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Notes: The Decksaver Moog Matriarch Synthesiser Cover features an ultra-durable polycarbonate shell, designed to protect from dust, liquid, particulates and accidental impact damage. It will also protect against superficial damage such as scratches or bumps while on the move. The high quality smoke/clear sheen allows you to see the Medusa through the cover, allowing you to see your gear at all times. The smooth and sheen like finish will slide straight into a bag, ideal for the travelling musician.

Notes: Featuring the AS3360 IC (based on the classic CEM3360 IC), this linear response VCA (Voltage Controlled Amplifier) is suitable for both audio and CV signals.

It would also be the ideal match with a modulation source such as an exponential envelope generator.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
Power consumption:
+12V: 30mA
-12V: 30mA
+5V: 0mA

Notes: This mixer has three DC-coupled inputs, making it perfect for mixing both audio or CV signals from sources such as VCOs, LFOs and envelopes etc.

Each channel features a unity-gain, linear attenuator.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
Power consumption:
+12V: 10mA
-12V: 10mA
+5V: 0mA

Notes: This mixer has three AC-coupled channels, each with a logarithmic unity-gain attenuator; suitable for mixing audio signals from modules such as VCOs etc.

Specifications

Format: Eurorack
Width: 8hp
Depth: approx. 25mm
+12V: 20mA
-12V: 20mA
+5V: 0mA

Notes: This mixer has six DC-coupled inputs, making it perfect for mixing both audio or CV signals from sources such as VCOs, LFOs and envelopes etc.

Each channel features a unity-gain, linear attenuator.

Specifications

Format: Eurorack
Width: 12hp
Depth: approx. 25mm
Power consumption:
+12V: 10mA
-12V: 10mA
+5V: 0mA

Notes: This module is a four-quadrant multiplier that produces distinct alien and bell type sounds.

It features standard carrier (X) and modulator (Y) inputs; each with their own attenuator.

The balance and offset of the output signal is also adjustable.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 40mm
Power consumption:
+12V: 20mA
-12V: 20mA
+5V: 0mA

Notes: Attenuverter (AV) is one of Wavefonix's most versatile modules; allowing the polarity of an input source such as an envelope or a ramp wave from an LFO to be inverted.

Additionally, an offset voltage between approximately -10V to +10V can be applied to the input source. The module can also act as an independent CV source when there is no input.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 25mm
Power consumption:
+12V: 30mA
-12V: 20mA
+5V: 0mA

Notes: Wavefonix's Logarithmic Attenuator (AT) features three logarithmic unity-gain attenuators; especially suitable for attenuating audio signals. However, it can also be used to attenuator CV signals.

It is also a passive module; meaning that no power is required for it to function.

Specifications

Format: Eurorack
Width: 5hp
Depth: approx. 15mm
+12V: 0mA
-12V: 0mA
+5V: 0mA

Notes: MAR is a multichannel dual mixer module for the modular synthesizer. Both mixers are capable of mixing audio, CV and gate signals because they are DC coupled. MAR has two independent 4-channels mixers:

Mixer X: Is a four channel mixer with gain control for each channel. The potentiometers use logarithmic tape to have a good control with audio signals. This mixer features two outputs, the mixer output and its inverted. The output level is shown in the LED.

Mixer Y: Is a four channel mixer with gain control for the sum of the Y channels. If no jack is connected to the input Y1, the output of the Mixer X is normalled to Mixer Y. The potentiometer use logarithmic tape to have a good control with audio signals. This mixer features one output, the sum of the 4 channels. The output level is shown in the LED.

This Mixer can work as two 4-1 Mixer, or 7-1 Mixer with global gain control.

INPUTS:
4 Mixer X inputs.
4 Mixer Y inputs.

OUTPUTS:
Mixer X output.
Inverted Mixer X output.
Mixer Y output.
Mixer X + Mixer Y output.

FAST SPECS:
Dual mixer module for the modular synthesizer - Eurorack.
8 HP - 15mm Depth - Skiff friendly.
Both mixers are capable of mixing audio, CV and gate signals.
Mixer X: 4-channel mixer with gain control for each channel.
Mixer Y: 4-channel mixer with gain control for the sum of the channels.
If no cable connected to Mixer Y input 1, the output of the Mixer X is normalled to Mixer Y.
Can work as two 4-channel mixers, or one 7-channel mixer.
The output level is shown in the LEDs.

