissident Aggressor (2:35)
  20. Spill The Blood (4:49)
  21. War Ensemble (Seasons In The Abyss) (4:52)
  22. Blood Red (2:48)
  23. Spirit In Black (4:07)
  24. Expendable Youth (4:10)
  25. Dead Skin Mask (5:17)
  26. Hallowed Point (3:10)
  27. Skeletons Of Society (4:37)
  28. Temptation (3:26)
  29. Born Of Fire (3:08)
  30. Seasons In The Abyss (6:30)
  31. Hell Awaits (Live Decade Of Aggression) (6:50)
  32. The Anti-Christ (3:33)
  33. War Ensemble (5:09)
  34. South Of Heaven (4:37)
  35. Raining Blood (2:36)
  36. Altar Of Sacrifice (2:52)
  37. Jesus Saves (3:05)
  38. Dead Skin Mask (5:23)
  39. Seasons In The Abyss (6:17)
  40. Mandatory Suicide (4:33)
  41. Angel Of Death (5:15)
  42. Hallowed Point (3:24)
  43. Blood Red (3:11)
  44. Die By The Sword (3:14)
  45. Black Magic (3:37)
  46. Captor Of Sin (3:42)
  47. Born Of Fire (3:01)
  48. Postmortem (4:05)
  49. Spirit In Black (4:19)
  50. Expendable Youth (4:23)
  51. Chemical Warfare (5:23)
  52. Killing Fields (Divine Intervention) (3:56)
  53. Sex. Murder. Art. (1:50)
  54. Fictional Reality (3:38)
  55. Dittohead (2:31)
  56. Divine Intervention (5:35)
  57. Circle Of Beliefs (4:30)
  58. SS-3 (4:07)
  59. Serenity In Murder (2:37)
  60. 213 (4:52)
  61. Mind Control (3:05)
  62. Disintegration/Free Money (Undisputed Attitude) (1:40)
  63. Verbal Abuse/Leeches (1:58)
  64. Abolish Government/Superficial Love (1:47)
  65. Can't Stand You (1:27)
  66. Ddamm (1:01)
  67. Guilty Of Being White (1:07)
  68. I Hate You (2:16)
  69. Filler/I Don't Want To Hear It (2:28)
  70. Spiritual Law (3:00)
  71. Sick Boy (2:14)
  72. Mr. Freeze (2:24)
  73. Violent Pacification (2:37)
  74. Richard Hung Himself (3:21)
  75. I'm Gonna Be Your God (2:58)
  76. Gemini (4:51)
  77. Bitter Peace (Diabolus In Musica) (4:32)
  78. Death's Hand (3:30)
  79. Stain Of Mind (3:25)
  80. Overt Enemy (4:41)
  81. Perversions Of Pain (3:31)
  82. Love To Hate (3:07)
  83. Desire (4:18)
  84. In The Name Of God (3:38)
  85. Scrum (2:19)
  86. Screaming From The Sky (3:13)
  87. Point (10:15)
  88. Darkness Of Christ (God Hates Us All) (1:30)
  89. Disciple (3:36)
  90. God Send Death (3:46)
  91. New Faith (3:06)
  92. Cast Down (3:26)
  93. Threshold (2:29)
  94. Exile (3:58)
  95. Seven Faces (3:42)
  96. Bloodline (3:36)
  97. Deviance (2:42)
  98. War Zone (3:12)
  99. Here Comes The Pain (4:32)
  100. Payback (3:05)
  101. Flesh Storm (Christ Illusion) (4:14)
  102. Catalyst (3:08)
  103. Skeleton Christ (4:22)
  104. Eyes Of The Insane (3:23)
  105. Jihad (3:31)
  106. Consfearacy (3:06)
  107. Catatonic (4:53)
  108. Black Serenade (alternate version) (2:59)
  109. Cult (4:40)
  110. Supremist (3:52)
  111. Final Six (4:07)
  112. World Painted Blood (World Painted Blood) (5:46)
  113. Unit 731 (2:39)
  114. Snuff (3:40)
  115. Beauty Through Order (4:36)
  116. Hate Worldwide (2:50)
  117. Public Display Of Dismemberment (2:34)
  118. Human Strain (3:07)
  119. Americon (3:22)
  120. Psychopathy Red (2:24)
  121. Playing With Dolls (4:12)
  122. Not Of This God (4:13)
 in stock $252.73
Cat: 620700 Rel: 10 Aug 16 • View all Synth modules
 
Versatile Multimode VCF + Phaser synth module in Eurorack format - 10HP wide
Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.
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 1 in stock $210.09
Cat: 643391 Rel: 29 May 18 • View all Synth modules
 
Updated version of the Springray module with added parametric EQ
Notes: There are many excellent digital reverbs available these days but there is still nothing quite like the timeless and magical character of a true spring reverb.

