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Notes: A mini chorus effect pedal with 3 switchable modes for Chorus, Flanger and Pitch Modulation. Chorus thickens the sound by modulating a short delay effect, producing a swirling ethereal tone. The Flanger effect tightens this by shortening to a very fine delay and regenerating it for rotating and tubular jet sounds. Pitch Modulation provides a lighter chorus effect by slightly varying the pitch and mixing back with the dry signal. All 3 are selected by an illuminated push button above the controls. Holding this button down during power-up selects between mono output or stereo output, which requires a stereo jack lead. Controls include Speed, Width and Intensity to adjust each effect as required, Pressing the footswitch engages or disengages the effect. The smart tap tempo feature means that the pedal recognises pressing the footswitch twice or in a short space of time and responds to the timing as a tap tempo function to adjust the speed setting. An extremely versatile modulation effect to give space and motion to chords and picked passages alike.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Speed, Width, Intensity and Chorus/Flanger/Pitch Mod switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Mini Super Chorus/Flanger/Pitch pedal

Notes: Voodoo Vibe is a mini guitar effect pedal that is recreates the rotating speaker effects produced by the classic uni vibe pedals used by famous guitarists from the 60's to the present day. Controls for Speed, Intensity and Volume give a wide range of adjustment to home in on the perfect vibe effect. An illuminated mini push button above the rotary controls can switch between a classic psychedelic vibe effect or a more chorus-type effect. Holding this button down during power-up selects between mono output or stereo output, which requires a stereo jack lead. Pressing the footswitch engages or disengages the effect. The smart tap tempo feature means that the pedal recognises pressing the footswitch twice or in a short space of time and responds to the timing as a tap tempo function. Perfect for trippy arpeggios and ethereal chord work.

Power supply: 9Vdc (DC5521 connector, negative centre, adaptor not supplied)
Controls: Speed, Intensity, Volume and Vibe/Chorus switch
Dimensions: 94 x 53 x 51mm
Weight: 175g

In the box

The box for this item contains :

Voodoo Vibe pedal

Notes: Distortion and reverb meet in this unique pedal, sporting a joystick to tweak the sound and the option to flip the order of the two effects in the signal chain. Simple, quirky and effective.

Supplier's Notes:
Walrus Audio give you the two most quintessential effects that yield unruly amounts of power and influence to an instrumentalist: reverb and distortion. They have been harnessed and woven together for an eternity of ethereal power with The Melee: Wall of Noise. The Melee unapologetically uses a joystick to meld reverb and distortion into one massive blaze of sound. With the flip of the order switch, run the distortion into the reverb or reverb into distortion; signal chain is your call now. For the explorer, the Melee can run one of three different reverb programs Ambient, Octave, and Reverse.

In a less is more approach, Walrus Audio have intentionally decided on controls that are fun to use and will inspire a wealth of creative output. Use the joystick to control the amount of distortion by moving it up and down. Moving the joystick left and right will adjust your reverb mix. The tone and decay toggles have low, medium, and high settings. Modulation can be added to the wet signal by holding down the bypass switch and moving the decay toggle. The left position is no modulation, the middle is a slight modulation, and the right is a high modulation.

Algorithms

The Melee is equipped with three different reverb programs, which can be changed by simultaneously pressing the bypass and sustain stomp switches. Experiment with the order toggle switch to hear how differently these all react in front and after the distortion!

Ambient Reverb (Pink LED) - Huge reverb capable of massive trails and engulfing your chords into an angry wash of sound. Great for soaring melodic lines or shoegaze-driven chord progressions.
Octave Down Reverb (Yellow LED) - Similar to the Dark mode in the Slo, you'll find an eerie lower octave hovering in the reverb trail for a nice and dark atmospheric touch.
Reverse Reverb with Feedback (Blue LED) - Add reversed reverb trails back into your signal, create gentle melodies or push into reverse feedback overload. Big, slow, and sad chords love to hang out here.

Momentary

Press and hold the sustain switch to ramp up the reverb trails. Release and the trails will ramp back down to where the decay switch is currently set. The sustain switch can also latch in all three programs. Press and release the Sustain switch to capture and sustain the current reverb decay for long pad-like sounds in your wet mix. Press again to release the latch, and the reverb trail will taper off based on the position of the decay knob.

Specs

The Melee comes coated in a glossy neon pink enclosure with white, yellow, and green inks with art by
David Huttner.
The die-cast enclosure's exact size is 3.62" x 4.79" x 3.14" (including joystick height).
Three bypass modes, DSP, DSP + True, True Bypass
Power requirements are 9VDC, centre negative (200mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Notes: TR-S

Power Tube Reactor

The feel and response of a tube amp, in a pedal. Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.


What is a Nutube?
Developed by Korg; a Nutube - similar to a conventional vacuum tube/valve - has an anode grid filament structure, and operates exactly as a triode vacuum tube. It provides the same rich overtones and response that are distinctive of conventional vacuum tubes.

Overview

Meet a build-it-yourself pedal that delivers the warmth and response of a tube amp. The Nu:Tekt TR-S uses a Nutube to deliver previously unachievable compression thanks to exclusive patent-pending technology - meaning you get the feel of a tube amp even when recording or playing through a transistor amp.
Alongside amazing tone, one of the hallmarks of the Nu:Tekt series is that they're assembled by you! The TR-S kit doesn't require soldering, and the necessary tools are included - in fact, it's the easiest and fastest unit to assemble in the entire Nu:Tekt series!
Recreate the tube experience

The TR-S features an exclusive patent-pending circuit design, for compression that mimics the sag of a vacuum tube power amp - only possible with Nutube. Achieve this sought-after sound in any setting, even when playing through a transistor amp or recording into a DAW. The TR-S features four knobs on the panel, as well as three trimmer knobs hidden inside the top cover, allowing for even greater control over your sound. Go beyond the guitar and experience what the TR-S can do when you connect other instruments as well!

Easy assembly

Assemble the Nutube-driven TR-S with ease, just like a model kit - no soldering required. All necessary tools are included, along with a circuit diagram in the owner's manual. Perfect for those who love building their own effect units with top-notch performance and sound.

Specifications

Vacuum tube Nutube.6P1.
Inputs Mono 14" Jack
Outputs Mono 14" Jack
Power 9v battery, or DC9V AC adapter (both sold separately)
Approx. 5 hours battery life
Consumption 85mA
Dimensions 122 x 96 x 55mm
Weight 340g (without battery)

Notes: The late 1970s rarity Electro-Harmonix Slap-Back Echo pedal is reissued with modern updates and a Pico footprint!

The 50s era gave birth to an iconic sound in which a single, short delay was utilized to add depth and rhythmic effect on countless recordings. The newly reissued all-analogue design of the EHX Slap-Back Echo delivers this beloved classic sound and more in a Pico-sized pedalboard-friendly package. With three delay time settings and up to +20dB of boost, the Slap-Back Echo can achieve subtle doubling effects to intense bathroom reflections all with the distinct flavour of bucket-brigade (BBD) circuitry.

Housed in EHX's Pico-sized chassis, the Slap-Back Echo features Gain and Blend knobs as well as a Time switch. The Gain knob controls the input signal before the echo circuit and also adjusts the overall volume at the output with a boost of up to +20dB. The Blend knob mixes the dry signal and the echo signal from 100% dry to 100% echo. The Time switch selects between three different delay times: 45ms, 65ms, and 100ms.

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 15mA
Year Released: 2023

Notes: Comprising eleven of Brian Wampler's favorite delays, the Metaverse is a full-featured, small-footprint stomp box that is fully programmable, preset capable, has stereo inputs and outputs, allows full MIDI control, and has an expression input that you can assign to ANY of the parameters. But it doesn't end there - for the first time ever, Wampler are offering a complete software version of the pedal via a set of 11 AU and VST3 plugins compatible with most popular DAWs - FREE to all customers that register their Metaverse Warranty online (plugin suite is $49.99 if purchased separately).

Just like the Terraform that came before it, the Metaverse is an advanced, feature-packed pedal that allows you to navigate its settings without endless menus on a tiny display. Use the intuitive user interface or a separate MIDI controller to effortlessly traverse Wampler's Metaverse of rich, expansive delay tones.

11 programs

The primary rotary controller selects between the eleven on-board delays, the five common parameter controls adjust the setting for each of the different algorithms. Each program has been hand picked by Brian Wampler and together form a comprehensive single pedal toolkit of awesome delays.

Total control

There are eight presets available via the controls - 128 total available via MIDI. The expression pedal can control ANY of the controls at once and these parameters can be saved into presets. Use Midi Global clock, Tap tempo, or the delay controller to set the time you desire.

Routing and flexibility

If you want true Stereo, you got it... You want basic mono, you got it. Hold down the left foot-switch to access alternate parameters for certain delays. Use a MIDI controller to access every parameter. Choose the delay time length using the tap tempo, send a MIDI global clock signal, or simply use the "Delay" knob.

