搜索结果

Notes: Roucha Legio is a 12 dB /octave state-variable stereo multimode filter available on the Legio DSP+oscillator platform.

Noise Engineering received tons of requests for NE filters over the years, and Roucha Legio is their first dedicated release. The filter features lowpass, bandpass, and highpass settings and tracks frequency via the dedicated encoder and extremely accurate 1v/8va CV input. Roucha Legio's CV-controlled resonance parameter can go from clean to acidy-squelchy for bassline joy. Add CV for filter sweeps that will knock your socks off. Of course, because it's a Noise Engineering module, there's a Fold knob. Add wavefolding to the signal chain before, after, or both before and after the filter.

Noise Engineering have made it easy to carry out dramatic buildups and cuts with Roucha Legio. Just tap the encoder to bypass; tap again to turn the filter on again. Want to automate it? Send a gate into the Bypass input. The filter will remain bypassed as long as a high gate is present.

Roucha Legio is also a DSP and oscillator platform: users can change the firmware on any Legio module, 100% free, to any other firmware in the Legio series.

Dimensions
6 HP
38 mm deep

Current Draw
140 mA +12V
22 mA -12V

Notes: Creative little desktop noise synth based on some unique ideas. Generate tones with conventional oscillator, noise source and oscillating delay feedback, then mix it all through a final delay.

Supplier's Notes:
Synamodecs Levitate is a desktop synthesizer that is made for noise and experimental music making.

It's divided into three blocks Legus, Neura and Nxpctd. Legus consists of two delays in series. Those delays offer time, level, feedback and dry/wet parameters. Due to it's layout it is capable of generating sounds without any input signals. The ouput of the first delay can modulate the delay time of both or just the other one. The Neura section is a sound and noise generator with frequency, texture and waveform controls and outputs on two different independent outputs. Last but not least the NXPCTD block is a third delay through which the Legus ad Neura pass through. It gives control over dry/wet, time and feedback control.

Additionally the Levitate offers an external audio input for extra fun.

All in all a fun little box for weird and crazy sound exploration. Dc power adapter included.

Dimensions: 20 × 30 × 10 cm

Notes: ***B-STOCK: Box damaged & missing software otherwise in perfect working order***


The Vestax VCM-100 is a portable rotary MIDI controller and audio interface system, designed for laptop DJ performance. Not only does the VCM-100's control interface dictate to your software, it comes with 2 stereo inputs/outputs. Unlike many other DJ MIDI controllers, no external soundcard or mixer is required for performance, headphone monitoring or integration into a sound system. 60 parameters of various software controls are assignable via USB connection.

Pitch, levels, EQs, loops, crossfader and pretty much every DJ function is pre-mapped and laied out in traditional DJ style for Vestax with the included Traktor DJ LE software. Increasing its versatility, the VCM-100 is compatible with all software that allows MIDI control assignment. 3 versions of firmware can be selected to have the best match with the software you are using. The VCM-100 is strong, sturdy, simple and very portable.

Notes: 8-input, 8-output sequential/addressable switch with manual, trigger, and CV control, plus three grouping options, multiple switching directions, and randomization.

Vice Virga is an 8-input, 8-output sequential/addressable switch with a plethora of features and extensive patchability. Vice Virga can be configured as a single 8-channel switch, two 4-channel switches, or four 2-channel switches. Equal parts automated patch arranger and performance tool, Vice Virga has loads of switching control options. Whether you want to chain sequencers, swap outputs on an oscillator, remix a trigger pattern, or mix up every connection in a patch just to see what happens, Vice Virga can do it!

Features:

Size and power:
8HP Eurorack
+12v: 40mA
-12v: 20mA
Vice i from Latin for "alternately"

Virga i from Latin for "switch"

"Alternating Switch"

Notes: A Juno-inspired oscillator module? We're flattered, but credit has to go to Roland for this one. Based on the Juno-106's digitally-controlled analogue oscillators, the Castor & Pollux modernises the 80s design with a built-in LFO and hard sync.

Supplier's Notes:
Twins that dance in and out of phase, never completely together but never fully apart, bound to each other in the infinite universe.

Castor & Pollux is a dual oscillator that echoes back to the legendary Roland Juno but shines with its own unique, massive voice. It contains two digitally-controlled analogue oscillators implemented using a faithfully modernized version of the original Juno 106 design. It builds on the classic '80s sounds of its inspiration by using the second oscillator and internal LFO to layer in thick detuned sounds and harmonically complex hard synced waveforms.

Castor & Pollux II brings a redesigned interface and moves individual waveform outputs to an included expansion. Both versions have the same features and use the same firmware.

14 HP
+12 V @ 100 mA, -12 V @ 35 mA
25 mm deep
2 separate oscillators
7 octave range
9 total outputs with waveform outputs and onboard mixers
Pitch CV input jacks (0 V to 6 V) and pitch knobs (-1 to +1 octave, configurable)
Pulse width CV input jacks and knobs
Hard sync
Hardware chorusing
Internal low-frequency oscillator (LFO)

Notes: Psychdelic Vocal Trip

Designed for vocals, the Echo Master is a lo-fi, analogue tape-style delay unit that can transform your voice into a chaotic realm of noise and feedback. The effects loop allows additional effects to be placed in the signal chain, making it easy to use with any of your favourite effects pedals on your vocal sound without any adapters.

The Echo Master is not just a delay unit, however. It utilizes matched Bourns transformers on the input to create a vibrant-sounding and feedback-minimizing preamp to bring you phenomenal vocal quality before you even hit the PA. Your sound engineer will hate you because you'll sound better than ever without their help. Top it off with high-quality Neutrik XLR jacks and the Echo Master is the ultimate tool for taking total control of the sound of your voice.

Controls

Time: Controls the delay time, with numbers labelled in milliseconds. In the Red Zone, the delay chip is pushed to the extreme. The signal decreases in fidelity as the time increases.

F-Back: Controls the number of repeats in the delay circuit, anywhere from one to an infinite to a wall of oscillation.

Mix: Controls the level of the delayed channel in comparison to the dry signal, from fully dry to an equal mix.

Send/Receive: Plug out of the Send jack into any additional effects, then back into the Return jack to introduce new sounds into your vocals. This loop is before the delay line, allowing you to affect your dry vocals as well as the delay generated by the Echo Master.

*Alternate Backplate: Back in stock baby! The Echo Master can also be purchased with a backplate that mounts to your mic stand. Puts the pedal within hands reach to maximize live performance tweak-ability. This recently upgraded V3, comes with a handgrip screw for more torque (although it resembles the V1, this is a much sturdier model). **Please note- cords, microphone, and stand are not included.

Specifications

Dimensions: 6.09" x 3.45" x 2.75" (including hardware).
Weight: 16oz. (w/ Alternate Back Plate 30oz.)
Power: 9V (runs on standard 2.1mm negative center 9V adapter).
Current Draw: 25 mA.

Notes: Any signal can be expressed in terms of a few parameters: frequency, phase, amplitude and timbre. It is through modulation of these aspects that synthesists create electronic sound. With Generate 3, it is now possible to create a signal and control all its parameters by through-zero modulation within a single 12 HP wide module.

