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Notes: Part of the new Boss 200 series, the RV-200 is a seriously classy reverb. With a choice of 12 algorithms, things quickly move from classic ambience to the pitch-shifted arpeggiated madness of the new Arpverb program.

Supplier's Notes:
Ambient Bliss

The RV-200 delivers inspiring reverbs and premium sound in the streamlined BOSS 200 series design. Twelve versatile reverb types-including the newly developed Arpverb-provide everything from subtle spatial colour to complex, dreamy textures for ambient explorations. Quickly dial in sounds with the fast-access interface. Save favourites in 127 memories. And take performances to the next level with flexible onboard footswitches, deep external control support, and head-turning creative tools like Warp, Twist, and more.

Studio-Grade Processing

The RV-200 features a powerful reverberation engine with class-leading sound quality, backed by custom BOSS DSP, 32-bit AD/DA, 32-bit floating point processing, and a 96 kHz sampling rate. Every algorithm offers true studio-grade performance, with exceptional detail and definition from the shortest early reflections to long, floating tails spanning multiple seconds.

Twelve Distinctive Reverbs

From essentials like Room and Hall to deeply immersive reverbs like Shimmer, Slowverb, and the cool new Arpverb, the RV-200 gives you the ambient colours you need for every song and style.

Room

Simulates the reverberation characteristics of a small room. Select from four room sizes with the Param knob.

Hall

Simulates the reverberation characteristics of a concert hall. Select from three hall sizes with the Param knob.

Plate

Simulates the reverberation characteristics of a studio plate reverb. Balance the high and low damping of the reverb with the Param knob.

Spring

Simulates the distinctive sound of the hardware spring reverb effect found in guitar amplifiers. Select the number of springs with the Param knob.

Shimmer

Creates long, dreamlike reverberations rich in harmonic content. Adjust the harmonic character and diffusion with the Param knob.

Arpverb

A newly developed BOSS reverb that creates an arpeggio type of sound with evocative pitch-shifted tails. Use the Param knob to adjust the attack of the arpeggio sound.

Slowverb

A sweet ambient reverb with gentle attack and soft harmonics. Param adjusts the amount of direct sound blended with the reverb, allowing you to create deep, immersive tones.

Modulate

Adds a modulation effect to a rich hall reverb sound. Adjust the modulation depth with the Param knob.

+Delay

Combines a delay with reverb, with the length of both effects controlled with the Time knob. Use the Param knob to adjust the delay level.

Lo-Fi

A specialty reverb with limited bandwidth and added distortion. Adjust the distortion amount with the Param knob.

Gate

A distinctive reverb effect that abruptly cuts off the reverb tail. Use the Param knob to control the timing of the gate effect.

Reverse

Plays the reverb sound in reverse. Adjust the high-frequency character with the Param knob.

Instant Sound Creation

Like all 200 series pedals, the RV-200 offers a powerful yet intuitive panel that lets you realize great sounds with minimal effort. Along with core parameters such as reverb time, effect level, and pre-delay, there are variable high and low filters to perfectly balance the verb for your application. You also have a density control to adjust the weight of the sound, plus a parameter knob with access to multiple sound-shaping tools that are unique to each type.

Expressive Performance Control

The RV-200 includes memories for storing 127 reverb sounds, so your favourite setups are always ready to go. Two onboard footswitches pack a lot of performance versatility, with numerous options to reassign their targets to suit your needs. For example, you can bypass the effect, scroll through memories, and activate a Hold function to carry on the reverb effect for as long as the switch is pressed. It's also possible to assign powerful performance effects such as Warp, Twist, and Fade.

Specifications

Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes- ROOM, HALL, PLATE, SPRING, SHIMMER, ARPVERB, SLOWVERB, MODULATE, +DELAY, LO-FI ,GATE, REVERSE
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +7 dBu
Input Impedance: INPUT A/MONO, B: 2 M ohms
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +7 dBu
Output Impedance: OUTPUT A/MONO, B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY/HOLD switch, MODE knob, TIME knob, PRE-DELAY knob, E. LEVEL knob, PARAM knob, LOW knob, HIGH knob, DENSITY button, MEMORY button
Display: 7 segments, 3 characters (LED)
Indicator: DENSITY indicator, MEMORY (MAN, 1--4) indicators

Connectors
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type, CTL 1, 2/EXP jack: 1/4-inch TRS phone type, MIDI (IN, OUT) jacks: Stereo miniature phone type, DC IN jack, USB port: USB2.0 micro B (program update only)
Power Supply: Alkaline battery (AA, LR6) x 3, AC adapter (sold separately)
Current Draw: 260 mA

Expected Battery Life Under Continuous Use: Alkaline: Approx. 4 Hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet "USING THE UNIT SAFELY", Leaflet "To obtain the Owner's Manual", Alkaline battery (AA, LR6) x 3, Rubber foot x 4

Options (sold separately):
AC adaptor: PSA-S series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
TRS/MIDI connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 101 mm / 4 inches
Depth: 138 mm / 5-7/16 inches
Height: 63 mm / 2-1/2 inches
Height(including rubber feet): 65 mm / 2-9/16 inches
Weight: 610 g / 1 lb 6 oz
Weight (including battery): 680 g / 1 lb 8 oz

Notes: Dial in Professional Sounds in Seconds

The BOSS ME series has been a favourite of performing guitarists for over three decades, combining multi-effects power with intuitive hands-on control for crafting tones in seconds. The ME-90 is the most advanced ME model to date, offering exceptional audio quality, flagship-grade AIRD amp models, IR loading, an effects loop, and more. Compact, battery-powered, and filled with premium BOSS tones, this versatile all-in-one processor makes it easy to build customized sound setups for every playing situation.

Fast Sound Creation

With its knob-driven interface and diverse effects selection, the ME-90 lets you build configurations and tweak tones with the ease of a stompbox-filled pedalboard-without the hassle of fastening tape, power distribution, and multiple connection cables. Just dial up an amp model or effect type within a category and turn the knobs to get the sound you want. There are 36 preset patches with ready-to-play pro tones, plus 36 user patches for storing your custom creations.

Flexible Real-Time Control

The ME-90 features eight footswitches with smooth, quiet operation and an expression pedal with an integrated toe switch. Use Memory mode to call up complete patch setups with the footswitches, and then switch to Manual mode for direct on/off control of each effect category within the patch. The footswitch LEDs light in different colours for quick identification in the heat of a performance. It's also possible to set all LEDs to light in a fixed colour for each mode if desired.