For the Intellijel Springray II, each tank has a totally different set of characteristics, with many unexpected surprises when feeding it through a wide variety of sound sources. One of the most interesting results is how a slow attack saw waveform from a Dixie almost sounds like a realistic cello!

Version two of the Springray provides a number of changes and improvements to the original design. The shelving EQs have been replaced with a parametric EQ with frequency, Q, and gain controls. The CV inputs for feedback and mix balance have been replaced with inputs to control the filter frequency and gain. Lastly, the feedback and limiter circuits have been redesigned, and the drive quality has been improved.

PLEASE NOTE: Does not include Spring Reverb Tank.
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 2 in stock $219.45
Cat: 557510 Rel: 19 Dec 14 • View all Synth modules
 
Controller/analog sequencer module that is played by hand
Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.
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 1 in stock $205.94
Cat: 593673 Rel: 13 Nov 15 • View all Synth modules
 
Meta modulator synthy module designed to blend and combine two audio signals - 10HP wide
Notes: Evolved from the oscillator mixing section of Mutable Instruments' desktop hybrid synths, Warps is designed to blend and combine two audio signals. A variety of wave-shaping and cross-modulation methods - some of them emulating classic analog circuits, some of them purely digital - are provided by the module.

With Warps, the cross-modulated sound can be sculpted with control voltages along 4 dimensions: by controlling the amplitude and distorting the input signals, by smoothly scanning through the collection of modulation algorithms, and by adjusting a timbre parameter controlling the brightness/harshness of the modulated signal.

Since many classic cross-modulation effects work best when the carrier is a simple waveform - for example, a sine wave for ring-modulation or a buzzing waveform for vocoding - Warps includes a digital oscillator offering a handful of classic waveforms. This internal oscillator, which tracks V/Oct and supports through-zero FM, will replace the carrier audio input - freeing up one oscillator in your system for other duties!
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 2 in stock $208.01
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Roland Aira TB3 Touch Bassline (bass synthesizer)
Cat: 522654 Rel: 17 Apr 14 • View all Synthesisers
 
Bass synthesiser based on the classic TB-303
Notes: Based on the wildly influential TB-303, the new TB-3 Touch Bassline is a performance-ready bass synth with meticulously authentic sound and intuitive controls engineered to play.

It's the TB...

...Evolved.

Nobody could have anticipated what would happen to the world of dance music when Roland's now-legendary TB-303 was embraced by inventive musicians on both sides of the Atlantic. Since the 1980s, the TB-303 has been a staple of electronic music. It is the defining sound of Acid House and has since been the marquis instrument on an array of groundbreaking electronic dance tracks. It's not only been used to write songs, but it has songs written about it. In fact, the release of the TB-303 has been heralded as one the key events in the history of dance music. Not bad for a little silver box.

Launched in 1981, the TB-303 continues to be an indispensable bass synth for dance music. Roland have meticulously analysed the circuitry of the TB-303 piece-by-piece and down to the individual circuit behaviour.

Using Analogue Circuit Behaviour technology Roland have fully reproduced both the saw-tooth and square wave oscillators as well as the -18dB/octave ladder low pass filter used in the original TB-303, capturing that unmistakable cutoff and resonance character.

In addition to the faithful reproductions of classic TB tones, the TB-3 is packed with 134 sounds that live and breathe. Bubbling synth basses, hard distortion basses, trippy delay sounds and drippy effects. They're all here - and then some.

A TB bass line not only sounds unique, but it has its own trademark feel as well. The TB pulses. It drives. It bubbles and it percolates. That's why Roland worked so hard to faithfully reproduce the Accent, Slide, and Step Sequencer behaviour of the original unit.

But Roland's vision went beyond simple reproduction.

The truth is, the step entry on the original TB-303 was difficult to use, the keyboard was difficult to play, and special manoeuvres were required for the shuffle functions.