Everything starts with the exceptionally precise triangle-core voltage controlled oscillator (VCO) at the module’s heart. Through-zero linear frequency modulation (FM) enables rich yet pitch-stable FM sounds, by allowing the oscillator to run backwards into ‘negative frequencies’.

The resultant triangle wave is then processed by the through-zero phase modulator, providing a total phase shift range of 900°. Phase modulation offers an interesting alternative for FM, as it enables deep FM-type tones without actually changing the oscillation frequency.

The timbre of a signal is determined by its harmonic content. This full set of harmonics can be grouped into three main parts: the fundamental, even and odd harmonics. Generate 3’s harmonics generator separates out these three timbral ‘channels’. By adjusting their relative amplitudes, a vast array of different waveforms can be created, including but not limited to the classic sine, saw and square waves.

While the amplitudes can be adjusted manually, each timbral channel supports through-zero amplitude modulation, also known as balanced or ring modulation. When audio-frequency modulation signals are applied, the harmonics become ‘split’, enriching the spectrum.

In addition to all the usual analogue synthesis techniques, the extensive set of modulation options makes Generate 3 especially suited for exploring multiphonic synthesis: a monophonic source creating a complex timbre, much like throat singing, yet by electronic means.

Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz

Notes: Deluxe version of the impressive iRig Pro Quattro features the same high-quality portable interface with the added bonus of a full complement of accessories, including mics and travel case.

Supplier's Notes:
***Note: This version of the iRig Pro Quattro I/O comes with 2 x Mic XY stereo microphones, foam windscreen, and a carry case. ***

Go pro all the way

For a little more, you get a lot with the iRig Pro Quattro I/O Deluxe edition. The value of the iRig XY stereo mic capsules alone is worth the upgrade. In addition to the pair of mics you'll get the optional power supply, which you can also use to keep your iOS device charged during extended sessions. Plus you'll get a custom carrying case to protect and transport your Quattro I/O and XY mics wherever your field work takes you.

Pro recording and performing, in the palm of your hand

iRig Pro Quattro I/O is a professional-quality 4 in / 2 out portable audio and MIDI interface packed with everything needed for field recording and content creation, for serious sound and flexibility - anywhere.

Small enough to fit in the palm of your hand, the iRig Pro Quattro I/O still packs in four high-quality, low-noise mic preamps; instrument, RCA and TRS inputs; plus XLR balanced, 3.5mm stereo and headphone outputs - and full MIDI I/O!

iRig Pro Quattro I/O works right out of the box with iPhone, iPad, Android, Mac and PC, but can also serve as a stand-alone mic preamp or line mixer, with a built-in limiter and direct monitoring so you're always guaranteed the perfect take.

Packed with a swiss-army-knife's worth of tools, iRig Pro Quattro I/O ensures you're ready for anything, anywhere.

As a mobile interface

Connected to a computer or mobile device, the iRig Pro Quattro I/O will work as a high-quality, multi-channel audio and MIDI interface with a full array of inputs and outputs so you'll always be prepared for any recording or need. Fully MFi-certified, no adaptors are required for iPhone or iPad for reliable field performance on any device.

As a broadcast / podcast interface

Enable STEREO mode and iRig Pro Quattro I/O mixes all sources down to stereo for streaming or recording. Monitoring is easy thanks to a dedicated headphone output with independent volume control and direct monitoring. Or use MONO mode for streaming to social media; Loopback lets you duet your favourite videos easily.

As a field recording interface

With an onboard microphone and optional stereo mic capsules, iRig Pro Quattro I/O turns your iPhone, iPad, Android device into a full-featured, professional field recorder.

As a stand-alone mixer

iRig Pro Quattro I/O also works as a preamp and mixer: just power it via battery, USB or DC IN and use the full set of inputs/outputs to capture and mix multiple sources to your DSLR camera with professional quality.

Always perfect recordings with the safety backup channels

In STEREO and MONO mode, inputs 3 and 4 can be used as safety channels: recording the same signal as input 1 and 2 but reduced by 12dB as a backup in case the sound source unexpectedly overloads the main channels.

Audio quality without compromise... wherever you are

Up to 24-bit, 96 kHz sample rate Ultra-low-noise mic preamps with full +48v phantom power Professional-quality, transparent A/D and D/A conversion Built-in limiter, for input 1-2, to protect against clipping Multitrack, stereo or mono internal mixdown.

Dimensions

Size: 160mm/6.29" x 90mm/3.54" x 40mm/1.57"
Weight: 340g/11.99oz (without batteries)
Cable length: 60cm/23.62"

Box contents

iRig Pro Quattro I/O
1/4" thread adapter
4x AA Batteries (alkaline)
iOS Lightning to mini-DIN cable
USB-A to mini-DIN cable
2.5mm jack to MIDI female adapter
2 iRig MIC XY stereo microphones
Windscreen
9V PSU
Travel case

Notes: The NT5 matched pairs are a masterpiece of small-diaphragm cardioid-condenser microphone design.

Intended for recording acoustic instruments, drum overheads, cymbals and live performances, the compact externally polarized mic employs a 1/2" capsule, an active J-FET impedance converter with bipolar output buffer.

Finished in durable satin nickel, the NT5 is intended for either single or stereo X/Y mic set-ups. The NT5 matched pairs comes supplied in a custom carry case with windshields and mounts.

NT5 - Matched Pair Box Contains :

As of 2022, the updated packaging is made from engineered cardboard instead of foam or plastic blister, making it more environmentally friendly, and they all share a unified look to further enhance brand consistency.

RODE have also made a change to the box contents removing the hard cases and including a zip case instead. This has meant that the new dimensions of the packaging are significantly smaller than the original packaging.

2 x NT5
2 x RM5 (mic clip)
2 x WS5 (windshield)
1 x ZP1 (zip pouch)

Notes: More affordable than the flagship X8 but still offering exceptional sound quality, the X6 is a handheld recorder for every purpose, with built-in mics or XLR inputs, 96-kHz/32-bit resolution and smartphone-style touchscreen control.

Supplier's Notes:
Advanced recording technology, yet simple to use!

Capturing high-resolution audio is easy with the Portacapture X6. The intuitive app-like operation on its large colour touchscreen makes it easy to record or sweeten up your audio in post-processing. Record using the two built-in microphones or plug in your own mics to its two XLR inputs. The recording quality on the Portacapture X6 will be your secret advantage. Its 96-kHz/32-bit floating-point recording technology means that you can capture audio softer or louder than ideal, assuring that you will never miss that moment.

Six different recording apps to choose from

Manual: This is the main app for multi-track recording of up to six audio sources and a stereo mix (2-mix).
Voice: This recording app is ideal for capturing interviews, dictation and meetings.
Podcast: Use this for podcast creation with up to four people.
Music: Choose this app for capturing instrumental and vocal performances.
Field: Ideal for recording nature sounds outdoors.
ASMR: The screen visual effect changes in response to the input sound.

App-like operation
Quickly access your settings and adjustments on the Portacapture X6's large (2.4-inch) colour touchscreen. With the easy-to-navigate interface and helpful tools, you are just a few taps from the perfect setting for your needs. Use the Launcher to select from podcast, music, interviews, field recording and real 6-track recording. Start fast, start right and get exactly what you need.