High-Quality BOSS Effects

The ME-90 puts a massive library of BOSS effects at your command, offering seven different categories filled with selections derived from the flagship GT-1000. Everything you need is here, from overdrives and distortions to pitch/mod effects, delays, and high-quality reverbs. You also get 11 dedicated Pedal FX, a looper, and specialized effects such as acoustic simulation and down tuning. There are 60 effect types in total, with access to over 20 more via BOSS Tone Studio. A send/return loop is available for external pedals, complete with the ability to save the on/off status in patches and place the loop before or after amp models in the signal chain.

Premium Amp Sounds with AIRD Technology

Along with its effects, the ME-90 includes amp models ported from the GT-1000, driven by our advanced AIRD technology for authentic tube tone and touch response. Eleven onboard amp types offer everything from clean combo sounds to punishing high-gain stacks, and you can access more selections in BOSS Tone Studio. Each amp includes a dedicated cab sound for connecting to a PA or recording device, and you can load three of your favourite speaker IRs to personalize sounds to your taste.

Edit, Customize, and Expand

BOSS Tone Studio for macOS and Windows extends your creative range, allowing you to edit tones and change out some amp and effect types with alternate selections. In addition, you can save and organize patches for different gigs, download pro setups at BOSS Tone Central, and swap patches with the ME-90 community on BOSS Tone Exchange. The ME-90 also supports the optional Bluetoothr Audio MIDI Dual Adaptor, enabling you to stream music from a mobile device and wirelessly shape tones using the dedicated BTS editor app for iOS and Android.

Light, Durable, and Ready to Travel

The ME-90 is lighter than its previous generation model while maintaining the rock-solid durability that BOSS is famous for.

Specifications
Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 97 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Tuner Internal Detection: +/-0.1 cent
Nominal Input Level: INPUT: -10 dBu, RETURN: -10 dBu
Maximum Input Level: INPUT: +7 dBu, RETURN: +7 dBu
Input Impedance: INPUT: 1 M ohm, RETURN: 1 M ohm
Nominal Output Level: OUTPUT (L/MONO, R): -10 dBu, PHONES: -10 dBu, SEND: -10 dBu
Output Impedance: OUTPUT (L/MONO, R): 1 k ohm, PHONES: 44 ohms, SEND: 1 k ohm
Recommended Load Impedance: OUTPUT (L/MONO, R): 10 k ohms or greater, PHONES: 44 ohms or greater, SEND: 10 k ohms or greater

Controls:BANK DOWN/AMP switch, BANK UP/EQ switch, CTL/REV switch, MEMORY/MANUAL switch, 1/COMP switch, 2/OD/DS switch, 3/MOD switch, 4/DELAY switch, PEDAL FX switch, Gt. AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, GAIN knob, BASS knob, MIDDLE knob, TREBLE knob, LEVEL knob, REVERB knob, COMP/FX1 TYPE knob, SUSTAIN/SENS/-1OCT knob, ATTACK/TONE/-2OCT/DEPTH knob, LEVEL/PEAK/DIRECT knob, OD/DS TYPE knob, DRIVE knob, TONE knob, LEVEL knob, MOD TYPE knob, RATE/KEY knob, DEPTH/HARMONY knob, E.LEVEL/RESONANCE knob, DELAY TYPE knob, TIME knob, FEEDBACK knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob, PEDAL FX pedal
Display: 7 segments, 2 characters (LED)

Connectors: INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adapter
Current Draw: 190 mA

Expected battery life under continuous use:
Alkaline battery: Approximately 6.5 hours
* This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.
Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"

Options (sold separately)
AC adaptor: PSA-S series
Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL
Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb / 7 oz

Notes: Entry-level controller for NI's Traktor DJ software. Surprisingly feature-packed for such an affordable price. Two channels with integrated mixer and effects, plus RGB pads for hot cues and loops.

Supplier notes:
Whether it's bass-heavy breakdowns, steppy synths, or peak-time rewinds that define your style, the TRAKTOR KONTROL S2 has everything you need to make your mix happen. Craft sets on two decks and get creative with easy-to-use tools like looping, beat syncing, and club-grade effects.

Turn the music you listen to into the sets you play, with a streamlined interface that makes blending tracks a breeze. Plug in, line up a few of your favourite tracks, and get mixing wherever you are. You can leave the beatmatching to TRAKTOR, so you have more time to pick tunes that fit the vibe, experiment with FX, use looping and remix decks, and to define your own sound. Whether you're at a house party, a bar, or the club, you can create mixes made to make you move.

WHAT'S NEW?

The perfect way to really ramp up your mixing, with eight RGB pads on each deck. Cut straight to a hook everybody knows by setting and triggering cue points, or punch in your own edits with samples on a Remix deck.

Upsized, touch-sensitive jog wheels let you cue, scratch, and nudge tracks much more accurately - not to mention perform bigger backspins. They also mean more fun getting hands-on with your music.

A familiar club-standard layout, wherever you go. Browse tracks, adjust beatgrids, use effects and features like Flux Mode, directly on the TRAKTOR KONTROL S2. Everything you need for creative mixes at your fingertips.

Turn up your track transitions with new Mixer FX: Cut bass with a filter instead of EQ for resonant kicks, or get hi-hats galloping with delay. A choice of eight effects and three filters ensures you always have the right tools to hand.

Scale up your set with Steams and loops. Trigger one-shot sounds and samples to inject new energy into your mix.

Notes: The MOD REX is a kinetic tour-de-force that lets you weave compelling, shifting, musical tapestries. Whether you are a guitarist, synthesist or electronic musician you will find it inspires your creativity and stretches your musical boundaries.

Four independent modulation sections:

The heart of the pedal is its four, independent modulation sections synced in time, they are:

MOD features great sounding EHX Vibrato, Flanger, Chorus or Phaser. The Depth knob lets you set the amount of the effect while Feedback controls the resonance of the Flanger and Phaser.

TREM delivers tremolo, an effect that modulates the volume of your signal. The Depth control sets tremolo intensity.

PAN modulates between left and right in stereo operation. In mono operation the PAN section acts as another tremolo section, but with the wave shapes all inverted!

FILTER offers a choice of a modulated LPF, HPF or BPF. In LPF (low pass filter) frequencies above a modulated cut-off point are cut. In HPF (high pass filter) frequencies below a modulated cut-off point are cut, and in BPF (band pass filter) frequencies above and below a modulated centre point are cut.

Each section also features a choice of four LFO shape options: rising sawtooth, triangle, falling sawtooth or square wave. They affect the way the modulation transitions and provide advanced creative control over the specific section as well as the way they interact with each other.

Tempo control that's flexible and powerful:

The MOD REX delivers virtually limitless polyrhythmic possibilities.