Built for forever

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Metaverse. We're all tone-freaks, and we're always trying new things, but this pedal should finds its forever home on your pedalboard, so it's been built to last that long.

Notes: Ultra-versatile stereo reverb pedal with eight contrasting algorithms for flexibility and character. Expression pedal highly recommended for real-time hands-free modulation.

Supplier's Notes:
Space Reflections

ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with live mood-bending in mind.

ROOMS was designed to the highest standards of flexibility and audio fidelity. A studio-quality mixer section provides independent DRY and FX controls over six meticulously programmed reverb algorithms; ROOM, DIGIT, PEAK, GATE, WAVE, and GONG. Each different verb is capable of a universe of sounds, and ROOMS is here to help you explore them.

ROOMS' creative I/O switching and dual-mono dry signal lines allow for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups.

Controls

FREQ: Controls the frequency parameter of the current mode.

DEPTH: Controls the depth parameter of the current mode.

TIME: Controls the reverb time in all modes.

DRY: Controls the volume of the dry signal, from -inf to 20x gain.

FX: Controls the volume of the reverb signal, from -inf to 20x gain.

ALT: Engages the ALT mode, switching between two sets of controls. When active, FREQ is controlled with the F knob, DEPTH with the D knob, and TIME with the T knob. Additionally, the ALT mode turns on expression control of either FREQ or TIME using the F?T Switch on the side of the pedal. NOTE: Expression control ONLY works in ALT mode and when an expression pedal is plugged in.

Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in.

Modes & Parameters

FREQ knob : DEPTH knob

1 - ROOM: Tone of Decay : Pre-Delay
A classic reverb that simulates many different rooms.

2 - DIGIT: Delay Time : Delay Feedback
A filter matrix verb capable of creating otherworldly resonances and fractured repeats.

3 - PEAK: Filter Frequency : Filter Resonance
A super intense bandpass filter combined with an ambient reverb.

4 - GATE: Decay Tone : Gate Response Time
A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect.

5 - WAVE: Modulation Frequency : Modulation Depth
Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs.

6 - GONG: Modulator Frequency : Blends from Aliasing (left) to Ring Modulation (right)
Ethereal, crushed reverb sounds guaranteed to make you star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination.

Specifications

Dimensions: 5.95" x 3.86" x 2.96" (including hardware).
Weight: 18 oz.
Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter).

Notes: An 'otherworldly' take on the classic delay pedal from Death By Audio, with the addition of a fuzz circuit allowing you to dial in grit and texture as well as ethereal atmospheres with shimmering feedback.

Supplier notes:
Lush Modulating Echo

A powerful, ethereal, and nuanced delay pedal with otherworldly controls. Push the feedback for vast worlds of colourful sound. Introduce a bit of warble with the modulator for ghastly chorus tones, or a ton of it to absolutely warp the delayed signal. Once your delay is thoroughly contorted, turn up the fuzz and pulverize it into repeating, shattered pieces. This is the preferred echo for recording engineers and touring pros around the world because, simply put, it just sounds that good. From delicate, beautiful sounds to yawning voids of fuzz and feedback, the Echo Dream II is ready to transform anything you throw at it.

Controls

Master: Sets the overall volume.
Fuzz: Sets the amount of gain, from clean to fuzzed-out bliss.
Delay: Sets the volume of the delayed signal.
D Time: Controls the delay time (numbers shown in milliseconds) between 20 ms and 1 second. Long delay times can create flutter, noise, and distortion.
FBack: Controls the feedback of the delays, from slapback to wild runaway oscillation.
Left Toggle: Up for clean blend, down to kill the dry signal and hear only the repeats.
Speed: Controls how fast the modulator runs.
Depth: Sets how far the modulator will swing the delay time. At high intervals, the pitch of the repeats will shift several semitones!
Right Toggle: Up for a smoother modulator waveform, down for a sharp, square-shaped wave.

Specifications

Dimensions: 5.87" x 4.72" x 2.35" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 40 mA.

Notes: Blistering Reverb

The original synthetic atmosphere creator. The Reverberation Machine offers up drippy, saturated spring reverbs and cavernous expanses in one small package. Push the Altitude and hear the reverb blasted with gloom and distorted shimmer for the ultimate wall of sound. An instant classic for a reason, the Reverberation Machine's unique and experimental sounds are equally at home twisting your sound into a galactic nebula or adding a sinister and yearning beauty to anything you plug in.

Controls

Vol: Controls the master output volume.
Altitude Control: This is similar to gain. Turn it up to bring in a more wide open, distorted sound.
Verb: Blends in the amount of reverb.
Dark/Light Symbol: Dark cavernous reverberation to bright shimmering reverberation.

**When the Altitude and Verb controls are turned past 12 o'clock, the pedal can produce potentially harmful volumes, white noise, and other artifacts**

Specifications

Dimensions: 4.86" x 3.67" x 2.06" (including hardware).
Weight: 14 oz.
Power: 9V (runs ons a positive ring, negative tip 9V DC adapter or included 9V battery).
Current Draw: 66 mA

Notes: For the truly wild

Psycho multimode filter with an ultra-sleek, laser-etched enclosure. Its medical-grade IC chip creates a hyper-precise filter that sounds like no other. With high pass, bandpass, and low pass modes, as well as two types of screaming resonance, the Evil Filter is ready to saw any sound into pieces - or just be the most insane wah you've ever heard. The Evil Filter's two fuzzes take signals into a much more twisted dimension, creating a blooming compression that's perfect for ripping solos and walls of noise alike. Push it past the limit into octaves up, down, and snarling wavefolding sounds. Using the CV/Expression input, you can also control the filter cutoff frequency with an expression pedal or synthesizer.

Controls

Filter Freq: Cutoff frequency of the filter. Numbers shown are in Hz.
Filter Output: Volume of the filter section of the pedal.
Filter Selector: Selects between the different filter types - Low Pass Symbol Low Pass, Band Pass Symbol Band Pass, and High Pass Symbol High Pass.
Filter Resonance: Sets the resonance of the filter in conjunction with the Resonance Switch. WARNING: Will self oscillate at high levels!
Resonance Switch: Sets the range of the Filter Resonance knob between Normal and High.
Fuzz Output: Volume of the fuzz section of the pedal.
Fuzz Type Switch: Choose between two different fuzzes - Low Gain Fuzz Symbol lower for a cleaner, more driving fuzz, High Gain Fuzz Symbol higher for a blasted out, blooming, insane fuzz.
EXP/CV Input: Plug in CV control (~0-3.0v) or an expression pedal for external control of the Filter Freq knob. The Filter Freq knob sets the range for the EXP/CV input.

Specifications

Dimensions: 7.75" x 4.72" x 2.4" (including hardware).
Weight: 25 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 21 mA.

Notes: Envelope with filter with serious attitude

This mangled, filter-sweeping, abruptly overdriving pedal is designed to respond to your playing. It syncs its wave-thumping movement with the force at which you play. It multiplies dynamics into a hyper-exaggerated frenzy. It adds just the right amount of movement to punch through the mix and it reacts to an external trigger of your choosing to follow your tempo. Six selectable frequency ranges mean you're always gonna have just the right quack and oomph for whatever's plugged in! The sounds are wild, the thump is thick, and the animation is deep.

Controls

Input: Plug an instrument in to this jack.
Trig: Plug another instrument in to this jack and use it to trigger the filter sweep.
Out: Connect this to the amplifier.
Sensitivity: Determines the point at which the filter engages and the frequency range of the filter shift in relation to the input amplitude.
Intensity: Simultaneously blends in the resonance, amount, and grit of the filter.
Vol: Adjusts the output volume of the DEEP ANIMATION.
Frequency Selector: Selects the frequency range of the filter.
Bypass: True bypass the effect.
Up / Down: Controls the polarity of the filter decay once triggered. UP sweeps the frequency from higher frequencies to lower ones and DOWN, the opposite.
Additional Features: There is a subtle light to indicate the external trigger behind the main bypass LED.

Specifications

Dimensions: 5.92" x 4.72" x 2.34" (including hardware).
Weight: 21 oz.
Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).
Current Draw: 18 mA.

Notes: Pigtronix Infinity 2 is a stereo looping pedal with two independent loops and a streamlined user interface that has been designed to provide an intuitive musical workflow, right out of the box.

The Infinity 2 enables musicians to seamlessly switch between parts, even during initial recording or while overdubbing. This Verse / Chorus type of workflow is further expanded by the ability to delete the loop that is not currently playing - freeing up an open slot for a new loop to be created, without interrupting playback.