Audio for video production

When shooting a video, you want to be able to focus on your video production and not worry about your audio. The Portacapture X6 was built with video production in mind. The workflow, presets and user settings save you countless steps. The X6 has your back with its 96 kHz/32-bit float recording technology. Not only does this mean you will have the highest quality audio, but you will have a dynamic range that allows you to overcome those less-than-ideal realities that can often occur on a shoot.

The X6 even gives you a timecode sync option* via Bluetooth (with optional AK-BT1) allowing you to align your audio with your video, even when you have no audio on your camera. Upgrade your audio and reduce your worries with your own Portacapture X6.

Record your way

The Portacapture X6 is ready to record with a few quick taps. The internal high-quality stereo microphones can instantly be rotated from A-B to a true X-Y mic pattern to allow for dialogue or spatial music recording. Have your own mics? Use those thanks to the two included XLR inputs which can also handle line level sources.

The mic preamplifiers are Tascam HDDA (High Definition Discrete Architecture) - providing ultra-low noise and clean transparent audio based on more than 50 years of Tascam know-how.

Record six tracks (four individual track plus stereo mix) simultaneously and even use the X6 as your 6-in/2-out USB audio interface to connect to your computer.

Capture every bit

It would be great if every time you need to capture audio, everything is perfect. Not too loud, not too soft. Of course that is not the reality for most of us. Sometimes a voice or sound will be really soft and in other cases it is blasting. Even in these extremes, you are expected to capture the sound and deliver well-finished audio.

The 32-bit floating point recording technology in the Portacapture X6 gives you a much lower floor and higher ceiling for sound material. The result is that your recording can capture everything from the quietest rustle to the loudest spectacle.

Control the recorder from your phone (with optional Bluetooth adapter)

In those cases where you want to put your audio recorder in one place and operate it from another, the X6 has you covered. With the AK-BT1 Bluetooth adapter (sold separately) and the free Portacapture Control app, it's easy to remote control your X6 wirelessly from your smartphone or tablet.

Imagine the possibilities!

Ready-to-publish audio anywhere

With the Portacapture X6, your audio is ready to share. Built-in signal processing, including a compressor, limiter, high-pass filter, EQ and reverb, adds that studio polish.

Whether you need to tame the wind when recording outside or want to add the ambiance of reverb to your vocals, the X6 has you covered. From smoothing out your input to preventing extreme peaks or eliminating plosives in dialogue, you can count on the Portacapture X6.

Specifications

Recorder specifications

Recording media: microSD card (64 MB - 2 GB), microSDHC card (4-32 GB), microSDXC card (48-512 GB)
Recording/playback formats: WAV (BWF): 44.1/48/96 kHz, 16/24 bit or 32 bit float, MP3: 44.1/48kHz, 128/192/256/320 kbit/s
Input channels: 4 (maximum)
Recording tracks: 6 (4 tracks + stereo mix)

Analogue audio inputs

Mic inputs 3-4 (balanced): XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
(phantom power over XLR only)
Input impedance: +/-2.2 kO
Maximum input level: +2 dBu
Minimum input level: -75 dBu
Line inputs 3-4: XLR-3-31 equivalent (1: GND, 2: HOT, 3: COLD), 6.3-mm TRS jacks (Tip: HOT, Ring: COLD, Sleeve: GND)
Input impedance: +/-9 kO
Maximum input level: +24 dBu
Minimum input level: -53 dBu
MIC/EXT IN (unbalanced): 3.5-mm mini jack (supports plug-in power)
Input impedance: 10 kO (plug-in power off), 1.8 kO (plug-in power on)
Maximum input level: 0 dBV
Minimum input level: -67 dBV

Analogue audio outputs

Line output (LINE OUT, unbalanced): 3.5-mm stereo mini jack
Output impedance: 200 O
Nominal output level: -14 dBV
Maximum output level: +6 dBV
Headphones output: 3.5-mm stereo mini jack
Maximum output: 45 mW + 45 mW (THD+N: =0.1%, 32 O load)
Built-in speaker: 0.4 W (mono)

Control inputs/outputs

USB port: USB Type-C connector
Format: USB 2.0 High Speed mass storage class
Bluetooth device connector: For Bluetooth adapter (AK-BT1) only

Audio performance

Equivalent input noise (EIN, mic inputs 3-4) =-125 dBu
Frequency response (inputs 3-4 to PCM data): Fs 48 kHz: 20 Hz - 20 kHz, +0/-0.3 dB (JEITA), Fs 96 kHz: 20 Hz - 40 kHz, +0/-0.7 dB (JEITA)

Dynamic range (20 kHz SPCL LPF, A-weighted, Field app)
Inputs 3-4 to PCM data: -112 dB (48/96 kHz)

S/N ratio (20 kHz SPCL LPF, A-weighted)
Inputs 3-4 : 112 dB (48/96 kHz)
MIC/EXT IN: 103 dB (48 kHz), 105 dB (96 kHz)
Total harmonic distortion ratio (THD+N, 1 kHz sine wave, -5 dBFS at input, GAIN at minimum, 20 kHz SPCL LPF)
Inputs 3-4 (LINE IN) to PCM data: 0.008 %
Inputs 3-4 (MIC IN) to PCM data: 0.006 %

Power supply and other specifications

Power supply: 4 AA batteries (alkaline, Ni-MH or lithium-ion)
USB bus power from a computer
AC adapter (TASCAM PS-P520U, sold separately)
Power consumption 7.5 W (maximum)
Display: 2.4-inch full-colour LCD touchscreen
Dimensions (W × H × D): 75 mm × 174 mm × 37 mm (excluding protrusions)
Weight: 365 g (with batteries) / 265 g (without batteries)
Operating temperature range: 0-40 -C

Notes: Moonwalker is a versatile signal generator that performs as an envelope, lfo, and audio oscillator, with attack and decay time controls

Phase offset is continuously variable from 0 to 360° and inverts the waveform without changing it’s amplitude, and with or without changing it's polarity.

Unipolar mode preserves the output range by offsetting the starting voltage, so it always stays between 0 and +10v

Bipolar mode preserves the starting voltage by offsetting the output range, so it always starts at 0v. The output range will shift from +unipolar, through +bipolar, to -unipolar, through -bipolar back to +unipolar.

The reference waveform does not change phase, but the timing of the rate change between Attack and Decay shift with the phase offset, to ensure synchronous movement.

The phase offset output is half-normalled to the phase offset cv input and skews the waveform from triangle to saw or ramp without changing frequency (when attack = decay).

Dimensions
10 HP
39 mm deep

Current Draw
110 mA +12V
80 mA -12V
0 mA 5V

Notes: Gorgeous stereo implementation of the classic frequency shifter sound, moving from tonal harmonics to atonal disharmony effortlessly. Separate outputs for down and up shifts, plus plenty of CV control.

Supplier's Notes:
Koszalin is a full stereo frequency shifter with two inputs and four outputs. If offers simultaneous exponential and linear through-zero control of the amount of frequency shift in 3 carefully scaled ranges (up to +/- 5kHz). Frequency shifting results in linear translation of signal spectrum producing all kinds of atonal sounds. It should not be confused with frequency scaling, also known as pitch shifting. Several stereo feedback topologies are offered with additional density control besides feedback depth, which results in spectacular stereo barberpole effects.