Its TEMPO component gives you nine note-length choices for each of the four modulation sections. They are independently selectable in increments starting at a whole note and ranging thru subdivisions that go up to a 16th note. In addition, any of the sections can be bypassed.

The MOD REX's tempo (displayed as beats per minute or BPM) is adjustable with the Tempo knob, Tap Tempo footswitch or by using an expression pedal into its EXP input. It can also be synced to an external device with MIDI Clock or an external pulse clock.

MIDI and the MOD REX:

The pedal's robust MIDI implementation enables you to sync devices quickly and easily as well as automate functions and changes so they occur precisely when and where you want them whether you are working at home, in a studio or live.

The MOD REX accepts MIDI to enable it to tempo sync the modulation rate with an external device, to recall presets via MIDI Program Change messages and to control any parameter on the MOD REX via Control Change messages.

Extras:

The MOD REX lets you save and recall up to 100 presets. It comes from the factory with 20 great programs.

The pedal features full stereo input and output.

An external foot controller input makes banking up and down thru presets quick and easy.

Notes: The Allen & Heath ZED-10 mixer is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio input/output making it easy to capture stereo recordings.

Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.

Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. The ZED-10 is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects.

Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED-10 is super-flexible and super-easy. No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED-10, select the USB routing on the mixer and the device on your computer and that's it. CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations.

SEND OPTIONS
1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)

RETURN OPTIONS
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)

ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ - with optimised slope (or Q factor) for equalising individual instruments.

ZED-10's pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain "Boost" switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character

Notes: The BF-22 VCF is a dual Hi/Low-pass filter inspired by the Sallen-Key filter from the early MS-20.

DISCLAIMER: This filter brings to your modular system the character of early MS-20 sound: Kick-ass-rocking-dirty screams! It inherited not only it's amazing sound, also MS-20 noise floor. If noise floor is an issue for you, this might not be your filter.

Features:

Dual-channel Sallen-Key Filter. Inspired by the early MS-20
High and Lowpass operation.
Two CV inputs per channel with a dedicated atenuverter for the first one.
CV controlled resonance.
The first channel can be linked to the second one with the "Link" switch.

Specifications:

Current needs: +12V: 40mA, -12V: 20mA
Width: 17 HP
Depth: 30mm (including power connector)
Aluminiun, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Crush Delay v3 is a special Echo-Delay unit based on the PT2399 IC, which is able to offer 400ms of clean delay and up to 2 seconds of dirty repetitions, having a special talent to generate noisy-glitch textures. The module bases its operation on controlling the PT2399 chip with circuit bending techniques, converting the unit in an advanced VC digital trash generator. This third version comes with some interesting new features like redesigned VCAs circuits, wider range for clean delay and reduced depth to make it skiff friendly.

The module features a few VCAs to provide a flexible signal route to maximize module's possibilities. First two VCAs at the inputs to control the amount of signal sent to the delay. The first is routed to both the dry/wet mix and the delay, and the second directly to the delay. Combining the second VCA and the FX Send output allows external feedback routings.

Compared with v2, this third version offers a bigger range of clean delay time as well as a revision of some of the Crush modifiers. Combining those modifiers you will have a access to a vast palette of noises and textures that can be used in many different ways. From ambient/drone patches to even percussion sounds.

The VC Feedback features an automatic gain control to keep levels stable at any feedback level.

- Current needs: +12V: 135mA, -12V: 35mA
- Width: 11 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
- Designed, kits prepared and modules assembled in Barcelona

Notes: To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.
Dual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.

FX:

Mono delay
Stereo delay
Hi-pass delay
Big reverb
Saturated reverb
Stalker reverb
Ripper
Dual pitch shifter

Technical specs:

Audio output level: -5...+5V
CV level (full span): -5...+5V
Power consumption: 118mA@+12V, 61mA@-12V
Module width: 10HP
Module depth: 45mm

Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.

Notes: Erica Synths Black Hole DSP 2, an updated version of Black Hole DSP features 24 custom effects, designed in close co-operation of Erica Synths team rider KODEK and creator of SpinCAD software Gary Worsham. Each effect has 3 manually and CV controllable parameters, manual and CV control over sampling frequency for spanning from 48kHz to really Lo-Fi crunchy sound and full analogue dry/wet control. All effect parameter settings can be saved to the memory and instantly recalled with the effect, which makes Black Hole DSP II ideal for live performances.

Notes: A bit of a bargain in the turntable world. Reloop's budget model punches way above its weight, offering features, sound and build quality found on much more expensive models.

Supplier's notes:
The RP-2000 MK2 is a dependable turntable for prospective DJs. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Quality direct drive motor and precision-engineered die-cast platter:

Compared to belt-driven turntables, the RP-2000 MK2 transfers its motor force directly to the drive hub - this way a higher torque generates power faster on the precision-engineered platter with minimal wow and flutter. The adjustable pitch control with a range of +/- 8% is suitable for the finest pitch adjustments.

Statically balanced S-shaped tone arm:

The RP-2000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a large number of pick-up cartridges can be connected.

Newly developed top panel and sturdy housing design:

The new deep-black metallic top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-2000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: The S-Com 4 is a compact and versatile single-rack space device that provides four channels of high-quality dynamic processing with an Expander/Gate and Compressor/Limiter on each channel.

The four channels operate independently or in stereo pairs. Its multi-segment LED metering displays input/output level as well as gain reduction. The Expander/Gate section features a continuously variable Threshold control, as well as a switch for fast or slow release times. The Compressor/Limiter section includes variable Threshold, Ratio and Output levels. S-Com 4's Enhancer switch restores high frequencies that are sometimes diminished by heavy compression.

This wide-ranging combination of features makes the S-Com 4 an efficient and versatile audio tool for a wide variety of applications. Its clean and quiet audio characteristics make it ideal where high sonic integrity is imperative.

Notes: Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.

Notes: Ten-channel version of Mackie's new compact ProFX mixer, ideal for home studio use or small live setups. Built-in USB interface and digital effects section. Great value.

Supplier's notes:
The Mackie ProFX10 v3 10-Channel Professional Effects Mixer with USB is the ultimate affordable solution for live sound, home recording, and content creators. Now with our renowned Onyx mic preamps that offer 60db of headroom, everything from gain hungry mics to guitars will sound better than ever, and you can keep it all in check with simple single-knob compression. The new GigFX effects engine offers 24 built-in FX for even more options for adding the finishing touch. Record your tracks in 24-Bit/192kHz quality with 2x4 USB I/O plus zero-latency hardware monitoring for easy overdubs. Both ProTools First and Waveform OEM recording software/plugin packages are included.