Review: Seattle label Light In The Attic Records is proud to present a reissue of material from Nancy Sinatra's most prolific period between 1965-1976, with 23 tracks including her revered collaborations with Lee Hazlewood. Sinatra's performance of 'These Boots Are Made for Walkin'' became her signature tune. The pair began a three year run of successful recordings, with 'Sugar Town,' 'Some Velvet Morning,', 'Summer Wine' as well as the James Bond theme 'You Only Live Twice' being just a few. She also worked with songwriter Mac Davis, producer Lenny Waronker and arranger/producer Billy Strange on the album.

Notes: This is a 4 mono channels expansion. Several of these modules can be added to provide more channels. Every channel features:
- Mono input
- Vactrol Gate (plug a CV into the GATE IN to modulate the volume of a channel, just like a classic VCA. When nothing is plugged in the GATE IN, the gate is normalled to fully open)
-SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the channel volume control but only if the channel switch is in ON position)
-SEND B control (post-fader)
-PAN control (only affects the master bus)
-VOLUME control (affects the master, cue and POST sends, does not affect PRE-fader send)
-ON/OFF/CUE switch: ON - channel is routed to the master bus
OFF - channel is muted
CUE - channel is routed to the cue bus

13 mA +12V
8 mA -12V

Notes: High tech G2 fluid contains:

Surfactants: State of the art detergents dissolve and suspend fingerprints and other oily grime.

Super wetting agent: A specialty chemical that reduces the G2 Fluid's surface tension to reach the bottom of the groove. When you spray G2 Fluid on a record you can see it spread down the grooves.

Emulsifiers: Holds the oils, dirt, mildew and microdust particles in suspension. Then the microfiber fabric cleaning pad wipes and pulls the dirt-filled solution from the record surface.

Laboratory grade, double deionized, carbon filtered & UV treated water: Carrier for the active cleaning ingredients. Eliminates static electric charges on the record's surface on contact.

Designed and handcrafted by GrooveWasher in North Kansas City, MO, USA.

NOTE: Photo showing the G2 Refill Bottle Family has the 8oz, 32oz and 64oz refill bottles. This listing is for the 64oz Refill Bottle only.

Notes: The Lightscale DJ - Stand Basic is an innovative, modular stand system for DJ and studio equipment. The DJ stand system is ultra-light compared to conventional metal systems and can be assembled within seconds. The set includes two hard, water jet cut foam plates and a 32 cm wide plastic tube and provides a secure stand for laptops, controllers, pads, keyboards and mixers, for example. In addition, the Lightscale DJ - Stand Basic, developed and manufactured in Germany, is perfectly suited for touring DJs and airplane transport thanks to its high stability and unbeatably low weight.

Dimensions: 220 x 220 x 320 mm
Weight: 270 g

Notes: This PULSE case is molded to the exact dimensions of the Arturia MicroFreak / MiniLab / MicroBrute. It provides excellent protection for your synth, and is extremely lightweight.

PULSE cases are made from rigid EVA that holds its shape, and they feature a molded rubber handle that's tough and comfortable. This case also includes a nylon mesh compartment for holding your cables.

Weighing in at only 1 pound, this case is a breeze to haul around town. It looks great and is built to last, and can also be used to carry a wide variety of smaller devices.

Perfect fit for your Arturia MicroFreak, MiniLab or MicroBrute

Separate compartment for holding cables

Spacious and comfortable handle

Bottom foam insert to protect your keyboard (removable)

Interior dimensions: 15.25 x 9.25 x 2.5 inches

Exterior dimensions: 16.5 x 10.5 x 3.25 inches

Notes: The Elektron Model Samples/Cycles are perfect for making music on the go. But we all know traveling with gear comes with risks. Unlike soft nylon bags, this PULSE case is made from sturdy molded EVA material that will provide peace of mind for mobile musicians.

Description:

Custom-designed to the exact dimensions of the Model Samples /Model Cycles, it features a rigid exterior, soft, velvet-lined interior, and a nylon mesh pocket for cable storage. You won't have to worry about the safety of your machine when it's in this PULSE case.

Specifications:

Perfect fit for your Model Samples or Model Cycles + cables

Durable and lightweight

Spacious and comfortable handle

Interior mesh pocket

Interior dimensions: 11 x 7.25 x 2.25 inches

Notes: With their compact size, Moog's modern modular synths are perfect for travel. But if you're traveling with your Moog, make sure its protected. This PULSE case has been carefully designed with a customized fit and sturdy materials, to keep your Moog in great shape for years to come.