Through-zero modulation allows for using Koszalin's input as an FM operator. Koszalin is a digital module with a DSP behind an analog interface.

Main features:

full stereo frequency shifting
3 shift ranges: +/- 50Hz / 500Hz / 5kHz
exponential and linear through-zero inputs
internal feedback under voltage control.
10HP
12V: 140mA / -12V: 30mA

Notes: Expand the lid from your case to be another powered rack. This set includes:

Rails
Handle and handle supports
Powered bus board
Case wiring
AC/DC power adapter
All hardware and thermal tape to complete the conversion

Notes: Part performance mixer, part utility module, with 4 channels of VCA, summed to a stereo output, Tannhauser Gates is AFA's first stereo module.

Based loosely on the Buchla 100 series Gates, each channel boasts a discrete VCA with a rich overdrive sound, stereo panning, a tilt EQ and an easily accessible mute switch. Each channel can be used individually as a mono track or all four can be summed down to the stereo output. The four channels have an individual CV input, or they can all be controlled via the master CV input. The Tannhauser Gates also hosts the capability for a stereo send and return path, expanding your sonic arsenal to other processing modules.

Tannhauser Gates is designed with future expansion in mind. Adding up to three more Tannhauser Gates modules, it is possible to build a performance mixer system of up to 16 channels, all summed to a single output module. The back side of the module is equipped with a number of expansion headers.

Power consumption: 146mA at +12 V and 94mA at -12 V
Depth: 34mm
HP : 20

Notes: Upgraded Pro version of the outstanding FX Aid multi-effects module. 200 onboard stereo effects, customisable via an online app, with added CV inputs and even more physical controls. Superb.

Supplier's Notes:
FX AID Pro:

OLED screen shows current effect's number, name and its three parameters

200 onboard effects which can be arranged in any order via the online editor https://fxaid.app/pro

Instant switching of the effects or seek then activate option

Stereo input level control

SRR input can also be routed to parameters 1-3 or effect selection

Advanced internal lfo which can be routed to the Sample Rate, parameters 1-3 or effect selection

Manual control of the Sample Rate with one click for default position

10 user storable presets with handy indicator lines for each stored parameter

Screensaver with 1, 10, 30, 60 minutes options

Easy update by playing wav file, level indicator for proper volumes matching

Notes: Hue is an audio colour processing effect, in 6HP eurorack format. Hue is comprised of a chain of 5 effects (Drive, Filter, Tape Saturation, LoFi, Compressor). Each effect imparts a particular coloration, tone, distortion, and/or texture to the source audio. With Hue, Drums bang with more intensity & melodies morph into lush LoFi tones.

Hue's goal is to simply colour your sound. The initial concept was born of a debate about the techniques and processes used to make drum machines sound big, bold, and delicious. The sounds that tug at the hearts of boombap, LoFi, and subsequently modbap, enthusiasts are those that have great texture, lush degradation, soft distortion, and big bold strokes of colour. The classic beloved drum machines were often processed with outboard gear, recorded to tape, pressed to vinyl, played in big booming systems, sampled, and resampled and on and on. Ultimately, those are the sounds that become nostalgic and reminiscent of all that we love about classic LoFi boombap production. Hue is Modbap's attempt at bringing that vibe into eurorack with a cute little 6hp package.

The effects chain audio signal path is as follows; Drive, Filter, Tape Saturation, LoFi, Compressor. The panel layout allows for the DJ style filter knob to sit in first position for ease of tweaking. Drive boosts and lightly distorts the signal, while shift+Drive adjusts the Drive tone. The Filter is a low pass filter to the left and a high pass filter to the right. Tape effect is intended to impart cassette tape saturation, while shift+Tape adjusts the intensity. LoFi adjusts bit depth, while shift+LoFi adjusts sample rate. Lastly, the one knob compressor mini pot serves as the final glue in the signal path that brings it all together.CV inputs for Drive, Filter, Tape Saturation, and LoFi opens loads of creative possibilities. Hue is a textural beast when creative modulation is thrown at it.

Hue puts the power to shape and transform your sound at your fingertips. It's great for beefing up drums and equally as magical on melodic content. Hue can be the glue that brings it all together. It also, pairs well with Trinity and Osiris. All in all, Hue exemplifies the tagline "Made for eurorack, dope enough for boombap!"

Tech Specs

Width: 6HP
Depth: 28mm
Power: 50mA +12V, 50mA -12V

Features
5 effects (Drive, Filter, Tape Saturation, LoFi, Compressor.)
4 CV inputs for modulating the effects
Mono in and mono out
6HP

Notes: Huge power in a compact package with this upgraded 10-inch design from Alto's TrueSonic 4 range. Bluetooth connectivity and DSP give added control via the Alto app.

Supplier's Notes:
2000-watt 10-inch 2-way powered loudspeaker with Bluetooth, DSP & app control

TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application. With a 10-inch woofer, and a 1.4-inch compression driver, TS410 delivers 2000W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all. With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.


Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points.

Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and wedding

Specifications

Output Power: 2000W
Drivers Low-Frequency: 10.0" driver, 2.0" (50 mm) high-temperature voice coil. 1 x 650 W RMS @ 2 ?.
High Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 350 W @ 4 ?.
Crossover Frequency: 2 kHz
Maximum SPL: 130 dB (peak), 127 dB (continuous) (dB-SPL @ 1 m)
Frequency Response: 57 Hz - 20 kHz (+/-3 dB)
Frequency Range: 48 Hz - 20 kHz (-10 dB)
Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced) (1) XLR output (Link) (1) IEC power cable input
Input Impedance Line: 10 K? balanced, 20 K? unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -? to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/Volume Control Range: -? to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2 Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)
Power Connection: IEC
Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 900W
Fuse: 100-120V T10AL AC250V; 220-240V T5AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grill
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 21.1" x 12.6" x 12.5" / 536 x 320 x 317 mm
Weight: 26.0 lbs. / 11.8 kg

Notes: Finally the VSR 3.2 is here! It is the enhanced successor of the Vermona VSR-3 - Vintage Spring Reverb.

Most of the features, like the AccuBell spring tank (type 9), the TONE control as well as in and output stages are equal.

What has been improved is the way EFFECT STOP is working. Compared to its predecessor VSR 3.2 offers the possibility to determine where EFFECT STOP cuts the signal path: PRE or POST the spring tank. In the new PRE mode the input of the spring tank is cut from the signal path, so the reverb's decay isn't abruptly stopped when pressing EFFECT STOP and still can fade out.

The VSR 3.2 is suitable for all kinds of input signals like synthesizer, organs, guitars, vocals etc. It's available as of now from stock. It is already listed in our latest price list from 2015-05-01.

*UK 3-pin power adapter included.

Notes: Updated version of the DT-RDX controller features a built-in MIDI merger. The approach is the same, with hands-on control of all Yamaha Reface DX parameters, making it easier than ever to unleash the power of FM synthesis.

Supplier's Notes:
Dtronics DT-RDX-V2 for Yamaha Reface DX

The Dtronics DT-RDX-V2 is a hardware controller for the Yamaha Reface DX and the successor to its older brother the DT-RDX. The difference between the two is that the RDX-V2 has a hardware MIDI merger on board for even better performance.

