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Notes: Still a classic, still a brilliant mixer. Nearly 20 years on the market but sounding just as good as ever, the Xone:92 seems like a bit of a bargain now.

Supplier's Notes:
The industry-standard Xone:92 is a versatile six channel analogue mixer, renowned for its expansive, involving sound. With its solid construction and easy to use interface, the 92 is on the riders of most of the world's top DJs and is a permanent fixture in the booth at many of the biggest superclubs.

The Xone:92 was one of the first professional DJ mixers to incorporate MIDI for control of DJ software or external devices, and the first to include the innovative dual VCF filters. With its two stereo FX sends, twin Mic/returns, and one of the best EQ sections around, this mixer is a DJ's dream tool.

For those who prefer to blend with rotary faders the Xone:92R is also available.

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of Bass, Lead, Pad and Effect sounds. Additionally, with its total of six filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These four synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI and additionally via CV/gate (1V/octave) inputs for every synthesizer channel.

Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk

Notes: Powerful step sequencer built around four well-equipped full-featured 16-step sequencers communicating via both MIDI and CV/Gate. There are no screens or submenus.

All features have their own dedicated controls and have their own dedicated in- and outputs on the large 87-point patch bay. Every aspect of this sequencer is CV-able. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once!

The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped!

Our step sequencer lets you construct complex musical patterns, via both MIDI and CV/Gate. Built around four full-featured 16-step sequencers in a compact and light enclosure, the Komplex Sequencer is a powerful tool both live and in the studio. All features have their own dedicated controls; no screens or submenus, and all features have their own dedicated in- and outputs on the large 87-point patch bay. By patching both internal and external CV sources through the patch bay of the Komplex, you can control any parameter of the sequencer immediately and "sequence the sequence." Controls include Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Transpose, Repeat, Sequence Start Point and Skip. Additionally, the sequencer can vary output range and also has a quantizer on board operable in different scales.

And not only is the sequencer compatible with almost any synthesizer with CV/Gate, MIDI note, velocity and CC information can also transmitted by any of the four sequencers. Lastly a seven bank CV Recorder is on board and can output up to 5 banks at once! The Komplex Sequencer opens up a whole new world of creative possibilities and starts where other sequencers have stopped.

CV Inputs
Clock, Rec Clock, Transpose, Start, Stop, Skip Step, Sequence Start Point, Repeats, Seq Length, Gate Length, Play Mode, Glide, Division, CV Recorder (CV In, Clock, Start, Bank Up/Down)

CV Outputs
CV Out, Gate Out, Start Of Sequence, End Of Sequence, Clock, CV Recorder CV Out (A, B, C, D and CV)

Sequencer Controls
64 Sliders and Step Select Buttons, Speed, Sequence Length, Gate Length, Play Mode, Glide, Division, Quantizer and Scale, Output Range, One-Shot Mode, Play/Pause and Stop, Global Play/Pause and Global Stop

Section Controls
Repeat Set, Mode Menu, Skip Step, Glide, Sequence Start Point, Gate

MIDI
MIDI In, MIDI Out, MIDI Clock Out (1 trigger per quarter note)

CV Recorder
Banks A, B, C and D available at corresponding sequencer patch bay outputs. All 7 banks selectable at CV Recorder CV Out by the Select control or Bank Up/Down inputs. CV is recorded and clocked through the CV Recorder CV and Clock inputs or Sequencer Rec Clock inputs.

Extra Features
Mode Menu (Skip Step Mode, Repeat Mode, Unipolar/Bipolar CV Output, MIDI Message, MIDI Channel, MIDI CC) and Firmware Updates

Casing:
Powder coated aluminum casing, silk screened printing and wooden side panels.

Dimensions
46.2 cm x 29 cm x 4 cm (L x W x H)
18.2" x 11.4" x 1.6" (L x W x H)

Net Weight
3.2 kg / 8.8 lb

Shipping Weight:
4.5 kg. / 9.9 lbs including power adapter and instruction manual.

Power Requirements:
9VDC power adapter. Only use the KOMA adapter shipped with the unit.

Accessories
Included: dust cover, manual and power supply unit.
Rackmount kit available separately

Notes: ***POWER SET FOR EU AND AUSTRALIA 220-230V:
The Pittsburgh Modular Structure 208 and Structure 360 eurorack enclosures use a switching power supply that needs manually set to the correct AC input voltage. The internal switch has already be properly set for 220-230 VAC. This setting works for the EU and Australia or other countries that use 220-230 VAC power.
For use in countries that use 100-120 VAC power, such as North America and Japan, the switch inside the case on the AC/DC regulator needs to be switched to the left. The switch is marked with a Yellow sticker printed with "AC input voltage can be selected by switch. Check input voltage avoiding damage before power on." The switch is located on the side of the enclosure below the arrow.
Please contact Pittsburgh Modular with any questions. service@pittsburghmodular.com***

Structure EP-360 Eurorack Enclosure

Maximum Power for a New Generation -

Beautifully stained hardwood triple row, 360hp powered eurorack travel case with lid. A huge case to house a monster synth. Features include a professional, heavy duty, internal power supply designed to exceed the needs of the most demanding analog and digital eurorack systems.




Everything is New:
With years of research and two case lines under our belt, we decided to start over and produce a line of cases for the next generation of eurorack synthesizers. The eurorack modular ecosystem is expanding faster than ever and manufacturers are constantly pushing eurorack cases and power supplies to the limits. What started as a power supply designed to drive primarily analog synthesizers has transformed into a supply that needs to simultaneously meet the unique demands of sensitive analog circuitry, power hungry digital processors, and ground sensitive user interface modules.

We started with what matters most. Clean power. A lot of it. Up to 3x the amount of clean power available in cases from other brands. Next we turned our focus to the enclosure itself and there was only one goal. Make the case stronger. Our engineers tested countless combinations utilizing different types of wood, joints, adhesives, assembly techniques, and hardware to ensure that Structure cases are as durable as they are beautiful.

With a clean and gorgeous design that promotes creative exploration, the Structure enclosures are our most robust and refined case line yet. With massive amounts of both room and clean power, you can reach completely new heights in your creative performances.






Includes:
Structure EP-360

Power
:
6 Amps of Clean +12v Power

6 Amps of Clean -12v Power

5 Amps of Clean +5v Power

Custom Powered Bus Board with 15 Keyed Eurorack Power Headers Per Row, 45 Power Headers Total

External On-off Rocker Power Switch with LED

Universal IEC Power Connector Works Anywhere

Structure EP-360 Enclosure
:
Hardwood and Steel Construction (No cheap plastic here)

Triple 120hp Rows

Removable Lid

Lid Fits Over Fully Patched System (No need to remove patch cables)

Edge to Edge Rail Design Reduces Gaps Between Modules and the Side of the Case

24 Smooth Sliding Square Nuts Per Rail (Holds up to 72 modules)

Beautifully Hand-Stained Hardwood

Matching Black Steel Hardware Set




Structure EP-360 Dimensions
:
External Depth with lid:9 1/4"
External Depth without Lid: 5 1/2"
External Height: 17"
External Width: 25 1/2"
Internal Depth Above Power Supply: 2 3/4"
Internal Depth Above Bus Board: 3 3/4"
Internal Depth Above Nothing: 4 1/4"

Notes: Users can adjust the crossover point to choose which frequency ranges of "LOW", "MID" and "HIGH" should be emphasized for their preferences and music genres.

Maximum Boost 12dB provides the users to be well aware of changes and is good for protection of speaker systems.

Volume curve is designed with insistence on quick attack and sharp response.

Its simplified design minimizing all possible sound degradation.

ARS MODEL-3500 provides superior controls for DJs to react to each different scenarios, giving more characteristics to their performance.

Supplied with UK 3 pin plug

Notes: Combining the signature warm analogue Xone sound with class leading digital connectivity, Xone:PX5 breathes life and soul into electronic music performance. The built-in FX technology offers new levels of manipulation with our new Xone:Xcite FX suite of performance-focused delays, reverbs, modulators, flangers and distorters which are all assignable through simple hands-on control for fine-tuning the FX and expressing the DJ's inner creativity.

Xone:PX5 is a 4+1 channel mixer, equipped with the legendary Xone filter, 3 band EQ on all channels and an intuitive layout.

The versatile Send/Return feature allowing for the connection of external FX hardware with both Send/Return and Master Insert mode connections (Line or Hi-Z) equips Xone:PX5 for numerous enhanced setup scenarios. Each channel has its own dedicated send control for external FX processing and can also be routed to the internal Xone:FX engine.

Connect your laptop or computer to the premium internal 20 channel 24bit 96kHz USB2 soundcard for easy integration into digital DJ workflows, plus plug n' play connection via X:LINK to Xone:K series controllers for expanded MIDI control.

The crossfader has three switchable curve settings for blending or scratching styles and can be easily replaced or upgraded to an Innofader Pro 2 for ultimate crossfader performance.

No matter what your mixing style, Xone:PX5 combines a modern approach to DJing with all the tools required for creating your own individual sound.

Key Features

High quality internal soundcard

Xone:PX5 incorporates a high specification 20 Channel 96kHz, 24bit USB Soundcard, allowing it to be seamlessly integrated into digital DJ workflows.
Additionally the Xone:PX5 Soundcard supports DVS control of Native Instruments' TRAKTOR SCRATCH PRO 2 DJ software. Plug your PC/Mac into the Xone:PX5 and use the TRAKTOR SCRATCH PRO 2 control media (control vinyl or CDs) to intuitively control and scratch with digital audio files stored on your computer.

Xone:FX
Xone:PX5 features the Xone:Xcite FX suite, a new breed of FX specifically tailored for DJ performance. The array of spectral delays, resonators, gritty reverbs and more is accessed through familiar, hands-on controls for instant, instinctive operation, making it easy to add energy and excitement to a track or create entire FX soundscapes. A hybrid FX mode combines the internal and external send & return FX for more advanced FX processing.

Xone filter system

The original and best. The Xone filter is a legend in the DJ booth - none of its imitators come close. Xone:PX5's filter includes HPF, BPF, LPF, resonance control and frequency sweep, plus the option to route the Aux channel and External Return to the filter.

Xone:Sync MIDI clock engine

Xone:PX5 features an integrated MIDI clock engine which can send start/stop messages to external equipment. The 5-pin MIDI Sync/Out connection integrates external software/hardware instruments such as drum machines and synthesizers which can be connected via 14" jack input connections (mono/stereo). Xone:PX5 can also send/receive MIDI clock information through the USB connection.

X:Link
For the ultimate DJ setup, connect Xone:K series controllers to the Xone:PX5 over X:Link for hands-on control over your software, saving USB ports on your computer.

4+1 channels

On top of its four fully featured phono/USB/line channels, Xone:PX5 has a flexible mic / aux channel with XLR and 14" jack connectors and full 3 band EQ. If you don't perform with mics, the additional inputs allow this channel to be used as an extra stereo music source or USB Return channel.

Innofader compatible

Upgrade to an Innofader Pro 2 crossfader (available separately) for ultimate performance. Always a popular choice for scratch DJs.

Technical Specs
Type: Analogue
Channels: 4 + 1
EQ: 3-band / Total Kill (CH 1-4 + CH A)

USB Soundcard:
20 Channel (10 in / 10 out)
USB2 / Class Compliant
24bit / 96kHz
1 x MIDI IN
1 x MIDI Out

Line Inputs: 4 x RCA (CH 1-4), 1 x 1/4" TRS (CH A) Mono/Stereo
Phono Inputs: 4 x RCA (CH 1-4), LN/PH Switch for DVS
USB Inputs: 5 x USB (CH 1-4 + CH A)
Mic Input: 1 x XLR
Master Output: 1 x XLR (Balanced)
Master 2 Output: 1 x RCA (Un-balanced)
Booth Output: 1 x 1/4" TRS
Record Output: 1 x RCA (Un-balanced)
Master Insert: 1 x 1/4" TRS
MIDI Sync/Out: 1 x 5-Pin DIN, DIN Offset Control

Send/Return I/O
1 x 1/4" TRS Send
1 x 1/4" TRS Return
1 x LN/Hi-Z Switch

Internal Xone: FX Yes
Hybrid FX Mode: Yes (Internal < Dual > External)
FX Send: 1 x Pre/Post Selectable (CH 1-4 + CH A)

Filter:
1 x VCF Filter
HPF / BPF / LPF
Adjustable Frequency & Resonance
Assignable CH 1-4 + CH A + External Return

X-Link: 1 x RJ45

Headphones:
1 x 1/4"
1 x 3.5mm
Split Cue Monitoring

Channel Faders: 60mm VCA / Replaceable
Chanel Meters: 12 Segment LED
Channel Fader: Curve 3 Types
X-Fader: 45mm VCA / Replaceable / Innofader Compatible
X-Fader Curve Settings 3 Types
MIDI: Clock Send + Receive; Start / Stop / Pause / Tempo Bend (-/+)
MIDI Assignable: Yes (MIDI CC / MIDI Notes)
BPM Detection: Auto / Manual / Tap Tempo
Earth Ground Terminals: x 2
Headroom: 20dB

AC Mains:
100 to 240V
AC 50/60Hz
Consumption 35W max

Mains Adaptor: 3 pin IEC socket with cable clamp
Fuse Rating: 250V AC T1AL 20mm

Height: 4.3"
Width: 12.6"
Depth: 14.8"
Weight: 11.5 lbs.

Notes: A modern classic. Analogue-focused drum machine with a few nice digital features for good measure. Proper weighty sound and huge sound-sculpting options for live or studio use.

Supplier's notes:
True analogue. Eleven instruments. Sequencer. MIDI/USB/SD-Card. Samples. Sampling inputs. Balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. Jomox have put in the concentrated know-how of their drum machines and synths of the past 20 years - they've simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox have ever built.

Notes: Top-of-the-range option from A&H, with a focus on pure analogue sound and ease of use. 4+2 channel design with four-band EQ, built-in soundcard and the brand's trademark Xone filters.

Supplier's notes:
Xone:96. The long-awaited follow-up to a genuine club classic.

A new, uncompromising analogue DJ mixer, destined to be the heart of your creativity, Xone:96 takes the legendary soul of the acclaimed Xone:92 and redelivers it, enhanced, and with state-of-the-art digital connectivity.

It's all here. The huge, detailed, space-shaking analogue sound that only Xone delivers. A refined, precision 4-band EQ. Unrivalled dual Xone:VCF filters with CRUNCH harmonic distortion. And a dual 32-bit USB soundcard (24 Channels @ 96kHz) with Traktor Scratch certification right out of the box.

Xone:96 lets you connect your whole rig, from laptops and turntables, to pedals, synths and drum machines.

Two dedicated FX sends, four stereo input channels (with 4-Band EQ), two stereo input channels with all new 3-Band Parametric EQ + two auxiliary stereo return channels. And a separate master insert for your outboard hardware.

Explore new possibilities with a familiar layout of beautifully tactile controls. And rely on the industrial build quality that exceeds the demands of relentless back-to-back performances, night after night.

Xone96: You mixed. We listened.

Notes: The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.

Notes: The streamlined hi-fi option of the new Technics SL series, based on similar technology to the SL-1200 GR model but with no pitch control, just rock solid Technics sound at a good price.

Supplier notes:
The technologies acquired through the development of the SL-1200 Series and the high-end SL-1000R model were lavishly inserted into the motor drive unit, a key part of the turntable. The motor exclusively tunes the single-rotor, coreless direct drive motor adopted by the SL-1200GR in order to read the high rotation accuracy and high-precision signals of the record. Optimal motor control is conducted for the inertial mass of the two-layer structure platter on which the vinyl record is placed with deadening rubber on the entire back surface to eliminate unwanted resonance in the aluminium die-cast platter to eliminate the rotation irregularity called cogging. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The insulator is comprised of a spring and rubber to provide optimal vibration-damping characteristics. The tonearm is a static-balance universal S-shape tonearm, another Technics tradition. By adopting a high-precision bearing using the same gimbal suspension construction and machined housing as the SL-1200 Series, high initial sensitivity is achieved. In addition, reliability has been improved by incorporating a removable power cable and gold-plated terminals, which have less sound quality degradation, for the PHONO and LINE terminals.