Nearly all actions taken by the Infinity 2 occur at the loop boundary. This allows the musician to cue an overdub, switch between loops or stop precisely at the end of a loop, without having to worry about hitting the footswitch at precisely the correct time. Simply tell the machine what to do and it will occur at the end of the current loop. This is the general rule of thumb for all commands, with a few exceptions such as instant stop and fade out, which take place immediately when activated.

A small push-button switch, located above the left footswitch, allows the user to change the functionality of this footswitch to perform various Stop, Stutter and Octave Shift effects. A TRS remote jack allows these special features to be triggered by an external switch. Undo / Redo functionality can also be assigned to the left footswitch, allowing the musician to remove previous overdubs and add them back as desired.

In addition to a dedicated knob for loop Volume, the Infinity 2 also features a Decay knob that causes loop audio to fade out progressively during overdub. With the Decay knob set fully clockwise, the layers pile up at full volume. With the Decay knob set fully counter-clockwise, each overdub lasts for only one loop cycle. With the Decay knob set anywhere in-between those extremes, overdubbing on the Infinity 2 creates constantly evolving loop textures that can be instantly snapped back to a previous state using the Undo function.

The Infinity 2's full-range, high-headroom audio inputs will accept mono or stereo instruments as well as line-level signals. The dual outputs of the Infinity 2 can be routed for stereo output with pass-through and loop audio mixed together, or they can be configured for discrete Wet / Dry operationiwhere the loop audio is summed to one output, and pass-through audio is sent to the other.

Infinity 2 combines the high-fidelity audio and ultra-low-latency looping engine of the original award-winning Pigtronix Infinity Looper, with a much smaller form factor and a user interface specifically designed to make looping fun and musical for everyone.

Notes: Another banger from Dreadbox's excellent effects series. Stereo echo effects based around multiple hybrid delay stages, giving bags of character for reverb, modulation effects and classic delays.

Supplier's Notes:
Dreadbox Raindrops is a Hybrid Delay/Pitch Shifter/Reverb pedal that takes the concept of short echoes to a different level.

It is equipped with multiple delay stages and different chips and you can choose between 3 different play modes, where in each one you can have a whole new experience and alternative soundscapes. You can achieve from simple short echoes, to long, dirty and lo-fi delays and from simple pitch shifting bursts to extensively lasting reverbs.

Specifications

Circuit: Analogue Dry signal / Hybrid Delay / Digital Reverb
Bypass: Buffered OpAmp
Audio: True Stereo IN/OUT
Inputs / Outputs: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 220mA

Notes: Space Bender

Chorus Modulator

LFO in the UFO

The Space Bender chorus modulator replicates and warps your signal into beautiful and organic transmissions from a dimension somewhere beyond linear time.

Under the hood lies an array of dynamically modulated delay lines allowing you to craft subtle vintage sci-fi sounds, bending sonic bedlam, and pulsing atmospheres. Never again will you say this chorus pedal just isn't intense enough! These in combination with the rocker switch settings let you move smoothly through a wide range of effect types allowing for new ways of thinking and experimenting with modulated delay, chorus, and flanger.

Stretch and pull your sound waves to craft glassy bell resonances, massive reverse dive bombs, and seasick demon drones with a simple (but deep) interface. The spectrum of living, breathing sound manipulations stowed within the Space Bender serves as an interstellar gateway for the next wave of musicians to create a universe of haunting and unexplored soundscapes.

See you on the other side!

Specifications

Dimensions: 5" x 2.63" x 2.45" (including hardware)
Weight: 9.3 oz.
Power: 9V DC (runs on standard 2.1mm negative center 9V DC adapter).
Current Draw: 65 mA.

Notes: Tape Echo is an echo and delay processor with 7 different types of simulation to recreate the sound of vintage echo units. In addition to classic tape echo simulation, the NDD-7 has a separate spring reverb effect, sound-on-sound (SOS) for operation as a 40 second looper, and up to 1600ms of delay. For authenticity, the NDD-7 also has Wow & Flutter settings and Saturation adds natural compression and degradation, which can even drive into self-oscillation, like a true tape echo. Two foot switches operate as effect on/off and tap tempo and they double as looper and display controls. Above the foot switches are Time, Repeat, Level and Reverb controls and 2-band EQ governs the tone of repeats. USB connectivity and MIDI compatibility give further possibilities for deep control and integration with DAW and project studio setups. A full vintage echo collection in a single compact pedal for those seeking the genuine retro echo sound.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Time, Repeat, Level, Reverb, Bass, Treble, Select
Current consumption: <150mA
Sampling Frequency: 48kHz
Sampling format: 32-bit
Frequency response: 20Hz - 20kHz (-1dB)
Input impedance: 5M Ohms
Input level: 1.5V max
Output impedance: 100 Ohms
Output level: 1.5V max
Latency: 1ms
Dynamic range: 103dBu / 105dBu (A-weighted)
THD: +N0.0038% (1Vrms, 1kHz) / 0.01% (1Vrms, 1kHz)
Dimensions: 115 x 105 x 58mm

Notes: The J Mascis Ram's Head Big Muff Pi fuzz pedal pays homage to the sonic centre of the alt-rock legend's iconic tone of equal parts thickness and clarity in a special edition white and violet finish.

"That's my sound. The Muff is always on," J says. "All distorted sounds begin with the Muff. That's what I grew up playing so it's kind of amazing to have my own signature one."

Based on the highly coveted 1973 Electro-Harmonix V2 Violet Ram's Head Big Muff, J's signature Big Muff produces the indulgent fuzz and exceptional sustain used as his sonic centre for decades.

The fuzz is sonically more articulate than other Big Muffs with excellent string separation and dynamics, which make it one of the most versatile Big Muffs. The pedal's response feels smooth and aggressive making your leads scream and chords thunder.

Feel the fuzz of a guitar giant: the J Mascis Ram's Head Big Muff Pi fuzz pedal from Electro-Harmonix.

Authentic V2 Violet Ram's Head Big Muff in a nano-sized chassis
Special-edition artist graphics
True bypass
9V battery included

Specifications

Circuit: Analogue
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 2mA
Year Released: 2022

Notes: The NU-X MG-400 builds on the success of the ground-breaking MG-300 compact multi-FX pedal, adding dual processors and delivering high-definition models and increased flexibility. Integrated effects sections include Drive, Amp Simulation, I.R cabinet simulation, Modulation, Delays & Reverbs with a host of options within each category. Audio modelling is based on the NU-X TSAC-HD algorithm, which delivers high-definition analogue circuit simulation for pro quality guitar tones. An expression pedal covers wah and swell effects amongst other possibilities. All settings can be edited onboard or via USB using the downloadable PC/Mac Quicktone software and then stored into one of 36 internal memory locations. For live or rehearsal backing, the built-in Jam function has a fully featured drum machine and phrase looper. To integrate with a DAW studio suite, the USB also functions as a high-quality audio interface, completing the studio-ready guitar rig. The main output can be stereo or mono for guitar amplifiers or D.I to studio equipment. There is an additional 3.5mm output for stereo headphones. Expanding the control surface has provided space for additional control footswitches for a smoother and more accessible live playing experience.

Specifications

Power supply: 9Vdc, 280mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
USB port: USB type-C for audio interface and PC/Mac editing
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (+/-1dB)
Outputs: L/Mono + R 6.3mm jack, stereo 3.5mm headphones
Latency: 1.1ms
Dynamic range: 108dB
THD: +N<0.03%
Input impedance: 470k ohms (Aux 10k ohms)
Output impedance: 1k ohm (Headphones 47 ohms)
Dimensions: 289 x 160 x 71mm
Weight: 920g

In the box

The box for this item contains:
MG-400 multi-FX pedal
9Vdc UK power adapter

Notes: Designed in collaboration with Black Arts Toneworks, the Boneshaker is a dirty boost coupled with a powerful 3-band semi-parametric EQ. The Boneshaker can smack the front-end your amp into overdrive, or sculpt the tone of your fuzz to stand out in a mix. If your already dirty amp channel needs a little bit of a goose and you want full control over every frequency, the Boneshaker is just the ticket.

General Specifications
INPUT

1 x 14" instrument
OUTPUT

1 x 14" instrument
CHASSIS MATERIAL

All Metal
POWER SUPPLY

9V Alkaline Dry Battery or Optional Power Supply
Dimensions
HEIGHT

2.25" (5.71 cm)
WIDTH

2.63" (6.68 cm)
LENGTH

4.68" (11.88 cm)
WEIGHT

1.0 lbs. (0.453 kg.)

Notes: "We meat again!" Proudly presenting the DOD Meatbox (2015).

Answering the call of low frequency freaks everywhere, the DOD Meatbox (2015) is an updated take on the cult favorite Meatbox from the '90s. As a bass subharmonic synthesizer and low-end enhancer, the Meatbox can produce a range of sounds from a slight thickening to a full-on, low-end assault! Use the Meatbox on bass guitars, extended-range guitars, synths, even drum machines and push all the air out of any room. If you're looking for a new way to move your audience, look no further.