With all its parameters the FM synthesis is a challenge control.

The DT-RDX has all parameters directly accessible with its 41 knobs and 9 switches.

All you have to do is select the desired operator. You can also edit multiple operators with the same parameters at the same time.

The controller is mounted on a stylish holder.(included)

Specifications

Holder: steel
Casing : high grade plastic
Power splitter cable to power-up the RDX and the Yamaha Reface DX is included
MIDI cable to connect the DT-RDX to the Yamaha Reface DX synthesizer is included.
The pictured Yamaha Reface DX synthesizer is not included

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: Your Palette case is the ideal solution for your space conscious and portable needs. At about the same size as a small laptop, your Palette fits comfortably on your desktop; in your backpack; at your favourite coffee shop; in your jam space; or pretty much anywhere else you might desire to play. Your imagination is the only limit. With 62hp of rack space, you can piece together powerful but focused mini systems and control surfaces. Intellijel's 1U row and built-in i/o ports add a ton of extra utility to bring the most out of your Eurorack modules. Truly a palette for the sonic artist.

Utilities panel:

- Dual 1:4 buffered multiple
- Two 1/4" balanced audio jacks that can be connected to the Stereo Line Out 1U, Pedal I/O 1U or Mixup
- 1/8" (6.35mm) MIDI Input that can be connected to uMIDI 1U
- USB port that connects to the uMIDI 1U and other future modules
- Rocker switch and barrel plug for power entry

Construction:

- Anodized aluminium
- Aluminium extruded rails with steel threaded inserts
- Rubber feet to protect your desktop
- Rear mounted power supply for maximum module depth

Includes:

- 40W Meanwell AC/DC adapter with right angled connector
- 3FT North American IEC power cable
- 1/8" (6.35mm) TRS to 5-Pin Din MIDI adapter

Notes: Erica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads.

It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator.

Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter

Notes: The TT-78, from Cyclone Analogic, is the next step in their collection of classic reproductions of iconic drum machines. The TT-78 is modelled after the classic CR-78 drum machine from Roland, produced in 1978. The TT-78 contains all the modern upgrades one would expect, while also being housed in a sleek shell, similar to the TT-303 and TT-606. It has the same intuitive sequencing functions as the previous Cyclone Analogic unit, but with a completely different sound palette, using sounds like Bongos, Congas, Maracas, and Guiro. There are seven individual outputs, providing independent jacks for most of the sounds. It also comes complete with MIDI In, Out and Thru, for synchronizing the TT-78 with all one's other gear.

*Supplied with Euro two pin to UK three pin adapter*

Notes: Red version of Cyclone's excellent bass synth, replicating the sound of the iconic Roland TB-303. Fully analogue synth with modernised sequencer and classic acid sound.

Supplier's Notes:
A full analogue synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favourite synths!

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original).

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.

Specifications

Bass Bot TT-303

VCO

Monophonic
Waveforms: Sawtooth or Square
Frequency Range: 20Hz-850Hz

Main Controls

Tempo Knob
Volume Knob
Track/Pattern Bank Selector Knob
Mode Selector Knob
Power On/Off Switch

Audio Controls

Tuning Knob
Filter Cutoff Frequency Knob
Filter Resonance Knob
Filter Envelope Modulation Amount Knob
Filter Envelope Decay Knob
Accent Amount Knob
Waveform Selector Switch

Data Storage

User Patterns: 432 (9 banks of 48 patterns)
Pattern Lab Patterns: 108 (9 banks of 12 patterns)
Preset Patterns: 108 (9 banks of 12 patterns)
User Tracks: 9

Operating Modes

Pattern Write | Loop Edit |Pattern Lab | Arpeggiator
Pattern Play | Preset | Track Play | Track Write | MIDI

Per-step Modifiers

Down Octave | Up Octave | Accent | Slide
Mute | Hammer | Rest / Tie

Pattern Features

Pattern Length: 1-64 steps
Per-step modifier assignment
Time scales: 16th note, 32nd note, 8th note triplet,
16th note triplet
Assignable pattern LED color
Pattern Copy / Paste functions
Intelligent procedural pattern generator
Pattern-based Arpeggiator
Pattern Mutate function

Track Features

Visual track programming system
Maximum Length: 144 bars | Per-bar transpose option

Global Features

Shuffle Amount | Slide Time | Gate Length |
Illuminated buttons: 26
Tap Tempo Input | Automated VCO calibration |
System LED colour |
MIDI In / Out channels

Outputs

Main Mix (1/4" mono, +15dBu)
Headphone (1/4" stereo, +10dBu)
VCO Waveform (1/8", Sawtooth: 5Vp-p, Square: 3.7Vp-p)
Control Voltage (1/8", 1V/octave, range 1V 5V)
Gate (1/8", 0V 12V)
Accent On (1/8", 0V 5.5V)
Clock (1/8", DIN Sync compatible, 0V 5V)
Start/Stop (1/8", DIN Sync compatible, 0V 5V)
MIDI Out / Thru

Inputs

Filter In (+4dBu nominal, 100kO input impedance)
Power (9VDC, 300mA) | MIDI In

PC Functions

Cyclone Studio application for PC & Mac enables Bass Bot software update and user data backup & restore using MIDI/SysEx transfer.

Physical

Dimensions: L310mm x W130mm x H35mm
Weight: Unit 783g (Boxed with accessories) 1.332kg

Included Accessories: 100-240v Universal Power Adapter | Near Invisible Force Field | Case Transporter | Printed User Manual

Available Accessories: 7 Lines 1/8 to 1/4 output cable snake | Triple 100-240v Universal Power Adapter

Notes: Bags of character courtesy of 'tone wizard' Andy Timmons (Danger Danger). Dual delay lines work in tandem, creating stereo effects from vintage tape delay to infinite hold.

Supplier's Notes:
Andy Timmons' mysterious sounding "Halo" effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO. Notes from the HALO dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning!

The pedal comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature "Halo" sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analogue delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are further enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.

Think of HALO as two delay pedals that work in tandem, letting you switch between your main delay (side A) and an alternative (side B). With up to 1500 ms of available delay, set sides A and B for different delay times, then simply foot switch between the two. Keeley's Smart Stomp System allows you to press and hold either stomp switch to engage tap tempo mode. Press and hold the alternate stomp switch for infinite repeat/hold.

Each Preset bank gives you 2 delays settings for a total of 8 user-storable effects. Use the Rhythm control to select between different echoes like HALO, Analog, Tape, Quarter and Dotted Eighth. HALO's Saturate control adds tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. The Rhythm Mode selector delivers 5 delay types, including Andy's unique "Halo" sound. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects.

Run the HALO in stereo for incredible true-stereo imaging or save your favourite combination of settings as a preset and the HALO becomes an incredibly compact multi-effect workstation!

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.

Notes: Unearth the Walrus Audio Silt Harmonic Fuzz, a collaborative creation with tube expert Jim Hagerman.