Description:

Manufactured with extremely durable material, a premium zipper that's built to last, and a handle designed for comfort, this case provides the kind of protection that Moog instruments deserve. There's even room for the power supply, and an interior nylon mesh pocket for your patch cables.

Specifications:

Perfect fit for your Moog Mother-32, DFAM, or Subharmonicon

Spacious interior pocket for cables

Comfortable molded handle

Interior dimensions: 15.5 x 6.25 x 4.25 inches

Notes: The Wave is the latest addition to Zomo's popular VS-Rack series. This stylish record rack offers - depending on the thickness of the LPs and stack white - space up to 40 records. Thereby the records can be stacked in 2 different ways in the rack: Either classically between the ribs or also crosswise, so that you can quickly browse through your favorite vinyls.

Like all VS-Rack shelves, the Wave is made of powder-coated steel and convinces not only with its stable and safe stand, but also with its unique look, which makes it an eye-catcher in every living room or studio. The Wave is available in 4 different colors, so that it can fit into any ambience.

Technical data
Weight: 2,5 kg
Dimensions (W x D x H): 300 x 300 x 220 mm
Format: LPs
Capacity: up to 50 pieces
Material: Metal

Notes: The Wave is the latest addition to Zomo's popular VS-Rack series. This stylish record rack offers - depending on the thickness of the LPs and stack white - space up to 40 records. Thereby the records can be stacked in 2 different ways in the rack: Either classically between the ribs or also crosswise, so that you can quickly browse through your favorite vinyls.

Like all VS-Rack shelves, the Wave is made of powder-coated steel and convinces not only with its stable and safe stand, but also with its unique look, which makes it an eye-catcher in every living room or studio. The Wave is available in 4 different colors, so that it can fit into any ambience.

Technical data

Weight: 2,5 kg
Dimensions (W x D x H): 300 x 300 x 220 mm
Format: LPs
Capacity: up to 50 pieces
Material: Metal

Notes: A Digital DJ looking for a professional, durable case solution for your Pioneer DDJ-FLX6? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Pioneer DDJ-FLX6, these cases are perfect for the travelling DJ that needs to protect their equipment.

Weight: 2.27 kg / 4.994 lbs
EAN: 8718969214599
Colour: Black
Outer Dimensions (W x H x D): 72.0 x 43.0 x 14.0 cm | 28.3 x 16.9 x 5.5 inch
Inner Dimensions (W x H x D): 68.8 x 34.7 x 6.8 cm | 27.1 x 13.6 x 2.6 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior
Protective egg-crate foam

Extras:
Heavy duty handle
Easy grip zipper pulls
Convenient shoulder strap

Fits: Pioneer DDJ-FLX6 Controller

Notes: Erica Synths Black Mixer is compact, high quality audio mixer with bonus features - mute switch on each input and three buffered outputs. This allows you to add audio signals to your mix instantly and in exactly right level, plus you can send signals to several post-mixer devices simultaneously, for example, split the output signal to LP and HP VCFs and create advanced bandpass and notch filters.

Technical specifications:
Max input level: -10V - +10V
Mixer gain: 1
Power consumption : +8mA, -8mA
Module width: 6HP
Module depth: 25mm

Notes: Keep your patch in sync with Mosaic's compact Clock. Clock is a configurable master clock source with knob and CV control over the clock rate, two range settings, and a pause feature via the Hold button / gate input. Take control of your composition, or just a portion of it, with Clock.

Tech Specs:
Width: 8HP
Depth: 38mm
Front Panel: Intellijel format, Pulp Logic replacement panels available here.

Notes: Analogue goodness awaits with the four-pole Low Pass Filter. Thanks to CV control over resonance and frequency, the Low Pass Filter can go from squelching leads to dynamic sweeps in an instant. In addition, 1V/Oct tracking allows it to double as a musical sine wave oscillator. Bring analog warmth to your system today in a compact, yet stand out package.

Tech Specs:
Width: 14HP
Depth: 38mm
Front Panel: Intellijel format, Pulp Logic replacement panels available here.

Notes: Analogue goodness awaits with the four-pole Low Pass Filter. Thanks to CV control over resonance and frequency, the Low Pass Filter can go from squelching leads to dynamic sweeps in an instant. In addition, 1V/Oct tracking allows it to double as a musical sine wave oscillator. Bring analog warmth to your system today in a compact, yet stand out package.

Tech Specs:
Width: 14HP
Depth: 38mm
Front Panel: Intellijel format, Pulp Logic replacement panels available here.

