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Cat: 718920 Rel: 23 Apr 19
 
Expansion module for Zadar - 3HP
Notes: An expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.
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 8 in stock $55.61
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quote 718920
Cat: 718919 Rel: 23 Apr 19
 
Expander for XAOC Devices Praga mixer
Notes: The XAOC HRAD is an expander for their Praga voltage-controlled mixing console, adding CV control for Aux levels, master level control, gate-controlled muting, and other powerful features.

- Additional set of controls for the PRAGA mixer
- Stereo sum level control
- Euro/line switchable output level
- Sum LED meters
- Stereo headphone amp
- Cue input
- Mix/solo cue auditioning
- Individual AUX inserts
- Voltage control over AUX send amount
- Two stereo controls for AUX return level
- Gate inputs for VC channel muting
- Power drawn from Praga
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 3 in stock $231.04
Cat: 742231 Rel: 21 Aug 19
 
Versatile band-pass filter - 12HP
Notes: TRSHMSTR is a collaborative effort between WMD and electro-dance heavyweights MSTRKRFT. TRSHMSTR features an aggressive combination of band-pass filtering (FLTR) and distortion (DRV). The FLTR and DRV sections can be used independently or together to produce a wide variety of tone-shaping, from subtle distress to full-on acid destruction. The INs and OUTs of the FLTR and DRV sections are cross-normalled, so you can run your signal through FLTR and into DRV or vice-versa with no extra patching.
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 1 in stock $239.61
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quote 742231
Cat: 747621 Rel: 20 Sep 19
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 5 in stock $238.53
Cat: 728569 Rel: 20 May 19
 
synth module with professional trigger input and audio input
Notes: Feel the sizzle as you harness the energy of liquid metal. Forge your sonic desires, and rain hot fire onto the eardrums of your listeners. Cymbals, gongs, bells, and sheet metal are the territory of Crucible.

Have you ever wanted to start with the smallest cowbell, and then CV it until it becomes a gong larger than the room you're standing in? Crucible makes this possible.

By utilizing classic digital synthesis blocks like delay and digital filters, Crucible can fully synthesize, in real time, sounds similar to thin struck pieces of metal.

We expose the engine to the user through parameters specifically chosen for their sonic resemblance to the "parameters" of a real drum kit cymbal.

Size, Pitch, Tone, and Deform give the user the tools to shape their cymbal. The Excite knob allow the user to shape their exciter, completely changing Crucible's response. Finally, select where the exciter contacts the engine by triggering the EDGE and MID inputs, or trigger both to strike the "bell."

All of this adds up to a module that is lively and energetic, completely mimicking the feeling of playing a real cymbal, while still incorporating WMD's "New Sounds, Maximum Experience" philosophy.

- Realistic sound!

- Positional trigger input. Hit the edge, middle, or bell.

- 3 Model Types: Cymbal, Cracked Cymbal, and Curved Plate

- Audio input for experimental effects.

- Separate Pitch and Size controls for maximum realism.

- Choke input for perfectly timed catches.

- Proprietary Synthesis model using digital filter and delay networks. No samples!
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 4 in stock $262.06
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quote 728569
Cat: 745109 Rel: 06 Sep 19
 
Compact yet flexible mix module - 6HP
Notes: Even with small patches with only a few modules, you usually have to combine individual signals into a single sum: You need one mixer, maybe two, and preferably as small as possible.

With Sum 42, Vermona present a compact yet versatile Eurorack mixer. You can use it as two 4-in-1 or one 8-in-1 mixers. It can process both audio signals and control voltages.

Sum 42 is an indispensable tool with a perfect size/benefit ratio.
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 1 in stock $130.49
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quote 745109
Cat: 745106 Rel: 06 Sep 19
 
Three attenuator-amplifier combinations with individual & mix outputs - 10HP
Notes: Neat amp/mixer/attenuator utility module from Vermona. Not much more to say about this one. It makes things louder and quieter or blends them together. What more do you want?