Wielding an internal pre-amp tube, the Silt is a two-in-one fuzz that creates massively rich fuzz tones perfect for chords and rhythmic parts or with the press of a switch, adds uniquely harmonic overtones to the signal before hitting the tube. Crafted specifically for those seeking a harmonically rich fuzz experience, the Silt boasts an analogue circuit with the distinctive warmth of a 12AU7 tube as its drive section, letting you explore a unique and wild sonic landscape.

Main Features:

1. 12AU7 Tube Drive

The Silt's 12AU7 tube section drives the warm, bone-rattling fuzz. We unearthed this sonic fossil to encase your sound in an amber warmth, while still providing the grit, growl, and harmonically complex textures that only a tube-driven fuzz can provide.

2. Harmonic Mode

Harmonic Mode acts as a frequency doubler before the drive section of the pedal. This produces crispy, octave-like sounds, lending a unique edge to your lead tones. Try this with your guitar tone knob rolled off.

3. Contour Control for Precision Tone Sculpting

Refine your fuzz tones with the precision of the Contour control to achieve a wide spectrum of timbres.

Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage, like uncovering layers of sonic strata. Especially helpful when switching between different styles of pickups. Whether you're chasing searing leads or wooley rhythm, the Silt adapts to your style with roaring precision.

4. Designed for Operation at 9v-12v for Plenty of Gain

Supercharge your fuzz experience by operating the Silt anywhere between 9v and 12v. Running the pedal at 12v will give you an extra gain boost, letting you push the primal boundaries of fuzz to deliver the searing tones you've been searching for.

5. True Bypass Circuit

Maintain the integrity of your original tone with the relay bypass circuit. When disengaged, the Silt ensures your signal remains pure, allowing your guitar's natural voice to shine through undisturbed.

Controls:

Volume: Control the output volume level of the pedal.
Tone: Sculpt your output tone with a lowpass/highpass tilt tone control.
Gain: Control the input gain into the fuzz circuit, from subtle, distortion-like crunch to full-throttle fuzz.
Contour: Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage.
Bypass Switch: Enable or disable the effect with the relay bypass switch, preserving your original signal when the Silt is not in use.
Harmonic Switch: Activate or deactivate the frequency doubler circuit before the clipping stages, infusing your sounds with octave-like textures for a unique sonic edge.

Notes: Whether you want to sequence MIDI or analog synthesisers, Crazy8 is your trusty companion to handle all your sequencing needs! Twisted Electrons have multiplied the power of the Acid8 step sequencer by 8, allowing for easy to set up crazy sequences and songs . With just a dash of randomness into the mix, it will help you create truly innovative melodies and lead lines. Play with polyrhythms. Improvise and be inspired.

Crazy8 features 1 Rotary Encoder, 22 Buttons and 86 subtle white LEDs with 2 levels of brightness to visualise 4 patterns at once!

8 Crazy Tracks:

4 Polyphonic MIDI tracks with chords: send on MIDI port 1 (MIDI Type A)
4 Analog CV/Gate tracks: also send MIDI on MIDI port 2
Polyphonic CV! (4 voice chords)
Sync in and out
MIDI Clock input and output, MIDI Slave and Master supported (MIDI Type A)
MIDI pattern "Feeding" and transposing
Heads up mode to display all active steps and chords at a push of the button
Custom CV calibration per note
Independent length per pattern: up to 16 steps per pattern. Chain up to 8 patterns for 128 step patterns
Independent playback per track: Forward, backwards, pendulum and random
Independent rates per track: /4, /3, /2, x1, x2, x3, x4, x8
8 Levels of Swing & 2 swing modes
Variable duty per pattern
Crazy effect per pattern: values 1-8 reduce probability of step, values 10 to 16 add musical improvisation based on the pattern's content
Offset step playback per track
Transpose all tracks to any key with ease
SYSEX memory storing/recalling
MIDI real time pattern feeding
Sequence transpositions (key tracks)
No menus, no BS

Notes: Introducing SUM0, a voltage-controlled oscillator with expanded harmonic possibilities, in a Eurorack format.

The 4 classic waveforms are generated by a meticulously designed oscillation engine.

You can modulate its frequency and its pulse width thanks to its integrated LFO, capable of reaching audible frequencies to achieve expressive modulations with the simple touch of a switch.

Expand the voice of your system by creating complex waveforms and high harmonic content thanks to its output mixer. This mixer also has an input to integrate an external signal to the mix output.

Of course, all its parameters (FM, PWM, SYNC, V/OCT) are at your fingertips through its patch points on the front panel.

And of course, assembled with a load of passion in Bocuma's studio-workshop in Guadalajara.

Nerdy-specs:

22HP
+12V > 12mA -12V > 12mA

Notes: Make any studio monitors sound better

High-definition monitoring for all

Upgrade any studio monitors instantly with the first out-of-the-box acoustic room correction system that anyone can afford. ARC Studio combines a standalone correction processor, new ARC 4 measurement software and a room analysis microphone.

There's a reason all today's top-tier studio monitors are adding active room correction - it supercharges their performance and ensures mixes translate flawlessly. ARC Studio offers this same massive boost in performance and accuracy to any monitor in every studio.

For the first time in the recording industry, an affordable hardware processor can be used as a correction and calibration system for any type of studio - be it home, project or professional - without the limitations of a software-only system.

Standalone digital acoustic correction system
Dramatically improves your mixing accuracy
Works with any monitor system in any room
Installs in minutes in any studio or space
Sonically invisible, audiophile performance
Emulates top monitors and playback systems
Customize your monitors' performance to taste

Improves mixing accuracy

Your room has a big impact on how you hear your music. The size, shape, materials and furniture all work to distort the frequency and stereo balance of your monitors, degrading your sound.

ARC 4's all-new algorithm analyses and corrects these issues in minutes. Your music snaps into focus, with more controlled low-end, tighter transients and pinpoint stereo imaging. It's like an instant upgrade to your monitors.

And when you trust what you hear, you'll mix faster and more confidently than ever.

Installs in minutes

Plug the mic into your interface and you'll be guided through measuring acoustical spots within your listening position. IK's award-winning ARC technology uses this 3D snapshot to identify and completely correct all the problematic issues degrading your monitors' performance.

An all-new listening experience

ARC 4 stores the correction profile and loads it into the ARC Studio processor, sitting invisibly between your interface and monitors to apply to all incoming signals. The standalone processor corrects studio monitors in any studio, including hardware- and console-based setups.

Audiophile performance

ARC Studio features a 120 dB(A) analogue input to analogue output dynamic range, 0.5 Hz to 40 kHz frequency response and ultra-stable clocking for vanishing low jitter, offering total sonic transparency and a level of accuracy you only find in mastering-grade audio converters.

And it connects to your studio and monitors via balanced XLRs with power-safe relay-based hard bypass - so when bypassed you're protected from sudden power-related pops. Between the premium audio quality and ARC Studio's all-new correction algorithm, you'll enjoy the most natural, transparent monitoring ever.

Affordably priced

ARC Studio hardware is not only designed and made in Italy to the highest precision and quality standards, but its clever engineering makes it available at a fraction of the cost of other hardware solutions.

Now everyone can dramatically improve the sound in their mixing environments: from a single pair of monitors to multiple monitoring systems, up to large facilities with multiple mixing and recording rooms.