Notes: The Ar Merc'het Brao module is comprised of two filters and two overdrives.

As usual at Touellskouarn it has a Breton name: Ar Merc'het Brao means "The pretty girls".

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.

Notes: Loosely inspired by the look of the classic NS10 studio monitors, Yamaha's HS range offers much more modern sound. Punchy low end and clear highs from this 6.5-inch model.

Supplier's notes:
This second generation of 'HS' nearfield reference monitors, like their predecessors, share the same design philosophy as the legendary NS-10M studio monitors - Providing accurate signal reproduction and superior sonic performance.

The Yamaha HS7 employ a new, highly efficient tweeter providing an extended high frequency range up to 30KHz. The matching HS8S 150W powered subwoofer provides an extend bass when a well defined bottom end is required.

A low resonance enclosure built using a three way mitre joint technique ensures that the corners of the speaker are firmly anchored leading to dramatically improved durability and the elimination of unwanted resonances that can colour the original sound. Yamaha's 'Vortex Sound Control' technology is deployed to decrease unwanted airflows around the speaker ports. This in turn reduces audible noise by up to 6dB.

Product video: http://www.youtube.com/watch?feature=player_embedded&v=Dvj3StP4fVE

Notes: Any signal can be expressed in terms of a few parameters: frequency, phase, amplitude and timbre. It is through modulation of these aspects that synthesists create electronic sound. With Generate 3, it is now possible to create a signal and control all its parameters by through-zero modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise triangle-core voltage controlled oscillator (VCO) at the module’s heart. Through-zero linear frequency modulation (FM) enables rich yet pitch-stable FM sounds, by allowing the oscillator to run backwards into ‘negative frequencies’.

The resultant triangle wave is then processed by the through-zero phase modulator, providing a total phase shift range of 900°. Phase modulation offers an interesting alternative for FM, as it enables deep FM-type tones without actually changing the oscillation frequency.

The timbre of a signal is determined by its harmonic content. This full set of harmonics can be grouped into three main parts: the fundamental, even and odd harmonics. Generate 3’s harmonics generator separates out these three timbral ‘channels’. By adjusting their relative amplitudes, a vast array of different waveforms can be created, including but not limited to the classic sine, saw and square waves.

While the amplitudes can be adjusted manually, each timbral channel supports through-zero amplitude modulation, also known as balanced or ring modulation. When audio-frequency modulation signals are applied, the harmonics become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis techniques, the extensive set of modulation options makes Generate 3 especially suited for exploring multiphonic synthesis: a monophonic source creating a complex timbre, much like throat singing, yet by electronic means.

Notes: The Triple Waveshaper (TWS) is a non-linear modifier which can transform a sawtooth wave into a sine wave. This classic module incorporates three independent waveshapers for modifying synthesizer waveforms or for processing signals from preamplified instruments. Although originally designed as a waveshaper for early Serge oscillators, this module has been found to be a excellent modifier of electronic and acoustic sounds, and is highly recommended for subtle timbral modifications beyond the range of simple oscillator/filter patches.

The R*S version extends the classic TWS concept:

+1: An additional (4th) waveshaper has been added (right after the first / bottom waveshaper) that can be dialed in smoothly using the +1 knob. Turned down (CCW) the bottom section acts as in the original (as if that additional waveshaper would not exist). Turned up (CW) the bottom section is actually 2 waveshapers in series.

Switches to link the 3 sections - bottom to top. Using these switches all sections can be set to act in series, starting at the bottom and ending at the top, providing the combined effect of 3 to 4 waveshapers (or anything in between) using the +1 knob.

Linking only the middle and top section and turning the +1 knob up (to have 2 sections in the bottom) allows you to use the module for isntance as two independent 2-stage waveshapers (using bottom in and out for one and middle in and top out for the other) - e.g. for stereo processing.

Notes: Updated version of a truly pioneering Eurorack module that introduced DSP effects to the format. Still sounds great, still versatile, still excellent value.

Supplier's notes:
Back in 2008, the original Z5000 was not only the world's first Eurorack DSP effects module but also the first Tiptop Audio module released. It brought voltage controlled digital effects to Eurorack for the first time and the Z5000 was eventually replaced by the Z-DSP open source platform. Now, years later with over a decade of experience developing audio effects for Eurorack signals we are introducing a totally new version of the Z5000: a compact stereo 8HP multi effect with voltage controlled parameters, VC analogue clock generator driving the DSP chip and 24 of our creme de la creme reverbs, delays, modulation, harmonization and pitch modulated effects. A number of programs in the Z5000 combine more than one effect, in series or parallel, that represent studio techniques from the early days till modern times often leaning toward the more experimental side.

Notes: ZVERB is a collection of all new reverb algorithms developed by Tiptop ranging from typical reverbs to more complex effects that combine delay and pitch shifting with reverb. The effects are grouped by decades based on either the era an algorithm was introduced or the time when the effect was most popular. This variety of reverbs covers small to epic size spaces with the addition of shimmering, feedback tunnelled pitch shifting, tape delay drivers, gated reverbs and a lot more. Analog clocking of the DSP chip and CV over the parameters enables even more experimentation. This is a collection inspired by the best from the past right at your fingertips.

Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.

Notes: The EHX 22500 is a stereo looper with two independent loops that can be played in sequence or in parallel. Flexible performance controls and creative effects allow you to loop in any way you imagine. It records high quality, non-compressed audio directly to a removable SDHC card (4 to 32 GB) and each card holds up to 100 individual loops. Includes an 8GB card for up to 12 hours of recording time.

Creative controls over looping functions such as adjustable tempo, programmable loop/overdub length, and two loops that can playback independently or locked to one another makes the 22500 act like the looper of your dreams.

Download free drum loops for the EHX 22500

Dual stereo loops with independent or locked loop lengths
Sequential looping mode enables verse/chorus switching
Parallel looping mode allows simultaneous playback of two loops
16 built-in drum loops
Selectable microphone input with phantom power
Reverse and Octave functions
Undo-Redo your last overdub or recording
Quantize or non-quantize (free running) modes
USB port enables backup/restore to PC or Mac
Programmable third footswitch for Stop or Tap Tempo
Optional external Loop Up/Down Foot Controller
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Buffered Bypass
Audio
Stereo
Power Supply
9.6VDC-500mA power adapter included
Dimensions (in)
5.75 x 4.75 x 2.5
Current Draw
235mA
Year Released
2015

Notes: Clever little portable deck from German DJ gear specialists Reloop. Designed for mobile scratching or crate digging. Bluetooth streaming and USB recording too. Bonus.

