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Review: Black Key return from a four year hiatus in style, with 4 sublime tracks from Australian ultra deep house don, Planisphere, aka David Swatten. Following an incredibly well received LP on reissue label, For Those That Knoe, Swatten returns here with more expansive, smokey and utterly consuming deep house cuts, stamped with his unique sound but offering a different flavour from his Definitive Transmission LP - one which immediately stands out from the crowd. Being only his third release in 20 years, there's an understandable sense of anticipation around Swatten's output. This release undoubtedly puts Black Key firmly back on the map, picking up their deserved reputation for releasing only the very best deep house, aimed well and truly at the heads.

Review: Hot on the heels of 2021's stellar release of The French Connection's "Speechless" LP, Balance head honcho and legendary producer and DJ Chez Damier teams up again with Camille and Adeen Records for another trip around the the world with Lima, Peru's Surco's Groove, "The Lima Project." This beautiful release titled "What Is Love?" delivers hard hitting versions of the track in the original, dub, instrumental, and an acapella with stellar remixes from Snad and German producer Damien Rausch. Be it France or Peru, Balance and Adeen knows how to take you on a musical journey. We can't wait to see where they go next!

Review: Thomas Xu tends not to release much music, but when he does it tends to be musically rich, rhythmically complex and very, very good. That's certainly the case with "Places In Time", his second EP on Steady Flight following an inspired 2017 debut on Theo Parrish's Sound Signature imprint. There's much to set the pulse racing across the EP, from the heavily analogue, synthesizer-powered, intergalactic jazz-funk looseness of "Easin", and the slipped 21st century instrumental space-jazz of "Tired A Being Tired (What Are We Here For)", to the densely layered, piano-driven ambience of "Promise 2", and the hard-to-pigeonhole eccentricity of closing cut "Let's Go See Roy".

Review: The second release on Lempuyang comes courtesy of Tomoki Tsukamoto. In the late 90s Tomoki put out releases on Gez Varley's G Records, i220, and of course ran his own Metrojuice Records imprint; putting out some of the most sought-after deep & dubby techno records under his alias W-Moon. After a hiatus of over 20 years he now returns with four new tracks under his own name, still retaining that deep signature sound.

Review: Odopt have been responsible for some serious, sinewy heaters on labels like Born Free, 777 and Discos Capablanca. That should give you some idea of the kind of sonic sphere they operate in - rugged hardware house with a wavey bite and a playful instinct. It makes total sense then to see them sidle up to [Emotional] Especial with this four-tracker of surefooted deviant dance. 'A14' opens up proceedings on an ominous bassline and plenty of mechanical grind, while 'Keylat' jacks things up a smidge while resolutely wallowing in the muck of Odopt's studio practices. 'Sample Commerce Shot' is the catchiest cut on the record, riding a slinky beat and featuring a powerful lead hook that sounds beamed in from somewhere in a distant galaxy. 'Holy Motor$' finishes the record off on another brooding, death disco groover, bringing things full circle with the nocturnal offerings of 'A14'.

Review: It's been a while since the Albion stable graced our platters, but they're back in style with more of that on-point house music voodoo for the heat of the night. This single is a vessel for the various sides of Tommi Vicari Jr, who rolls out his Czevski alias to deliver a bruising remix of "57 Hertz" by 76-79. It's a reverb-soaked, dubbed out affair with a rock solid rhythm section and plenty of trippy FX tweaking on top. On the flip it's a different story with a similar feeling as we get the straight up Tommi Vicari Jr material in the shape of two killer tracks crafted for transcendental moments of dancefloor hypnosis.