Supplier notes:
Regardless of the size of your modular system, the number of modules it contains and its intended use, there is basically only one thing at stake: level adjustments. Often the full level of a signal is too high and needs to be attenuated. Also the reverse case, that it is too low, occurs more often than you think - an amplifier is needed.

Amplinuator 3 cleverly combines both functions. The LEVEL controls attenuate input signals to zero (left stop) or boost them by a factor of two (right stop). In the centre position, the levels remain unchanged. In order to ensure sensitive settings in the centre position range, we deliberately omitted the use of a potentiometer with centre detent. Instead, the knob has a dead zone. This guarantees a reliable finding of the zero position. Each of the three channels has outputs with positive and inverted polarity.

The sum section combines all signals. Amplinuator 3 also works as a 3-in-1 mixer. It likes audio signals and control voltages equally.

Amplinuator 3 is a sophisticated helper in best Vermona quality.
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 2 in stock $140.12
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quote 745106
Cat: 744597 Rel: 27 Aug 19
 
6HP power supply for guitar pedals, plus two small signal splitters
Notes: Stoker Elektrek is equipped with a 2.1 mm hollow connector to supply power to effect pedals. A short adapter cable is included. The module itself draws power from the modular PSU. A look at the other technical data reveals that Stoker Elektrek is compatible with many effect pedals:

- 9V DC power supply
- Up to 750 mA
- Polarity: peak = negative / ring = positive

On top of that, Stoker Elektrek offers two mini multiples, each with one signal input and two outputs, which can also be used as a large splitter.
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 1 in stock $188.25
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quote 744597
Cat: 725794 Rel: 15 Apr 19
 
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
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 3 in stock $95.19
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quote 725794
Cat: 719686 Rel: 02 Sep 19
 
Classic wavefolder for the AE system
Notes: This module is based on a design used also by Ken Stone for his CGS system; the original circuit dates back to a publication from 1973.

Basically, the WAVEFOLDER clips and folds the incoming waveform; usually, waveforms with little overtones (like triangle or sinewaves) are used as input. In general, by the clipping and folding, the signal enriches the input signal with more overtones.
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 1 in stock $34.76
Cat: 719652 Rel: 02 Sep 19
 
4-track, 16-step trigger sequencer
Notes: TRIQ164 is a 4-track, 16-step trigger sequencer.

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

For each step in each track a "repeat" can be activated, resulting in repeated triggers within one step. The number of repeats can be selected from one to eight by the REPEAT knob. Additionally, the repeat count can be CV controlled by the REPEAT CV input.

The inputs MUTE 1/2 allow to mute the outputs 1 and 2 by an external signal (e.g. for muting a kick drum)

Each of the 16 steps has a separate trigger output for additional control for certain steps or limiting the sequence length by connecting one of the outputs to the RESET input.

Use it for any kind of rhythmical patterns, typically for triggering drum sounds or envelope generator!

No, it has no pattern load/save features; this will be part of a future, much more complex sequencer. TRIQ164 is designed as improved replacement for the STEP10.

Width: 2U
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 3 in stock $53.47
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quote 719652
Cat: 751442 Rel: 17 Sep 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


TOPOGRAF is a drum sequencer with three tracks, that works with a "topographic" principle; it contains a number of drum patterns arranged in a "virtual map"; and with two knobs MAP X and MAP Y you can set a position in this map. With one knob per channel the density is defined; and a CHAOS knob brings some randomness into the whole process. All in all, a few knobs for a lot of drum patterns you probably wouldn't make this way by yourself - a nice source of inspiration and also great for playing live.

TOPOGRAF is the AE modular version of the Grids module by Mutable Instruments. It is 100% identical to Grids.
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 1 in stock $70.97
Cat: 719656 Rel: 03 Sep 19
 
State variable filter
Notes: This module is a classic state variable filter.

It offers the control knobs cut-off frequency, resonance and CV attenuator; two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter, this module has a significant self-resonance, and also a very quick response to cut-off frequency changes.