Complete Turntable with a Built-in Phono Equalizer and Cartridge In order to enjoy playing analogue records more comfortably, the SL-1500C features a built-in phono equalizer and bundled cartridge. There is no need to separately prepare either one, making it easy to link with a wide range of audio equipment. The shield structure of the built-in phono equalizer suppresses the effects of external noise and noise from the power supply. It is also equipped with a switch to turn the LINE output off when it is not being used. The turntable has been designed to thoroughly shut-out adverse effects to the PHONO output. The dedicated power supply for the PHONO output terminal is isolated from the power supply for the LINE output terminal, and has been designed to prioritize sound quality by minimising the wiring of the PHONO signal. The isolated terminals also prevent wiring mistakes. An Ortofon 2M RED cartridge, which is highly acclaimed as an MM cartridge, has been selected for the bundled cartridge. Combining this high-quality cartridge with the performance of the SL-1500C will maximise the sound quality of vinyl records.

When the tonearm reaches the end of the record, the Auto Lifter function automatically raises the cartridge. This prevents unnecessary wear on your valuable vinyl records and stylus. By embedding the Auto Lifter function in the base portion of the tonearm, it eliminates impacts to the tonearm. Due to a simple design that doesn't use motor power, there is no electrical or vibrational impact and it will not prevent the movement of the tonearm. In response to requests from many users regarding the Auto Lifter function, a design that prioritises sound quality was adopted. The functions required to playback records were kept to a bare minimum, achieving simple and easy-to-use operability.

The SL-1500C sports a simple design without unnecessary frills, while retaining the superb operating feel that is a Technics tradition. The attractive appearance lets you enjoy playing records to your heart's content.

Notes: The GR version of the SL1200 sits above the standard MK7 model in the Technics range. Designed for even higher sound quality than the already excellent MK7. Serious kit for very serious DJs.

Supplier's notes:
The new standard model inheriting the technology of the SL-1200G, which was developed as a reference direct-drive turntable for the next generation.

Launched in 2016, the SL-1200G combined Technics' traditional analogue technology and advanced digital technology, while redesigning parts throughout. Its outstanding performance literally rocked the hi-fi market and redefined the reference for direct-drive turntables. Parts that were inherited from the SL-1200G were newly developed for the SL-1200GR, beginning with the coreless direct-drive motor and precise motor control technology that eliminated the cogging that originated from rotation irregularity, and including a low-vibration, high-rigidity platter and high-sensitivity tonearm. By these measures, the level of performance clearly outperforms the usual standards of its class. The SL-1200GR invites more audio enthusiasts to enjoy music with the rich, robust sound of analogue records.

In 1970, Technics commercialized the world's first direct-drive turntable, and the system took the world by storm. Unlike belt-drive and other systems, direct-drive systems rotate the motor at low speed and directly drive the platter, thus providing numerous advantages, such as the almost complete absence of degradation in S/N ratio due to motor vibration and deceleration mechanisms, as well as high reliability over a long period time because of not requiring parts replacement.

And in 2016, Technics developed the twin-rotor, surface-facing, coreless direct-drive motor with rotor magnets placed on both sides, thereby eliminating the rotation irregularity of the motor, referred to as "cogging," which was a unique issue for direct-drive systems. This motor was adopted for the SL-1200G, which once again drew a significant response in the hi-fi market. The SL-1200GR inherits the same design philosophy with the new development of a single-rotor, surface-facing, coreless direct-drive motor, resulting in the elimination of cogging.

The rotation control, which verifies and corrects the precision of the motor, uses the latest motor control technology cultivated in the development of Blu-ray disc devices, just as that used by the SL-1200G. Sine waves stored in ROM are used for the control waveforms at constant speed, and this achieves smoother and more stable rotation compared with using the simple sine wave generation with an external coil as in the conventional SL-1200MK5. In addition, the electrical circuitry has had tuning performed so that the newly developed motor of the SL-1200GR achieves maximum performance. The starting torque achieves 2.2 kg x cm with only a single rotor. The same startup time of 0.7 s (at 33 1/3 rpm) as the SL-1200G has been achieved.

The platter achieves high rigidity and vibration damping characteristics by using a two-layer construction with deadening rubber applied to the entire rear surface of the aluminium die-cast to eliminate the unnecessary resonance that is otherwise relayed to the record, thereby producing clear sound.

To increase the inertial mass and reduce vibration, the shape of the aluminium die-cast portion was optimized by simulation. At 2.5 kg (including the rubber mat), the SL-1200GR platter is 0.8 kg heavier than that of the previous SL-1200MK5. Also, the back surface of the platter has strengthening ribs added to improve rigidity. Increasing the surface area of contact with the deadening rubber achieves damping characteristics that are more than twice those of the SL-1200MK5.

The tonearm tracks the rotation of the record and enables reading with high precision, and the tonearm inherited by Technics is the traditionally used static-balance universal S-shaped tonearm, employing an aluminium pipe with excellent light weight and rigidity for the material of the tonearm pipe.

With its gimbal suspension construction, the tonearm bearing section uses a cut-processed housing that employs high-precision bearings, as in the SL-1200G. The high initial-motion sensitivity of 5 mg or less is achieved through manual assembly and adjustment by skilled Japanese artisans. This enables the grooves etched into the records to be accurately traced.

In addition, one type of auxiliary weight comes included, and the cartridge can be swapped with a variety of other cartridges to match the music genre or feeling. (Applicable cartridge weight when using the supplied auxiliary weight: 10 - 16.4g, not including the supplied head shell).

The turntable uses gold-plated phono terminals for detachable cables, and so a wide variety of cables can be selected. Also, the use of metal shielding construction inside the case reduces the effects of external noise.

Notes: One of the most exciting new synths of 2020. Extremely high-quality wavetable synth engine with great expressive features like a CS80-style ribbon controller and polyphonic aftertouch. Powerful.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier notes:
The HYDRASYNTH keyboard is both a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The HYDRASYNTH keyboard has our proprietary Polytouch keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.

Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.

The new ASM Polytouchr keybed allows not only the standard velocity and aftertouch found on other keybeds but it also supports fully polyphonic aftertouch.

In recent years companies have been trying to find ways to give the keyboard musician more ways to better express themselves. The problem is that their solution is almost never a keyboard, so you have to learn a new technique to play them.

The Polytouch keybed features a high quality, standard sized keys, so you can start playing it instantly.

The tone generation capability is the heart of any synthesizer.

The 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.

Wavemorphing is a feature usually found on synths with preset wave tables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have our WAVELIST mode.

This mode allows you to pick and choose 8 waves, from the bank of 219, arrange them in the order you want, and then morph from one to another.

Oscillators 1 & 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each MUTANT allows you to choose from the following processes:

FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.

Wavestack- creates 5 copies of the incoming sound and allows you to set a detune amount.

Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.

Pulse Width - This will pulse width modulate ANY input sound.

PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.

PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.

Harmonic Sweep - this will sweep the harmonics of the incoming sound.

The Mutant's can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator....Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.

The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.

The Mixer allows you to mix levels as well as pan the input source.

There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.

The filters can be set to be parallel or series for ultimate flexibility.

If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.

The Hydrasynth has two filters that can be configured in series or parallel.

The first filter has 11 different filter models, giving you multiple options for tailoring your sound.

The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.

5 DAHDSR Envelopes.

An advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.

The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.

You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.

The modulation capabilities on the Hydrasynth are endless.

With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.

Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.

The Modulation matrix points themselves can also become modulation destinations.

Notes: Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:

12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.
The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Up and down, back and forth
6 Envelopes, 6 LFOs and many more are just waiting for being used as sources in the 40 slots of the Modulation Matrix. Each slot has one additional control amount. Modulations can be directed to almost every numerical value in Iridium. All sources and destinations can be used as many times as desired until the Modulation Matrix is full. If you ever happen to run out of LFOs or Envelopes, you can use the Komplex Modulator for generating a custom shape LFO or Envelope.

Even though Iridium features a staggering amount of parameters to control, everything is organized in a logic structure which is easy to master. The major controls have their own dedicated knob, while the rest is accessible through the touch screen and the encoders around. There are no long menus keeping you from doing what you had planned. Instead, you will find a workflow which you will soon miss on other synthesizers.

Embedded in the front panel, a 4x4 silicon pad matrix invites you to launch notes, chords, arpeggios and sequences with up to 32 steps for notes and multiple parameter lines. Direct access to the parameters is granted by the seven encoders to the left and the right hand side of the touch screen.

Iridium's large color touch screen keeps you informed at all times. Upon moving a knob, Iridium gives you an optical feedback of your changes in real-time. Filter curves move, Particle grain sizes change, Envelopes warp and much more:

Komplex Modulator curves can be drawn with your finger
Envelopes show at which point the voices currently are
Wavetables are displayed in comprehensive view modes
VU meters show which voices are used and the individual voice levels
Different Analyzers show the audio signal at different points

Two Audio Outputs allow you to listen to Iridium, while two Inputs allow Iridium to process external signals. 4 CV inputs plus Gate In and Trigger In are ready to forward external signals to the Mod Matrix. Furthermore, Clock In and Clock Out will get your gear in sync. MIDI connections can be made through USB and DIN MIDI. Iridium is also equipped with a USB Host port for MIDI devices. This port also handles data exchange, in addition to the MicroSD card slot.

Once again, Waldorf have underlined their status with a new and exciting synthesizer.

Notes: Latest incarnation of Buchla's legendary modular synth. Massively creative with incredible sound and history stretching all the way back to the 1960s.

Supplier notes:
The evolution of the legendary modular analog synthesizer by Don Buchla. The Buchla Easel Command is the newly updated 208C in a standalone desktop form with MIDI and CV control.

Buchla's own Joel Davel led the charge to create a new version of the legendary Music Easel instrument with more modular flexibility and independence, while also providing the means to easily interface with more devices, such as the various DAWs like Ableton and MIDI controllers, including the very expressive Sensel Morph. It's still fully analog in its default configuration and provides the unique and exquisite Buchla experience with greater functionality at a lower cost.

Notes: All you could ever dream of from an Eurorack console, and then some!

The ADDAC807A VC Stereo Summing Mixer offers you the power, the flexibility and the gorgeous layout of a high-end audio console, in the popular Eurorack format. Starting off at 5 stereo channels, with the option to add 4 additional stereo channels via the ADDAC807C Expansion Console, its send/return options and clever matrix will ensure you have that perfect mix down in seconds. Customary to ADDAC System designs, there is enough CV control and hands-on switch options to make the ADDAC807A into an instrument in and of itself.

The ADDAC807A is accompanied by its sibling, the ADDAC807B Inputs Console. We decided to allow the user to freely define the placement of the jacks by separating the area where all your cables are located. Less clutter means more hands-on control and higher playability. The ADDAC807B Inputs Console holds all the jack inputs for the ADDAC807A Main Console, along with CV inputs and additional channel settings - 'cause you can never have enough switches!?

Module is sold together with the ADDAC807A, which also provides power. ADDAC807A price is for both the 807A and 807B.

Notes: Killer digital drum machine from the excellent Modor. Six instruments, 128-step sequencer and some of the freshest, most innovative drum sounds we've heard in a long time.

*** New upgrade - July 2023 ***

Introducing this new upgrade for the DR-2, OS010. Built in cooperation with Berlin-based Canadian electronic music artist Nicolas Bougaieff!

Bougaieff frequently uses polyrhythmic structures, dividing bars or musical phrases of different instruments into different numbers of steps. Have one instrument play 17 steps in the time another instrument plays only 16 steps, or 8 steps in 5 steps, or... Like stretching N steps of one instrument over M steps of a second one, giving them an N:M speed ratio.

He felt that there were only rather limited possibilities in hardware sequencers and drum machines to achieve this.

The process of achieving this was quite challenging, but the result was worth it! This is a very intuitive way to work with polyrhythms, making use of stretched clocks. It is ready for download now on Modor's download page on their site!

Apart from the main sequencer clock, the DR-2 now has 2 polyrhythmic clocks (or 'polyclocks'), called polyclock A and B. Each of these 2 clocks relates to the regular 'main' clock with a certain N:M ratio. The polyclock takes N steps in the time the main clock takes M steps.

Next, every instrument can separately choose a clock:
the main clock,
the A polyrhythmic clock,
or the B polyrhythmic clock.

This means, you can let, for example, a snaredrum play 7 steps while the rest of the instruments plays 8 steps. The 7 steps are stretched equally in time over the 8 steps of the other instruments.

How is this done?

Keep the A or B button down, and set the N:M ratio using the SELECT/BPM (for N) and VALUE/SWING (for M) knobs.

Keep an instrument button A...F down and hit the A or B button to assign that instrument to one of the polyrhythmic clocks. Hit it again to return to the main clock.

Supplier's Notes:

The DR-2 is a 6 instrument digital DSP drum synth, with a built-in 128-step drum sequencer. At first sight, it will feel recognizable in some ways. There are sounds that will remind you of the good old classic drum machines, and the step sequencer will get you building drum riffs from the first second you touch it. But Modor uses digital sound synthesis to get beyond the possibilities of a classic drum machine, and the step sequencer does more than just hitting drums...

First of all: although it's digital, the DR-2 is not about sampling. It's a drum synthesizer, like a classic analog drum machine, but it uses digital sound synthesis algorithms instead of analog circuitry. There are no samples in the DR-2, and there's no sample memory.

Just like the Modor NF-1, the DR-2 is not built to recreate the classics of the past. The DR-2 uses digital sound synthesis to innovate drum sounds and rhythms. Many sounds will be recognizable. It is possible to make classic sounding bass drums, snares and rimshots. It's not difficult to program classic floorfillers with the DR-2. But with 12 synthesis parameters per drum, you'll easily find yourself creating your own individual sound.

The DR-2 has 6 drum 'channels', drumsets made of 6 drum instruments. These channels don't have predefined instruments. You can choose freely which instruments you want in your 6-channel drumsets. The DR-2 works with drum 'models', of which you can pick one for every channel. You can consider these 'models', or synthesis algorithms, as a collection of small but dedicated drum synthesizers, of which you can pick 6 to form a drumset. There are models for bass drums, snares and cymbals, but also for some more unusual drum sounds, clicks and ticks.

Every model has up to 12 sound synthesis parameters: Pitch with pitch decay, curve and amount, amp volume with panning, amp decay and curve, and parameters X, Y, Z and T that have a different function in every model, see the table below.

The DR-2 has an output jack connector for each of the 6 channels A-F, and 2 master L/R outputs. If there's no cable connected to a channel output, the corresponding channel is sent to the master L/R outputs. The individual channel outputs are mono, but have a panning parameter to give it a stereo position in the master mix.

But there is more! The A-F output connectors are actually insert points, you can use 6.35mm (1/4") TRS jack connectors to route a channel out of the DR-2, and send it back in if you want. This way, you can use external effects, equalisers, compressors, ... on each of the 6 channels individually, and still have them panned and mixed in the master outputs of the DR-2.
Next to the audio connectors, the DR-2 has 6.35mm (1/4") TS connectors for 24PPQN clock input and output, and has classic din-5 MIDI IN, OUT and THRU connectors.

The sequencer of the DR-2 has a lot more options than just the classic 16-step sequencer. First of all: you can use 32nd notes, so the DR-2 doubles the resolution of a classic 16-step sequencer. The DR-2 has 16 step buttons but you can see 32 step leds on the front panel. Keep the '16/32'-button pressed to access the steps-between-the-steps.

A pattern can use up to 4 of these 16/32-step pattern parts, these can be accessed with the 1-16/17-32/33-48/49-64 buttons. Using SHIFT + one of these buttons sets the pattern length. So, it's actually a 4x32 or 128-step sequencer.

But there's more: each instrument has it's own Accent, Flam, Tuplet, Break and Reverse patterns. Keep the ACC, FLAM, SHIFT+FLAM, BREAK or REV button pressed while using the step buttons.