More than just a low frequency boost, the DOD Meatbox (2015) can also cut frequencies for tone sculpting as an interactive EQ and even produce distortion depending on where the output level is set.

The DOD Meatbox (2015) offers independent Octave, Output Level, Subharmonic and Low Frequency controls. True bypass allows your tone to remain pristine even when the DOD Meatbox is off. This is a big difference from the original, which would colour your bypassed tone.

The modern 9V DC power supply input makes the pedal more pedalboard friendly.

Notes: Proper futuristic amp modelling and effects courtesy of Mooer's next-level GE1000, featuring AI-driven auto-EQ and a five-inch touchscreen. Hook up to the GE Cloud app to edit and share sounds.

Supplier's Notes:
MOOER has consistently pleased the guitar pedal market with its GE multi-effect range, and its latest addition, the GE1000, is set to be no exception. The GE1000, built with a futuristic and sleek "Walking Star" design, builds upon past GE products, offering an even larger range of guitar processing effects, preamps, amp simulators, and features than previous entries.

The GE1000 comes preloaded with an impressive bank of guitar effects and amp simulations, but this is augmented further through MNRS GE Cloud support. MOOER's MNRS files consist of IR samples from real amplifiers, facilitating authentic feeling tones that can be downloaded, uploaded, and shared via MOOER's 'GE Cloud' app for free. The GE1000 also supports third-party IR files of up to 2048 sample points, enabling further expansion of the pedal's portfolio of amp simulators.

Further adding to the GE1000's impressive amplification and tone features, the GE1000 includes a cutting-edge AI-driven automatic equalizer, a first for MOOER. This automatically adjusts a 5-band EQ based on the user's playing and music style choice, providing further possibilities for creativity whilst still providing the flexibility of a manual-controlled EQ interface.

MOOER hasn't only focused on tone and pitch with the GE1000 exclusively, which is illustrated perfectly by the integrated Groove Station rhythmic toolkit, consisting of a style-specific drum machine and a looper. These features have been designed to work both independently and in tempo synchronization, making them adaptable for all types of jam. The looper even includes automated record and count-in functions, activating the loop recording when an input signal is detected, providing a unique hands-free looping experience.

MOOER has always excelled at providing innovative UI experiences, and the GE1000 is set to continue this trend. The pedal features a 5-inch high-quality coloured touch screen designed for intuitive multi-effect workflows while keeping some fan favourites from previous GE pedals. These include the signature MOOER multi-purpose control dials, buttons, and a quick-access expression pedal.

Additional flexibility can be found within the pedal's cutting-edge control systems, including programmable MIDI ports, bundled preset management software, and compatibility with the MOOER mobile app.

This level of flexibility is matched by the pedal's audio routing solutions, which feature Bluetooth playback, USB audio interfacing, serial and parallel TRS stereo FX LOOP compatibility, and industry-standard input and output ports.

Notes: Verb Core Deluxe offers 8 different reverb effects in a single, straightforward stomp box format. A selection of classic and contemporary reverb types are available, with new features such as buffered tail bypass and kill dry functions. Each reverb type has adjustable Decay, Level and Tweak, which affects a different parameter depending upon the delay type selected. The dry signal follows an all-analogue signal path, keeping the signal pure and helping to avoid unwanted noise. If you need a reverb on your pedal board, this could be the answer to all your needs.

Mono or full stereo signal path
True bypass or buffered with reverb tails
8 distinct reverb types
Hold the footswitch for additional freeze function
USB-C port for firmware updates

Power supply: 9Vdc (PP3) battery or optional power adaptor
DC input connection: DC5521 jack (for optional adaptor - pin-negative)
Current consumption: <120mA
Controls: Decay, Level, Tweak, Reverb type
Modes: Room, Hall, Plate, Damp, Shim, Spring, Tre-verb, Mod-verb
Inputs: L+R 6.3mm mono jack
Outputs: L+R 6.3mm mono jack
Sampling format: 48kHz, 24-bit
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 104dB
Dimensions: 122 x 72 x 47mm
Weight: 270g

In the box

The box for this item contains:

Verb Core Deluxe pedal
Alkaline PP3 battery

Notes: The Dreadbox PSYCLOP is the ultimate modern utility device. It's an Effects Chain Loop with Dry/Wet mix control, Signal Attenuator and Boost as well as Expression to CV (Control Voltage) converter, all in one easy to use package suitable for string instruments or synthesizers and is also Eurorack compatible.

PSYCLOP is not your average Effects Loop Mixer. Capable of managing any type of signal from instruments or effects pedals, PSYCLOP seamlessly blends them with its parallel effects loop.

Its features include Input Attenuation of up to -20 dB and an Output Gain Boost of up to +20 dB in order to match any signals. For unity gain, simply set the Input Attenuation Amount to 100% with the IN control and using the OUT knob, adjust the Output Gain Level to 0%.

To avoid phase cancellation issues between the dry and wet signal paths, the PSYCLOP also features a simple but effective Effects Loop Phase switch, which is easily accessible on the pedal's side.

Additionally, PSYCLOP is capable of converting TRS Expression signals to CV and makes them usable with most Eurorack gear, making it a perfect device for synth fans and sound design enthusiasts. The pedal's EXP knob attenuates the CV output. When nothing is connected to its CV IN jack, the CV OUT jack will output 0-5V depending on this knobs' setting and a connected EXP pedal's position.

So all you have to do is plug in and embark on your next thrilling sound design adventure.

Notes: The Golden Boy Mini - the epitome of versatile and transparent overdrive, designed in collaboration with the renowned guitarist Joey Landreth. With its exceptional harmonic detail and abundant headroom, this compact overdrive pedal takes the concept of transparent overdrive to new heights, using a simple and powerful interface.

The Golden Boy Mini is the perfect addition to any guitarist's arsenal, allowing you to shape and enhance your tone in ways you've never imagined. Its transparent nature ensures that your core tone remains intact, while adding a dynamic of warmth, richness, and depth that elevates your playing to new levels.

Its intuitive controls allow you to dial in the perfect blend of overdrive, from subtle grit to soaring, harmonically rich tones. The pedal's wide-ranging gain control ensures that it can adapt to any musical style or genre, whether you're playing delicate fingerpicked melodies or unleashing blistering solos. Pair it with Asymmetrical or Led Clipping and put the final touches with it's 3-band Baxandall-style EQ.

Beyond its exceptional sound, the Golden Boy Mini is built to withstand the rigors of the road. Its rugged construction and top-quality components ensure reliability and durability, making it a reliable companion for both studio sessions and live performances.

Whether you're a seasoned professional or an aspiring guitarist, the Golden Boy Mini will transform your tone and ignite your creativity.

Discover the Golden Boy Mini and unlock the true potential of your guitar tone. Order yours today and witness the power of transparent overdrive like never before. Elevate your sound and embark on a sonic journey with the GOLDEN BOY Mini!

Notes: Ideal for blues and crunchy rock sounds (or for that extra punch when soloing), the Nobels ODR-1 has been the first choice and secret weapon for many players and top studio guitarists for nearly 30 years. In fact, this top selling pedal has developed its own almost cult following since it was first designed and engineered in the eighties.

When the original circuit was developed, there seemed to be countless overdrives on the market that had what many people describe as a 'nasal' tone, but Nobels worked hard on creating a very 'open' sounding pedal that works with you and your amplifier. The result was the ODR-1, German engineering at its finest with stacks of resistors and capacitors forming very precise filters and signal shaping, giving you a pedal that responds to your dynamics and adds texture to your tone in a very natural, musical way - all while allowing the character of your guitar to be fully retained.

Step forward to 2020 with the latest model ODR-1BC.

With numerous requests from the pedal community and professional players worldwide, Nobels have added the option of an internal Bass Cut switch under the battery cover to help tame your low end if needed. In standard mode though, you still get the full frequency response of the original that is perfect for warming up single coils etc. In addition, the internal power circuitry has been increased to allow for 9-18 V capability to provide extra headroom, if your playing styles and tone goals require it. These new features haven't altered the fundamental tone and vibe, but have increased the versatility of the pedal massively for modern rigs.

With the drive control, the distortion can be easily adjusted from almost clean to maximum drive. The circuit also works very well with your guitar's volume control, so by backing off the volume you can clean up your tone. The tonal range is controlled by the Spectrum control tone pot with mid-click and fluorescent pointers on the Glow-in-the-Dark knobs. Turn the knob clockwise and it increases the bass and treble at the same time, while turning it counter clockwise has the opposite effect. The midrange stays untouched in either direction, to ensure a transparent yet warm tone wherever the Spectrum knob is placed.