Three different outputs provide lowpass, bandpass and high-pass output.
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 1 in stock $37.43
Cat: 719650 Rel: 03 Sep 19
 
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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 1 in stock $88.77
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quote 719650
Cat: 719678 Rel: 02 Sep 19
 
Audio mixer with 4 inputs
Notes: This module consists of an audio mixer with 4 inputs and their level knobs, plus an additional 4 separate inputs that are mixed at full level (especially for mixing CV signals), and a separate output.
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 1 in stock $28.08
Cat: 719682 Rel: 02 Sep 19
 
Dual NAND, AND, XOR inverter
Notes: The LOGIC module combines two inputs by different logical rules (AND, NAND, XOR). This can be used either for operations on trigger/gate signals (let gate signals pass depending on other signals, invert them depending on the other input etc), or for audio signals, where you get ringmodulator-like sounds when feeding two different oscillator frequencies.
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 1 in stock $25.40
Cat: 719694 Rel: 02 Sep 19
 
LFO module
Notes: The LFO module generates modulation voltages mostly below the audio range; this module offers:

- PWM modulation for the Pulse out
- RATE knob for controlling the frequency
- SLOW/FAST switch for two frequency ranges; with FAST the rate can go into the lower audio range
- Triangle/Sawtooth switch; changes the waveform of the output
- PULSEWIDTH knob, this sets the pulsewidth of the according output
- Control LED for sawtooth/triangle and for pulse
- Three separate output signals: Square (even duty cycle), TRIANGLE/Sawtooth, Pulse
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 1 in stock $31.01
Cat: 751441 Rel: 17 Sep 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


KICK is a pure analogue Kick drum of raw bass power.

It has three knobs: PITCH for the overall pitch of the sound; with DECAY the length of the sound can be set and with DRIVE a nice distortion can be added to the sound.

With the pitch decay switch the pitch follows the amplitude, giving a bit different character.

And a trigger button is available to check the sound without an external trigger signal.
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 1 in stock $32.93
Cat: 719659 Rel: 02 Sep 19
 
Mono delay module
Notes: This module is a standard mono delay with the usual parameters:

- Delay time
- Feedback
- Dry/wet mix

It sounds not as clean and polished as a usual digital delay but has quite a character on its own. High feedback settings allow endless and distorting loops.

(For the techies: It is based on the well-known PT2399 chip.)
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 1 in stock $39.04
Cat: 719673 Rel: 02 Sep 19
 
Clock divider module
Notes: The BEAT DIVIDER takes a clock signal (the BUS CLK which presents the MIDI clock from the MASTER module) and divides it to musical clock dividers, selectable from 1/2... 1/32.

Additionally, a second output provides the dotted or triplet clock of the selected divider value.
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 1 in stock $28.08
Cat: 719663 Rel: 02 Sep 19
 
Dual audio & CV level attenuator
Notes: 2ATT/CV contains two units of a simple level attenuator for any kind of signal. You can also switch to voltage mode and get manually controllable CV on the outputs.
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 1 in stock $29.42
Cat: 731219 Rel: 15 Jul 19
 
16 voice oscillator - 12HP
Notes: The Demon Core Oscillator is a 16-voice DCO based on classic keyboard synthesizers.

This module offers also a static detune spread and a CV controllable core stability feature similar to Sequential Synthesizers. It introduces VCO-like pitch drift and jitter, allowing the module to sound like 80's polysynths.

With the help of the separately available expander, the module can be played polyphonically via MIDI.
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 1 in stock $447.11
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quote 731219
Cat: 731220 Rel: 15 Jul 19
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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 1 in stock $254.57
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Cat: 743610 Rel: 23 Sep 19
 
Complex quad multimode filter - 20HP
Notes: Mad dual-channel filter with two peaks per channel. Chain the sides together for complex filter curves, process stereo sounds or even turn up the resonance for four self-resonating peaks.

Supplier notes:
The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
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 4 in stock $394.71
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quote 743610
Cat: 743613 Rel: 23 Sep 19
 
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
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 1 in stock $190.40
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quote 743613
Cat: 732823 Rel: 05 Sep 19
 
Nutube-based distortion module - 18HP
Notes: Gloriously grimy valve distortion for Sonocurrent's Eurorack debut. Subtle saturation through to filthy self-oscillation via Korg's low-power Nutube triodes. Nasty but nice.