So Roland experimented with a variety of prototypes in our quest to create the optimal TB interface.

The new TB-3 is equipped with a brightly lit, green and red, pressure sensitive touch pad that lets you seamlessly create patterns and interact with the unit during performance. In addition to pitch and volume, you can tweak filters and even control modulation by simply pressing down on the pad with your finger. It also makes the keyboard a breeze to play.

The TB-3's evolved Step Sequencer is easy to use and allows seamless switching between pattern creation and performance. Of course, an attractive aspect of the original TB-303 was how it would sometimes generate unintended sounds as the user maneuvered through its complex and cryptic pattern creation operation. In order to inject that element of chance and discovery, the TB-3 has automatic pattern generation and random pattern modification.

The TB-3's Scatter function features slicing, reverse, gating and other effects, instantly creating variations, stutters, and glitches that would normally require painstaking editing in a DAW. Complex, per-step functions are triggered easily with the Touch Pad and a single finger. Keep things fresh and interesting with 8 different types of Scatter variations and 10 levels of Scatter Depth - all controllable in realtime and in perfect sync.

You can connect the TB-3 to your computer via its USB jack for USB bus power and to send and receive Audio and MIDI data.

The TB-3 can receive MIDI clock information to sync with external devices including other AIRA series units.

The TB-3 is designed to work seamlessly and look great with other products in the AIRA series.
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 1 in stock $238.13
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Cat: 581798 Rel: 04 Jan 16 • View all Synth modules
 
Dual envelope generator & low frequency oscillator (LFO) eurorack module - 16HP wide
Notes: Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

The 540 Dual Envelope Generator and LFO (low frequency oscillator) is a multi-purpose modulation source. This unit features two independent ADSR (attack, decay, sustain, release) envelope sections that produce variable voltages for controlling other Eurorack format synthesizer modules such as oscillators, filters, and VCAs. Each section can be triggered externally, internally, or manually with dedicated jacks for each envelope, as well as an inverted output.

Additionally, the 540 includes a voltage controlled LFO with 5 waveform outputs. Front panel controls adjust both frequency and delay time of the LFO start. Delay and reset can be triggered from either envelope 1 or 2.
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MRP:$449.32 SAVE 34%
 1 in stock $294.39
Cat: 671595 Rel: 29 Nov 17 • View all Synth modules
 
Thru Zero VCO - uses quadrature trapezoid as the fundamental waveform
Notes: A-110-6 is a Trapezoid Thru Zero Quadrature VCO. The module is based on an idea by Donald Tillman from 2003 but has been revised for the use of modern electronic circuits (no OTAs/CA3280). Because of its unique trapezoid core it's totally different compared to other VCOs. But the trapezoid core is not the only specialty: it is also a quadrature VCO and features linear thru zero frequency modulation.

The term "quadrature" means in this connection that the oscillator outputs two trapezoid waves with 90 degrees phase shift. The same as sine and cosine of a standard quadrature oscillator like the A-110-4 or A-143-9. These waveforms are called TRASIN (trapezoid sine) and TRACOS (trapezoid cosine).

The term "Thru-Zero" means that even "negative" frequencies are generated. But this a bit a misleading term as negative frequencies do not really exist. "Negative" means in this connection simply that the TRASIN/TRACOS waves will stop when the linear control voltage reaches 0V and continue with the opposite directions as the linear control voltage becomes negative and vice versa.

The module has two control sections: linear and a exponential. The exponential section consists of the XTune control, the 1V/Oct input and the XFM input with the corresponding attenuator XFM. The exponential control voltage is the sum of these three voltages. The linear section consists of the LFrq control and the LFM input with the corresponding attenuator LFM. The linear control voltage is the sum of these two voltages. A dual colour LED is used to display the polarity of the linear control voltage. The pitch of all outputs is determined by the control voltages of both sections. The linear section is used to control the pitch in a linear manner. When the LFrq control (LFrq means Linear Frequency Control) is fully CW the module works like a normal VCO and the LED lights red. The pitch is then controlled by the exponential section with the manual Tune control XTune and the exponential frequency control inputs 1V/Oct and XFM. 1V/Oct is used to control the pitch by a 1V/Oct CV source (e.g. sequencer or Midi/USB-to-CV interface). XFM is used to apply an exponential frequency modulation with adjustable depth (e.g. from an LFO or another VCO). As the LFrq control is turned counter-clockwise starting from the fully CW position the frequency is lowered in a linear manner until the TRASIN/TRACOS waves (nearly) stop at the centre position of LFrq (provided that no LFM signal is present). As the LFrq control is moved from the centre towards the CCW position the waves start again but into reverse direction and the LED turns yellow. When the fully CCW position of LFrq is reached the module works again like a normal VCO. But much more exciting is the usage of the LFM input to modify the linear control voltage by an external control voltage (typically another VCO). Linear modulation by another oscillator using the thru zero feature in combination with the trapezoid waveforms generates audio spectra than cannot be obtained from any other oscillator without the thru zero function. The reason is that a "normal" VCO will simply stop as the linear control voltage becomes zero or negative. But a thru zero VCO will start again with "negative" frequencies as the linear control voltage becomes negative.