Notes: The ODR-mini delivers creamy, natural overdrive - Everything from pushed clean amp tones to gain filled stacks! It has the same tones as its legendary brother - the ODR-1. You'll love the warm mid-gain tones for rock and blues, and the screaming hard rock sounds from the ODR-1 Mini. Plus the mini features true-bypass switching, the SPECTRUM pot with mid-click, fluorescent pointers on the "GitD" - knobs (Glow-in-the-Dark). Guaranteed to be a BIG part of your sound while a small part of your pedal board.

Electr. stab. power supply 9-18 Volt DC, with min. 100 mA, 2.1 mm plug, center negative, (optional)

Effect-Type: Overdrive
Analogue
Mono/Stereo: Mono In, Mono Out
Control: Drive, Tone, Level
Bypass Modus: True Bypass
9-18 Volt, center negative
Consumption 25 mA
Dimensions (BxLxH / mm): 42 x 93 x 50
Weight: 175 gr
Country of origin: China
Solid metal housing
Low current consumption
inkl. tape

Notes: Like the Iguana that's malleable to its environment, blending into its surroundings for harmonious balance or standing out with vibrant confidence, the Polychrome Flanger is a uniquely colourful tool for adding modulated textures to songs.

The Polychrome Flanger is a true bypass, all analogue Flanger pulling in familiar layout controls from the Julia and Lillian.
Dial in a wealth of colourful flange with the D-F-V blend knob and the shape and voice switches.
The Shape Switch lets you select from sine, triangle, or random LFO wave to modulate the delay line

The Voice Switch lets you select between two voices for the flanging effect.
In the down position, the flanger is more traditional and full frequency.
In the up position, you get a more complex and notched flange effect with less low end.

Like the other members of the Walrus Audio modulation family, the Polychrome has a blend knob. The D-F-V (Dry, Flange, Vibrato) knob lets you blend the dry and delayed signal from full dry at minimum (no effect), to traditional flange at noon to full pitch vibrato at maximum. Don't sleep on the vibrato sounds in the Polychrome.
Set the D-F-V knob to maximum, feedback to a minimum, and the voice switch up for some unique pitch vibrato.

Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Polychrome fit well on your board and ensure smooth operation for years to come.

Specs
The Polychrome comes in a flat black enclosure with purple, yellow, coral, green and white ink, featuring original artwork by David Huttner.
Power supply not included.

Dimensions and power consumption:
0.25kg
6,6 x 12,2 x 5,6 cm (W x D x H)
50 mA

In the box:

Walrus Audio Polychrome
Manual
Sticker
Guitar pick
Pouch

Notes: Delay and granular sampling combine to create unique ambience effects, creative reverbs and glitchy chaos. Hugely versatile pedal with five contrasting programs.

Supplier's Notes:
In the high woodlands of the north, undiscovered by most inhabitants, there ruled a clan of old, mystic Treefolk. On the first new moon of spring, these Treefolk could be heard grafting limbs to grow their young - splicing bits of branches from each generation to produce the next line of Treefolk. These new beings keep the lifeblood of all who came before in their new skin. These sounds are in part very old, but in part very new. They are referred to as... Fable.

Let your storybook adventure grows with the Fable Granular Soundscape Generator. The Fable gives you five all-new programs centered around sample and chop delay algorithms to create bizarrely beautiful networks of sampled and resampled sounds. The Fable uses a powerful dual DSP architecture to combine delay programs in series with granular sampling algorithms, each with its own analogue feedback path. Find unique soundscapes ranging from smooth, flowing ambience; to bizarre, organic reverberance; to chaotic, glitchy swarms.

So, what exactly is this granular effect and why is it a magical experience when combined with delay? Granular is a digital processing technique of micro-sampling, wherein short samples called grains are read from a delay buffer. In the Fable, players can adjust these grains by manipulating their sampling length, position, and buffer size from which they're read. They can be played at double or half speed for pitch shift and time stretching effects, play them in reverse, read from multiple positions, and more, in order to achieve different effects.

It's a powerful but complex technique and Walrus Audio created five streamlined programs in the Fable that explore different aspects of its sonic range.

Programs

I. Reverse Delay into Reverse Granular

Program 1 runs a reverse delay into a reverse granular algorithm, in which sampled grains are played backwards. Reversal and re-reversal build up in the feedback paths, creating a complex and organically shifting soundscape. Turn grain size down for long, smooth reversed transients, and grain size up for stuttering reverse glitch madness.

II. Forward Delay into Octave Up Granular

Program 2 runs a forward delay into an octave-up granular program, in which sampled grains are played at double speed. Swarms of double-speed grains build up in the feedback path for bright and airy cascades of sound.

III. Analogue Delay into Octave Down Granular

Program 3 runs a warm, dark analogue-style delay into an octave-down granular program, in which sampled grains are played back at half speed. Slowed down repeats combine with analogue-style processing to create deep, thunderous footfalls and thick, murky ambience.

IV. Multi-Tap Granular into Multi-Tap Granular (Grain-Verb)

Program 4 runs two multi-tap granular algorithms in series, in which multiple samples are played back from each granular buffer simultaneously. Multiple points of sampled sound build upon each other in the feedback paths to create glitchy clouds and unique organic reverberance. Time in this program controls time-stretching of both granular algorithms, changing both the length and tonal character of the granular effect.

V. Forward Delay into Randomized Pitch Granular

Program 5 runs a forward delay into a randomized pitch granular program, in which each grain is played back at a randomly selected speed and direction, varying between pitched up double speed, pitched down half speed, normal speed, plus forward and reversed playback from grain to grain. Pitch changes with each new grain, so play with the X knob in this program to control the rate of randomized pitch modulation.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.

Notes: The Whammy Ricochet lets you bounce your playing up or down in pitch in controlled or crazy shifts. A momentary switch and customizable independent rise and fall time ballistics, allow you to get the Whammy action you know and love without the use of a treadle. Just hold your foot on the footswitch and let the Ricochet do the rest. Seven pitch selections - 2nd, 4th, 5th, 7th, Octave, Double Octave, and Octave+Dry, as well as a toggle to select up or down for the selected pitch. The Whammy Ricochet also has latching footswitch mode so you can rise or fall to pitch and stay there, and an LED ladder that shows your shift trajectory at all times. All these controls combine to create classic Whammy pitch-shifting as well as new sounds never heard before.

General Specifications
ControlsBallistics Control, Pitch Control, Range Switch, Momentary Switch, Effect On/Off
Sample Rate44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio> -106dB (A weighted); ref = max level, 22 kHz bandwidth
A/D/A Converter24-bit
THD0.004% @ 1 kHz; ref = 1 dBu w/ unity gain
Power Consumption2.1 Watts (235 mA typical @ 9 VDC)
Power Requirements9 VDC External Adapter (sold separately)
Power SupplyPS0913DC-01 (US, JA, EU); PS0913DC-02 (AU, UK)
Power Adapter Output9 VDC 1.3 A
Dimensions
Length4.75"
Width2.875"
Height1.75"
Weight0.8 lbs.
Audio Output
Output1/4" Unbalanced (Tip-Sleeve)
Max Output Level+10 dBu
Output Impedance1 kO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)
Audio Input
Input1/4" Unbalanced (Tip-Sleeve)
Max Input Level+5 dBu
Input Impedance1 MO (Effect enabled or effect bypassed w/ Momentary switch on) True Bypass (Effect bypassed w/ Momentary switch off)

Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9r Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:
PRECISION: Pays homage to the iconic Fender P Bassr
LONGHORN: Emulates the Danelectror 6-string bass, ideal for baritone type tones
FRETLESS: Features both electric and standup fretless basses.
SYNTH: A tribute to the classic Taurusr Synthesizer
VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
BOWED: Classic bowed bass
SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
3:03: A polyphonic salute to the sought after Roland TB-303r vintage bass synth
FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

Note: All third party trademarks referenced by EHX remain the property of their respective owners. Unless specifically identified as such, EHX's use of third party trademarks does not indicate any relationship, sponsorship, or endorsement between it and the owners of these trademarks. Any references by EHX to third party trademarks is to identify the corresponding third party goods and/or services and shall be considered nominative fair use under the trademark law.

Pays homage to nine of the best bass sounds ever
Tracks impeccably and works on guitar without mods, special pickups or MIDI implementation
Independent Effect and Dry volume knobs let you precisely control your mix at the Effects output
Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs
Dry output jack outputs the input signal at unity gain
Compact, rugged, easy to use
Power adapter included

SPECIFICATIONS
Circuit
Digital
Bypass
Selectable Buffered Bypass
Audio
Mono
Power Supply
9.6VDC-200mA power adapter included
Dimensions (in)
4.75 x 4 x 2.25
Current Draw
100mA
Year Released
2019

Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
11 modulation types with multiple modes for each
Intuitive "hidden" parameters accessible through its Secondary Knob Mode
Tap Tempo via the built-in footswitch or an external one
Momentary Mode to switch effects in or out
Comes with a standard EHX EHX 9.6DC200mA power supply
Compact and rugged
Power adapter included

Specifications:
Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2019

Notes: The Wash is a dream come true for ambient player and ushers in a new chapter in the world of delays. It accomplishes the arduous task of creating an organic, below-the-mix wash. Normally this requires stacking 3-4 reverb and delay pedals at the end of your chain. The unique "Wash Circuit" creates the perfect wash with only one pedal.