Supplier notes:
The M T2D dual triode distortion is a Nutube-based distortion module for the Eurorack format, offering two independent channels which can be patched separately for parallel processing, stereo, or multiple sources, or used in series for more complex distortion of a single source (or simply extreme distortion settings).

Spectral tilt filters before each triode stage alternately boost or cut high and low frequencies for different harmonic emphasis. These filters also affect the feedback loops, and can interact in very interesting ways with high feedback settings. The individual tube bias controls can also have a strong influence in combination with high feedback levels, in addition to more subtle shaping of the distortion when feedback levels are low.

Independent control of input level, tube bias, feedback level, and dry/wet mix is available for each channel, with CV inputs for the bias and mix controls. The CV inputs for the mix controls also have dedicated attenuators. A global plate voltage switch offers two different character options, for either smoother distortion or more severe clipping.
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 3 in stock $351.92
Cat: 742229 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $279.17
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quote 742229
Cat: 742228 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: More aggro filth from the troubled minds at Schlappi Engineering. This time it's a distortion/filter module with touch-sensitive metal conductors for hands-on control. Screaming saturation and self-resonance ideal for angry techno. Nasty.

Supplier notes:
The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 2 in stock $272.77
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quote 742228
Cat: 718648 Rel: 20 May 19
 
Triple oscillator module with various modulation possibilities - 30HP
Notes: The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analogue, triple oscillator module that opens up a universe of dynamic timbral textures.

At its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs.

The main or "Carrier" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected.

And while each oscillator can be used independently if desired, it's when they're combined into a synchronous ensemble that the real sonic magic happens.

That magic is what we call "Zing" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator's Sync button on), the harmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.

When the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.

What all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analogue oscillators, TRIDENT offers a vast variety of dramatic sonic textures.
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 1 in stock $523.07
Cat: 732306 Rel: 09 Sep 19
 
Stereo thru-zero state-variable VCF - 16HP
Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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 4 in stock $405.40
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quote 732306
Cat: 743521 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: Dual VCO:
Based on the classic SYSTEM-100M modular synthesizer, the SYSTEM-500 is a fully analog recreation of one of the most revered electronic instruments of all time. Newly designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of the original with the advantages of a modern instrument. Built in the USA and assembled in Japan, the SYSTEM-500 is made to exacting standards with top-quality components and solid controls. And it's surprisingly affordable, turning the fantasy of finally owning this legendary instrument into reality.

Classic System. New Format:
The SYSTEM-500 consists of Eurorack format modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. Each module is completely analog and has been designed for maximum compatibility with the world of contemporary synthesizer and effects modules. The SYSTEM-500 is a compact, powerful system that opens up vast possibilities for sound design and musical exploration.

512 Dual VCO:
The 512 Dual VCO (voltage controlled oscillator) is a single module consisting of two voltage controlled oscillators. Each independent VCO produces frequencies across a wide range with 1V/octave tracking and dedicated pulse, triangle, and saw wave outputs. Variable pulse width is available via panel control or CV modulation. Each oscillator's frequency can also be synchronized to the other in weak or strong modes to achieve a unique "sync" sound.
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 1 in stock $319.83
Cat: 745934 Rel: 19 Sep 19
 
Dual attack generator featuring two ASR envelopes with linear voltage curves
Notes: The Model 180 is 100% discrete transistor core dual channel A/D A/H/D function generator (envelope). A trigger or gate signal greater than 2.5v at the "trigger" input causes the output CV to linearly ramp up to its maximum value at a speed set by the "attack time" pot. Once reaching the maximum CV output (set from the factory at 5v but easily adjustable via trimmer) the module will hold at this level for a static duration set by the "note duration" pot, or will hold at its maximum level as long as the trigger input is high. This behaviour is selected with the "controlled internally" vs. "controlled by trigger length" switch. At the end of the "hold" period the CV output will ramp back down to approximately 0v at a rate set by the "decay time" pot.