Notes: Control the expression inputs of your effects with Old Blood Noise's clever Ramper. Glide or step between two adjustable expression settings. A cheap and effective way to expand creative options.

Supplier's Notes:
Expression Ramper - Parameter Mover

Simplicity is the heart of innovation. This is exactly what the Expression Ramper from Old Blood Noise Endeavors offers - a super simple, yet highly innovative way to automate expression control, letting you conjure sounds you never thought possible from any pedal with an expression input. It's time to release your Inner-Ramper!

The Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a single footswitch. Just hook up the Expression Ramper to your expression-enabled effects pedal, simply pick your first expression setting in the A position, then your second in the B position and you're good to go.

From here, you can set Expression Ramper to move between A and B in three different ways. In TRI mode, it glides in a linear Triangle wave sweep from A to B, while in SQR mode it will make instant Square Wave jumps. Both TRI and SQR are LFO modes - you start the LFO when you hit the footswitch once, then stop it as you press the switch again. Alternatively, A<>B mode triggers a cool one-shot sweep, where every press of the footswitch jumps from one position to the other. The speed of the LFO and One-Shot movement is set via the Rate knob.

These simple and intuitive features can unlock worlds of sound. For instance, if you have Expression Ramper hooked up to a pitchshifter, you can create classic Whammy-like octave glides in one-shot mode, stretchy modulation in Triangle wave mode or hypnotic pitch sequences in Square wave mode. Got an expression-enabled phaser? Turn it into a step-filter with Expression Ramper's square wave. Or maybe an expression-enabled delay pedal? Use Expression Ramper to create swelling Feedback waves in Triangle mode or jump between two preset delay times in one-shot mode. The list goes on and on and the possibilities are basically endless.

While it should suit most effects pedals right out the box, Expression Ramper can easily be configured for different polarity or types of expression pedal simulation by using the internal jumpers. Plus, you can even change the supplied internal 50K digital socketed potentiometer and replace it with one of 10K or 100K values if needed. This enables the pedal to be specifically tailored for whatever expression-enabled devices you might have like keyboards, synths, vintage gear or more esoteric sound devices. All of this goodness is packed into a highly compact enclosure, ensuring that you can fit the Expression Ramper (or several Expression Rampers) into any setup.

Review: It's either the most timely re-issue of 2020 or the most inappropriate. Cast your mind back to when everyone's (or at least most people's) favourite Icelandic woodland sprite power-chill-pop oddities released Takk... Back in 2005 it was a symphony of celebratory, life-affirming walls of sound, the ideal score to an Attenborough documentary. Now it feels a little a painfully poignant and emotionally charged sonic memory of a lost world. Fear not, though, like this album, the good days will return again.

In the meantime kick back and remind yourself how good this record is. Not quite on a par with the preceding LP, ( ), which took this unique troupe from obscurity to global stardom by way of soft yet subtly gargantuan harmonious arrangements, here the songwriting and craft is more traditional, and certainly better suited to platforms like radio. Nevertheless, the tracks are no less beguiling, bewitching or intoxicating.

Review: When it was first released a quarter of a century ago, the Buena Vista Social Club album - a conceptual album produced by Ry Cooder and Juan de Marcos Gonzalez, featuring veteran Cuban musicians recreating music that had been popular on the island nation in the 1940s and '50s - had a huge cultural impact. Not only did it sell like hot cakes around the World, leading to a US tour and documentary film, but it also raised interest in Cuban music, something that has sustained to this day. This 25th Anniversary edition, then, is fully justified. It boasts fully remastered vinyl and CD versions of the original album, each with bonus tracks, as well as partner discs entirely made up of previously unheard songs and alternate takes.

Notes: Oak Veneered Roland Boutique Custom Made Stand / End Cheeks for the JX03, JP08, JU06, SE02, TR09, TB03, TR08 etc.

This new Oak Veneered version of the stand holds 3 Roland Boutique synths. This will also fit the the tr09, tr08, se02. sh01a and tb03 etc. However, you will need to remove them from the additional case that they come with.

This stand has been made from Oak Veneered MDF wood, and is connected via 12x allen head Confirmat Screws (Allen Key & Screws Provided) into an mdf wooden bar.

These are a great addition to the Boutique synths, and give a much nicer look and better working angle.The Boutique Synths are gripped in place by the sides of the stand, so do not fully tighten screws until the units are placed inside- then tighten screws to hold firmly in place.

Make sure you do this on a flat surface to ensure the feet are correctly aligned.