For the new version (V2), Hungry Robots worked hard to squeeze the circuit into a smaller enclosure while keeping the build quality and tone quality identical. The circuit that hundreds of users have fell in love with is unchanged. The new versions are 2 inches smaller left and right. In addition to the smaller enclosure, the new option for top mounted jacks can save you a lot of board space.

At its most basic utility, The Wash is an outstanding analog-voiced, tap-tempo delay with just over 1000ms of delay time.

The Wash circuit is what makes the pedal stand out from other delays on the market. The Wash circuit adds reverb to the signal and through a complicated network of internal feedback loops, subtle multi-head Binson effect, and what is known as "ripple effect," It works to add a hauntingly beautiful wash to your signal in ways that can't be accomplished by stacking a reverb and a delay in series. It does all of this while keeping the clarity and presence of your original signal without getting lost in the soup of decay.

The Wash reacts to your playing unlike the common DSP reverb/delays with an infinate sustain function. There is a dynamic quality to it that is hard to replicate with any other single pedal.

The "Ripple" knob controls The Ripple Effect. The Ripple Effect is a feature in which each successive delay trail slowly scatters and transforms into reverb. The "Resonance" knob is to fine-tune the resonance and decay of the wash. The Middle "The Wash" knob controls the mix/level of the wash.

Current Draw: 92-93 mA

Switching: True-Bypass

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Moby Dick V2 brings up to date one of the first pedals that put Hungry Robot on the map. The original Moby Dick is well known for its chimey, tape-emulating delay line with slight lo-fi imperfections and subtle modulation; a "back-to-basics" delay in the world of multi-mode DSP delays.

The V2 has an obviously smaller footprint, but the most exciting changes lie in the circuit updates. When working on the V2, Hunry Robots wanted to further explore the sonic capabilities of the Moby Dick tape-emulation, rather than a miniature version of the pedal- specifically in a lo-fi, wrecked-tape context.

One of the magical qualities of recording to tape is the lovely saturation. The original Moby Dick had a gritty, saturated quality, but in the V2, this quality was pushed to its limit. A "Lo-Fi" knob which allows you to dial in additional tape saturation to the delay line. This is done by applying pre-gain amplification to the front end of the delay chip, resulting in a wonderfully organic character when gain is applied.

The capabilities of the modulation were also expanded. The original Moby Dick had a very subtle chorusing effect. Though it sounded great, it was admittedly subtle. The V2 increases the modulation depth dramatically, allowing it to travel beyond subtle chorusing into more extreme pitch bending territory. The "Mod" in conjunction with a cranked "Lo-Fi" knob creates the most amazing broken tape-deck quality, but when these knobs are dialed back it retains the overall character of the original.

Current Draw: 30 mA

Switching: True-Bypass

Dimensions: 4.7" x 2.6" x 1.5"

Delay Time: Approximately 1000ms

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!

Since tone is in the hands, the controls of the Acapulco Gold are as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That's it. The rest is at your fingertips. Want less gain? Turn down your guitar's volume knob. Need a darker rhythm tone? Roll back your guitar's tone control. Easy, right?

Big Knob: The big knob sets the output level, sometimes known as Volume. PLEASE BE CAREFUL, the Acapulco Gold is extremely loud!

With your guitar's volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.

How about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!

This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device can be powered by a 9v battery or a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs

Current Draw: 18 mA

Notes: You hear that EVP? It's the all new, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is Earth Quaker's spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms - 150ms of pre-delay, controllable via the Attack knob, for everything from a quick rockabilly slapback to viscous pools of ectoplasmic reverberations. When playing staccato, you'll hear the tortured trails of the reverb, resulting in more of a slapback or echo sound. Legato playing will reveal a massive ambient "depth" that fattens up the sound - and look out, it's right behind you!

Phew, that was close. The Dwell control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The Depth sets the intensity of the reverb, which you probably know as the wet/dry mix.

Controls:
1. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations.

2. Dwell: Adjusts the length of the decay. This will start to self oscillate around 3 O'clock, the pitch of the oscillations can be changed by turning the Attack control.

3. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted.

Tech Specs:
This device is true bypass and uses electronic relay-based switching. Audio will not pass without power.

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 2.50 x 2.25 in. (121 x 64 x 57 mm) with knobs
Current Draw: 86 mA
Input Impedance: 10 MO
Output Impedance: 1 kO

Notes: A multi-voice synthesizer that will track your guitar for tight monosynth leads, complex chord polyphony, or multi-note sequenced arpeggiation. All without any special pickup installation. Just put it on your board and discover your own reality. The Enzo isn't limited to guitar; use it on any instrument whether drum machine, vocals or other synths. Completely transform your input signal and synthesize. Use the full synth palette of multimode analog style synth filters, ring modulation, envelopes and much much more to drive punchy, thick synth textures. Or, explore an altered state of your pure instrument signal by transforming it with pitch, time and modulation effects. Plug in to a revelation generator.

Premium quality 24 bit A/D and D/A

32 Bit floating point DSP hardware

Premium low noise Analog signal path throughout

Digitally controlled Analog Dry path for wet/dry mix

Analog Devices JFET input circuitry

Selectable True Bypass (Relay) or Analog Buffered Bypass

Durable translucent coat of vibrant gold over brushed aluminum

Current draw < 150 mA

Dimensions - 4.25" wide, 4.5" long, 2" tall

Notes: Inspired by Vangelis' majestic soundtrack for the sci-fi masterpiece Blade Runner, Mercury7 is designed to send both humans and androids into an eternal dream state with its wealth of stunning reverb algorithms.

From subtle plates and huge cathedrals to massive building soundscapes, swirling modulation, epic auto-swells and cascading shimmering pads. Whether you're looking to capture the sound and feel of well-known earthly spaces, or that of huge starlit galaxies far away, the Mercury7 is sure to deliver!

Meris has left no stone unturned in their journey to bring ultra-advanced studio reverb capabilities to your pedalboard. The Mercury7 takes everything that made the original and highly regarded Mercury7 500-series studio rack-unit amazing and distils it all into a compact, sturdy and super intuitive pedal fit for any rig and instrument out there.

Mercury7 sports two different reverb algorithms (Ultraplate and Cathedra), which alone deliver a superb range of ambient tones. Now throw in the ability to modulate, pitch-shift, swell, sustain and EQ the reverb in a million different ways via its rich control set and ALT functions and you have a reverb pedal that has your back whether you're going for smooth on-stage ambience or otherworldly sound designs that could easily form the backdrop to your favourite movie.

In addition, Mercury7 holds one of the most impressive stereo reverb images ever made, vast MIDI capabilities and the ability to seamlessly morph between sounds via an external expression pedal. Mercury7 is in essence way more than just another reverb pedal. It's a deep and highly musical creative instrument in its own right.

Premium quality 24 bit A/D and D/A

32 Bit floating point DSP hardware

-115 dB Signal to Noise Ratio (typical)

Premium low noise Analog signal path throughout

Auto Swell Envelope (variable and foot-switchable)

Analog Devices JFET input circuitry

Wet/Dry signal mix occurs in the Analog domain

Selectable True Bypass (Relay) or Analog Buffered Bypass

Durable transparent blue powder coat over brushed aluminum

Current draw < 150 mA

Dimensions - 4.25" wide, 4.5" long, 2" tall

Notes: Tweaking the platform of their Fault overdrive/distortion, Old Blood Noise have carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.

Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.

Notes: Easily one of the best looper pedals on the market. Huge power from this six-track effect, allowing you to perform in new and creative ways. Great clear sound and user-friendly design.

Supplier notes:
6 Track, Stereo Looper Pedal with Touch Enabled Screen, Hands Free Mixing, and Simultaneous Parallel and Sequential Looping

The Aeros Loop Studio includes 3 hours of mono recording time (1.5 stereo), upgradeable to 48 hours when using SD card

This pedal includes 2 x 1/4" (6.35mm) inputs, 2 x 1/4" (6.35mm) outputs, expression pedal support, MIDI in/out, 1/4" (6.35mm) stereo aux input, and 1/4" (6.35mm) stereo aux output.

Built in wifi and bluetooth for over the air updates, the Aeros Loop Studio offers a revolutionary looping experience

Featuring the ability to create 36 unique loops per song, the Aeros Loop Studio goes beyond what's expected of a looper pedal. Add unlimited overdubs for each loop, and record up to 48 hours (when using an SD card).