MEASUREMENTS
Width: 440mm without rack ears, 480mm with rack ears (19")
Height: 267mm (10.5"/ 6U)
Depth: 40mm (front) - 80mm (back)
Weight: +/- 6kg

CONNECTIONS
9V, 600mA adapter connection, positive voltage on center pin
MIDI IN/THRU/OUT connections, 3x 5-pin DIN connection
Clock In/Out connections, 2x 6.35mm mono jack
Audio Instrument Outputs/Inserts, 6x 6.35mm TRS or mono jack, unbalanced
Audio Left/Stereo output, 6.35mm TRS or mono jack, unbalanced, capable of driving headphones
Audio Right output, 6.35mm mono jack, unbalanced

Notes: Gorgeous experimental system based around Make Noise's brilliant Maths, Morphagene, QPAS and Mimeophon modules. Capture and process sounds in stereo and warp them into new dimensions.

Supplier's Notes:
The Tape & Microsound Music Machine music synthesizer is a small stereo system devoted to capturing external sounds and sculpting them into new ones. The Morphagene operates as a recorder that also allows the artist to mulch, layer and rearrange the sound and manipulate the speed and direction of playback. The Mimeophon repeats sounds and subjects them to further manipulation, and when combined with the Quad Peak Animation System (QPAS), incredible stereo sculpting of the spectrum. The Wogglebug and MATHS work to animate these effects, and the XOH provides a final stereo mix and line level or headphone outputs for monitoring and/or performance.

Notes: Four-channel version of Richie Hawtin-designed Play 1 mixer, engineered by music tech royalty Andy Rigby-Jones. Immense sound quality and performance features, including analogue filters, overdrive and DualCue system for back-to-back sets.

Supplier's Notes:
With MODEL 1, PLAYdifferently hit the apex of pure analogue DJ mixer design. MODEL 1 brings performance to an ultra-compact 4-channel design, ideal for home studio use, or as the ultimate tour-able analogue mixer- so you can take your analogue core wherever you go.

Engineered by Andy Rigby-Jones and co-designed by Richie Hawtin with feedback from artists, clubs and engineers, MODEL 1.4 features the same uncompromising approach to build quality, precision and detail that set MODEL 1 in a class of its own.

MODEL 1.4 can be used standalone or paired with a MODEL1 using unique mixer-link functionality to deliver an unrivalled 10-Channel Live mix experience.

Technical specifications:

Maximum output level: +28dBu Balanced, +23dBu Unbalanced
Output Impedance: 50R Balanced, 68R Unbalanced
Residual Noise: -100dBu Un-weighted, 22Hz to 20k
Dynamic range: > 112dB
Frequency Response: 20Hz - 40kHz +0/-2dB
Distortion (THD+N): 0.008% Line In to Mix 1 out, 0dBu Unity Gain
Inter-channel Crosstalk: < -100dB
Left/Right Crosstalk:-80dB 1kHz
Power consumption: 45W maximum
Weight: 5.00kg
Dimensions: L 368mm x W 248mm x H 111mm

Notes: Brand new for 2021, premium rotary mixer from Japanese audiophile specialists ARS. Two-channel design with three-band EQs and three-band master isolator.

Supplier's Notes:
ARS MODEL 1100 DJ Mixer is a Japanese made, 2ch. rotary mixer with a 3-band hybrid isoeq: Hi-eq Mid-eq Low -Iso on each channel.

This 2 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master.

Potentiometer and Switch are All ALPS .

A long time in the development phase, this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended.


It is designed with purist ideals with only essential features.

ARS 1100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel, aand 3band Iso on the master.

The Master Isolators can be boost of cut from +18db.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-1100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.


Frequency Response: +-1dB 20Hz-20Khz


Input: 2 x Phono : 47K Ohm /2x Line: 20K Ohm


House Output: RCA Unbalanced Impedance 1K Ohm/ XLR Balanced Impedance 100 Ohm


Booth Output: RCA Unbalanced Impedance 1K Ohm/ XLR Balanced Impedance 100 Ohm


Tape Output: RCA Unbalanced Impedance 1K Ohm


Effect Loop: RCA Unbalanced Impedance 600 Ohm


Effect Return: RCA Unbalanced Impedance 600 Ohm


Send Output: RCA Unbalanced Impedance 600 Ohm


Retrun: RCA Unbalanced Impedance 20K Ohm


Headphone Monitor Trim: Cue-Mix-Pgm Trim


Power Consumption: 25w


Power Requirements: US-115V/EU-230V(Selectable) 50/60Hz


Dimensions : (W)260 x (H)250 x (D)100 mm


Front Panel Colour: Black

Notes: From Denon's excellent Prime range, the X1850 is a four-channel mixer with all the features you'd expect from a club-standard pro model: three-band EQs, filters, loads of effects and solid build.

Supplier's Notes:
4-Channel Digital Mixer with Multi-Assignable Inputs and Pro DJ FX

With a rugged metal construction, the X1850 is a 'mixing comfort-zone' for any DJ. It has 4-channels with multi-assignable inputs, covering every gig performance need. A 'high-visibility', 3-band EQ section offers both 'normal' and expressive 'isolation' modes. Smooth line and crossfader control handles all Pro-DJ mixing styles.

Add dynamic audio effects into the mix with the X1850's 4 Sweep FX, contouring frequencies with its powerful Lo/Hi pass Filter. Get creative and expressive with the X1850's 16 Pro-Club BPM FX and 'Time-Division' Touchstrip too. The X1850 brings 'FX Quantize' control to ensure all effects parameters align with your grooves!

Multi I/O, 24-bit/96kHz Prograde audio connectivity is just the start! The X1850 PRIME has a built-in LAN hub for connecting up to four 'SC' media players, carrying tempo information, ultra-fast music file transfer and StagelinQ audio visual connections. A 5-Pin MIDI out to start/sync external gear brings even more performance flexibility.

Line, Phono, Digital, USB or DVS - select your channel input and let the mix flow with 4 smooth, contour controlled line faders plus 'flex-fader' style crossfader

Customize X1850 DJ workflow and performance settings plus access, adjust and edit 16 expressive Pro Club FX

Experience fast, uninterrupted DJ 'handoffs', connect to DJ software and record multi-channel audio to laptops.

No sacrifice of line faders with 2 independent, EQ/level controlled microphone channels with 'talkover'. Get Split/Cue headphone monitoring with 1/4" jack plus minijack inputs.

Dedicated Sweep FX, access 4 dynamic, 'left/right variant' controlled effects. Simultaneously manipulate lo/hi pass Filters on each channel, coloring with adjustable resonance control

Audio
Dynamic Range (master): > 117 dB (A-weighted)
Frequency Range: 22-22,000 Hz (+1 dB)
Signal-to-Noise Ratio:
Line: > 93 dB (A-weighted)
Phono: > 87 dB (A-weighted)
THD+N: < 0.02%
Channel Separation: < -90 dB (@ 1 KHz, unity)
Headroom:
Line Inputs: > 16 dB
Microphone Inputs: > 20 dB
Outputs: > 20 dB
Analog Output:
Master (balanced): +24 dBu (maximum), +4 dBu (unity)
Master (unbalanced): +20 dBu (maximum), 0 dBu (unity)
Booth: +24 dBu (maximum), +4 dBu (unity)
Record: +10 dBV (maximum), -10 dBV (unity)
Send: +10 dBV (maximum), -10 dBV (unity)
Headphones: > 150 mW @ 40 O
Analog Input:
Line: +15 dBV (maximum), 0 dBV (unity)
Phono: -22 dBV (maximum), -40 dBV (unity)
Microphone: -40 dBu (maximum), -60 dBu (minimum)
Return: +15 dBV (maximum), 0 dBV (unity)
Microphone Inputs:
CMRR: > 80 dB (@ 1 KHz, unity)
EIN: < -124 dBu (Rs = 150 O, DIN)
Digital Output:
Sampling Rate: 44.1, 48, 96 kHz
Bit Depth: 24-bit
Displays
1.6" / 39 mm (diagonal)
1.4" x 0.69" / 35 x 17 mm (width x height)
(2) monochromatic LED-backlit displays
Connections
(2) XLR outputs (balanced master)
(2) RCA output pairs (1 unbalanced master, 1 unbalanced record)
(5) 1/4" (6.35 mm) outputs (2 booth, 2 send, 1 headphone)
(1) 1/8" (3.5 mm) output (headphone)
(1) coaxial digital output (audio)
(1) 5-pin DIN MIDI output
(8) RCA input pairs (4 line, 4 phono)
(1) XLR+1/4" (6.35 mm) input (Mic 1)
(3) 1/4" (6.35 mm) inputs (2 receive, 1 Mic 2)
(5) RCA digital inputs (4 audio, 1 link)
(5) Ethernet link ports
(1) IEC power inlet
Power Connection: Locking IEC
Input Voltage: 100-240 V~, 50/60 Hz
Consumption: 65 W

Dimensions (width x depth x height):
310.9mm X 445mm X 109.7mm
12.2" x 17.5" x 4.3"
309.88 x 444.5 x 109.22 mm

Weight (without USB and power cable): 15.43 lbs./7.00 kg

Notes: Sitting below the flagship Seventy Two model in Rane's mixer line-up, the Seventy is a simpler model aimed at streamlining scratch performances. Two channels, effects, paddles, pads and Serato integration.

Supplier's Notes:
Solid Steel, Precision Performance Battle Mixer

2-channel Serato mixer for the Pro-Performance DJ

The SEVENTY is the latest edition to RANE's solid steel, Serato battle-ready mixer series. Built from the same high-quality components as the multi world-title winning, SEVENTY-TWO.

Display: Full-color display with capacitive multi-touch (2.1" x 3.7" / 54 x 95 mm (wxd)) (4.3" / 109 mm (diagonal))
Pads: 16x velocity-sensitive multi-color back-lit pads (8 per deck, 10 modes each)
Faders: 3x MAG THREE tension-adjustable faders (2 channel/line faders, 1 crossfader)

Outputs:
2x XLR (Main)
2x 1/4" (6.35 mm) TRS (Booth)
1x RCA stereo pair (Session)
1x 1/4" (6.35 mm) TRS (Headphones)
1x 1/8" (3.5 mm) TRS (Headphones)

Inputs:
4x RCA stereo pairs (Deck 1-2)
2x XLR / 1/4" (6.35 mm) TRS (Mic 1-2)
1x RCA stereo pair (Session)
1x 1/4" (6.35 mm) TRS (Footswitch)

Connections:
2x USB Type-A ports (Deck 1-2 USB Controllers)
2x USB Type-B ports
1x IEC power cable input
Digital Audio

Converters: AKM High Definition Audio; 24-bit PCM, 48 kHz

Digital Signal Processing: 32-bit, floating point, double precision

Dynamic Range (A-weighted, unity gain):
ADC: 114 dB
DAC: 114 dB
CD Input to Analog Output: 114 dB
CD Input to USB Output: 114 dB
USB Input to Analog Output: 114 dB
Power Voltage: 100-240V, 50/60 Hz
Consumption: 30 W

Dimensions (WxDxH): 11.2" x 17.5" x 4.25" (28.4 x 44.5 x 10.8 cm)

Weight: 12.0 lbs. (5.46 kg)

Two Deck Inputs: Left Deck and Right Deck

Source selects:
USB-A
PH-CD
AUX
USB-B
PH-CD RCA Inputs
Select Phono (RIAA) or CD (line-level)

CD setting:
4 Vrms maximum input
A-weighted DR 114 dB
Photo Setting
RIAA Curve, +0.1/-0.2dB
Gain @ 1kHz = 30 dB

Maximum input at 1 kHz = 126mV

AUX RCA Input:
4 Vrms maximum input
A-weighted DR 114 dB
Gain Trim
Off at minumum
0dB @ center position
+15

Tone Controls:
Full-cut 2nd order filters
Off @ minumum, flat at center, +6 dB maximum
Crossover frequencies 300 Hz and kHz
Manual swept filter
Flat at center, CCW = High-cut, CW = Low-cut
4th order, adjustable Q

Session Inputs:
RCA Inputs:
Max Input 4 Vrms
A-weighted DR 114 dB
Analog to Digital Converters
AKM High Definition Audio
24-bit PCM, 48 kHz
Digital to Analog Converters
AKM High Definition Audio
24-bit PCM, 48 kHz

Digital Signal Processing:
32-bit, floating point, double precision
A-weighted Dynamic Range (unity gain)
ADC, 114 dB
DAC, 114 dB
Single CD Input to any Analog Output, 111 dB
Single CD Input to USB Output, 114 dB
Single USB Input to any Analog output, 114 dB

USB Ports
Two Device Ports
Two powered Hub Ports
+5V @500mA
Connect RT01 Controller
Auto-switch HUB ports between USB-A and USB-B
Determined by Input Selection
USB 2.0 Class-compliant Audio and MIDI
No driver needed for MAC
Universal ASIO driver for windows
24-bit PCM, 48 kHz SR
USB Port Audio for USB-A and USB-B

Record:
Deck-1 Pre L/R
Deck-2 Pre L/R
Deck-1 Post L/R
Deck-2 Post L/R
Mix L/R
Mics L/R
Session L/R

Playback:
Deck-1 L/R
Deck-2 L/R
Sampler L/R

Two Mic Inputs

Mic-1 Features
XLR/TRS Combo Jack
Mic/Line Select on Rear Panel
Dynamic Mic, Analog Gain 30dB, Max Input 0.126 Vrms
Line, Analog Gain 4.75 dB, Max Input 2.3 Vrms
ON/OFF switch
Press to toggle on/off
Press and hold to enable auto talk-over
Duck level = 10 dB
Gain Trim: Off to +20dB (unity at center)
Tone Control
One knob tilt tone control
Max boost/cut = 10 dB
Echo Effect (Mic-1 Only)
Echo enable button on top plate
Echo Depth Control on Front Panel
Mic-2 Features
XLR/TRS Combo Jack
Mic/Line Select on Rear Panel
Dynamic Mic, Analog Gain 30dB, Max Input 0.126 Vrms
Line, Analog Gain 4.75 dB, Max Input 2.3 Vrms
ON/OFF switch (front panel)
Toggle on/off
Gain Trim (front panel)
Off to +20dB (unity at center)
On front Panel
Tone Control (front panel)
One knob tilto tone control
Max boost/cut = 10 dB
Line Outputs
Balanced XLR Main Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 8 Vrms
THD+N, 0.002%, 1 kHz, 4 Vrms
Balanched TRS Booth Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 8 Vrms
THD+N, 0.002%, 1 kHz, 4 Vrms
Unablanced Session Output
Frequency Response Flat 20 to 20 kHz (+/- 0.2 dB)
Maximum Output, 4 Vrms
THD+N, 0.02%, 1 kHz, 2 Vrms
Headphones
1/4" TRS and mini 3.5mm TRS Jacks
Max ouput voltage, 4V, (no load)
THD+N @ 2Vrms = 0.003%
Power Into 50 ohms, 96mW
Turn on/off muting
Universal AC Mains Power Supply
AC Input: 100 to 240 AC, 50/60 Hz, 30 watts

Minimum System Requirements
Operating System:
macOS High Sierra 10.13
macOS Sierra 10.12
Mac OS X 10.11
Windows 10
Windows 8.1
Windows 7

Notes: Very limited numbers for this boutique audiophile mixer. Two-channel rotary design with hybrid three-band iso-EQ on each channel. Top quality sound and build.

Supplier's Notes:
ARS MODEL 1100 DJ Mixer is a Japanese made, 2ch. rotary mixer with world's first 3band hybrid isoeq Hi-eq Mid-eq Low -Iso on each channel.

This 2 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master.

Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship.

Highly recommended- it is designed with purist ideals with only essential features.

ARS 1100 has 3 band hybrid iso-eq hi-eq mid-eq low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-eq mid-eq can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-1100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Frequency Response: +-1dB 20Hz-20Khz
Input: 2 x Phono: 47K Ohm /2 x Line: 20K Ohm
House Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output: RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response: 3band hybrid isoeq 1-2Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.
Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 20w
Power Requirements: US-115V/EU-230V(Selectable)
Dimensions: (W)260 x (H)250 x (D)100 mm
Front Panel Colour: Black

Notes: *** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

Supplier's Notes:
The SC6000M's 8.5" motorized platter with a combo of 'quickrelease' slipmat and newly designed DJ vinyl, ensures DJ/Turntablists have that 'true, mechanical spin' beneath their fingertips. The uniquely engineered, brushless DC electric motor has a light/heavy torque range adjustment, for fine-tuning platter response to a scratch DJ's exact performance needs.