Other waveforms like triangle, sawtooth, rectangle and sine can be obtained from the TRASIN/TRACOS signals (triangle e.g. simply by subtracting TRISIN and TRICOS, SAWSIN and SAWCOS by switching the other waveforms). All five waveforms are available as quadrature pairs (i.e. with 90 degrees phase shift):

- Trapezoid (TRASIN + TRACOS)
- Triangle (TRISIN + TRICOS)
- Sinus (SIN + COS)
- Rectangle (RECSIN + RECCOS)
- Sawtooth (SAWSIN + SAWCOS)

By means of a toggle switch the frequency range can be selected between VCO (audio range) and LFO. In LFO range the frequencies are about 1/100 compared to VCO mode.

A dual-colour LED display the polarity of the linear control section. Another dual-colour LED shows the signal TRASIN which is helpful in LFO mode.

Technical note regarding linear FM: The LFM CV input is DC coupled. If the input is used for linear FM in audio range and the signal applied to this input has a DC offset it will cause a small pitch shift that depends upon the value of the DC voltage. Especially when a VCA is used to change dynamically the level of the modulation signal this may generate a pitch shift caused by the control voltage feedthrough of the VCA. The control voltage feedthrough adds a DC voltage at the output which depends upon the control voltage of the VCA. For this application VCAs with a very low CV feed though should be used or the signal output of the VCA should be AC coupled to the LFM input of the A-110-6 (e.g. by inserting a capacitor).
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Cat: 675765 Rel: 13 Apr 18 • View all Synth module accessories
 
176 HP all-inclusive Eurorack case with 5 HP power module & Arturia Link system
Notes: RackBrute 6U is an all-inclusive Eurorack case ensuring the total security of your modules and maximum practicality in all conditions of use. Its multi-position configuration and included dependable power supply make it the true specialist solution.

RackBrute 6U provides you with 176HP to store and secure your enviable collection of Eurorack modules in an everlasting yet lightweight aluminium chassis flanked by two wood panels. Once you're locked and loaded, your modular setup will look and feel like a monolith, yet more flexible than ever thanks the Link fastening system and the paired handle. When on the move, it will make the transport of your modular equipment a walk in the park. When in position, it will let you organize your command centre the way you want it. Modules don't live on love alone, and RackBrute 6U keeps everything alive with its +12V / -12V / +5V power supply.

When you have to hold your position for hours, it's better to be well set up and to have a clear view of the surroundings. For this reason, Arturia developed the Link system, a convenient and simple-to-use fastening system that allows you to orientate the dedicated handle so that you can give your modular the most tactically advantageous position. Whether prone, crouching, or standing to attention, RackBrute 6U will always be on the lookout, ready for orders.

Troops are nothing if they are not properly fed. No problem, RackBrute 6U is not just a box. It includes a formidable +12V / -12V / +5V power supply ensuring your firepower up to 1600mA. This is coupled with a military-grade power rail with 32 available slots, including advanced noise filtering technology that guarantees optimum conditions.

With RackBrute 6U, even the most headstrong modules fall into line.

The RackBrute 6U fully takes advantage of the Link System, and it's not alone. You'll also find the Arturia Link on the more compact RackBrute 3U, as well as the self-contained MiniBrute 2 and MiniBrute 2S synthesizers. What solution will you go for? Will your field of operations be fully based on Eurorack, or the powerful force of analog monosynth flagship supported by a fleet of complementary modules?
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 2 in stock $293.43
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