The item will need assembly as it will be sent flat packed. All screws, tools and rubber feet are provided, however you must buy your own Roland Boutique Synth.

Notes: Oak Veneered Roland Boutique Custom Made Recessed Stand / End Cheeks for the JX03, JP08, JU06, SE02, TR09, TB03, TR08 etc.

This new version of the stand holds 3 Roland Boutique synths, This has been precision machined with a CNC Router so the boutiques lock firmly in place and cannot fall out.

This will fit all the Roland Boutiques, however you will need to remove them from the additional case DK01 that they come with.

This stand has been made from Oak Veneered MDF wood and is connected via 8x allen head Confirmat Screws (Allen Key & Screws Provided) into an mdf wooden bar.

These are a great addition to the Boutique synths and give a much nicer look and better working angle.

The Boutique Synths are gripped in place by the sides of the stand so do not fully tighten screws until the units are placed inside then tighten screws to hold firmly in place. Make sure you do this on a flat surface to ensure the feet are correctly aligned.

This item will need assembly as it will be sent flat packed. All screws, tools and rubber feet are provided however you must buy your own Roland Boutique Synth.

Notes: Roland TR8S Drum Machine/Sampler Oak Stand

This stand has been precision machined and hand finished, the panels have been recessed for your Roland TR8S to make sure it's held firmly in place.

The stand is assembled by connecting the side panels with 4x Confirmat Screws. All the fixings and an allen key to assemble your stand ready for use are provided.

Please note: you will get only the oak stand you must purchase your own Roland TR8S.

The item will need assembly as it is sent flat packed. All screws and tools are provided- this includes small rubber feet.

Notes: You are looking at custom-made Korg Volca QUAD Stand / End Cheeks.

This stand holds 4 Korg Volcas, although the Korg SQ1 will also fit.

This stand is made from MDF Fibreboard, and is connected via 16x allen head Confirmat screws (Allen Key & Screws Provided) into a mdf wood bar.

Please note: you will get plain MDF and not darker like in some of the photos.

These are a great addition to the Volcas, and give a much nicer look and working angle. You can also flip them round to have a much steeper angle if you prefer. These can also be painted with ease or stained with wood stain to suit your studio.

The Volcas fit snuggly into the stand so do not fully tighten the screws until the Volca is placed inside then tighten screws to hold in place firmly. Make sure you do this on a flat surface, to ensure the feet are correctly aligned.

The item will need assembly as they will be sent flat packed. All screws and tools are provided; this includes the small rubber feet. However, you must buy your own Korg Volca.

Notes: This stand has been precision CNC machined and hand finished from FSC Certified European OAK, the panels have been recessed for your Maschine MK3 to make sure its held firmly in place which is perfect for live and studio use.

A slight working angle has been added for your studio setup, which certainly helps when on a desktop.

The stand is assembled by connecting the side panels with 4x Confirmat Screws. All the fixings and an allen keys to assemble your stand ready for use are provided.

Please note: you will get only the oak stand- you must purchase your own NI Maschine MK3.

The item will need assembly as it is sent flat packed. All screws and tools are provided, this includes the small rubber feet.

Notes: Softube Console 1 & Console Fader Dual Solid Oak Custom Stand- fits MK1 & MK2.

This stand has been precision-machined from fully sustainable FSC approved European Solid Oak.

Both the Console 1 and Console Fader sit into a recess cut into the oak, to provide a solid and fixed stand once assembled which is what you need.

The stand is assembled by connecting the side panels with 8x Confirmat Screws you are provided with, and also an allen key to assemble your stand.

The item will need assembly as it is sent flat packed. All screws and tools are provided- this includes small rubber feet, however you must buy your own Console 1 & Console Fader.

DIMENSIONS:

34cm deep
17.5cm high (aprrox)

Notes: Softube Console 1 & Console Fader Dual Furniture Grade Plywood Custom Stand- fits MK1 & MK2.

This stand has been precision-machined from high quality furniture grade plywood. It is untreated, so it is ideal for staining or painting your own colour.

Both the Console 1 and Console Fader sit into a recess cut into the sides to provide a solid and fixed stand once assembled, which is what you need.

The stand is assembled by connecting the side panels with 8x Confirmat Screws which you are provided with, and also an allen key to assemble your stand.

The item will need assembly as it is sent flat packed. All screws and tools are provided, this includes small rubber feet- however you must buy your own Console 1 & Console Fader.

DIMENSIONS:
34cm deep
17.5cm high (approx.)