Navigate, search and load extensive music libraries plus edit track lists with 'on-board' Crate management. Gesture manipulate large waveforms and scrub through overviews, while visualizing essential DJ workflow info. Also, engage 'on-the-fly', internal analysis of music files directly within the SC6000M itself.

Powered by a dedicated, multi-core internal processor, the SC6000M runs 'Engine OS.' A purpose-built embedded software platform built for DJs offering you super-fast track load times, intuitive navigation, management, and search, so you can be at your creative best. The mission for Engine OS is clear, to keep evolving, providing more creative features to enhance the DJ's performance and experience.

With dual output 24-bit, 96kHz digital audio quality, the SC6000M supports all major compressed and uncompressed music file formats - including FLAC, ALAC and WAV. With built-in WiFi and wired internet connectivity, DJs can now stream music, standalone, from partnered services Beatport, Beatsource, Soundcloud and TIDAL.

Execute and define your true vinyl Turntablist style - get hands-on with the adjustable torque, high-resolution 8.5" motorized platter featuring ergonomic inset design for easy-braking.

Search, load, play, and 'feel' your music with the industry's largest and most advanced multi-touch DJ workflow display.

Mix and perform two tracks simultaneously from just one SC6000. Each player features two independent analog/digital outputs and a stacked waveform view. Dual-layer playback opens up a new world of creative possibilities for standalone media players.

With built-in Wi-Fi and an Ethernet Link port for hardwired internet connections, the SC6000 connects you with your favorite music streaming service or personal cloud storage without being tethered to a computer. Log in to your streaming account directly on the unit for instant access to the world's largest music collections. The SC6000 offers a vast array of streaming service options including Beatport/Beatsource Streaming, SoundCloud GO+, and TIDAL, so whatever the genre the SC6000 has you covered. If that's not enough, connect your Dropbox account to access your personal music collection remotely from anywhere in the world.

Open Format, cross-BPM DJing perfection! Artifact free, sonically perfect audio reproduction, for pitch-locked, extreme track tempo changes.

The SC6000M's onboard musical keyshift, key-match feature enables beautifully harmonic DJ sets to be effortlessly performed. Create sonic textures with just the touch of a finger.
Trigger Hot-Cues, engage Loop regions, Roll and Slice your beats with 8, responsive rubber performance pads - now with sophisticated design illumination for improved club visibility.


Audio:
Analog Output: 2.0 Vrms (0 dBFS, 1 kHz)
Signal-to-Noise Ratio: 116 dB
Distortion (THD+N): < 0.0015%
Frequency Range: 22-22,000 Hz
Digital Output:
Sampling Rate: 96 kHz
Bit Depth: 24-bit
Platter
Material: Metal construction
Diameter: 8.5" / 216mm
Display
10.1" / 257 mm (diagonal)
10.11" x 6.9" / 257 x 175 mm (width x height)
Full-color LED-backlit display with touch interface
Connections
(2) RCA output pairs
(2) coaxial digital outputs
(1) 1/8" (3.5 mm) mini TS input (remote start)
(3) USB Type-A ports (for USB drives) (Rear-panel ports supply 900 mA for USB 3.0 devices, 500 mA for USB 2.0 devices. Front panel port supplies 500 mA for USB 2.0 devices only.)
(1) USB Type-B port (for computer connection)
(1) SD card slot
(1) Ethernet link port
(1) IEC power input
(1) 2.5" SATA HD bay
Power
Connection: Locking IEC
Input Voltage: 110-240 VAC, 50/60 Hz
Dimensions (Width x Depth x Height)
319.5mm X 463.3mm X 151.17mm
12.6" x 18.2" x 6"
Weight (Without USB and Power Cable)
15.4 lbs.
7.01 kg
Supported Media
Type:
SD/SDHC card
USB mass-storage devices (flash memory, external HDD enclosures)
2.5" SATA hard drives
File Systems:
exFAT
FAT32 (recommended)
File Formats:
AAC/M4A
AIF/AIFF (44.1-192 kHz, 16-32-bit)
ALAC
FLAC
MP3 (32-320 kbps)
MP4
Ogg Vorbis
WAV (44.1-192 kHz, 16-32-bit)

Notes: *** Update March 2024- Engine DJ 3.4 Performance Software for Hardware (OS) ***

New Features
Bluetooth Audio Input and Keyboard Connection for Supported Devices

Bluetooth Audio Input - Wirelessly play audio from a Bluetooth-capable device on your supported Engine DJ hardware

Assign to any individual hardware channel or main audio output
Assign to layer A or B on the Denon DJ SC6000 and SC6000M
Bluetooth transport controls allow you to play, pause, and track skip using the touch screen or hardware controls when connected to a capable Bluetooth device
Hardware screen displays Track Title, Artist, and track progress when connected to a capable Bluetooth device

Bluetooth Keyboard Support - Search for songs on your Engine DJ hardware more quickly and efficiently
Bluetooth menu option in the Control Center allows you to connect and manage Bluetooth keyboards and audio devices

Additional Bluetooth Compatibility Information

It is recommended that you confirm the Bluetooth connectivity and functionality of your computer, smartphone, or other device before using it in a live situation

Not all Bluetooth devices and audio applications provide support for Bluetooth Transport controls and track information

Track Progress is not updated on Engine OS when it is adjusted using the originating software/app

Engine DJ Preparation Software (Desktop)
Improvements and Fixes

Fixed an issue where sync manager export would take longer if SoundSwitch content is being packed

Fixed an issue where tracks would not pack via drag and drop if there are 2 drives with the same or similar names connected

Various other stability enhancements and improvements

Supplier's notes:
Denon's flagship SC6000 player is an innovative alternative to Pioneer CDJs, featuring dual-layer playback, built-in Wi-Fi and Ableton Link integration. Also available in SC6000M form with motorised platter. Excellent value.

Compatible with the LC6000 PRIME; The LC6000 PRIME gives a dedicated, professional control surface to any of the SC Media Players secondary layers giving you the freedom to be more creative.

Navigate, search and load extensive music libraries plus edit track lists with 'on-board' Crate management. Gesture manipulate large waveforms and scrub through overviews, while visualizing essential DJ workflow info. Also, execute internal analysis of previously unanalyzed music files directly within the SC6000 itself - just 'plug in & play out!'

Exceed any previous DJ performance boundaries. The SC6000 is dual-layer capable, playing two separate tracks simultaneously. Its jog-wheel has an increased 8.5" 'handson' platter surface area for track cue, pitch and scratch manipulation. Add new rubber button, subtly lit and tactile feel trigger pads for more performance & mix creativity

With dual output 24-bit, 96kHz digital audio quality, the SC6000 supports all major compressed and uncompressed music file formats - including FLAC, ALAC and WAV. With built-in WiFi and wired internet connectivity, DJs can now stream music, standalone, from partnered services Beatport, Beatsource, Soundcloud and TIDAL.

Mix and perform two tracks simultaneously from just one SC6000. Each player features two independent analog/digital outputs and a stacked waveform view. Dual-layer playback opens up a new world of creative possibilities for standalone media players.

Open Format, cross-BPM DJing perfection! Artifact free, sonically perfect audio reproduction, for pitch locked, extreme track tempo changes.
With built-in Wi-Fi and an Ethernet Link port for hardwired internet connections, the SC6000 connects you with your favorite music streaming service or personal cloud storage without being tethered to a computer. Log in to your streaming account directly on the unit for instant access to the world's largest music collections. The SC6000 offers a vast array of streaming service options including Beatport/Beatsource Streaming, SoundCloud GO+, and TIDAL, so whatever the genre the SC6000 has you covered. If that's not enough, connect your Dropbox account to access your personal music collection remotely from anywhere in the world.

Nudge pitch, back-cue and scratch with the SC6000's 8.5" platter with selectable tension adjustment. View and customize center display track and logo artwork, changing platter LED ring colors too.

The SC6000's onboard musical key shift and instant match feature enable beautiful harmonic DJ sets to be performed with ease. Create sonic textures with just the touch of a finger.

Trigger Hot-Cues, engage Loop regions, Roll and Slice your beats with 8, responsive rubber performance pads - now with sophisticated design illumination for improved club visibility.

Handle all digital music libraries and enable DJ 'hand-offs with 3 x USB and 1 x SD media inputs. Travel with large terabyte music collections, accessing the SC6000's built-in internal HDD bay. Connect the player to the internet via Wi-Fi or Ethernet and stream music straight away without any physical media.

Tech Specs:
Audio:
Analog Output: 2.0 Vrms (0 dBFS, 1 kHz)
Signal-to-Noise Ratio: 116 dB
Distortion (THD+N): < 0.0015%
Frequency Range: 22-22,000 Hz
Digital Output:
Sampling Rate: 96 kHz
Bit Depth: 24-bit

Platter:
Diameter: 8.5" / 216mm (diameter)
Material: Metal construction with display and touch-capacitive circuitry

Connections:
(2) RCA output pairs
(2) coaxial digital outputs
(1) 1/8" (3.5 mm) mini TS input (remote start)
(3) USB Type-A ports (for USB drives) (Rear-panel ports supply 900 mA for USB 3.0 devices, 500 mA for USB 2.0 devices. Front panel port supplies 500 mA for USB 2.0 devices only.)
(1) USB Type-B port (for computer connection)
(1) SD card slot
(1) Ethernet link port
(1) IEC power input
(1) 2.5" SATA HD bay

Power:
Connection: Locking IEC
Input Voltage: 110-240 VAC, 50/60 Hz

Dimensions (Width x Depth x Height):
319.5mm X 463.3mm X 151.17mm
12.6" x 18.2" x 6"

Weight (Without USB and Power Cable): 12.76 lbs./5.8 kg

Supported Media

Type:
SD/SDHC card
USB mass-storage devices (flash memory, external HDD enclosures):
2.5" SATA hard drives

File Systems:
exFAT
FAT32 (recommended)

File Formats:
AAC/M4A
AIF/AIFF (44.1-192 kHz, 16-32-bit)
ALAC
FLAC
MP3 (32-320 kbps)
MP4
Ogg Vorbis
WAV (44.1-192 kHz, 16-32-bit)

Notes: One of a small selection of vinyl-style DJ controllers on the market, the One features 7-inch turntable-style platters and a scratch-friendly Mag Four crossfader. A great option for scratch DJs and those who prefer the vinyl feel.

Supplier's Notes:
The Rane One Motorized DJ controller takes the high-performance features, reliability and exceptional quality we're trusted for and without compromise, combines them into the ultimate Motorized DJ Controller.

The One continues Rane's reputation for high-end, no-compromise sound quality and creative freedom. The gig-ready One represents the pinnacle in music control for DJs commanding the best in performance and sound.

The One gives DJ's a familiar, performance driven, intuitive layout with everything you need, where you need it. Take control with the multi-function performances pads, aluminum FX paddles, dedicated loop section and mixer controls.

The One features authentic motorized 7" turntable platters for high-performance precision. Experience the traditional vinyl-like touch, with all the creative tools the digital world has to offer. With support for leading DJ software platforms like Serato DJ Pro, Algoriddim's djay Pro AI, and Virtual DJ, the One brings a true turntable experience to the portable arena.

If you like scratching, you're going to love the Mag Four crossfader. Rane's lightest and smoothest fader ever, the Mag Four gives you swift and precise control over your cuts, with a software cut-in adjustment available in Serato DJ Pro.

The One has 8 multi-function performance pads per deck for full creative control. Each deck includes Hot Cue, Pitch 'n Time, Saved Loop, Roll, Sampler, Slicer, as well as Serato DJ Pro's Scratch Bank feature. Everything you need for creative control.

With 6 radio-style stackable FX buttons, instantly activate any combination of software FX with a single press, fine-tune with depth and beat parameter controls, then activate with the independent aluminum paddle controls with latch or momentary positions.

Tech Specs:

Digital Audio:

Converters: Cirrus Logic, 24-bit PCM, 48 kHz
Digital Signal Processing: 32-bit, floating point, double precision
Dynamic Range (A-weighted, unity gain):
ADC: 113 dB
DAC: 113 dB
CD Input to Analog Output: 110 dB
CD Input to USB Output: 113 dB
USB Input to Analog Output: 113 dB

Inputs:
2x XLR / 1/4" (6.35 mm) TRS Combo (Mic 1-2)
1x RCA stereo pair (Aux)
2x RCA stereo pairs (CD/Phono 1-2)

Outputs:
2x XLR (Main)
2x XLR (Booth)
1x RCA stereo pair (Master)
1x 1/4" (6.35 mm) TRS (Headphones)

1x 1/8" (3.5 mm) TRS (Headphones)
Pads: 16x velocity-sensitive multi-color back-lit pads (8 per deck, 5 modes each)
Faders: 1x MAG FOUR tension-adjustable crossfader with independent Contour and Reverse controls, 2x Standard channel faders with shared Contour and Reverse controls

Connections:
2x XLR outputs (Main)
2x XLR outputs (Booth)
1x RCA stereo output pair (Master)
2x XLR / 1/4" (6.35 mm) TRS inputs (Mic 1-2)
2x RCA stereo input pairs (Deck 1-2)
1x RCA stereo input pair (Aux)
1x 1/4" (6.35 mm) TRS output (Headphones)
1x 1/8" (3.5 mm) TRS output (Headphones)
2x USB Type-B ports
1x IEC power cable input

Power
Connection: IEC
Voltage: 100-240V, 50/60 Hz
Consumption: 50 W

Dimensions (wxdxh): 26.5" x 13.6" x 4.9" (674 x 345 x 124.3 mm)
Weight: 23.55 lbs. (10.68 kg)

Notes: Cost-effective all-in-one bundle from Moog: two semi-modular instruments, mixer, cables, accessories and educational materials. Just add speakers or headphones and you're all set.

Supplier notes:
Moog Sound Studio: A complete analog synthesis studio in a box. Everything necessary to start patching today. All you need is a pair of headphones!

Ready to take the next step in your analog synthesis journey? The Moog Sound Studio has you covered. Moog Sound Studio is an all-inclusive bundle of semi-modular synthesizers and accessories created to provide users with all of the equipment, cables, accessories, and educational tools needed to enter the world of analog synthesis for the first time or to continue to explore sound in an immersive new way. All you need is your own headphones or personal speaker and you're ready to get started!

Moog's Mother-32 and DFAM synthesizers are a perfect pairing to anchor any electronic studio. Mother-32 is a versatile performance and production synthesizer with a powerful step sequencer and 64 slots of sequence memory. Its classic Moog synth voice delivers raw analog sound, deep Moog bass, and soaring synth leads, forming an excellent compliment to DFAM's rich analog rhythms and percussive patterns. Equally impressive on their own, these synths become truly magical when combined into a single system. By patching Mother-32 and DFAM together, a symbiotic sonic relationship is formed that unlocks new capabilities and empowers new ideas.

Along with a duo of semi-modular analog synthesizers, each Moog Sound Studio includes a personal stereo summing mixer with 3-way power distribution to provide flexible signal routing and power your entire system conveniently from a single power supply. Also included are a series of guided exercises, exploration games, experimental patch sheets, imaginative studio art, and more to outfit your studio and take your synthesis skills to the next level. And of course, all of the cables and accessories needed to connect everything are included as well!

Moog Sound Studio takes the magical environment and hands-on learning experience of Moog installations found at events around the world and presents them in a way that empowers you to explore synthesis with joy and confidence from the comfort of your own home or studio.

This is an exciting time to be a part of the growing synth community. The Moog Sound Studio is here to provide a meaningful electronic experience that informs, inspires, and nurtures synthesists at any point in the creative journey.

Mother-32
Mother-32 is an intuitive and expandable semi-modular synthesizer that adds raw analog sound, powerful sequencing, and extensive interconnectivity to any creative, electronic, or modular ecosystem. Mother-32 Excels at: Classic analog bass & leads and powerful step-sequencing with pattern memory.