Like many "west coast" function generators, the envelope cannot be retriggered until the attack phase is complete, allowing for some function as a clock divider etc. The attack, hold, and decay times can be set very fast, and the module can easily create percussive blips as well as longer drawn out envelope shapes.
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 1 in stock $417.16
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Cat: 745932 Rel: 19 Sep 19
 
Dual sine-sawtooth generator based on Model 158 from the Buchla 100 series
Notes: The Model 158 is a dual oscillator created out of an entirely discrete transistor core. It consists of two independent and identical sides each with a front panel tuning knob, a frequency modulation input and attenuator, and a knob to fade smoothly between saw and sine waves. The RED PANEL model 158 is based off of the original "A" variant of the 158 oscillator.

The 158 was one of the very first voltage controlled oscillators ever produced. As such it contains many particular quirks/rawness of this first generation of synthesis. The exponential scaling of the oscillator is far from accurate, there is no temperature compensation, quick changes in pitch produce a slewing effect, and the saw waveform only vaguely resembles a saw wave through part of its range. It is as accurate a recreation as we believe is possible with the components available today. We performed hundreds of listening tests to find suitable replacements for obsolete transistors, and hand select multiple transistors on each individual unit to ensure that they have the proper sound.
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 3 in stock $480.28
Cat: 745929 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $310.19
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Cat: 745931 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $310.19
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Cat: 745927 Rel: 19 Sep 19
 
Quad VC Gate - 14HP
Notes: The Model 110 is 4 independent transistor based voltage controlled amplifiers behind one panel. Each VCA (or "gate" in the original terminology) consists of an audio input with an attenuator, a CV input, and 2 outputs. The VCA's are AC coupled - meaning that they will not pass slow (or static) control voltages. The VCA's are calibrated to unity (an input of a 10v peak to peak audio wave, will produce a 10v peak to peak audio wave at output) when 5v is applied to the CV input and the attenuator is at approximately the 3'oclock position.

Notes: Unlike the later (and better known) Model 292, the original low pass gate - the Model 110 is entirely transistor based (rather than vactrol based like the 292), and is much faster.
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 1 in stock $417.16
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Cat: 745924 Rel: 19 Sep 19
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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 1 in stock $310.19
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Cat: 728383 Rel: 09 May 19
 
New and improved version of the Qu-Bit Chord - 14HP
Notes: Polyphony is back!

Chord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the original.

It features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v/oct sequencing through independent CV inputs.

The timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.

From harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.

Changes from v1:

- Half the size! 14HP down from 28HP
- Eight banks of waveforms
- Full polyphonic mode
- Harmonize in minor mode
- Custom wavetable compatibility
- Expanded chord types
- Improved synthesis engine
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 4 in stock $271.68
Cat: 740273 Rel: 02 Oct 19
 
32 step sequencer with fractal-like pattern generation
Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.
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MRP:$409.47 SAVE 17%
 4 in stock $341.22
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quote 740273
Polyend Preset Module (synth module)
Cat: 732317 Rel: 11 Sep 19
 
Macro controller & sequencer - 22HP
Notes: Presets on a modular? Sacrilege! Or the best of both worlds, depending how you look at it. We'll probably go with the latter, because this is a super versatile little programmer/sequencer/preset storage module.

Supplier notes:
The 22 HP interface is simple, clean and streamlined. At first glance, Polyend Preset module might look like simple a digital preset manager for Eurorack systems, but it's much more than this. Its vast implications make it a very smart companion for your modular system. But let's start from the basics. With the use of 9 LED coloured clickable encoders, Preset allows you to store up to 9 different CV output values in 32 banks of 32 presets. Yep, 1024 in total!

It's capable:

Program the notes sequences using one of the 32 build-in musical scales. Record the automation using the encoders or external source.

Four modes, totally different possibilities:

Depending on what you want to achieve, there are four modes you can choose from: First, Next, Channel and Note.

Both First and Next modes are perfect for building your unique polyphonic synthesizer.

The Channel mode lets you choose which MIDI Channel is responsible for which voice. This mode is what the majority of users utilise to connect DAWs or external sequencers.