Notes: Softube Console 1 & Console Fader Dual Valchromat Custom Stand- fits MK1 & MK2.

This stand has been precision CNC machined from Valchromat High Density Fibreboard.

Both the Console 1 and Console Fader sit into a recess cut into the sides, to provide a solid stand once assembled.

The stand is assembled by connecting the side panels with 8x Confirmat Screws which you are provided with, and also an allen key to assemble your stand.

The item will need assembly as it is sent flat packed. All screws and tools are provided this includes small rubber feet- however you must buy your own Console 1 & Console Fader.

DIMENSIONS:
34cm deep
17.5cm high (approx.)

Review: You may not be familiar with avant-garde composer Valentina Goncharova, but this incredible collection of rare home recordings is enough to answer any questions you might have as to how mind-blowing her work is. The sort of artist who needs to flee the Leningrad Conservatoire in order to have the space and freedom to fully explore ideas. Combining elements of musique concrete, drone, ambient and a kind of lo-fi classical, this is an expression of place - sanctuary of the home - and its ability to offer protection from creative oppressors. Using vocal mantras, curious refrains, amplified and distorted strings (cello in particular), you really get a sense of not only the where but the how behind these arrangements. Hushed but dense, they draw the listener in with surprising speed, so before you know it you're right there in that domestic studio watching a genius at work.

Notes: The ADDAC213B is the second pair of modules from ADDAC's Eurorack Bridge system.

A pair of ADDAC213Bs can be used in standalone to send/receive 8 CV or audio signals between different points inside the same case or as an expansion to the main pair of Eurorack Bridge modules, the ADDAC213As.

Two ADDAC213B modules can be connected to each other with the use of a single ribbon cable and then used inside a case to carry signals between distant points without the need for long cables. Less clatter, less spaghetti- more space of your fingers on those knobs!

ADDAC213Bs always come in pairs. A single pair can send & receive up to 8 CV or audio signals between different points in your case at the same time. The modules can be installed in normal position or a 180 degree position to fit any need.

As an Expansion to an ADDAC213A.

Each ADDAC213B connected to the backside of an ADDAC213A adds 8 more channels to the main bridging functionality of the ADDAC213A.

Up to 2 ADDAC213B can be connected to an ADDAC213A module, expanding the bridging between two difference cases to a total of 24 channels.

If you're looking for a simple one-cable bridge between your various cases, then look no further than the ADDAC213A.

Between the ADDAC213A pair and the ADDAC213B, your cases never looked so elegantly connected together!

Each module can be installed in normal position or at 180 degrees.

Comes with a 50cm ribbon cable. Custom sizes are available upon request.

Mechanical:
. Format: Eurorack
. Width: 3 HP
. Depth: 2.5 cm

Electrical:
Passive / Does not draw current
Ribbon Cable: 50cm or 100cm ribbon cable

Notes: Following ADDAC System's T-Networks series, the importance of having the right input signal for firing drum modules or envelopes was realised. Gates and Triggers are often looked at as similar signals but at times it really makes a difference and results will change drastically depending if a Gate or a Trigger is fed to the input of such modules.

This led to the simple yet effective Gate to Trigger.
A four channel converter with bypass switch for each channel.

Any input Gate will be limited to a 1ms Trigger.

Tech Specs:
3HP
2.5 cm deep
10mA +12V
10mA -12V

Notes: Passive dual expression pedal attenuator.

Plug any CV or audio source through it and control its amplitude through any standard expression pedal.

Invert switch for inverting the expression pedal action.

Specs:
- Passive Module
- Width: 4 HP
- Depth: 3 cm

Notes: Dedicated expansion for the ADDAC807C VC Summing Mixer

Features 4 individual track post fader stereo outputs.

2Hp
2 cm deep
0mA

Notes: One of the most important artists of our era, Ryuichi Sakamoto has had a prolific career spanning over four decades, from techno-pop stardom to Oscar-winning film composer. The evolution of his music has coincided with his life journeys. Following Fukushima, Sakamoto became an iconic figure in Japan's social movement against nuclear power. As Sakamoto returns to music following cancer, his haunting awareness of life crisis leads to a resounding new masterpiece. Ryuichi Sakamoto: Coda is an intimate portrait of both the artist and the man.

Notes: The 1U Mattson Buffered Multiple is a PRECISION buffered mult that is perfect for 1V/O CV sources. A signal plugged into INPUT A will be available from all 8 OUTPUTS. Break the chain by adding a second signal into INPUT B; signal A comes out the 4 "A" outputs and signal B is available at the 4 "B" outputs.