Supplier notes:
The ultimate portable turntable.

Reloop SPIN is a portable turntable that guarantees mobile fun anywhere you want! The turntable comes with everything you need out of the box and is especially optimized for scratching and cutting.

Bluetooth streaming of your music:

The Bluetooth Audio Streaming technology allows wireless streaming of music or beats via SPIN - this way the turntable becomes a speaker for your smartphone.

Direct USB recording:

Via the USB recording function it is possible to record your scratches and cuts in MP3 format directly to an USB stick. This interface can also be used for digitizing records.

Includes 7" scratch vinyl:

SPIN comes with a 7'' slipmat and an exclusive 7" scratch vinyl containing specially mastered scratch samples and beats for beginners and experienced scratch artists alike.

Flexible power options:

Enjoy your records on the road: SPIN is extremely portable, not only due to its shape and small form factor, but also thanks to its flexible power options. It can be used with a regular USB power supply unit (5 V, 2 A), USB power bank or rechargeable batteries. The batteries can be inserted in the compartment on the bottom and are sold separately. A power LED keeps you informed about the turntable's operational status. The dust cover protects the turntable and thanks to the handle, SPIN can be carried like a suitcase. Skip-proof rubber feet guarantee stability.

Outstanding for mobile scratching and cutting:

Via the switch on the turntable's top panel you can select between 3 speeds (33 1/3, 45 & 78 rpm) which covers all available speeds. The straight tone arm offers enhanced stability and can be fixed into position with a transportation lock. The pre-installed cartridge has excellent tracking features and holds the groove tightly, even when carrying out fast scratches.

45-mm Crossfader pre-installed:

The precise 45-mm crossfader has a unique form factor and thanks to the two-rail technology it is especially sturdy. Moreover, it is possible to install the crossfader on either side of the platter - simply select your preferred position.

Extensive controls & adjustment possibilities:

On the top panel you can find a start/stop button as well as a pitch control with a range of +/-20 % for precise setting. A tone control can be used to adapt the sound of the lows to your requirements. Volume for the AUX input and master/headphones output can be adjusted via two separate controls. There is also a 7'' adapter for records with a large centre hole.

Reloop SPIN - Connect through vinyl:

Through the combination of turntable and mixer as well as the high connectivity, SPIN is ideal for vinyl lovers as well as scratch artists and aspiring DJs.

- Inputs: AUX 3.5 mm stereo, Bluetooth audio
- Outputs: master RCA, USB (USB-A), headphones 3.5/6.3 mm stereo
- Dimensions: 370 x 95 x 260 mm
- Weight: 1.61 kg

Notes: For a more precise control and enhancement of your sound, XU models of the MG Series come equipped with a suite of Yamaha's renowned SPX effects. Featuring high-resolution Chorus, Flanger, Distortions, Reverb and Delay, all with editable parameters, these are the same multieffects processors used on Yamaha's high-end mixing consoles, giving you the tools you need to elevate your mixes to a higher plane.

For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction. With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound.

The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first.

With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

Notes: From trickling hi-hats to thunderous kicks. The Befaco Percall 4-Channel VCA/Delay Envelope Module is designed to take care of all percussive aspects of your Eurorack rig. You'll be able to create a whole host of percussion thanks to the 4 VCAs, volume control and decay options. By using the trigger you'll be free to open the VCA whilst the volume knob helps determine the level of the percussive sound you've sculpted. Take your tones to the next level thanks to the inclusion of an output on the envelope. You can apply this to the pitch of the oscillator to achieve a fat kick drum which offers excellent low frequency energy. The Percall 4-channel module is the ultimate addition to your Eurorack.

Notes: The DJ200i is the premium DJ cartridge from hi-fi specialists grado. Hand engineered for a premium quality, rich, warm and unique sound, the DJ200i is built and designed to meet the demanding needs of the professional DJ. A step above anything else in this price bracket, and many cartridges priced significantly higher.

The grado specially engineered transmission line cantilever allows for the ideal transfer of music signal and for safe and effective stylus back-cueing. The prestige model DJ200i uses a modified 4 piece otl cantilever technology, oxygen free wire in the coils and a specially designed, high polished, diamond mounted in a brass bushing for possibly, the most advanced DJ cartridges ever offered to the professional DJ market.

Notes: Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, the intention is to preserve the classic sound as it's transported it to a new tonal space while prioritizing flexible modular usability.

Just like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tuneable stages. However, there are two additional fixed stages included so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise op-amps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, which can vary from subtle and creamy to utterly brutal and grinding. On top of that we've included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.

Expandability:
Unlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.

- Eurorack synth compatible
- 9hp, skiff friendly
- Current draw: +40mA / -40mA
- Reverse power protection

Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter

Notes: Stereo compressor in only 4HP!
The module was mainly designed as a dynamic tool for subgroups and sums, but also works well with single signals. Similar to classic DBX units, threshold, ratio and gain can be adjusted with just one knob. Further fine adjustments can be made for attack and release times. In addition to compression, the module can also be used as a limiter. Ducking effects can be created via a sidechain input.

The MSCL is equally suitable for subtle and strong compression effects. Ratio (1.25:1 to infinity), make-up gain and threshold can be adjusted with a single potentiometer. The threshold works in the opposite direction as the other parameters. In addition, there is a threshold switch that can be toggled between three value ranges (-15 dBu, -4 dBu, +5 dBu). This allows the MSCL to be used with other audio signals outside the modular system. In addition, it is possible to limit the gain control range by 3 dB or 9 dB. This makes the module behave similar to a peak limiter. The attack and release controls can be used to adjust the settling phase and the decay time of the compressor. At the output, it is possible to increase the gain by up to 35db. With the switchable sidechain channel, the MSCL can also be controlled by external signals.

Features:

Sidechain input for classic ducking sounds
Easy and intuitive design
Threshold switch lets you compress modular level signals as well as lower level sources
Limit switch limits the makeup gain on the comp knob to make compressor act more like a peak limiter
Power consumption: 50mA at +12V and 50mA at -12V

Depth: 38mm

HP : 4

Notes: TouellSkouarn Strakal Brulu is a handmade distortion and fuzz module. The great sound is due to the new-old-stock east-German germanium transistors.

Very characteristic for the module's sound if the feedback that is coupled to the feedback. The more fuzz, the more feedback - the Strakal Brulu 2 can get pretty nasty and it screams a lot at high fuzz settings and low input level. The fuzz amount can be voltage controlled, with an inverse attenuator. Input and output levels can also be set separately.