Blurring the lines between traditional loopers and audio workstations, the Aeros Loop Studio allows you to mix your tracks live during a performance using the built-in scroll wheel, and gives the ability to save and export songs. This will let you share your best loops with your fans.

With its 4.3" touch-enabled screen and color coded cues and waveforms, the Aeros looper will never leave you wondering where you are in the loop.

Additionally, the Aeros Loop Studio packs tons of power into a small form factor. Coming in at just 7.8"? x 5.6" (198 x 142 mm), the Aeros lets you add a 6 track, stereo looper to any pedalboard.

Of course, the Aeros had to be fully compatible with Singiular Sound's drummer pedal: The BeatBuddy. Using the two together is a plug and play experience.

This new looper also features bluetooth and wifi, enabling us to add exciting new features with over the air updates. Simply put, there's no other pedal that can match the Aeros Loop Studio.

SPECIFICATIONS
Quantize your tracks in any time signature or play in freeform mode.

6 parallel tracks and 6 song parts for a total of 36 distinct loops per song and in an industry first, but also, simultaneous parallel and sequential looping.

Unlimited overdubs enable you to create layers and depth in your loops without worrying about restrictions.

Save your loops with the USB port or an SD card.

3 hours mono, 1.5 hours stereo recording time (20 minutes per song) using internal storage and up to 48 hours storage when using an SD card.

32-bit floating point processing, 24-bit recording, professional DACs, <1ms latency, and 20hz - 20kHz range for studio quality recordings.

Digital dry through bypass.

In addition, wifi compatibility for over the air updates and exciting, yet to be announced features.

Bluetooth for reasons.

Four built-in footswitches with our comfort+ switch tops (perfect for playing barefoot or in socks).

There is a built-in scroll wheel for hands-free mixing during a performance.

MIDI in/out ports for syncing seamlessly with the BeatBuddy, other drum machines, effects, and more.

Additionally, it is compatible with any external expression pedal.

I/O: two 1/4" (6.35 mm) inputs, two 1/4" (6.35 mm) outputs, one 1/4" (6.35 mm) stereo aux input, one 1/4" (6.35 mm) stereo aux output.

9v (center negative), 360mA power supply included.

4.3" (109 mm) touch-enabled display.

Small form factor: 7.8" x 5.6" x 2.2" (198 x 142 x 56 mm).

Lightweight: 2lbs 4oz (936 g).

Aluminum construction with chip resistant black coating.

Requires Male to Male MIDI Cable for connecting to the MIDI Maestro and Male to Male MIDI Cable as well as MIDI Breakout Cable for connecting to the BeatBuddy

Notes: The Switchblade Pro is our deluxe switching box featuring true mechanical bypass, soft switching, high quality and low noise buffers, volume controls for all input signals, high headroom and a multitude of possible configurations for all your signal routing needs. This compact pedal is a versatile and indispensable tool!

Notes: The legendary Memory Man legacy continues with this compact take on the Deluxe model. Classic bucket brigade delay sounds with new modulation controls including rate and depth.

Supplier's Notes:
No one does analogue delay and modulation like Electro-Harmonix and the Nano Deluxe Memory Man delivers the unmistakably lush delay, chorus and vibrato of the benchmark large-format Deluxe Memory Man in a compact, pedalboard ready chassis.

The Nano Deluxe Memory Man delivers EHX's signature analog delay, chorus and vibrato plus some updates we've added including both Rate and Depth knobs for enhanced modulation control. It features a maximum delay time of 550mS, an internal user-accessible switch to turn delay tails on or off, true bypass switching when the tails feature is off and it comes equipped with a standard 9Volt power supply. For over 44 years the Deluxe Memory Man has been the gold standard for analog delay and modulation. Now it's available in an ultra-compact package!

Specifications:

Circuit: Analog
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2021

Notes: Eventide's legendary MicroPitch effect, as found in the H910 and H949 Harmonizers, packaged into a compact pedal format, suitable for guitar, bass, synth and other line level signals.

Supplier's Notes:
Savor the secret sauce simmered into countless hit records with the MicroPitch Delay Pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tone: Instantly harness soaring leads that jump out of the mix, add distinct lushness to a compelling clean passage and get your fill of vibey modulation that's sure to sweeten any pot with the push of a button.

Sample a bite of the newly baked up Positive and Negative Envelope modulation sources and you'll be sure to come back for seconds; and major and minor thirds. MicroPitch Delay adds unparalleled dimension to any source; it's not just a guitar pedal.

Use it to thicken vocals, keyboards, drums, strings, brass, winds and more.

What's the recipe for the MicroPitch Delay pedal? It's a unique flavor profile of dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package. The pedal is the latest incarnation of a legendary effect that originated in the H910 and H949 Harmonizers, and later popularized with the H3000. It can be utilized for chorusing and savoury repeating delays. It's a creative sonic design tool. It's effective whether used subtlety as a thickening tone-enhancer or dialed to the extremes for special effects. The simplicity of the pedal's ability to make things sound bigger is what makes it so tasty! With the MicroPitch Delay pedal, you can easily harness the power of this iconic Eventide effect that helped shape musical history.

The MicroPitch Delay algorithm has been a mainstay of audio production and musical performance since it was first introduced within the legendary H910 and H949 effects processors. Its subsequent appearance in the H3000 Harmonizerr further popularized the effect and cemented its place in musical history as a quintessential studio tool. Now players can harness the power of this iconic Eventide effect with the MicroPitch Delay pedal, which offers a unique combination of dual pitch-shifters with fine-resolution de-tuning, delay and modulation - including new positive envelope and negative envelope modulation sources. Its distinctive architecture yields a wide breadth of sonic applications ranging from subtle tone thickening to creating a rich stereo spread to a host of creative sound design special effects. The rugged, gig-ready red MicroPitch Delay pedal is not just for guitars the pedal brings unparalleled dimension to any source from vocals to keyboards to drums, strings, brass and winds.

Users can choose from dozens of Eventide presets to load via MIDI, which are also accessible in the preset list on the Eventide Device Manager (EDM - a Windows or Mac OS X application for software updates, system settings and creating/saving presets).

The pedal can store up to 127 presets in memory, with five presets loaded at a player's feet for access from a latching/momentary dual-action Active Footswitch with a Catch-up mode to help players dial in their sound when toggling between presets/parameters. A single Aux switch can be deployed to Tap Tempo, or a triple Aux switch can be used for easy preset changing (up/down/load). The MicroPitch Delay Pedal offers multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry. MIDI capability is available over TRS (for use with a MIDI to TRS cable or converter box) or USB. The rear-panel Guitar/Line Level switch allows level-matching with guitars, synths, FX loops or DAW interfaces. Any combination of MicroPitch Delay parameters can be mapped to an Expression pedal.

Notes: Multi-tap delays go next-level with Eventide's incredible heritage distilled into this compact pedal format. Line level options allow you to process synths, drums, guitars and just about any other signal.

Supplier's Notes:
A Multiverse of Tone UltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation.

It's the perfect tool for staccato leads, swelling chords, and other evolving effects - everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!

Think of UltraTap as the mother of all Echoplexes and you won't be too far off.

That's basically how it operates but with the flexibility to add as many 'tape heads' as you want and expressively control their positions and levels.

UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedaliNumber of Taps, Delay and Feedback- are just the basics.

Controls for Spread, Slurm, and Chop open up a new world of possibilities.

Effect Features:

"Slurm" An exclusive and innovative control that smears/slurs taps together to create truly unique reverbs and choruses.

"Chop" and "Spd/Rise/Rel" combine to allow unusual and expressive modulation of the taps based on LFO shapes or the audio's envelope.

"Feedback" unlocks further tone shaping capability.

"Taps" selects up to 64 taps to create simple repeats or morph delays into chorus and reverb.

"Spread" controls the 'distance' between' taps. With the knob centered, the taps are equally spaced, turn clockwise and the later taps are bunched together, counterclockwise and the early taps are bunched together. Use this control to dial in the perfect rhythmic space between taps.

Onboard LFOs and envelopes to chop the sound source into stuttered rhythms.

"Tap Footswitch" allows you to set the tempo of the taps.

Connectors:

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB: Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Analog I/O:

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Specifications:

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg

Notes: The Nemesis Delay is the culmination of three years of intense research, listening, and engineering. The mission was to create a compact, powerful, and easy-to-use delay pedal with unrivaled tone, flexibility, and style. Nemesis offers 26 distinct effect engines ranging from vintage tape and analog delays to highly advanced pitch-shifting, reverse, filter modulating, and rhythmic delays. It also features 128 presets, multiple delay taps, a hold function, tap tempo, full MIDI control, deep editing functionality with the Neuro Mobile App, and much more.