Please note: Synthrotek's 1U products do not fit in Vermona or Intellijel cases.

Current draw: +12 18mA, -12 18mA
Width: 20HP
Depth: 32mm

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: The 1U Stereo Mixer is intended for pannable stereo output, but it is also suitable for both DC (Gates, Triggers and Control Voltage) & AC (audio) signals.

Specifications:
Current draw: +12: 13mA, -12: 9.2mA
Depth: 32mm
Width: 24HP
Please note: Synthrotek's 1U products do not fit in Vermona or Intellijel cases.

Notes: 6xMIX is a six channel audio (AC coupled ) mixer, channels arranged in three groups with separate outputs having led indicators. Each group can be switched to mix with the subsequent group, allowing for 2-2-2, 4-2, 6 mix configurations. The module can also be used to mix two stereo channels plus separate group of two mono channels. Perfect audio performance with the lowest noise and distortion amounts.

The inner knobs control the A inputs, while the outer knobs control the B inputs.

50 mA +12V
50 mA -12V
35 mm Depth
6 HP wide

Notes: The 1U UniBuffer combines a buff mult and a unity gain mixer into a 1U module. It's great for small cases where you want both functions available (like the Power Lunch).

The Buffered Multiple is a PRECISION buffered mult that is perfect for for 1V/O CV sources. The 1U Unity Gain Mixer adds input signals together and combines them for a summed output.

Current draw:
+12V: 14mA
-12V: 13mA
Module Depth: 20mm
Width: 20HP
Polarity protected

Notes: 2xSAM is 4 HP Dual Stereo Attenuator-Mixer

Several 2xSAMs can be chained together or with other HN stereo modules via sockets on the back side.

2xSAM's total mix stereo output can be internally sent to the Isolator, PanMix Jr, 3xStereo Mixer, or can be received from OUT, PanMix, PanMix Jr, 3xStereo Mixer, or another 2xSAM.

If jumpers are not installed (placed on one pin only by default) the max gain is 1x. When the jumper is properly placed on both pins - the gain is 5x. There are four inputs thus four jumpers. Each jumper is relevant to its channel.

27 mA +12V
27 mA - 12V
35 mm Depth
4 HP wide

Notes: Literally the size of a business card (if a little bit thicker), one of the smallest synths on the market. Simple design with a surprisingly punchy sound, plus CV and gate inputs for control.

Supplier's Notes:
The Business Card Synthesizer is a tiny synth that can be connected to a Business Card Sequencer, other synth gear, or played by itself.

Headphones can be connected directly to the output of the synth, and there are plenty of knobs to play with, so you can easily make noises anywhere. Great for learning about synthesizers!

S&H Button: Enables Sample & Hold, which disables the external CV IN jack and uses LFO1 and LFO2 to determine oscillator pitch. LFO1 sets the sample rate (SHAPE is ignored for this), and LFO2 is the wave that gets sampled.

GATE Button: Manually turns on the gate so sound comes out of the synth. This control is momentary, but you can latch it on by tapping the S&H button while holding the GATE button down.

COARSE TUNE: Adjusts the pitch of the oscillator up or down in large increments

FINE TUNE: Adjusts the pitch of the oscillator up or down in fine increments

SHAPE: Changes the shape of the wave produced by the main oscillator (VCO). Turning this control fully CW gives you a triangle wave. Start turning it CCW takes you through sawtooth/ramp, then at about the 12:00 position you get a square wave. Continue turning it CCW and you get several higher duty cycle square waves
.
GLIDE: Adjusts the rate at which the pitch of the VCO takes to go between pitches (whether changed by the COARSE TUNE knob or CV IN). Fully CCW causes the pitch to react almost instantly, while fully CW makes it take its sweet time.

LFO 1 / LFO 2 SHAPE: Changes the shape of the waves produced by the low-frequency oscillators (LFOs). The shapes are similar to those of the VCO, except that the LFOs have sawtooth/ramp waves that go both up and down (since you can actually hear the difference at LFO rates).

LFO 1 / LFO 2 RATE: Controls how fast the LFOs go.

LFO -> VCO: Routes the two LFOs to control the pitch of the main oscillator. The 12:00 position is basically "off", and the LFOs have no effect on pitch. Start turning the control CCW and LFO1 starts changing the pitch of the VCO. Maximum effect is at about 10:00. Continuing to turn the control starts to bring in LFO2 as well. All the way CCW gives you full effect from both LFO1 and LFO2.