DFAM
DFAM (Drummer From Another Mother) is a semi-modular analog percussion synthesizer that empowers an expressive hands-on approach to percussive pattern creation. DFAM Excels at: Rich electronic drum patches and organic analog sequencing that breathes.

Personal Stereo Summing Mixer and Instrument Cables
This 4-input analog summing mixer (1/4" IN, 1/8" stereo OUT) features selectable mono or stereo configurations for versatile routing options, and the built-in 3-way power distribution hub supplies power throughout your Moog Sound Studio conveniently from a single power supply. The included instrument cables come in lengths and colors to compliment the system and reduce clutter.

2-Tier Rack Kit
Conveniently stack both synthesizers and the summing mixer together as one connected system to maximize studio space and orient instruments vertically for optimal interconnectivity.

Cable Organizer and Custom Patch Cable Set
The included patch cable organizer connects to the two-tier rack or mounts directly to any wall, keeping patch cables neat and orderly for a hassle-free workflow. A custom set of patch cables has been selected in lengths, colors, and quantities to maximize system patchability.

Guided Exercises, Exploration Games, and Experimental Patch Sheets
Learning synthesis doesn't have to be intimidating! Included games and educational materials allow the player to explore at their own pace while enjoying the journey. Developed with artists who know these instruments best, these detailed and fun exercises are designed to accelerate your synthesis experience by exploring new skills to support your ongoing synthesis practice - A perfect jumping-off-point for beginners or source of inspiration for the seasoned pro.

Studio Art
All original artwork, created by Jim Stoten (M32/DFAM) and Philip Lindeman (SUBH/DFAM), has been thoughtfully designed to aid users in the exploration of new imaginative worlds. The characters, poster, and objects that accompany each Moog Sound Studio come together to transform any space into an immersive creative environment.

Notes: A unique approach to FM synthesis in this updated version of Kodamo's ludicrously powerful EssenceFM. Up to 300 voice polyphony, hugely powerful touchscreen editing and stereo effects.

Supplier notes:
The EssenceFM is a powerful and easy to use FM synthesiser, allowing you to explore the endless soundscapes offered by FM synthesis. With a super-responsive touchscreen, assignable knobs and workflow optimized for sound design, creating rich and unique sounds is easier than on any other FM synthesiser.

The EssenceFM engine allows to create ridiculously powerful sounds made of more than 6 operators. That's why it's been given 300 voices of polyphony, you get the easy-to-program 6 op FM synthesis and the ability to layer many voices to create huge, rich-souding instruments.

There are 1800 operators and 4200 envelopes running at the same time, more than you will ever need.

This synth is the result of Kodamo's efforts to create the best user interface to interact with FM synthesis. No endless menus, no weird key combinations, no complex structure to remember. Everything is displayed on screen, every element is editable by pressing on it.It requires some trial and error to find the perfect sound, and that exploration process is fun only when the interface doesn't work against you. The EssenceFM is full of small details that makes workflow better: 1024 undo/redo steps while editing, copy/paste on every element, clear navigation using 4 modes and a breadcrumb, real-time envelope level display on the operators and much more. All that makes for a powerful and enjoyable synthesiser.

What you can do with it:
Create your own FM algorithms by drag and dropping operators on the touch screen. An almost infinite number of configurations is possible
Layer up to 128 voices per patch, each consisting of 6 operators, for incredibly rich sounds
Draw your custom waveforms on the touch screen to use them as oscillators or LFOs
Thicken the sound with the built-in effects
Take advantage of its 16 part/300 voice multi-timbrality to create full songs with it
Use it to make analog-like sounds with the built-in resonant filter
Connect it to your audio recording gear and effect modules in many different ways with the four balanced stereo outputs
Explore FM synthesis in the most convenient way possible with the Undo-Redo buttons, allowing for any action to be undone
Try microtunings, layer splits, round robin, MPE, and many other advanced features.

Package Contents:

EssenceFM synthesizer (MKII version)
Printed user manual
2x 3U 19" rack mount brackets
4x screws
Universal (100-240V) AC adapter
IEC power cable
2x rubber strip

Notes: Waldorf draw on their proud history with a new wavetable synth building on the classic Microwave 1 and modern Microwave II/XT. Serious synth power from this eight-voice monster.

Supplier's Notes:
M's musical heart is an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control).

With M, Waldorf are musically returning to their roots by bringing back classic Microwave and 'modern' Microwave II tone generation as a new-generation classic hybrid wavetable synthesizer with an analogue lowpass 24 dB/Oct VCF - SSI 2144 Improved Ladder Type - with resonance and analogue saturation feature, true stereo analogue VCA with panning option, and much more to explore in a desktop-friendly form factor featuring a wide range of unique sounds. Plentiful presets - totalling 2,048 sound programs (divided into 16 banks, each with 128 sounds) - professionally programmed by world- renowned sound designers also include all of the classic Microwave sound sets, such as MW1 Factory Sound Set, MW1 Soundpool 1-5, the fat-sounding Analogue and Bassco, as well as PPG Wave 2.3 sounds cleverly converted for the original Microwave. Moreover, it also features freshly-programmed sounds utilising M's myriad new features - from true hard Sync (when working in its Modern Microwave II/XT mode) to the ARP (arpeggiator) and MIDI-syncable global LFO (Low Frequency Oscillator).

But beating at M's musical heart as an eight-voice polyphonic, four-part multitimbral WAVETABLE SYNTHESIZER - as boldly blazoned in red across its full-metal blue- coloured casing, itself hinting at its illustrious Microwave heritage - are two wavetable oscillators with independent wavetable-generating Classic Microwave 1 and Modern Microwave II/XT modes, meaning that the wavetable oscillators behave differently in both of those modes (accessible by pressing the Mode button beside the helpful high-resolution graphic display with four endless encoders for yet more hands-on control). Consequently, there is no hard Sync or ring modulation available in the Classic Microwave I mode, where 16-bit wavetables are bit-reduced to 8-bit and a 240 kHz non-anti-aliased sample rate is offered, whereas the Modern Microwave II/XT mode offers a 40 kHz sample rate with band-limited wavetables, although both oscillators - OSC 1 and OSC 2 - offer the same panel parameters.

Two LFOs are generating a periodic waveform with adjustable frequency Rate and Shape that can be used for modulation purposes, are also always at hand. However, unlike other Waldorf synthesizers, there is no modulation matrix in M. Making a conscious design decision to set up M's modulation facilities directly on the corresponding display page, to paying tribute to the 1989-vintage Microwave.

Back in the here and now, M takes performance to a whole new level, thanks to that advanced ARP with 16 preset patterns, chord mode, and an ability to synchronise to MIDI clock. Furthermore, four programmable ENVELOPES allow adventurous users to manipulate sound parameters via rate or timed modulations.

Musically making a connection to the outside world is important to any synthesizer, so M offers six (rear panel-positioned) stereo analogue outputs - arranged as MAIN OUT (L/Mono and R) and AUX OUT (A, B, C, and D), the latter of which can be used to route each of the four Multi (multitimbral) parts to different outputs, if desired; a stereo headphone output (with an associated Volume knob in addition to the topside Master Volume knob); 5-pin MIDI IN, OUT, and THRU DIN connectors, complimented by a USB 2.0 MIDI port (for computer connection to transmit and receive MIDI data); an SD Card slot (for updating M's firmware, importing/saving sound patches, and importing/saving M-specific data, such as user wavetables); and - last but not least - a Kensington compatible security lock slot.

Notes: 2022 production run for ARS's excellent DJ crossover. LE version features adjustable frequency knobs on the front panel for added versatility. Also available as the standard Model 3500 or 3500B with booth volume control.

Supplier's Notes:
Limited modified model

Model 3500LE

3 band crossover

Two variable frequencies controls are installed on the front panel.

ARS Model-3500 is an innovative frequency isolator with adjustable crossover frequency control.

Users can adjust the crossover point to choose which frequency ranges of "LOW", "MID" and "HIGH" should be emphasized for their preferences and music genres.

Maximum Boost 18dB provides the users to be well aware of changes and is good for protection of speaker systems.

Volume curve is designed with insistence on quick attack and sharp response.

Its simplified design minimizing all possible sound degradation.

ARS MODEL-3500 provides superior controls for DJs to react to each different scenarios, giving more characteristics to their performance.

* HI/MID/LOW frequencies are completely separated giving each independent level controls.

Each band frequencies can be controlled the range of +18db to -infinity.

* Two variable frequencies controls are installed on the Front panel.

One is for adjusting the LOW/MID crossover point, the other is for the MID/HI crossover point.

Due to the feature of being able to set the midrange frequencies narrow or widen, the MODEL 3500 can be functional any musical genres.

* For the input sources, either RCA unbalanced jacks or XLR balanced jacks (2HOT) can be connected.

* For the output sources, both RCA unbalanced jacks and XLR balanced jacks can be connected simultaneously since both jacks has independent output circuits.

* Knobs have brims on the center point to easily identified the center with a little light in the clubs.

* 100 mm width intervals between knobs give smooth operation to improve DJ performance

* No power switch avoiding accidentally turning power off while playing.

* Minimizing the power noise by designing the main circuit board and the power circuit board independently and setting them apart.

Bypass:
Frequency Response: +-1dB 20Hz-20Khz
Input: RCA Unbalanced Impedance 20K Ohm/ XLR Balanced Impedance 40K Ohm

Output:
RCA Unbalanced Impedance: 600 Ohm / XLR Balanced Impedance 50 Ohm
Maximum Output Level: +20 dB
Crossover Type: Low Mid Hi 3 Band 18dB Octave / Crosspoint: Variable, Low Mid: 50Hz-500Hz / Mid Hi: 1KHz-10Khz
Crossover/Bypass Switch: Selector switch on the right of the front panel(*Silver front panel color type doesn't have this feature)
Power Requirement: (2 Types) US-115V/EU-230V(Selectable) JP-100V 50/60Hz
Power Consumption: 10w
Dimensions: Front Panel 1U (W)482x(H)44x(D)195mm
Front Panel Colour: Black

Notes: PULSAR-23 is an organismic drum machine designed by Vlad Kreimer. It has a semi-modular structure and consists of 23 independent modules. PULSAR can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage and powerful analog FX processor.

The PULSAR functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination.

Additionally, PULSAR offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations. PULSAR continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.

PULSAR available in orange, black and white colours.

Please note that Pulsar is an experimental analog synth that means that it has some small noise and bleeds that can't affect your studio production or live performance but can be hearable in some modes. If you need a perfect silence and isolation of sound modules, using digital hardware is 100% recommended.

Specs

Range of input and output CV and audio signals: 0 to + 10V
Main output voltage swing: 2V
1/4 inch jack: 7 total
Mini-jack (for Eurorack connection): 8 total
MIDI input: standard DIN socket
Headphone output: 3.5 mm mini-jack
Supply voltage: 12 volts (plus in the center)
Consumption current: 0.3 amperes
Weight: 4 kg
Dimensions: 380 x 280 x 80 mm

What's in the box:

PULSAR-23
PSU
22 multi-colour cables with alligator clips 65cm
8 multi-colour cables with alligator clips 30cm
High-quality handmade bag for transportation

Notes: Blue version of Soma's weird and wonderful 'organismic' semi-modular synth. Ideal for drum and percussion synthesis but also suitable for melodic sounds, FX and more. Unique.

Supplier's Notes:
Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.

Notes: The top dog of the Hydrasynth range, featuring a dual synth engine offering 16 voices (double the standard model) and a larger six-octave keyboard. Serious synth power with great wavetable sound.

*** New 2.0 Firmware update for all Hydrasynth models - March 2023 ***

This is a free of charge update for all current and new users of Hydrasynth. The biggest news in this update includes:
Expanded memory to 8 banks (Keyboard, Desktop, and Explorer only)
NEW modulation source: VOICE MODULATOR
OSC Bit reducer
LFO quantizer
ENV quantizer
LFO Step Advance
Global FX bypass
Increased Vibrato resolution
New Sustain pedal options including Sostenuto
More LED options
Glissando in glide options
Arp Range goes to 6 octaves
Arp Step Offset parameter
More Rand/Init shortcuts (all STEP LFO steps, Wavescan waves, Voice mod offsets)
Local On/Off saved
......And more!
This is the first major update to the Hydrasynth family in a little, which adds a tonne of new features.


Supplier's Notes:
The ASM Hydrasynth Deluxe is the new flagship Hydrasynth. Offering a dual-engine setup with a total of 16 voices plus an all new 73-note keybed featuring ASM's much sought after PolyTouchr polyphonic aftertouch functionality, clearly in a class of its own. With essentially two Hydrasynths in one instrument, KeySplit and Dual voice mode patches with 8 independent voices each are possible. You also have separate balanced stereo audio outputs for each of the two parts. The easily accessible 4 octave ribbon controller adds for truly expressive playing. The Hydrasynth Deluxe of course offers CV/GATE I/O for interfacing to modular and other voltage controlled synths. There's a ton of potential for sound creation, using ASM's WaveScan oscillators together with the Mutator waveshaping section and user configurable filters. A plethora of LFO's and Envelope's plus Insert and Master Effects makes this a dream sound creation tool and quite possibly the ultimate synthesizer and controller combo for your rig.

Tech Specs

Type: Polyphonic Wave Morphing Synthesizer
Sound Engine Type(s): Wavescan
Analog/Digital: Digital
Number of Keys: 73
Type of Keys: ASM POLYTOUCH Polyphonic Aftertouch Keyboard, On/Off Velocity-sensitive
Other Controllers: Ribbon Controller, Pitch Bend, Mod Wheel
Polyphony: 16 voices (Full/Layer/Split)
Number of Presets: 1024 Single Programs, 1280 Programs in Multi (Upper/Lower)
Number of Multis: 640 Programs
Oscillators: 3 x Wavescan oscillators (219 Waveforms), 4 x Mutator wave shapers (8 Types), Noise (7 Types)
Mutators: 8 Types (FM-Lin, WaveStack, PW-Orig, PW-Squeeze, PW-ASM, Harmonic Sweep, Hard Sync, PhazDiff)
Noise: 7 Types (White, Pink, Brown, Red, Blue, Violet, Grey)
LFO: 5 per Voice (Sine, Triangle, Saw Up, Saw Down, Square, Pulse27%, Pulse13%, S&H, Noise, Random, Step), Tempo syncable, Semitone Lock
Envelopes: 5 per voice, Tempo syncable, Variable trigger sources
Filter Types: 1 Multimode Filter (16 types) and 1 Variable LP-BP/Notch-HP filter, series or parallel routing
Filters: Filter 1 (LP Ldr12, LP Ldr24, LP Fat12, LP Fat24, LP Gate, LP MS20, HP MS20, LP 3-Ler, BP 3-Ler, HP 3-Ler, LP Stn12, BP Stn12, HP Stn12, LP 1 Pole, LP 8 Pole, Vowel), Filter 2 (LP-BP-HP, LP-Notch-HP)
Effects: 9 Insert Effects, 5 Delays, 4 Reverbs
Effects Types: Chorus, Flanger, Rotary, Phaser, Lo-Fi, Tremolo, EQ, Compressor, Distortion, Delay, Reverb
Arpeggiator: 8 types (Up, Down, Up&Down, Up/Down, Order, Random, Chord, Phrase)
Other: Mod Matrix (32 slots), Macro Controllers (8), Favorites (32), Randomizer (Patch and Module), MPE Compatibility, Warm Mode, Microtuning
Audio Outputs: 4 x 1/4" Balanced (L/Mono Upper, R Upper, L Lower, R Lower)
Headphones: 1 x 1/4", 1 x 1/8", Separate volume control
USB: 1 x Type B
MIDI I/O: In/Out/Thru
Pedal Inputs: 2 x 1/4" (expression, sustain)
Other I/O: 2 x 1/8" Inputs (Mod 1, Mod2), 5 x 1/8" Outputs (CV, Gate, Mod1, Mod2, Clock)
Power Supply: 12V DC switchable power supply
Additional: Utility shelf
Height: 3.62" / 9.2cm
Width: 44.45" / 112.9cm
Depth: 13.62" / 34.6cm
Weight: 29.33lbs / 13.3kg
MPN: HSLX

Notes: A true powerhouse of a synth, packaging the Quantum synth engine into a more manageable four-octave design. Five synthesis modes, powerful stereo filters, performance features and outstanding playability.