Nemesis captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. The Nemesis's Tape, Noise Tape and Slapback delays capture all the characteristic flutter, warmth, and color that give vintage tape delay machines like the Echoplex and Space Echo their classic charm. The Analog delay engine beautifully achieves the resonant peaks combined with high and low frequency decay that typifies classic bucket brigade delay pedals. The pedal's Digital delay manufactures pristine, high definition repeats with or without filtering effects for a classic rack-system tone.

At the opposite side of the spectrum, you'll find an advanced collection of sophisticated and specialized delay effects. The Shifter delay generates perfect polyphonic pitch intervals with repeats jumping to either an octave (up or down), major or minor third, 4th, or 5th. Sweeper applies modulating filter effects to repeats for a unique delay/wah hybrid tone. Backwards effects like Helix and Reverse provide a perfect blend of chaos and control with multi-tap reverse patterns and angelic pitch shifting effects. A Rhythmic delay features an engaging and musical collection of non-standard multi-tap delay patterns.

The 12 engines included on the face of the Nemesis represent a perfect cross section of delay effects, from classic essentials to the highly progressive. But don't stop there, we strongly recommend connecting your Nemesis to the Neuro Mobile App or Neuro Desktop Editor and checking out the 14 additional delay engines not accessible with the effect selector knob. Click the links below for deep-dive videos on some of these bonus delay effects, plus a closer look at the original 12.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 200mA
USB port - Connects to Mac or Windows PC for MIDI control of firmware updates.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Wieght: 1 lb./0.45 kg.

Notes: The best delay and reverb programs from the Nemesis Delay and Ventris Dual Reverb are combined to create a potent, versatile new pedal. Create soundscapes and ambiences from vintage effects to modern experimentalism.

Supplier's Notes:
Design complex soundscapes in seconds with the Collider Delay+Reverb. Source hand-picked 12 standout delay and reverb effects from the award winning Nemesis Delay and Ventris Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The Collider's intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance.

The Collider offers an exceptional collection of rich, spacious tones, including realistic reproductions of vintage Analog, Tape, and Oil Can Delays, classic models of Spring and Plate Reverb, natural replications of large and small acoustic spaces, and an intriguing and highly musical selection of "unnatural" tones including a tripped-out Reverse Delay and an other-worldly Shimmer Reverb.

Collider takes supremely high-end delay and reverb effects and offers them in a sleek and powerful design with massive processing muscle and clean functionality. The Collider features two completely independent 56-bit signal processors, essentially housing a high-powered reverb AND a high-powered delay pedal in a single box. This means that it is possible to create magnificent tones with any two-effect combination of delay/reverb, delay/delay, or reverb/reverb.

This extremely versatile pedal offers a long list of useful features, including analog dry through, stereo inputs and outputs, the option of true or buffered bypass, 8 user presets (or 128 with MIDI), full MIDI functionality, delay tap tempo, reverb hold (a.k.a. "freeze"), external expression capabilities, external preset switching capabilities and extra editing and signal routing options via the Neuro Desktop and Mobile App Editors.

The sound engineering team of Bob Chidlaw and Jesse Remignanti were relentless in their pursuit of perfection with each and every one of the Collider's delay and reverb effects. Whether it's beautifully capturing every minute detail of vintage units or bringing exceptional depth and richness to the contemporary effects, the Collider delivers excellence.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 300mA
USB port i Connects to Mac or Windows PC for MIDI control of firmware updates.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Weight: 1 lb./0.45 kg.

Notes: Based on a famous circuit from a classic "Rodent-based" 1980's high gain distortion pedal

Notes: Reverb and reverse delay go to the next level with this "ambient creation machine". Two DSP circuits with analogue feedback allow you to create epic soundscapes, time-stretching effects and more.

Supplier's Notes:
Once upon a time, in a fairy tale world, there stood a hidden forest. On the eve of every full moon, magical and delicate sounds of light were heard bouncing and reverberating through the trees. These sounds carry artifacts of notes moving backward and stretching through time. They are referred to as... Lore.

Create the soundtrack to your storybook adventure with the Lore Reverse Soundscape Generator. Made up of five different programs, each utilizes different combinations of delay and reverb that feed into each other for time-warping ambient creations. Featuring two DSP chips running in series, each with their own analogue feedback path, the Lore takes you on an adventurous journey rich with themes of reversing, time-stretching, pitch-shifting, and vast ambiance.

Having two analogue feedback paths allows each program to incorporate a unique mix of affected and unaffected feedback. The two feedback paths interact and build off of each other organically, offering the user a wide array of sounds and behaviours to experiment with.

Programs:

I. Reverse Delay into Reverse Reverb: Program 1 combines reverse delay with reverse reverb with a focus on organically interacting feedback paths. Space and ambiance build as the signal is reversed, re-reversed, reverberated, and reversed again within the feedback network. Experiment with the X knob to control how reversed your delay trails are with left being least reversed and right being fully reversed. Lots of fun with big, eerie minor chords!

II. Reverse Delay into Octave Up Reverb: Program 2 is a "light reverb" that combines octave-up harmonic feedback with an expansive, airy, reverb tank to create a breathy, spacious ambiance. Use the Regen knob to introduce a playful shimmer into the reverb decay. Increase the X knob to control the decay of the reverb. It sounds especially great with delicate fingerpicking parts.

III. Reverse Delay into Octave Down Reverb. Program 3 is a "dark reverb" that combines octave down harmonic feedback with heavy filtering and harmonic distortion, to create a sound that is thick, rich, and murky. Use the Regen knob to bring a lower octave into the reverb decay. Increase the X knob to control the decay of the reverb. Add in some high gain or fuzz to alter the time-space continuum.

IV. Reverse Reverb into Forward Reverb. Program 4 is a dual reverb program, featuring reverse reverb into forward reverb, Dual harmonic feedback paths allow the user to dial in octave up and octave down, and time stretching allows for control of the size and character of the space. Perfect for instantly transforming guitar into rich ambient pads. Use the Feedback knob to add a lower octave to the reverse reverb. Conversely, use the Regen knob to add an octave up to the reverse reverb decay. Control the decay of the forward reverb with the X knob. To channel all things ambient, experiment with dynamic picking and strumming techniques with the mix fully wet for ethereal drones and pads.

V. Pitch Delay into Pitch Delay. Program 5 features two "duelling" pitch delays, which shift the input signal up and down in complementary or opposing directions, allowing the user to create intricate harmonic patterns in the feedback network. Behaves like a sequencer at higher delay times and like a harmonizer at lower delay times. Use Feedback and Regen knobs to control various amounts of pitched delay repeats. Use the X knob to change the order of the 4th, 5th, and octave intervals that the pitch delay steps through. Experiment with short staccato notes to create some very interesting rhythmic parts!

Dive / Rise - Holding down the tap tempo switch will momentarily shift the clock rate of the pedal down or up and will hold it at that rate for as long as the switch is pressed. The direction of the dive can be changed by simply pressing bypass and tap simultaneously. A green LED over tap will indicate rise is set and a blue LED will indicate that dive is set.

The Mod knob will control the amount of modulation applied to the wet signal. Holding down bypass and adjusting the Mod knob will adjust the modulation rate. The bypass LED will blink to show your set mod rate.

Specs:

The Lore comes coated in a muted green enclosure with Cream, Orange, brown and dark green ink with art by David Huttner.
The die-cast enclosure's exact size is 3.62" x 4.79" x 2.25" including knobs.
Buffered bypass.
Power requirements are 9VDC, center negative (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals.
Daisy chain power supplies are not recommended.
Power supply not included.

Notes: Bags of character courtesy of 'tone wizard' Andy Timmons (Danger Danger). Dual delay lines work in tandem, creating stereo effects from vintage tape delay to infinite hold.

Supplier's Notes:
Andy Timmons' mysterious sounding "Halo" effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO. Notes from the HALO dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning!

The pedal comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature "Halo" sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analogue delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.

Think of HALO as two delay pedals that work in tandem, letting you switch between your main delay (side A) and an alternative (side B). With up to 1500 ms of available delay, set sides A and B for different delay times, then simply foot switch between the two. Keeley's Smart Stomp System allows you to press and hold either stomp switch to engage tap tempo mode. Press and hold the alternate stomp switch for infinite repeat/hold.

Each Preset bank gives you 2 delays settings for a total of 8 user-storable effects. Use the Rhythm control to select between different echoes like HALO, Analog, Tape, Quarter and Dotted Eighth. HALO's Saturate control adds tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. The Rhythm Mode selector delivers 5 delay types, including Andy's unique "Halo" sound. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects.

Run the HALO in stereo for incredible true-stereo imaging or save your favourite combination of settings as a preset and the HALO becomes an incredibly compact multi-effect workstation!