Improves any studio

For pro studios, whether in-the-box or console-based, ARC Studio allows for a sonically transparent correction and custom-tuning for any monitoring setup from nearfields to mains, preserving the inherent system's sonic quality.

For DAW-based studios, ARC Studio frees you from the hassle of inserting plug-ins on the master bus of your work and preserves zero-latency monitoring setups, plus it allows you to listen to your preferred streaming service with acoustically corrected monitoring without messing around with system drivers.

You can create a profile for every configuration, listening position or even monitor pair. Whether you're in a makeshift studio or a world-class one, fine-tuning your monitoring to your taste has never been easier and has never sounded so good.

Customise your monitors

Customise your setup for ideal performance no matter your preference. ARC 4 offers deep control over each profile so it always sounds its best:

Target curves

ARC 4 now comes with 9 factory target curves for most situations. The default curve offers optimally balanced results with other specific curves for different needs or setups.

Adjustable correction range

By default, ARC corrects the entire frequency spectrum, but you can define limits to both upper and lower correction ranges separately. This is useful if you want to preserve the unique voicing of your monitors or are just looking to correct a certain frequency range.

Specs

ARC Studio Specifications

Audio

AD and DA converters: AKM Velvet Sound™
Audio conversion and internal processing sampling rate: 96 kHz
Audio conversion resolution: 24-bit
Internal processing resolution: 32-bit float
Frequency Response: 2 Hz - 45.0 kHz (- 2.0 dB)
Dynamic Range: 120 dB (A-weighted)
THD (20-20 kHz): 0.00035%
THD+N (1 kHz@-1dBFS): -107 dB
Channel Crosstalk (1 kHz): -122.5 dB
Max Phase Deviation: +7- 20Hz, +16- 22kHz
Input Impedance (balanced): 20 kOhm
Output Impedance (balanced): 50 Ohm
Maximum output level: +17 dBu

Latency

Natural Phase mode: 1.4 ms
Linear Phase mode: 42 ms

Power

Powered by included Power Supply Unit
Dimensions

Size: 14.4cm / 5.6" x 12cm / 4.72" x 4.5cm / 1.77"
Weight: 465g / 1,03lb

Package includes

ARC Studio room-correction processor
ARC Measurement Microphone (depending on the version)
ARC Measurement Microphone Clamp (depending on the version)
USB C-Type to USB A-Type cable (1.5 m / 4.92')
Power Supply Unit
Registration card

System Requirements

Macr (64-bits)
Minimal: Apple M1 or Intelr Core i5 Processor, 4 GB of RAM, macOSr 10.15 or newer (macOS 11 or newer required for Apple Silicon Processors).
Supported Plug-in formats: Audio Units, VST 2, VST 3, AAX.
Works with any audio interface with a phantom powered XLR microphone input and a pair of outputs for monitoring.
44.1 kHz or 48 kHz sampling rate is required for the measurement process.
One free USB port required.

Windowsr (64-bits)

Minimal: Intelr Core i5 Processor or equivalent, 4 GB of RAM, Windows 10 (64 bit) or newer.
Supported Plug-in formats: VST 2, VST 3, AAX.
Works with any audio interface with ASIO drivers, a phantom powered XLR microphone input and a pair of outputs for monitoring.
44.1kHz or 48kHz sampling rate is required for the measurement process.
One free USB port required.

Requires an OpenGL 2 compatible graphics adapter.

Notes: A true legend of modular synthesis, Make Noise's Maths is arguably the definitive Eurorack function generator. Based on analogue computing circuits, Maths draws on Buchla-style techniques to offer countless ways of generating and processing modulation signals.

Supplier's Notes:
The MATHS music synthesizer module is an analogue computer designed for musical purposes. Amongst other things, it will allow you to:

Features

Generate a variety of linear, logarithmic, or exponential triggered or continuous functions

Integrate an incoming signal

With no signal applied, generate a variety of linear, logarithmic, or exponential functions

Add, subtract and OR up to 4 signals

Generate analogue signals from digital information (Gate / Clock)

Generate digital information (Gate / Clock) from analog signals

Delay digital (Gate / Clock) information

If the above list reads like science rather than music, here is the translation:

Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz

Apply Lag, Slew or Portamento to control voltages

Change the depth of modulation and modulate backwards!

Combine up to 4 control signals to create more complex modulations

Musical Events such as Ramping up or Down in Tempo, on command

Initiating Musical events upon sensing motion in the system

Musical note division and / or Flam

Perfect for modulating the DPO and just about anything else

Specifications
Width: 20hp
Max Depth
(incl. power cable): 32mm

Power:
60mA@ +12V
50mA @ -12V

Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.

Notes: This is the powered version that includes the case as described here, a Strom+ module, a Strom power supply (AC/DC adapter) and a Strom busboard with connector cable. You only need to plug modules into the case and you’re ready to go!

One case fits 84HP of modules with a depth of 70mm.

The cases can be used with an incredible amount of flexibility to swap in an out full rows and create larger setups using the Case Connectors and Case Standoffs.

The side cheeks are made of high-quality Finnish plywood and are coated with a durable transparent melamine film. The black surface is hardwearing and crack resistant as well as easy to clean.

All cases are shipped with a set of 4 rubber feet and 50 x M3 screws.

Review: Undeniably one of the most prolific anime soundtracks of all time, Yoko Kanno's band SEATBELTS was formed just to record this 1998 OST for Shinichiro Watanabe's smash success 'Cowboy Bebop'. Following the adventures of the crew of Bebop, a bounty hunter ship that chases criminals and turns them into the Inter Solar System Police for reward, Kanno's zany fusion of rock, blues and jazz oozes cool. The opening track 'Tank!' has been hugely influential, informing innumerable title sequences, from 'Danganronpa' to 'JoJo's Bizarre Adventure'. Focusing, as the Japanese often do, on Americana hallmarks, there is a distinct New York slant in the horns with some Afro-Cuban percussive influences as well, most notably on 'Rush' from the first 'COWBOY BEBOP' album. This boxset serves as a comprehensive rundown of all things SEATBELTS, an 11-vinyl boxset featuring all 7 albums the band have made for the legendary franchise housed in a box with art from the show.

Notes: Most musicians use their feet as an extension of their playing, either pushing piano pedals, sustain pedals, guitar pedals.

However, feet have been underrated while using modulars. In the past ADDAC released a series of modules using sustain and expression pedals for triggering or controlling signals to help breaking the ice. While these are small and still useful for simple uses, ADDAC wanted to create something more specific this time.

This new solution features 5 footswitches and 5 inputs for external expression pedals with independent controls for each.

The aim was to save HP rack space and so created an external floor pedal with all the footswitches and controls, keeping the module HP to the minimum possible featuring only the 10 outputs and the connector to the external floor pedal.

There are many expression pedals in the market and although the most common one is the TRS pedal there are 2 other standards: RTS and TS.

All five ADDAC311 inputs expect TRS pedals, if you're looking into buying one choose a TRS pedal.

If you already have other pedals channel 4 features jumpers that can be switched in order to be used with a RTS pedal.

Channel 5 features a jumper that can be switched in order to be used with a TS pedal.

External expression pedals are required for their outputs to work.