Notes: Tetrapad is a versatile, multi-dimensional, touch-sensitive control surface for Eurorack. Each of its four pads use force sensing resistors to respond to both the vertical position of your finger and its pressure. Four push encoders and a shift function give you even more tactile control over your modular system.

Tetrapad operates in numerous modes - each of which configures the module to perform a specific control task. Through these modes, Tetrapad can emulate a bank of faders; a voltage storage device; a finger drumming surface; a chord generator; an 8-key keyboard; four independent LFOs; or an 8-switch panel. The chosen mode determines what type of signal (CV, note, trigger, gate, etc.) is sent from each of Tetrapad's eight independent outputs, while its multitude of multi-coloured LEDs keep you informed of exactly what's happening within each mode.

Tetrapad automatically remembers how you've configured each of its modes and retains these settings when powered off. By default, Tetrapad automatically saves these settings every minute, or whenever you change modes. This makes Tetrapad ideal for live performance, since you know it will always power up with your configurations intact.

Notes: A solid entry-level option for beginner DJs and vinyl collectors. Impressive sound quality and solid, durable build. Includes high-quality Ortofon OM Black cartridge and headshell.

Supplier's Notes:
The RP-1000 MK2 is the ideal turntable for prospective DJs and HiFi enthusiasts. The MK2 version features several improvements, including a newly developed top panel construction and improved metallic buttons with enhanced feel.

Precision-engineered die-cast platter and belt-drive motor:

Unlike direct-drive turntables, the RP-1000 MK2 uses a belt-driven motor to de-couple the drive unit from the precision-engineered platter and chassis. The elastic, high-quality rubber belt absorbs and reduces unwanted vibrations, resulting in distortion-free playback. The adjustable pitch control with a range of +/-10 % is suitable for fine pitch adjustments.

Statically balanced s-shaped tone arm:

The RP-1000 MK2 features a statically balanced s-shaped tone arm with hydraulic lift and anti-skating mechanism. Thanks to the universal SME connection, a wide variety of pick-up cartridges can be connected.

Newly developed haptic touch and sturdy housing design:

The new deep-black top panel is equipped with metallic buttons for start/stop and speed settings. The improved touch upon hit offers a clear haptic feedback. With the push of a button the aluminium target light can be extended, so that the needle position can be seen in dark surroundings. The sturdy construction with optimized damping features and shock-absorbing feet improve isolation from unwanted vibrations.

With pick-up and headshell:

The RP-1000 MK2 comes with the high-quality OM Black pick-up, handmade by Ortofon in Denmark, pre-fitted to a headshell ready for immediate playback.

Notes: Erica Synths Black Output is a high-quality output mixer and a stereo panner with balanced outputs and headphone amplifier for monitoring your modular masterpieces.

All inputs are buffered, we use stereo potentiometers (similar to those used in high quality studio mixers) for panning, IN4 is a stereo input with simultaneous level adjustment for both channels, IN3 has a CV controlled auto-pan function. There is also a 6.3mm jack for the balanced outputs and headphones.

Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.

Notes: Steppy is a 4-track programmable gate sequencer with eight internal memory slots, external clocking, numerous tweakable parameters, and a performance-first design aesthetic.

Each track features numerous independent parameters that govern its playback independently of the other tracks. Specifically:

- Each track has its own length, which can range from 1-step to 64-steps, allowing for polyrhythms, fills, or constantly evolving gate interactions between tracks.
- Each track has its own gate length, which ranges from very short to very long, with tied gates possible at the extreme setting.
- Each track has its own clock divider, allowing patterns to play out over completely different periods of time.
- Each track has its own swing setting, which offsets the timing of every other step.
- Each track has its own delay setting, which offsets the timing of every step.
- Each track has its own probability control, which sets the likelihood that each programmed gate will fire when called upon by the pattern.
- Each track can be shifted (or 'rotated') forward or backward by a number of steps. So if you've created a pattern that 'feels' like it has its downbeat on step 3, you can shift that pattern two steps to the left, so that the downbeat sits on step 1.

Tracks can be programmed by entering active steps on the grid or tapped in live as the sequence is moving. Tracks can be selected and modified in real time as the sequence plays. A select button allows you to directly access each track (and each page of 16 steps within that track) directly through Steppy's intuitive multifunction buttons array.

Tracks can be individually muted and unmuted, and a special performance mode (called "Loopy") enables you to touch any two gate steps and instantly create a performance that loops between those steps.

Track patterns can be cleared without clearing its playback parameters, and all track patterns (along with their individual playback and performance parameters) can be saved as a preset to one of eight internal memory slots.

Notes: Hybrid compact mixer / 4x4 USB interface:
ZEDi-10 combines the robustness and hands-on control of an analogue mixer with a high quality 4 x 4 USB interface, making it a perfect all-round choice for musicians, recording artists and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZEDi-10 is a versatile companion for every step of the creative journey.

The studio quality, 24-bit / 96kHz, 4×4 USB interface makes it easy to capture stunning multitrack recordings direct from the mixer to a Mac or PC without the need for any extra equipment. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analogue warmth and depth. Guitarists will be pleased to know that two of ZEDi-10's mono channels feature Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

Mixer + USB interface:
ZEDi-10 offers the best of both worlds, incorporating a studio quality 4 in / 4 out, 24-bit/96kHz USB audio interface for hassle-free multitrack recording and playback to/from a Mac or PC, or to an iOS device using the iOS camera kit. The USB output source can be set up in several different ways to match your workflow.

Cubase LE Music production software included:
ZEDi-10 comes with the acclaimed Cubase LE software. Cubase LE offers powerful yet easy-to-use software tools for audio recording, editing, MIDI sequencing and mixing. Its vast range of proven editing and sequencing tools can be used for a large range of music styles and areas of application. From singers and songwriters recording vocal lines to rock bands jamming in their rehearsal room, Cubase LE is as easy as it gets - with outstanding audio quality as well as time-saving recording and editing functionality.

Cubasis LE mobile music production app:
The mixer also comes bundled with the Cubasis LE app. Cubasis LE is the compact version of Steinberg's streamlined, multi-touch sequencer for the iPad, providing the same look and feel of its bigger brother Cubasis. Specially designed for quick and easy operation, Cubasis LE makes recording, editing and mixing a breeze.

Exceptional audio quality:
ZEDi-10 features an exceptional new preamp design, created by analogue guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analogue range is famous for. For tonal shaping, the precise 3 band MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

Road tough:
All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

Made for guitars:
ZEDi-10 comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

It's an Allen & Heath:
Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: Desktop Eurorack moduile case 3U - 104HP with power supply on the left side.