Turning the control CW from 12:00 does essentially the same thing, but brings in LFO2 first, then LFO1.

This might seem like kind of a weird control, but it gives you quite a bit of routing flexibility with one knob. You can have no pitch modulation, LFO1, LFO2, LFO1 with a little LFO2, or LFO2 with a little LFO1.

LFO -> VCA: Routes the two LFOs to control the amplitude of the oscillator. (See LFO -> VCO control description above for more information about how the control works.)

ATTACK: Controls how fast the audio amplitude fades in when the gate is triggered. CCW is fast and CW is slow.

DECAY: Controls how fast the audio amplitude fades out when the gate is released. CCW is fast and CW is slow.

VOLUME: Controls the overall volume of the signal coming from AUDIO OUT.

FILTER: Changes the cutoff frequency of an analog low-pass filter. Turn the knob fully CW and all frequencies (that you can hear) are let through. Start turning it CCW and the high frequencies start getting cut off, until the sound becomes muddy / muffled. Use in conjunction with the SHAPE control to get the tonal quality you are looking for.

Connections:
CV IN: Accepts a 1 volt/octave control voltage to control the pitch of the oscillator. It responds from about 0-5V, but voltages outside of this range won't cause damage. The CV input is quantized, so only valid (western scale) notes are played. This input is ignored when Sample & Hold is enabled.
GATE IN: A voltage greater than about 2.5V will turn on the gate and allow audio to come out the output of the synth.
AUDIO OUT: Connect to an amplifier or another synth. The jack has both the tip and ring connected, so you can even use stereo headphones and hear sound from both ears.
Power: Connect 7.5-15VDC to this 3.5mm TS jack to power the synthesizer. The tip is positive (don't worry, there's a protection diode in case you get it reversed). You can get power from a 9V battery, AC adapter, or you may even be able to find an output on your modular synthesizer that can provide enough current.

Specifications:
Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)

Notes: The MST Unity Gain Mixer adds input signals together and combines them for a summed output. For example, if you put in a 1V source and a 3V source, the output will be 4V. It's mainly used for CV, but it can also be used to combine audio signals together.

A unity gain mixer is handy in several ways:
Combining gates and triggers. Plug a few sequencer steps into the unity gain inputs, then run the output to a drum synth, VCA, envelope, etc.
Re-shaping two CV sources with a single envelope.
Combining different wave shapes or LFOs to make crazy sounds.
Controlling the CV of one source with the CV of another source. Just plug the CV out of a sequencer into and an expression pedal/touchable CV out into the unity gain inputs.

Specifications:
Current draw:
+12V: 9mA
-12V: 9mA
Module Depth: 22mm
Width: 6HP

Notes: The Kontact MIC is a lo-fi theme park. It's a Eurorack microphone preamp with a piezo contact mic built into the panel.

The creative applications are endless: finger percussion/rubbing/scratching, guitar input (works surprisingly well with just a little lofi crunch), acoustic sources to CV, etc.

The PCB fibreglass has quite a nice rough texture - rubbing it with a finger or a plectrum creates quite a wide range of sounds. The back of the panel is plated to expand the surface area of the contact mic. The mic will also pick up all the physical sounds in your modular- patching, cables rustling, switches, fingers on knobs - without picking up airborne sounds i.e. the sound your modular is making. At very high sound levels will pick up vibrations from the speaker output and start to feedback.

The module will work with both DIYed contact mics made from inexpensive piezo transducers, off the shelf contact mics (often called Piezo Pickups) made for guitars and violins which you can pick up for ten bucks from Amazon or eBay or more bespoke mics like the popular Jez Riley French models (including hydrophones!) which are firmly aimed at Sound Designers.

It is an easy way to bring environmental noise and feedback into a modular system, inspired by the early days of electroacoustic music in Paris and Cologne, and by the contact microphone and phonograph cartridge experiments of John Cage, Gordon Mumma, Robert Ashley and Nicholas Collins.

Notes: The 4093 Chaos NAND Synth, in Eurorack form! The 4093 Chaos NAND Synth is a super-modifiable noise generator that will knock your socks off with its sonic potential: low pulsing drones, random robotic chaos, and high-pitched laser sounds!

A great project to begin your explorations into the world of DIY sound synthesis, the PCB was designed with the beginner in mind. Board-mountable switches, socketed IC, hands-on knobs and switches for tone control, and a detailed silkscreen PCB to help you solder components right the first time.