External expression pedals are not included

Notes: Belgrad is an all-analogue voltage controlled filter module which - on par with our other modules - brings something new to the table. While it can be used as a traditional VCF for "academic" subtractive synthesis, we guarantee countless hours of exciting timbral explorations thanks to its unique character, flexibility, and features. The most prominent feature is that it offers a multitude of frequency responses with two resonant peaks.

- Eurorack synth compatible
- 14HP, skiff friendly
- Current draw: +45mA / -42mA
- Reverse power protection

Notes: Since we pioneered guitar amp & effects modelling in 2002, IK Multimedia has spent more time studying guitar and amp recording than possibly anyone else on the planet. Modelling over 400 pieces of gear has required tens of thousands of hours painstakingly measuring the interactions between instruments, pickups and amplifier circuits, not to mention the cooperation of the world's most iconic guitar players, amplifier manufacturers, and engineers to learn how to create and capture great guitar tones.

AXE I/O brings all that experience to you.

AXE I/O is a professional 2 in/5 out audio interface - and controller - designed specifically with the needs of the recording guitarist in mind, providing best-in-class sound quality and powerful features aimed squarely at making your recordings faster, easier and better than ever.

AXE I/O offers an exclusive triple-topology, fully discrete input circuit, with both PURE and JFET input stages, to go from transparent to tube-like with just a single switch.

Its patent-pending Z-Tone impedance-adapting circuit interacts with your guitar's pick-ups to give you a massive range of tonal flexibility, you've never heard before.

Plus AXE I/O includes a dedicated Amp Out, so you can process your recording with real guitar amps and stomps without the need for external accessories (and without having to unplug your existing connections!). This low-noise out also eliminates ground loops, to keep even the highest-gain re-amplification as quiet as possible.

And AXE I/O seamlessly integrates with the included AmpliTube 4 Deluxe to select presets and control values via the front input knob, and lets you connect pedals and switches to get the most from your virtual rig without ever taking your hands off your axe.

We even included an onboard tuner so you can be ready to record in an instant whenever inspiration strikes.

Every element of AXE I/O has been created with no-compromise quality and real-world usefulness.

It's the interface we wish we'd had all along.

Notes: The successor to Dinky's Taiko, Tyso Daiko is a 12-bit dual digital drum voice, with built-in analogue tilt EQ and wavefolder, plus extensive CV control. Intuitive, powerful and versatile.

Supplier's Notes:
The 'Tyso Daiko' is a dual 12-bit digital wavetable drum voice with full voltage control and an analogue EQ output path.

The twin voices are independently triggered and output, but share pitch, envelope and other parameters of a swept wavetable oscillator. One voice is output through a voltage controlled analogue tilt EQ emphasising upper or lower frequencies.

The other voice is output through a digital wavefolder which adds increasing timbral complexity (to noise).

Both voices respond independently to an accent input and the first voice is able to be 'choked' . A surface control allows for fine control of additional transients from a click to a slow attack. Full voltage control including a V/Oct pitch input makes the Daiko an expressive and wide ranging drum module with extremely wide pallet of sounds with lots of modulation possibilities.

The Daiko succeeds the original Dinky with the same spirit but much improved control, new features and new wavetables.

Technical Specifications

Supply: +12V 70mA Max / -12v 35mA
Size: 14 HP
Depth: 32mm

Notes: Librae Legio is a dynamics processor designed to take a whole patch to the next level. Compression, expansion, limiting, noise gating, and two styles of gentle distortion: Librae is the perfect tool to bring your mix together. And while it can do extreme limiting and really squash your sounds together, Noise Engineering developed it with transparency in mind - whether you want to hard-limit your techno mix or gently bring the sounds in your ambient patch together, Librae is the end-of-chain dynamics processor you've been looking for.

Notes: The Erica Synths Black Stereo Delay is a hi-fi stereo delay with a lot of unique features based on our custom DSP engine. Tape, BBD and digital delay emulations with three modes, each accompanied with delay time, feedback, feedback tone and stereo spread controls allow for designing extremely delicate effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack. Delay effects are developed by Dutch company www.112db.com

Features

Tape, BBD and digital delay types
Three modes for each type
Tap and clock synchronization of delay time
10 preset patches
CV control over delay time, feedback, tone, dry/wet mix and preset selection
Adjustable stereo delay spread
The modules run on new Erica Synths DSP hardware and the effects are developed in collaboration with Dutch company 112.dB who make some of the most beautiful sounding effects.

Erica Black Series include high-end, unique functionality and superior quality modules. Only the best, highest-quality components are used, all inputs and outputs are protected against undesired overvoltage. Erica Black Series consist of range of modules that are needed to put together entire synth.

Technical specifications:

Max audio input level before clipping: 16Vptp
CV input range (full span): -5V - +5V
Sampling frequency: 48kHz, 24bit
Delay time: 3..3000ms
Audio codecs: -108 dynamic range, -98dB THD+N
Power consumption: 120mA@+12V, 39mA@-12V
Module width: 12HP
Module depth: 35mm

Notes: The Erica Synths Black Reverb is a versatile hi-fi stereo FX module with lots of unique features based on Erica Synths' custom DSP engine. The reverb sources are selectable Tape, BBD and "dirty BBD" digital; emulations with three modes, each - Room, Hall and Cathedral. Delicate room size control, feedback, feedback tone and stereo spin controls allow for designing extremely delicate reverberation effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.

Features:

Reverb based on Tape, BBD and digital delay lines
Three room sizes
Manual and triggered FREEZE with 1V/oct tracking
10 preset patches
CV control over size, feedback, tone, dry/wet mix and preset selection
Adjustable stereo spin

Specs:

Max audio input level before clipping 16Vptp
CV input range (full span) -5V - +5V
Sampling frequency 48kHz, 24bit
Audio codecs -108 dynamic range, -98dB THD+N
Power consumption 120mA@+12V, 39mA@-12V
Module width 12HP
Module depth 35mm

Notes: The STEREO FX module brings hi-fi stereo effects into the Erica Synths Drum Series. Based on Erica Synths' new DSP engine, the module provides a wide range of custom delay and reverb effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.

Features

Hi-Fi stereo FX module
3 delay and 3 reverb effects
Tap and clock synchronization of delay time
Delay time divisions and multiplications in sync mode
10 preset patches
CV control over delay time, feedback, and preset selection
The FX is developed in collaboration with the Dutch company 112dB which offers some of the best-sounding VST instruments.

Technical specifications:

Audio input level: -5V - +5V
Delay time: 3ms - 3s
CV level (full span): -5 - +5V
Power consumption: +123mA, -40mA
Module width: 10HP
Module depth: 35mm

Notes: The Ar Merc'het Brao module is comprised of two filters and two overdrives.

As usual at Touellskouarn it has a Breton name: Ar Merc'het Brao means "The pretty girls".

It can be used with a stereo signal or with two mono signals. The module is modular as well as guitar friendly.

The filters are resonant with a slope of -12dB. A switch allows to switch each filter from LowPass to HighPass. The filter cut-offs are voltage controlled thanks to dedicated CV inputs. Additionally, the Ar Merc'het Brao features global controls for cut-off and resonance.

Both overdrive sections offer the classic and well known TouellSkouarn distortion sound.