Supplier's Notes:
Waldorf Iridium has made the impossible possible. The mighty synth engine from Quantum is now available in a compact form. Tracing the footsteps of its bigger brother, Iridium features all the synthesis elements of Quantum as well in a rack-compatible format. The combination of the powerful engine, incredible flexibility and detailed sound shaping facilities creates sheer endless possibilities of sound. Yet, the comprehensive layout and easy-to-understand structure lets you design your own sounds in no time. Sporting a solid metal casing and the same high level of craftsmanship like Quantum, Iridium is now ready to take over studios and stages throughout the world.

Contributing another entry in Waldorf's rich history, Iridium joins the family as a direct descendant of the PPG Wave. Though, Iridium offers much more than its ancestor. Five different synthesis models are provided by Iridium for each of the three oscillators:

Wavetable
Waveform (Virtual Analog)
Particle (Sampling and Granular Sampling)
Resonator
Kernels

Kernel mode has been introduced with the OS 2.0 of Quantum. This huge upgrade allows one oscillator to be turned into up to six sub oscillators. These can be interlinked through FM at audio rate and arranged in user-definable constellations. Just this upgrade alone would have provided enough additional features to create a synthesizer on its own. Now, all those functions have been integrated into Iridium as well.

Up to 7000 patches can be saved in Iridium. Patches from Quantum can be loaded in Iridium and vice-versa.

Iridium features three digital filters per voice. Two in the Dual Filter section and another one in the Digital Former. Several types are available to choose from:
12 or 24dB and Lowpass/Highpass/Bandpass with optional saturation or dirtiness.
Various filter models are available including those from Waldorf Nave, Largo and PPG 3V.
The Dual Filter section can be controlled independently or together in several different link modes.

The Digital Former offers all the filter types and models from the Dual Filter plus unusual models like Comb, Drive, Bitcrusher and more in addition.

All filters retain a true stereo signal throughout the entire structure of the instrument.

Specifications
16-voice polyphony, duo-timbral
Compatible with the Waldorf Quantum synth engine

3 Oscillators
Oscillator Modes:
Wavetable
Waveform (VA)
Particle (Sampling and Granular Sampling)
Resonator
Kernels (up to 6 sub-oscillators which can be interlinked through FM at audio rate)

3 Stereo Filters per voice
True stereo path
Dual Digital Filter:
Two filters with independable modes
12/24dB LP/HP/BP in all combinations
Nave, Largo, PPG, Quantum and StateVariable models
Digital Former:
Filter models from Waldorf Nave, Largo and PPG in HP/LP/BP/Notch
Comb filter
Bitcrusher
Drive
RingMod
StateVariable mode
Analyzer displayed in Filter view
Filter curve moves when modulated (optional)
Sophisticated filter routing options with modulatable panning and levels

Modulators:
6 Envelopes
6 LFOs
Komplex Modulator (LFO/Envelope combination with user-definable shape)

Mod Matrix:
40 slots
Fast assign mode
One additional control amount per slot
Identical Sources and Destinations can be used multiple times until the matrix is full

Pads:
4x4 silicon pad matrix with RGB backlights
Pads can play notes, chords, arpeggios and sequences
Latch mode

Performance features:
Arpeggiator
Step sequencer with up to 32 steps for notes and parameters
Favourites screen for quick patch recall
Onscreen Mod Wheel, Pitch Bend and Aftertouch

Screen:
Industrial-grade highly responsive touch screen

Patches:
Over 1000 factory sounds
Capacity of 7000 patch memory slots (numbers 0000-9999 can be used)
Patches from Quantum can be loaded and vice-versa
Category filter for patch list
2GB user sample flash memory

Connections:
2x TS output
2x TS input
Headphones output with Gain control
DIN MIDI In/Out/Thru
USB MIDI
USB host for storage and MIDI devices
MicroSD slot
Kensingtonr lock

CV connections:
4 CV inputs plus Gate In, Trigger In, Clock In, Clock Out
Inputs can be used as modulation sources in the Mod Matrix

Overall:
Sturdy metal case with aluminium knobs

Dimensions: 440mm wide by 305mm depth by 85mm height (including controls)
Weight: 5.4kg
19" rack assembly parts available

Notes: Broadcast-ready update of ARS's flagship audiophile rotary mixer. Small design changes mean even better sound quality and improved cueing. Still hand built in Japan to the highest standards.

Supplier's Notes:
Model 9100B Music Mixer

4 channel table top mixer

Model 9100B (broadcast mixer) Music Mixer Wood TYPE (Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS Model 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship- highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-EQ hi-EQ mid-EQ low-iso on each channel and 3band Iso on the master.

The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-EQ mid-EQ can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specifications
Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
Front Panel Colour: Black

Notes: Upgraded to broadcast-ready specification for 2022, ARS's flagship Model 9100 is a thing of beauty. True hand-built Japanese audiophile quality, available here with wooden end cheeks.

Supplier's Notes:
Model 9100B Music Mixer

4 channel table top mixer

Model 9100B (broadcast mixer) Music Mixer Wood TYPE (Headphone Monitor Trim: Cue-Mix-Pgm special version)

ARS Model 9100B DJ Mixer is a Japanese made, 4ch. rotary mixer with world's first 3band hybrid isoeq Hi-EQ Mid-EQ Low -Iso on each channel.

This 4 channel High Quality Rotary DJ Mixer has a 3 band Isolator on the master. Potentiometer and Switch are All ALPS .

A long time in the development phase this mixer is a beautiful example of Japanese hand made precision workmanship- highly recommended.

It is designed with purist ideals with only essential features.

ARS 9100 has 3 band hybrid iso-EQ hi-EQ mid-EQ low-iso on each channel and 3band Iso on the master
.
The Master Isolators can be boost of cut from +18db ~ -8.

The Ch hi-EQ mid-EQ can boost or cut from +12db ~ -12db. LOW-ISO boost of cut from +6db ~ -8.

Each channel has Post Fader Send. also Return and Effect Loop.

* Due to the Model-9100 is designed for a professional use, The body is no power switch to avoid accidentally power off while playing.

* Minimizing the power noise by designing the All circuit board and the power circuit board independently and setting them apart.

Specifications

Frequency Response: +-1dB 20Hz-20Khz
Input: 3 x Phono: 47K Ohm / 5 x Line: 20K Ohm
House Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Booth Output:RCA Unbalanced Impedance 600 Ohm/ XLR Balanced Impedance 50 Ohm
Effect Loop: RCA Unbalanced Impedance 20K Ohm
Effect Loop Output: RCA Unbalanced Impedance 600 Ohm
Send Output: RCA Unbalanced Impedance 600 Ohm
Retrun: RCA Unbalanced Impedance 20K Ohm
Isolator Frequency Response:
3band hybrid isoeq 1-4Ch /Low-ISO /MID-EQ/HI-EQ
Master 3Band Iso: 10 - 300 Hz / 300 - 3000 Hz / 3000 - 20000Hz boost of cut from +18db ~ -8.

Headphone Monitor Trim: Cue-Mix-Pgm
Power Consumption: 25w
Power Requirement: US-115V/EU-230V(Selectable)
Dimensions: (W)306 x (H)250 x (D)100 mm
Front Panel Colour: Black

Notes: An absolute powerhouse of a synth with 16-voice polyphony, stereo architecture and a four-part multitimbral digital sound engine. Built-in sequencers, sample playback and effects make it a true all-rounder.

Supplier's Notes:
MD900 is a polyphonic desktop synthesizer, multitimbral with 4 parts. A polyphony of up to 16 voices are shared by the 4 multi-timbral parts. All of these 4 parts have their own effect stack [Mod-Delay (flanger, chorus, vibrato), Reverb, Tube-AMP, EQ, LP-Filter, DYNAMIC (Limiter) , Stereo Delay ...].

The overall audio path is stereo. Rationally, the oscillator, mixer filter, amps and effects are all in stereo.

Four independent arpeggiator und step sequenzer assigned to each of the four synth parts. The trigger sequencer may trigger the built in transient sample player (Drum Kit .wav) or send triggers to MIDI-Out (USB-DIN or USB-MIDI)

The housing is made of aluminum with real walnut wood on the front and back.

All components are industrial grade. On the operator panel we use precision potentiometer with aluminum covered knobs.

For some parameter entries we use endless encoder without rest.

This kind of encoders feels like a potentiometer.

All of this feels very valuable and it feels great to work with.

The MD900 XVA engine is patch compatible with the M800-R2 synthesizer.

Overview Firmware OS:

The XVA-Sound Engine of the MD900 runs on top of a Linux OS with real time extensions. The overall boot time is < 30 sec.

All contents like Wavetable-, Sample-files, preset and sub-preset files are stored on the internal filesystem.

The filesystem is accessible over ethernet (USB-Lan Adapter).

Managing presets, samples, wavetables configurations & updates are possible and easy to handle.

Operation Panel:

The operation panel gives you real time control to the major voice parameters with a dedicated knob. All parameters are accessible via touch-display and the endless rotary encoders. The part (timbre) has to be selected to alter the parameter on the dependent timbre.

The module specific info display gives the necessary detailed feedback on the parameter changes.

Specifications

Dimensions: 460mm x 295mm x 65mm
Power: External 15V DC power brick 50W
Audio In : 6.3mm stereo jack
Audio Out: Left 6.3mm mono jack, right/left 6.3mm stereo jack
Headphone: 6.3mm stereo jack
MIDI DIN: 1x Midi Input, 1x Midi Output, 1x Midi through
USB 2.0: 2x Hot connect for USB/Ethernet, USB-Midi Host
Pedal SW: 1x Pedal switch input 6.3mm jack
Volume pedal: 1x Standard expression pedal
TFT Display: 5" 800x 480 Colour (24bit) capacitive touch display.
Frontpanel: 37x Potentiometer, 12x linear slider, 12x endless encoder, 30x switches, 42x Leds

Notes: Inspired by the early 80s Synton Syrinx, the SER-2020 is a semi-modular monster, featuring an excellent formant filter section, unique Touch 'N Bend Control and MPE-compatible MIDI interface.

Supplier's Notes:
The SER-2020 is a monophonic semi-modular analog synthesizer with an formant filter section, designed to use as standalone synthesizer or in combination with Eurorack modules. Inspired by the Synton Syrinx *(1) added the flexibility of an MS-20. Its filter design features a combination of a 24dB/octave VC Low Pass Filter, and two independent Resonant VC Peak Filters for precise and dynamic sound shaping. The sound is ranging from solid bass sounds to articulated formant effects. Other features on the SER-2020 are the Touch 'N Bend Control together with the MPE (MIDI Polyphonic Expression) capabilities makes the SER-2020 a special instrument which response to its player. The flexible routing makes the SER-2020 a versatile machine for sound effects.

Key Specifications:
2 VCO's (CEM3340 based)
1 Sub-Oscillator
Ring Modulator
Noise Generator
Audio Mixer
Multi-Mode Sync & Sync D-Tune
3 VCF's (CEM3350 based)
2 ADSR's
2 LFO's with Reset & Shaper Modes
Auto-Glide
Multiple Triggering
Touch 'N Bend Pad
Bend Assign
Sample and Hold
Semi Modular Setup - CV inputs and outputs
Signal and Headphone output.
MIDI interface
USB MIDI interface
MPE compatible - Sensitive for; Strike (note-on velocity), Press (aftertouch), Glide (pitch bend), Slide (brightness) and Lift (note-of velocity).

The SER-2020 consist of two VCO's and one sub-oscillator, driven by VCO 1. Both VCO's deliver a triangle, sawtooth, square wave and pulse signal, which can be selected. A rich spectrum can be obtained with Pulse Width Modulation of VCO 1 and VCO 2. The LFO 1 and 2 signals can be feed to the pulse width modulation section introducing phase shift effects and Doppler frequency shifts. Since the both VCO's have a separate LFO for PWM, chorus-like effects can be obtained by controlling both pulses with different LFO speeds. VCO 2 can be synchronized to VCO 1 in different modes. Synchronization is applied when two or more VCO's have to produce exactly the same pitches, without phase shift or beat effects. When VCO 2 is detuned from VCO 1 another effect occurs, which will result in quite dramatic tone colors.
Each VCO has an individual output, also the noise generator and sub-oscillator has individual outputs.

The most important sections of this synthesizer is the filter. The SER-2020 features a very extensive filtering system, which consists of the standard 24 dB/octave low pass filter and two independent band pass filters, which together form the Voltage Controlled Formant filter.
Both band pass filters have a frequency control and a resonance control for setting the selective amplification in the pass band. The bandpass filters are equipped with a control voltage mixer for LFO, ADSR and key range voltages. The LFO control can be used for the external modulation input.
The low pass filter is an standard 24 dB/octave roll-off. It has a frequency control and a modulated CV mixer from several sources like LFO, ADSR and the key range. The LFO control can be used for the external modulation input. Also the resonance of the low pass filter can be controlled.

The SER-2020 has two ADSR generators, of which one is used to control the internal VCA, and the other one to control the filter section. The control signal can be inverted by means of the ADSR controls in the filter section, so that the filters can be swept in opposite directions.
ADSR 1 and 2 have a positive and negative (inverted) direct output available on the patch panel.

The SER-2020 has two independent Low Frequency Oscillators (LFO's) of which the rate can be controlled, and for LFO 2 also the wave shape.

LFO 1 generates a triangle wave which exclusively is routed to the pulse width modulation control input of VCO2. LFO 1 also generates a square wave and a pulse wave. The square wave is available as direct output on the patch panel. The pulse wave of LFO 1 is internally routed to the sample and hold generator as clock source.

LFO 2 is more versatile and can be used for the modulation of the VCO's and the filters. Moreover LFO 2 can be used as a one shot generator which means that a signal is generated much alike an Attack/Release generated function. Except for the LFO 2 rate control with the preset knob, it also can be controlled dynamically with the pad.

Several sections in the synthesizer can be controlled with the bend pad, by pressing it with the left hand index and middle finger. The pressure sensitivity for the VCO, VCF and VCA can be adjusted. The touch 'N bend pad also reacts on the MIDI modulation control and the MIDI brightness (CC#74) control for MPE compatibility.
Also the speed of the rise/decay mode of the LFO 2 is possible. Pressing the UP pad will result in a shorter cycle, and pressing the DN pad in a longer cycle.

Notes: *** Introducing MPC Stems- March 2024 ***

Akai Professional now introduces the next chapter of sampling innovation and production powered by the groundbreaking MPC Stems bringing sampling into a new chapter.

With MPC Stems, you can access the raw building blocks of any sample or vinyl record, isolating the DNA of any record. Producers can now manipulate the Drums, Bass, Music, and Vocals, opening new creative possibilities.

Akai Professional introduces the ultimate creative workflow with Stems Separation seamlessly integrated into the leading MPC series, powered by MPC 2 Desktop Software.

With MPC Stems, producers and beat-makers can now unlock unmatched sampling creativity by easily isolating drums, bass, music, and vocals from any audio, vinyl recording, or sample revolutionizing the art of sampling.
Experience lightning-fast workflow with superior sound quality, keeping you inspired throughout the creative process.

Slice and isolate samples while maintaining chop regions across each of the four stem layers.

Take complete control with direct manipulation of stem layers from the pads, adjusting volume, pitch, pan, start, and end points with instant responsiveness.

MPC Stems requires MPC 2 Desktop Software running 2.14 or higher, compatible with MPC Live, MPC Live 2, MPC One, MPC One +, MPC X, MPC XSE, MPC Key 37, MPC Key 61, MPC Studio Mk 2 in Controller Mode.


The Power of Sound

Introducing the Akai Professional MPC Key 61, the revolutionary new standalone production synthesizer keyboard powering the next chapter of the MPC legacy. Building on the history of powerful sequencing and revolutionary sampling, MPC Key 61 adds the most advanced next-generation virtual instruments and effects to MPC, adding to its arsenal of industry-leading music production tools. And now, with the addition of a 61-key semi-weighted keybed with aftertouch, the MPC experience ascends to an unprecedented level of creative interaction and expression, delivering the world's most powerful and complete standalone workflow.