The Note mode translates data received from MIDI Notes C through G and directs them into the corresponding voices (no matter the octave). This scenario works excellent for triggering drums from drum pads or drum triggers.
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 9 in stock $400.06
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Cat: 732315 Rel: 11 Sep 19
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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 6 in stock $328.39
Cat: 732313 Rel: 11 Sep 19
 
Portable power source interface for Eurorack
Notes: Release your mind and release your modular system, with the Polyend Anywhere power compatibility Eurorack module. The Polyend Anywhere hooks up to any Power Bank battery to allow the user the liberty of portability with their modular system. Take your system for a walk! Smell the flowers, and use the inspiration to create the simultaneous feedback/AM/FM patch you've been dreaming of!
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 5 in stock $158.31
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Cat: 739891 Rel: 30 Aug 19
 
Intuitive pitch CV sequencer in 4HP
Notes: Ultra-simple 16-step Eurorack CV sequencer with randomisation option and storage for up to 16 patterns. Straight to the point business, all in just 4HP of rack space.

Supplier notes:
Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.
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 1 in stock $174.35
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Cat: 727394 Rel: 23 May 19
 
Powerful distortion module - 4HP
Notes: Terci Ruina combines three classic distortions in 4 hp. Distortions are reinterpreted in classic NE style and routed through each other for complete sonic annihilation of any sound. Patch in and out anywhere in the signal chain to pick the best sound for your purpose (because modular). Looking for a pretty distortion? This is probably not your module. Unapologetically gross and dirty.
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 2 in stock $130.49
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Cat: 746361 Rel: 16 Sep 19
 
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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 1 in stock $203.23
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Cat: 739889 Rel: 02 Oct 19
 
Four-channel precision adder, buffered mult, and transposition tool
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.
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 3 in stock $253.51
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Cat: 731186 Rel: 23 May 19
 
EQ synth module & overdrive
Notes: KR is based off of the concept of a guitar tonestack: you get a gnarly drive on the top and a super clean two-band shelving EQ with switchable midpoint after that. There are separate ins and outs, too, so if you want to EQ a thing and distort the other thing at the same time you can!

Kith Ruina's inspiration comes from the world of guitar amps. A drive into an EQ is an extremely common configuration for shaping guitar tone, and we find that it works extremely well for synths as well. A grungy drive into a pristine EQ gives excellent tone control, and with separate ins and outs for the two sections KR can be configured to fit into any patch you throw at it.
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 1 in stock $133.70
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Cat: 741570 Rel: 29 Jul 19
 
Dynamic rhythm generator module
Notes: Integra Funkitus takes up to four input rhythms and combines and modifies them into rhythm outputs. There are three modes: two based on probability and one on generalized logic combinations.

Feed up to four rhythms from a rhythm module (such as Numeric Repetitor) into the inputs.

Connect the gate outputs to percussion modules, then turn the knobs to control how the rhythms are combined and modified.

Size: 8HP Eurorack
Depth: 1 Inch
Power: 2x5 Eurorack
Draw +12V: 50 mA
Draw -12: 5 mA
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 3 in stock $235.32
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Cat: 725425 Rel: 23 May 19
 
wavetable oscillator synth voice module
Notes: Cursus Iteritas Percido is the second module in the Percido line of powerful synth voices. Similar to its predecessor the Loquelic Iteritas Percido, CIP takes the original Cursus Iteritas and adds the same musical envelope from LIP with attenuverter-controlled routing to every knob. With the inclusion of the performance-oriented Master Blaster and CV outputs, CIP is a powerhouse of incredibly versatile synthesis.
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 1 in stock $545.52
Cat: 731183 Rel: 30 Aug 19
 
5U version of the Noise Engineering dynamic wavetable oscillator
Notes: Cursus Iteritas Magnus is an oscillator that works from a dynamically generated wavetable. It gives the user spectral-like controls over three different modes based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. Cursus Iteritas Magnus parametrizes a wide variety of sounds, but because the sounds are all based on orthogonal functions, it has a musical tone structure and can produce an extremely wide variety of harmonic sounds

Cursus Iteritas Magnus is the 5U version of Cursus Iteritas.
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 1 in stock $413.95
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