Plexiglas side panels 5mm thick.

Aluminium chassis.

6cm deep, but only 4cm deep all along the 5HP of the power supply. Check your modules before!

Tech specs:
- Width : 104HP
- Depth : 6cm
- Depth all along the 5HP of the power supply : 4cm
- Current Consumption : +12V : 2.4A ; -12V : 1.2A ; +5V : 0.5A

Notes: Eurorack-outputs deluxe:
Besides spectacular sound engines and -shapers, usual and unconventional sources and manipulators of control voltages, every modular system also needs a choice of modules for the "daily" business. twinOUT is such a module: the perfect connection to the outer world.

This DI-box in a module offer two adjustable electronically balanced XLR-outputs. twinOut is designed for full stereophonic or dual mono use. To complete its functional range, a headphone output was added - being also suitable to transport line levels.

Like every VERMONA module, each twinOUT is hand-assembled in our electroacoustic manufactory in Germany. If you want to get the most of your modular synthesizer, you cannot pass by the twinOUT!

Notes: The ultimate rotary speaker emulator packed with goodies like a specially designed compression circuit to supercharge the rotating speaker effect on guitar.

Lester G's comprehensive controls include fully adjustable tube-style overdrive, Fast and Slow modes and an Acceleration control to dial in the rate at which the effect transitions between speeds. The sound of that giant wood cabinet will now fit on a pedalboard!

*UK 3-pin power supply included

Notes: The TRIO+ is a simple-to-use guitar pedal that listens to the way you play and automatically generates bass and drum parts that match your song. Just plug your guitar into the TRIO+, press the Band footswitch to teach the TRIO+ your chords and rhythm, then press the Band footswitch again to start playing with your own personal band! Bass and drum levels can be adjusted for the perfect mix using the TRIO+'s Bass and Drums knobs. The TRIO+ also features a Simple Bass button lets you select between 3 bass line modes for busy or simple bass lines. Pushing the Band Creator™ paradigm further, the TRIO+ also allows you to loop and custom sequence your looped guitar parts to create full songs on the fly. Press the TRIO+'s Looper footswitch to record a loop along with an unlimited number of overdubs. The Loop level can be individually controlled using the TRIO+'s Loop knob. Loops can be recorded by themselves, operating just like a traditional looper, or along with the band. You can also apply built-in effects to your guitar signal by enabling the TRIO+'s Guitar FX button, or connect your favorite effects to the TRIO+'s FX Send and FX Return jacks. The TRIO+ provides 12 music genres to choose from including Blues, R&B, Rock, Alternative Rock, Metal, Pop, Electronic Pop, Hip-Hop, Country, Folk, Latin, and Jazz. 12 song styles are available for each genre and can be selected using the TRIO+'s Style encoder, including selection between 3/4 and 4/4 time signatures. Multi-colored LEDs around the TRIO+'s Style encoder indicate which styles best match your song. The TRIO+ can learn up to 5 different song parts, perfect for creating an intro, verse, chorus, bridge and outro. Song parts can be recalled on-the-fly as the song plays back or pre-programmed as a sequence for automated playback. An optional DigiTech FS3X Footswitch can be connected to the TRIO+'s Control In jack for additional handsfree control with 3 modes of operation to select from. Up to 12 songs along with loops can be stored to the TRIO+'s Micro SD Card (included). Need to create more songs? No problem. Just insert a new SD Card and you're ready to start teaching the band your new songs. To manage all your songs and loops on a computer, download the free Librarian Manager software from digitech.com, available for Windowsr and Macr. The TRIO+ offers independent Tempo, Genre, Style, Loop Level, Bass Level, Drums Level, Headphone Output Level controls; Guitar, FX Return and Control Inputs; Amplifier, Mixer, FX Send and Headphone Outputs; Built-in Guitar Effects (relative to music genre); a Soft Click Footswitch and includes a 9V DC adapter.

General Specifications
ControlsTempo, Genre, Style, Loop, Bass, Drums, Headphone Volume
Backlit ButtonsGuitar FX, Seq, Part 1-5, Alt Time, Song, Simple Bass
FootswitchesLooper, Band
LEDsGenre types, Style 1-12, Audiolastic, Looper, Band
JacksPower, Control In, Guitar In, FX Return, FX Send, Amp Out, Mixer Out, Headphone
OtherMini USB port, microSD card slot
Bit Depth24-bit
Sample Rate44.1 kHz
Signal-To-Noise Ratio110dB, A-weighted
Maximum Recording Time230 seconds per song part i based on a minimum 50 BPM and 48 bars per part
USB TypeMini-B
SD Card TypemicroSDHC, Class 10
SD Min/Max Storage Size8 GB/32 GB
Power Requirements9 VDC external power adapter
Power Consumption7.2 W
Current Draw800 mA
Dimensions
Length5.4"
Width4.25"
Height2.5"
Weight1.46 lbs.
Audio Output
Amp Output TypeUnbalanced, 1/4" TS
Amp Output Impedance1 kO
Mixer Output TypeUnbalanced, 1/4" TS
Mixer Output Impedance1 kO
FX Send Output TypeUnbalanced, 1/4" TS
FX Send Impedance1 kO
Headphone Output Type1/8" (3.5 mm) Stereo Mini Jack
Headphone Output Impedance120 O
Audio Input
Guitar Input TypeUnbalanced, 1/4" TS
Guitar Input Impedance1 MO
FX Return Input TypeUnbalanced, 1/4" TS
FX Return Impedance1 MO
Control Input Type1/4" TRS (compatible with DigiTech FS3X)

Notes: ***NEW revision TEMPI firmware tempi11 improves External SYNC and RUN/ STOP behaviors. Download here today - http://www.makenoisemusic.com/content/patchsheets/tempi11_firmware_update.zip***

TEMPI is a 6 Channel, polyphonic time-shifting clock module. It provides an intuitive method for creation and recall of complex clocking arrangements within a modular synthesizer system. Using HUMAN and/ or MACHINE programming you could re-create most classic Clock Divider and Multiplier arrangements and then continue on to create new ones. Store up to 64 for later recall and Select them using control signals from within your system or the Select Bus.

Notes: Choose Your Weapon: Building on the success of the original, the feature-packed MPD2 Series gives you amazing creative musical ammo with Thick Fat backlit MPC pads, improved controls and new bundled software.

The MPD2 Series is a product of over six years of detailed customer research and user feedback. Akai turned it into the most capable and user-friendly line of pad controllers they've developed to date.

The MPD232 is a MIDI-over-USB pad controller perfect for producers, programmers, musicians and DJs alike. Its intuitive blend of MPC controls and technologies mesh with easy USB connectivity to bring the feel of classic beat making into the world of computer music production.