Breaking Sound Barriers

Inside MPC Key 61, experience a new dimension of sound like never before. Powered by 25 plugin instrument engines at your fingertips, and with over 6000 cutting-edge presets, MPC Key 61 delivers the most modern-day sound pallet ever programmed in a production synthesizer. Each plugin instrument features advanced synthesis, deep parameter editing, and modern effects developed for a truly inspiring musical experience-all designed with a fast and vibrant touch interface for an intuitive and compelling workflow. Immerse yourself in a world of sound.

Keys to Expression

The MPC Key 61 features an incredibly expressive and playable semi-weighted keybed with aftertouch to drive its world-class sounds with dynamic responsive control. With players and producers in mind, technology and artisanship were combined to breathe inspiration into every performance. The MPC Key 61's keybed is designed to deliver the highest performance experience possible connecting the dots between sound and feel. The 16-velocity sensitive RGB pads on MPC Key 61 are the same award-winning pads as the MPC One. In addition to the iconic MPC pads are the renowned Time Correct, Swing, and Quantize features of MPC that continue to endure as mainstays of modern music production.

Plugin to a World of Effects

MPC Key 61 includes over 100 state-of-the-art effects ready to load across your music productions for mixing and mastering. Insert lush and spacious Reverb & Delay effects to your tracks, add bounce and punch to your drums and mix using modern or vintage style compressors and limiters. Experience plugin FX like never before only inside MPC Key 61. MPC Key 61 is the world's first production synthesizer incorporating modern day vocal FX plugins which can also be used for the most creative sound design.

Touch Strip and Hands-on Control

The onboard assignable Touch Strip Controller is a catalyst for new ways to control, create and interact with your own signature sounds. Dedicated Pitch Bend and Modulation Wheels mean an added touch of expression to elevate your compositions. Bend the notes of your synth and lead sounds in Fabric XL, add gentle vibrato to your stringed instruments in Session Strings, or dial in the speed of the Organ's rotary Leslie cabinet and hear your parts swell with a wide chorused tremolo.

Specifications

Keys: 61 semi-weighted, full-size keys with aftertouch

Pads: (16) velocity- and pressure-sensitive pads, RGB-backlit, (8) banks accessible via Pad Bank buttons

Knobs + Performance Controls: (4) 360- touch-sensitive Q-Link knobs for parameter adjustment, (1) Touch Strip multi-function 5.5" (140 mm) touch-capacitive controller with LED indicators 360- encoder for display navigation and selection via push, (2) Pitch Bend and Mod Wheel, (3) 270- knobs for gain, mix & level adjustment

Buttons: (44) dedicated-function buttons

Display: 6.9" / 176 mm (diagonal), 5.9" x 3.7" / 150 x 93 mm (width x height), Full-colour LED-backlit display with touch interface

Memory: RAM 4 GB, Storage 32 GB (user storage, 13 GB pre-installed content), 4 GB (MPC operating system), 15+ GB free-space for user storage expandable via SATA connections

Power: Via IEC (Included), Auto Switching Internal Power Supply (100-240v)

Connections: (2) XLR+1/4" (6.35 mm) TRS inputs (Input 1/2) (w/ XLR Mic Preamps), (4) 1/4" (6.35 mm) TRS outputs (2 stereo pairs), 1/4" (6.35 mm) stereo headphone output, (1) 5-pin MIDI input, (1) 5-pin MIDI output, (1) 5-pin MIDI thru, (8) 1/8" (3.5 mm) CV/Gate outputs, Ethernet Network port, USB Type-A ports, (1) USB Type-B port

Other Controls: (2) Line | Instrument switches +48v Phantom Power switch 1/4" (6.35 mm) TRS Footswitch jacks (Sustain + FS2) (Variable and switch compatible) 1/4" (6.35 mm) TRS Expression Pedal input

Notes: A tiny powerhouse of a mixer and audio interface. High-end electronics crammed into a compact, battery-powered format, featuring six stereo inputs, MIDI and Bluetooth support.

Supplier's Notes:
Ultra-portable pro-mixer and audio interface

TX-6 is an ultra-portable, battery-powered mixer and multi-channel audio interface. Comparable to larger units, but with even more tech packed into one sturdy little machine.

Mix 6 stereo input channels, use tempo sync, discover the internal synthesizer and sequencer or use the built-in tuner. MFi compatibility even lets you connect to your ios devices.

The smallest of its kind.

Tx-6 features a 6 channel stereo mixer with a configurable knob layout. Choose to have the three-band EQ at your fingertips, or customize each knob to control whichever setting you prefer. With more than meets the eye, TX-6 is packed full of features and connectivity options.

Battery powered

The rechargeable battery holds for about 8 hours. For energy efficiency, the display automatically goes to sleep when not in use, and led strength is completely adjustable.

Synthesizer & sequencer

TX-6 also functions as a portable synthesizer and sequencer with 4 oscillator waveforms and 4 synthesized drum sounds. Use tempo sync to stay on the beat.

8 built-in effects

Explore send effects like reverb, chorus and delay, and creative effects freeze, tape, filter, and distortion. Each channel has a three-band EQ and adjustable compressor.

Quality and engineering

TX-6 is a sturdy little machine. Encased in CNC aluminium with 2k moulding, custom-made encoders and faders, and custom PCB - engineered for portability.

Wireless connectivity

With BLE, you can use TX-6 as a wireless controller for other BLE MIDI devices or trigger and sync the internal synth and sequencer from other sources.

Super slimline cables

High quality, slimline cables custom-made for tx-6. The narrow profile allows you to use all 6 channels at once and makes for an easy pack down.

Customizable interface

When you're ready for the studio, use tx-6 as a 12 channel audio interface and connect to any daw over USB-C. MFi also allows you to connect to ios devices.

DJ mode

Turn TX-6 on its side and use it as a DJ mixer. Turn channel 1 into a fader to crossfade between the channel 5 and 6 so you can fade or cut between the two.

6.35 + 3.5 mm output

Connect your audio output through 3.5 mm mini jack or use the included and removable 6.35 mm jack to 3.5 mm mini jack adapter.

Field bags

Designed to fit TX-6 field mixer and constructed in heavy duty fabric and hardware, field bags are designed for durability, ready to be used out in the field.

Multitrack elegance.

The first portable pro-mixer that can be used as a multi-functional 32-bit 48khz audio interface that has an instrument tuner, built-in digital FX, synthesizer and drum machine.

Connect to your daw for 12 channel multitrack recordings. Use the internal synth and sequencer, or control them via external midi device. With MFi you can even connect to your ios device.inputs and outputs.

Specifications

Inputs and outputs.

32-bit/48kHz USB interface
3.5 mm mini jack to 6.3 mm jack
Headset mic input
Aux output
Connect to iPhoner, lightning cable
Stereo or mono for each input

Dimensions and weight

90 mm (102 mm with adapter) x 62 mm x 23 mm
160 g / 5.6 oz

Electrical characteristics
Audio inputs:
Impedance: 10 kOhm
Analog gain: 0 - 42 dB
Max level 8 dBu, 2 Vrms
TLV320ADC3140 burr-brown
SNR ~ 102 dBA
Audio output (main and aux):max level 8 dBu, 2 Vrms
Cirrus Logic Master Hifi CS43131
SNR > 120 dBA
Audio output (cue):max level 2 dBu, 1 Vrms
Cirrus logic CS47L35SNR > 110 dBA
Handling
Ambient working temperature: 0-50-C (32-122-F)
Ambient storage temperature: 0-30-C (32-86-F)

Clean the shell of the unit with a microfibre cloth. Use pressurized air to remove dust from the faders.

To keep the battery healthy, the unit should be charged at least every 6 months. If not used for a long time, it may not charge again.

Notes: This is a special one. Seven-voice, four-part multitimbral analogue goodness from this boutique Argentinian brand. Stunning sound and depth, combining vintage fatness with contemporary precision.

Supplier's Notes:
The GS e7 is a subtractive synthesis polyphonic analogue synthesizer. The sound generation is carried out in a total analogue way. Each voice has two voltage controlled oscillators (VCO), a noise source, a mixer, a voltage controlled filter (VCF) and a voltage controlled amplifier (VCA). The control signals are digitally generated by a microcontroller, which is capable of processing three low frequency oscillators (LFO) and two envelopes (EG) of the ADSR type. In addition, it incorporates an effects processor with chorus and delay.

The GS e7 interface was designed to be simple and intuitive.

It also has MIDI connections, USB, balanced stereo audio outputs, headphone output and CV inputs.

*** Please note: This synthesiser comes with a US type A mains lead with UK plug adapter. ***

Specs

Polyphony: 7
Multitimbral: 4 parts
Oscillators: 2 voltage controlled analog oscillators (VCO) with sub-oscillators. Hard sync.
Oscillator Waveforms: Triangular, Saw-Tri, Sawtooth, Pulse with PWM. It is possible to mix the pulse with the other waveforms.
Filter (VCF): 24dB / Oct low pass filter (4 poles) with resonance control.
Envelopes: 2 (Attack, Decay, Sustain, Release), Velocity to Attack
LFO: 3
LFO waveforms: Triangular, Ascending ramp, Descending ramp, Square, Sample and Hold
Effects: Chorus, Delay
Presets: 512 programmes, 128 multi
Conennections: MIDI IN, MIDI OUT, MIDI Thru, USB, Pitch CV, Cutoff CV, Gain CV, Ext input, Audio Out (L/Mono, R, 1/4" TRS balanced), Headphones
Power supply: DC 12V 3A
Dimensions: 520mm x 190mm x 108mm
Dimensions (with packaging): 620mm x 290mm x 230mm
Weight: 4.6 kg (estimated)

Notes: Updated version of the ground-breaking synth, sampler and sequencer. Better than ever, with legendary sound quality and portability.

Supplier's Notes:
The beauty of evolution.

Louder, thinner and 100 times better.

Introducing the all new OP-1 field. Injected with more than a decade of ideas, refinements and improvements. Just to mention a few: stereo throughout the whole signal chain, Bluetooth MIDI, USB type-C, a new speaker system with a passive driver for detailed, fat and loud sound, a massive 24 hour battery life, multiple tapes and recording formats, new great sounding reverb and the 'dimension' synth engine, an all glass, flush, high resolution display. The graphics have also been meticulously reworked, screen by screen.

Reworked, refined, reborn.

Think of OP-1 field as the natural continuation of its predecessor. Updated with the latest technology, improved design and finely tuned with professional musicians, recording artists and sound designers in mind. Higher quality in all aspects, from its circuitry to connectivity and flexibility, it's tailor made for professionals in the field.

The new stereo sample engine is just one of the features that takes the OP-1 field to a higher level. With increased sampling time up to 20 seconds and dual layer mode for instant mixing of the a and b channels or via an assigned LFO.

Four new recording formats: Studio 4-track, vintage 4-track, porta and disc mini.
All with their own unique characteristics and graphics. Now with multiple tapes or discs, up to 8 in total.

If it feels thinner, it is.

By lowering the aluminium body around the keyboard, the new OP-1 field feels lighter, thinner and more precise. with 2k moulding Teenage Engineering have also managed to fit a dual 2.4 GHz antenna system inside the aluminium body.

The back is warm, velcro and bass.

Two soft velcro rings have been added on the back for fastening covers and accessories. Perhaps you want to stick your op-1 field on top of your full size keyboard, or slap it on a guitar? Use the included adhesive looped back and start experimenting. On the right you'll find an additional passive loudspeaker for hugely improved bass. And for a 'no-more-cold-metal-on-your-lap' experience, the aluminium body has been folded in a warm, soft touch, hard cover.

The first accessory out using the velcro rings is the Bill Amberg leather wrap that attaches to the back and wraps around the op-1 field and locks around the encoders.

Dimensions: 28.8 cm x 10.2 cm x 2.9 cm

Notes: ***B-STOCK: Box opened, internal packaging damaged but product in perfect working order***


Four-deck version of Denon's standalone controller, based on the Engine DJ OS, featuring WiFi streaming and Serato support. Built-in speakers allow quick and easy monitoring for live streaming or practice sessions.

*** Engine DJ 3.1 Performance Software for Hardware (OS) - Update June 2023 ***

New Features

Touch FX - Use the touchscreen to control and interact with FX in a whole new way. Touch FX bring powerful effect combinations to your fingertips. Swipe in any direction to instantly create build-ups, drops, and transitions. The added ability to latch Touch FX allows you to focus on other aspects of your mix while the effect remains active. Touch FX are available for all Engine DJ devices, including Media Players, however, the selection of available Touch FX will vary by the device.

New Touch FX include: Filter Echo, Filter Reverb, Filter Roll, LFO Echo, Filter Dub Echo, Filter Gate, Noise Gate, Flanger, LFO Filter, Filter

New Main FX - Denon DJ devices receive 26 new and updated Main FX. This suite of new dynamic effects provides DJs with easy-to-use tools to build energy, create drama, aid with transitions, and individualize their performances.

New Main FX include: Echo Out, Swell Verb, Hold Echo, Recycler, Stutter Out, Riser, Pitch Down, Scale Down, Reverb, LFO Verb, Reverb Drop, Reverse Reverb, Reverb Rise, Flanger (-), Beat Break, Backspin, Brake, Roll

All effects now offer a Frequency parameter, allowing you to apply the effect to a focused frequency range.

Sampler Updates

Sampler audio can be routed to any available channel or the Main output. To change the Sampler routing, open Settings and choose the Mixer tab.
The Sampler pad mode can now also be accessed by pressing the ROLL pad mode button twice without holding the Shift button. (Denon DJ hardware)
The sampler volume setting is now remembered between power cycles.
Added the ability to read Smartlists created in Engine DJ (Desktop).

Improvements and Fixes

Track Preview can now be routed directly to the headphones for instant track previews without setting the cue source in advance. (PRIME 4)
Reworded Effect parameter reset behavior setting to make it clearer.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where the internal SATA drive would not show up as a source immediately after updating.
Fixed an issue where a track remained in the Prepare list when loading to a deck in certain situations.
Improved peak hold behavior on all products that have peak hold VU meters.
Other various stability enhancements & improvements

Engine DJ Preparation Software (Desktop)

New Features

Smartlists - Automatically organize songs from all connected drives into playlists based on the criteria or rules that you specify. To create a Smartlist, click the Smartlist icon on the Collection folder or right-click on an existing Playlist and select 'Create Smartlist'. You can easily turn a Smartlist into a regular playlist by right-clicking the Smartlist and choosing 'Convert to Playlist'. This creates a Playlist with the same name & content as the Smartlist.

Improvements and Fixes

Fixed an issue that prevented the highlighted track from updating when bulk editing metadata.
Fixed an issue where the Date Added field was incorrectly setting newly added tracks as the day before.
Fixed an issue where Serato beat grids were not imported correctly.
Other various stability enhancements & improvements

Supplier's Notes:
Denon DJ, the leader in standalone DJ products and innovation, introduces the SC LIVE 4, a 4-Deck Standalone DJ Controller with 7" touchscreen, built-in speakers, and Wi-Fi connectivity. This club-style, all-in-one device gives DJs ultimate creative freedom and offers the world's first DJ hardware integration with Amazon Music Unlimited.

World's First Amazon Music and Denon DJ Partnership

The Denon DJ SC LIVE DJ controllers were designed using an exclusive secure chipset to meet Amazon Music's streaming requirements, making them the world's first DJ hardware to support Amazon Music Unlimited. This integration with Amazon Music and other popular streaming services gives DJs instant access to over 90 million CD quality (aka "lossless") songs across all musical genres. With the SC LIVE 4's built-in Wi-Fi and lightning-fast onboard song analysis, DJs can now perform a full set without owning or preparing any music ahead of time.

Laptop Free Performances with Engine DJ OS

The SC LIVE 4 is powered by Engine DJ, the same leading standalone DJ operating system that fuels laptop-free performances on the biggest stages and DJ booths across the globe. This seamless hardware and software integration intuitively places performance essentials in the perfect place for inspirational mixes and live shows. The dedicated Layer buttons provide quick access to the controls of each of the 4 playing decks with the waveforms stacked in channel order on the full-color touchscreen. Vital information including the deck number, track position, bpm, and time are brightly shown in the center of the 6", high-definition touch-sensitive jog wheels.

Ultimate DJ Controller for Serato DJ and Virtual DJ

With "Computer Mode" enabled, the SC LIVE 4 can be used as a dedicated DJ software controller for Serato DJ Pro and Virtual DJ. This 1:1 hardware to software integration displays moving waveforms and music library information on the HD touchscreen and provides full access to FX and other top features. This versatility gives DJs multiple options to perform however they prefer.

Designed for Creative Mixing

The SC LIVE 4 gives DJs the power to perform anywhere with 4-deck standalone freedom and wireless access to Amazon Music Unlimited. This combination of performance features and unprecedented musical access opens an exciting new realm of creative mixing possibilities for laptop-free DJ performances. Inheriting the professional club-standard layout, features, and intuitive workflows from Denon DJ's flagship SC6000 PRIME media players and club-style mixers, the SC LIVE 4 fuses the power of the club-ready modular setup into a compact & intuitive 4-deck standalone DJ controller. With its built-in Wi-Fi, 7" multi-gesture touchscreen, and 3 media slots, the SC LIVE 4 unleashes creative live performances using a combination of stored media and music streaming sources.

For on-the-fly creative mixing, the 8 Performance Pads on each deck can be used to control Hot Cue, Auto Loop, Manual Loop, Roll, Slicer, and Slicer Loop modes. The onboard effects include 4 Sweep FX which utilize a dedicated knob on each channel to expressively control FX and Filter combinations. The 13 BPM FX options can be customized for extra sonic satisfaction using the FX control section which includes a Channel Assignment knob, Time/Parameter control, FX level encoder, and illuminated engagement button.

Immersive All-In-One Audio Experience

The powerful, built-in speakers offer the perfect sound solution for livestreaming, practicing, content creation, and personal monitoring during live shows. The dedicated volume knob and on/off switch offers full control to meet the needs of any gig, making it easy for DJs to bring the booth with them wherever their career takes them.

Dynamic Lighting Integration

For enhanced performance visuals, the onboard Engine DJ operating system is fully integrated with Engine Lighting. A quick button press lets DJs instantly access automatic and pre-programmed, beat-synced light shows for songs stored on saved media as well as for streaming tracks. Full parameter controls over color, intensity, strobe, and more can be adjusted on the fly for jaw-dropping light shows using Phillips Hue, Nanoleaf, and DMX lighting.

The fully loaded, fully capable SC LIVE 4 represents the next generation of standalone DJ controllers and is sure to inspire a new era of musical freedom and creativity.

Technical Specs

Audio

Frequency Range: 20-20,000 Hz
Sampling Rate: 44.1 kHz
D/A Converter: 24 bit

Physical Unit

Dimensions (W x D x H): 28.3 x 15.9 x 3.9 Inches
Weight: 12.8 lb

Compatibility

Software

Engine DJ OS
SoundSwitch
Virtual DJ
Serato DJ

Hardware

Denon DJ LC6000 Performance Expansion Controller
SoundSwitch Micro USB to DMX Interface
SoundSwitch Control One Professional Lighting Controller

Onboard Internet Services
Amazon Music Unlimited
Beatport
Beatsource
Dropbox
SoundCloud GO+
TIDAL

Included Contents
Quick Start Guide
DC Power Supply
USB Cable
Display Cleaning Cloth
Safety & Warranty Manual

FAQ's


Do other Engine DJ products work with Amazon Music Unlimited?

No. A hardware change was needed in order to support this technology.

Does the SC LIVE 2/4 work with an Amazon Music Free or Amazon Music Prime account?

No. The SC LIVE 2/4 only supports Amazon Music Unlimited.

What audio quality does Amazon Music Unlimited support?

Amazon Music Unlimited offers 75 million tracks in lossless High Definition (HD) and millions more in Ultra High Definition (Ultra HD). HD tracks are 16-bit audio, with a minimum sample rate of 44.1 kHz (16/44.1 is also referred to as CD-quality), and an average bitrate of 850 kbps. Ultra HD tracks have a bit depth of 24 bits, with sample rates ranging from 44.1 kHz up to 192 kHz, and an average bitrate of 3730 kbps.

How many Amazon Unlimited tracks can I stream simultaneously?

Amazon Unlimited allows for up to two tracks to be streamed simultaneously. That includes tracks loaded to decks or previewed from the library.

Notes: Originally released in 1970, Minimoog Model D was the world's first portable synthesizer and served as the archetype for all electronic keyboards that followed. The all-analog instrument gained acclaim for combining the colossal sound of the 1960s Moog modular synthesizers with the accessibility of pre-wired modulesimeaning that it could be played instantly and intuitively with no patch cables required. It was quickly embraced by a diverse roster of performers, with artists like Herbie Hancock, Kraftwerk, Rick Wakeman, Sun Ra, Piero Umiliani, Giorgio Moroder, Bernie Worrell, and Gary Numan all shaping unique sounds and forging new musical genres using the instrument.

More than a half-century since its invention, Minimoog Model D is back in production at the Moog factory in Asheville, North Carolina. An exceptional sonic tool and one of the most beloved and iconic synthesizers ever designed, it returns to the hands of synthesists of all kinds and serves as inspiration for the next generation of electronic musicians.

The three-oscillator, monophonic, analog synthesizer is securely housed in a locally sourced Appalachian cherry cabinet and hand-finished aluminum chassis. Sounding as vibrant and deep as ever, its legendary low-pass ladder filter, powerful oscillators, and rich saturating mixer retain the exact component placement and through-hole design of a 1970s-era Minimoog Model D.

While no changes have been made to the original sound engine or audio signal path, the 2022 Minimoog Model D includes a series of popular functional modifications that expand this legendary instrument's sonic capabilities. These modifications include a dedicated analog LFO with triangle and square waveshapes, a premium Fatar keybed with velocity and after pressure available via top panel CV jacks with onboard trimpots, MIDI integration, and a mixer feedback modification which allows the Minimoog Model D to overdrive and scream with the turn of a knob. And, for the first time in its history, the Minimoog Model D now features a spring-loaded pitch wheel with center deadband, allowing for improved playability and wild performance flourishes. This newest edition also includes updates to the MIDI functionality, allowing for improved modern studio integration.

SPECS
NUMBER OF KEYS
44
KEYBOARD RANGE
F0 to C4
KEYBOARD ACTION
Synthesizer (Spring)
NOTE PRIORITY
(Low, High, Last): User Selectable
SOUND SOURCES
3x Oscillators, Noise Generator and External Audio Input
OSCILLATOR FREQUENCY RANGE
0.1 to 20 kHz (In Six Overlapping Ranges)
OSCILLATOR STABILITY
(short term) > 0.25 %
OSCILLATOR WAVEFORMS
Triangle, Triangle-Sawtooth (Oscillator-1, Oscillator-2), Reverse Sawtooth (Oscillator-3), Sawtooth, Rectangle, Wide Pulse and Narrow Pulse.

Notes: ***B-STOCK: Original box damaged, product is in different packaging but in perfect working order***


New RP-Series Professional Headphones:

The new RPmk3 series headphones are successors to the reputed RPmk2 series that have been used as reliable monitor headphones in many professional recording studios for more than 30 years including from the start of the T-series.

The driver unit incorporating the key Fostex proprietary Regular Phase (RP) Technology diaphragm has been refined to achieve sharper audio reproduction for more accurate monitoring. The housing, ear pads and head pad have also been re-designed to derive the maximum performance of the RP driver.

- Refined Fostex proprietary Regular Phase (RP) diaphragm driver using copper foil etched polyimide film and powerful neodymium magnet

- The maximum input level of 3000mW to comply with various professional uses

Notes: A true MIDI powerhouse, based around a 128-pad matrix and 16-track MIDI sequencer with slick programming workflow and Ableton-style pattern mode for live performance.

*** Version 2.0 updates - January 2024 ***

In this version, Squarp have put a lot of effort into improving the ergonomics and screen designs.

As for features, the focus has been on expanding patterns from 8 to 16 per track. Follow-actions have been introduced to bring more life to your sections, adding logic and randomness to the construction of your tracks.

A new MixMute mode has been created to enhance live performances, improve transitions between projects and arm your tracks for multitrack recording.

Now you can engage in multi-track recording and capture on multiple tracks simultaneously.

Two new effects are making their debut as well: FX ECHO, the best delay Squarp have made so far, and FX OUTPUT, allowing rerouting to a different output in the middle of the effect chain.

You can now Import/ExportMIDI files, either to save and reuse your own patterns in different projects or to load complex MIDI files from a computer.

The Curve algorithm is now accessible in automation mode, Squarp have added a track compensation mechanism and Auto-load.

Supplier's Notes:
Professional standalone sequencer

Genuine centerpiece of a setup, it offers every tool needed to compose songs in the studio and perform them on stage. From vintage to modern synths, from modular systems to your favourite DAW, Hapax can sequence and synchronize all your gear, while bringing you carefully crafted tools, designed for maximizing creativity.

The midi powerhouse.

Up to a million notes and events

16 tracks per project, 8 patterns per track.

Thanks to its dual-processor architecture, Hapax can record and transform tremendous amounts of data in no time, without a hitch.

Express yourself.

MPE compatibility

Hapax is the first hardware sequencer that fully supports MIDI Polyphonic Expression. Record the finest gestures, slides and articulations of your playing, without compromising quality.

Around the clock performance.
Dual-project architecture



Hapax can handle two separate and independent projects, that can be played simultaneously. This lets you compose or load an entire project while the first one is already playing, enabling endless sets and seamless transitions.

Dawless is more.

Hapax offers broad connectivity options for perfect integration in any setup.

Adaptive workflow.
Several ways to write music
Writing a melody: use a polyphonic or MPE track and take advantage of the advanced step sequencer to quickly lay down notes or edit your live recording.

Composing a beat: control up to 8 different instruments with a single track. The drum sequencer is tailored for very easy rhythm writing and jamming.

Real-time midi effects.

Bring your synths to life

Hapax embeds multiple real-time, polyphonic, non-destructive midi effects, as well as project-wide assignable LFOs. Each parameter of these effects can be automated in the dedicated mode, and processed in the mod matrix, which provides even more ways of routing and modulating.

Powerful composition tools.

Algorithms

Powerful tools for offline note transformation and generation, right at your fingertips. Harmonically invert your motive, generate a controlled-random counter-melody, slowly ramp up the velocities, emphasize every fifth 8th note...

Hi-res recording

Hit the red button, and record from the encoders and 128 pads of Hapax, external midi instruments (included MPE controllers) or any incoming analogue signal, at a high resolution of 192 ppqn. Looper style recording, count-down and metronome options, punch-in mode, you'll certainly find the options that best suit your workflow.

Time elasticity

Each track has an elasticity value which changes its playback speed, expressed in percentage of BPM. Quickly double or halve the speed of a track, or create slightly shifted tracks that will slowly drift out of phase with each other.

Fluid editing

Using hardware should never get in the way of creative flow. The undo/redo button lets you go back in time as needed, thanks to its extensive history. Additionally, the snapshot function enables you to save the state of a pattern and recall it with a single press. Together with dedicated copy, paste and delete buttons, Hapax offers a complete toolbox for the prompt editing of your tracks.

Harmony, simplified

For fast and intuitive chord building, the chord live mode brings harmonic capabilities to anyone, with or without deep theoretical knowledge. With its colourful interface, the chord mode displays a synesthetic melding of hearing, vision and touch.

Simple by design.

Trimmed to perfection

Squarp designed Hapax from the ground up, deconstructing everything you thought you knew about sequencing- aiming for a high-end product, with dual arm processors for computation power and a rugged yet minimalist housing.

As music-making should remain an enjoyable process, dedicated buttons were over key combinations and imagined a clear-cut interface as well as a simple architecture. Squarp have striven to minimize the importance of screens for live performing, but the dual grayscale display helps keeping track of things in a studio context.

Hapaxos
Evolving firmware.
The Hapax Operating System has been written with extra care, prioritizing stable and fast operations. New features and parameters will be added regularly.

Specifications
Model name: Hapax
Hardware: 128 RGB MATRIX pads
52 clic pads
9 sturdy clickable encoders
2 OLED greyscale displays
SD card for saving projects
CPU: dual ARM design
RAM: 32MiB
Housing: machined aluminium 2mm
Housing (back): unibody ABS

Sequencer
Dual Sequencer (2 Projects)
16 tracks per project
8 patterns per track

Input
2× midi in (DIN + TRS)
2× CV in [-5V to +5V] (16bit)
Stereo pedal (footswitch)

Output
4× midi out (3× DIN + TRS)
4× CV out [-5V to +5V] (16bit)
4× GATE out [+5V]

Bidirectional I/O
USB Host (link a controller)
USB Device (link a computer)
Power supply: 15V, 1.2A, 18W (included)
Dimensions: 358 × 206 × 48 mm
Weight: 1.855 kg

Notes: Limited-edition murdered-out Noir version of Arturia's mega PolyBrute, with expressive multi-axis Morphee controller and Morph knob to blend between patches.

*** Firmware update September 2023 ***

Arturia's PolyBrute goes deeper with firmware 3.0:

Explore new heights of Polyphonic sound with an array of embellishments, experimental features, and creative upgrades for PolyBrute:
New effects distortions
Effects Routing
New Tuning Options
New Layer Modes
Dive to new depths of coloration and customization with a free update that brings features, fixes, and fresh sounds to PolyBrute:

7 Distortion modes:

Add crunch, saturation, and pure sonic carnage with 7 modes of Distortion, accompanying PolyBrute's Modulation, Delay, Reverb, and EQ effects.

Flexible effects routing

Rewire PolyBrute's effects and signal chain to suit your sound design flow; both the Insert and Send modes can now be adjusted in terms of order.

Enhanced tuning:

Adjust PolyBrute's musical role in your projects with deeper individual oscillator tuning, transposing the keyboard by semitones, and more.

New Stereo Layer mode:

Allocate one voice to the left channel and one to the right to add increased natural width to PolyBrute's sounds.

Over 350 new presets:

A total rework of PolyBrute's library means hundreds of new presets, further exploring expressivity, analogue power, and new features like Distortion.

PolyBrute Connect:

Enjoy quicker, smoother communication between PolyBrute and its software counterpart, also accommodating other new features from firmware 3.0.

Workflow & expression improvements:

Reload your last saved preset on startup, send program changes, adjust LED brightness, and more.

Supplier's Notes:
PolyBrute Noir is a 61-note polyphonic analogue keyboard, uniting unparalleled expressivity and sound design flexibility with 6 fearsome Brute voices, complete with a limited-edition stealthy black finish. The result is an instrument that lets musicians perform fearlessly, compose with fluidity, and explore sound in perpetual motion.

Limited Noir Edition

A true dark horse in any setup, PolyBrute Noir stylishly conceals its enormous creative potential within a slick black exterior, complete with colorful accents, luxurious dark wooden appointments, and signature ionized parts that'll make anyone look twice.

Massive analogue polyphony

Harness the raw power of analogue with 6 powerful analogue Brute voices, comprising seamless waveshaping VCOS, dual filters, and a tactile array of modulation. Split, layer, and stack PolyBrute's voices for every flavor of analogue polyphony - from beauty to beast.

Morphing: sounds within sounds

Explore sound between the lines with 2 distinct sonic states within each preset, yours to seamlessly morph and navigate between. With a single sweep of the multi-axis Morphee controller and Morph knob, discover endless sweet spots in every patch.

Perform, express

Freely express your musical style and bring your creative ideas to life with PolyBrute's hands-on controls, flexible interface, and premium velocity-sensitive keybed with aftertouch. From the Morphee to the responsive ribbon controller, every aspect of PolyBrute ensures that your sound is an extension of yourself.

Your sound to infinity

Built to satisfy your inner sound explorer, this polysynth comes fully equipped for perpetual patch discovery and sound design. Quickly create modulation connections with the Matrix, color your patch with 3 digital stereo FX engines, and instantly animate any idea with musical sequencing and effortless arpeggiation.

Included Software:

PolyBrute Connect

Arturia MIDI Control Center