New, ultra sensitive Thick Fat MPC pads have been added, creating an amazingly responsive user experience. The MPD232 has an expanded control set featuring eight knobs, eight faders, eight buttons arranged in three banks for 72 total controls. This will enable you to maximize your sound and give you increased control over effects.

The MPD232 also boasts an all-new 64-channel, 32-step performance sequencer, which the MPD32 did not have. MIDI information is sent over its plug-and-play USB interface for use on Mac or PC, eliminating the need to install any drivers.

Along with the improved functionality we've added iOS compatibility using the Camera Connection Kit (sold separately) and included over $400 of free software. Titles include: Akai Pro MPC Essentials, Big Bang Drums and Big Bang Cinema from Sonivox, Ableton Live Lite, and Software Preset Editor.

The aforementioned Software Preset Editor allows you to enjoy intuitive control editing right from the front panel of the MPD232.

The MPD2 Series marks an important evolution of the pad controller. Many years of research and customer feedback has led directly to some of the most capable pad controllers Akai have ever developed. These MPDs are the perfect bridge between your creativity and your computer-based studio.

Notes: Introducing a new addition to the DigiTech Whammy Family -- Whammy DT! We've taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT. With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song. Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe. Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years. Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

General Specifications
D/A Conversion24 bit
Pitch Bend Range+2/-3 Octaves
Detune Range-4 to -30 cents
Drop Tune Range1-7 Semitones, Octave, Octave + Dry
Power Consumption2.6 Watts (< 288 mA @ 9 VDC)
Power Adapter9 VDC External Adapter
Sample Rate44.1 kHz
Frequency Response20 Hz to 20 kHz
Signal to Noise Ratio> -105 dB (A weighted); ref = max level, 22 kHz bandwidth
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Dimensions
Height2.36"
Width8.2"
Depth7.73"
Audio Output
Output Type1/4" Unbalanced TS
Max Output Level+10 dBu
Output Impedance1 kO
Audio Input
Instrument Input Type1/4" Unbalanced TS
Max Input Level+5 dBu
Input Impedance1 MO
MIDI Input5-Pin Din
Footswitch Input1/4" TRS - for use with optional FS3X Footpedal

What's in the box?
1 x Whammy DT Pedal
1 x Power Supply

Notes: Pressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.

Notes: The EHX Epitome is the quintessence of guitar effects! This powerful digital multi-effect begins with the flawless polyphonic tracking of the Micro POG. Next is the Stereo Electric Mistress. Creamy stereo flanging and chorus weave and undulate for the richest modulations. Finally, the Holy Grail Plus wraps you in a silken shroud of luxurious reverb. Shimmer mode reroutes the effects chain for heavenly modulated ambience!

The polyphonic Micro POG provides glitch-free octaves above and below your actual pitch
Stereo Electric Mistress adds EHX's signature stereo flanging and chorus
Holy Grail Plus lets you choose from Spring, Hall and Room reverbs, plus Flerb
Shimmer Mode re-routes the effects' chain and opens the door to a world of amazing sonic discovery
Individual footswitches plus dedicated controls for all three effects
Power adapter included

Specifications:
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 5.75 x 4.75 x 2.5
Current Draw: 185mA
Year Released: 2013

Notes: TPS80W Triple Power Supply - TYPE A

The TPS80W is a high power, super efficient and low noise studio grade power system for your Eurorack Modular. We carefully designed this power supply to perform optimally with even the most demanding, noisy and power hungry modules in your rig.

Notes: A truly super tremolo with powerful controls and signal routing.

Sculpt the tremolo's shape with adjustable sine, triangle and pulse waveforms while tap tempo and tap divide ensure synchronicity.

Create your own rhythmic patterns and store them.

Save and recall up to eight customized preset programs.

Conjure moving tremolos on-the-fly with EXP control over Rate, Depth, Shape, Phase or Volume. Deluxe I/O lets you choose stereo in/out, mono in/stereo out, stereo in/mono out or mono in/mono out operation.

Analog circuitry yields warm, lush tone that will envelop you in shape shifting waves.

*UK 230V power adapter included*

Notes: The APEX Series Keyboard Stands represent over two decades of research and development and are used all over the world by gigging keyboard players and touring musicians. The AX-48 Pro offers everything keyboard players loved about the original APEX keyboard stand while offering a sleek new design and updated features that support a whole new generation of keyboards and workstations. The APEX Series is the finest-looking keyboard stand on the market, and shines the spotlight on keyboard players, while securely supporting their prized instruments.

Technical Specifications

Part Number
17476
Colour: Black
Height: 46" (1168mm)
Weight: 19 lbs. (8.6 kg)
Folded Length: 52" (1321mm)
Load Capacity: Up to 125 lbs. per tier (56.8 kg) or 250 lbs. total (113.6 kg)

Notes: The new MS Series studio reference monitor stands from Ultimate Support offer unparalleled innovation and strength for professional, project, and home studios alike. The MS-80 is a desktop monitor stand that features non-slip, high-density acoustic foam and an angle-adjustable base that allows the end user to fine tune the sweet spot. The MS-90 is a column monitor stand that offers internal cable management channels and 6000 Series aluminum construction while the MS-100 is essentially a combination of the two!

From top to bottom, all three MS Series stands feature sonic isolation and decoupling components. The MS-90 delivers four non-marring sound decoupling pads that stabilize monitors of varying sizes. The MS-100 and MS-90 feature two rubber couplers between the column and the top/bottom plates and spike decoupling designs under the top and bottom base plates. Add the MS-90 to your studio and discover what you've been missing in your mix!

The MS-100 and MS-90 offer three internal channels that run the length of the column. So your studio remains clear of untidy cables, two channels are designed for audio and power respectively. For additional stability, the larger third channel can be filled with shot or sand.

The MS Series studio monitor stands are made from the highest quality materials, such as Series 6000 aluminum, and backed by award-winning design that marries both form and fashion. The modern studio owner will love the contemporary look while the veteran engineer will appreciate the solid build and versatility.

Depending on the needs of your studio, the MS-90 is available in two studio standard heights: 45" and 36". Both are identical in construction and features except for height. Choose the height that's best for your studio design!

Notes: The new Genelec 8010 allows professionals to work in compact studios and on the move with an accurate monitoring tool.

The Genelec 8000 Series is widely used in broadcast, music and post-production studios around the world.

The ease of installation and outstanding sound quality make Genelec 8010 monitors ideal for small studios, OB vans, and perfect companions for portable recording devices and other mobile work.