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Review: Latin funk music's best and brightest recollector-reissuers Vampi Soul continue to do what they do best with this latest reissue of the debut self-titled album by Zulu. One of the last great albums of the first wave of Peruvian rock,and originally released in 1974, Zulu was infamous for its linking of psych-tinged rock with Afro-Latin American beats and folk pop. The enigmatic Zulu (real name Miguel Angel Ruiz Orbegoso) was best known during his lifetime as a member of the bands Traffic Sound and Los Nuevos Shain, but his only solo album commands a unique aura as a numinous rarity, immediately pre-dating his latter-career immersion in the religious community. Reissued for the first time with the collaboration of Zulu, including extensive liner notes and one extra track, the likes of 'Si en el cielo yo viviera', 'Laberintos' and 'Candela' are pastoral gems of folk-cumbia and salsa, playing back with a level of sensitivity and texture that could only be born of a worthy spirit.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Review: The 18th album from James, whose career spans over four decades, emerging in the C86 era of indie, coming to prominence as part of the Madchester movement but establishing and holding onto a loyal fan base and critical acclaim with their unique blend of alternative rock and dream pop. The band work in unique ways to keep things fresh and this is no exception, bringing us "the tracks that didn't make it to the next stage" before now. A significant milestone in their musical journey, showcasing the band's continued evolution and creative prowess, it encapsulates a wide range of emotions and themes, exploring personal experiences, societal issues and the human condition. James' distinct songwriting style is evident throughout, with thoughtful lyrics and introspective reflections, while musically, the album features the band's signature atmospheric soundscapes, ethereal melodies and intricate guitar work.

Review: Your Day Will Come is the debut album from Chanel Beads (Shane Lavers), a fresh face and breakout force in the realm of contemporary, dreamy avant-garde music. The New York musician's first LP here follows up 2022 singles 'Ef' and 'True Altruism', and hears him fleshing out his distinctly catatonic and silken sound, achieved by his patented method of layering acoustic and synthetic instruments. A veritable traversal of the fantasy in sound, the album was born of Lavers' experience of lockdown in 2020, during which time the musician found himself reexamining his relationship to music and artistry, in a bid to find his authenticity. A recollection of an early childhood experience of loss followed, an experience which informs on the album's psychic-stylistic meanderings, which span every facet of electronic to punk to dream pop to pysch-funk to neoclassical folk.

Review: Self-described "putrid, drug-fueled gutter rock from the filthy streets of NYC", Couch Slut deal in ugliness, and boy is business a-boomin'! Meshing the most challenging facets of grindcore, hardcore punk, noise rock and black metal, the resulting cacophony is as unpleasant as it is impenetrable, yet the commanding presence of vocalist and primary songwriter Megan Osztrosits demands you suffer the audible torment while she details harrowing depictions of sexual violence, drug abuse and more singular inner-city horrors through subversive, vitriolic and grimly humoured phrases. Working with industrial hardcore manglers Uniform's Ben Greenberg (with previous production credits for Drab Majesty, Portrayal of Guilt, Metz), You Could Do It Tonight marks the fourth overall full-length from the group, and utterly refuses to dilute or smoothen their ethos of audibly healing through pain, or just pain for the fuck of it.

Review: Container is a long-running project from Ren Schofield but he has hasn't released anything since back in 2021 when he delighted techno heads with his Creamer EP. His manic sound has recently taken him to some sold out shows around the world and now comes Tacker, a new album that fuses rock with electronic stylings on Alter. Nirvana's 'Oh, The Guilt', Mindflayer's album 'It's Always 1999', and the Rah Bras song 'Sooop Toe Pump Girls' have all been given as points of inspiration for this most brain-fizzing, hardcore collision of worlds.

Review: Say She She is the psychedelic soul group from Brooklyn that's exploded onto the scene since their debut in 2019. Receiving critical acclaim for their two albums to date, and the pleasure of touring Europe and North America, the Nile Rodgers-inspired female trio even got a video message of approval from the legend himself. Authentic and organic are two words that fit the classically trained troupe to a tea and, in the great soul tradition, covers are a necessity. Jim Spencer's 1979 attempt at foraying into disco 'Wrap Myself Up in Your Love' wasn't received amazingly at the time, but thanks to the adoration of archive label The Numero Group, the song has seen a resurgence in covers and fans. The original vocal is zany and expressive against some jangly funk guitars, whilst Say She She's rendition hones in on the sultry aspect of the track. Guitars are muted down to transform the song into a lovemaking slow jam, wind passages are introduced and the vocal is subtly powerful and sexy. This 7" contains both Spencer's original track and the interpretation by the trio, pressed on white vinyl.

Review: Brooklyn-based psychedelic soul group Say She She have exploded onto the scene since their debut in 2019. Receiving critical acclaim for their two albums to date, and multiple TV performances, the Nile Rodgers-inspired female trio even got a video message of approval from the legend himself. Organic and authentic are two words that fit the classically trained troupe to a tea and, in the great soul tradition, covers are a necessity. Jim Spencer's 1979 track 'Wrap Myself Up in Your Love' didn't get much attention at the time - his attempt at doing disco wasn't well received - but thanks to the adoration of archive label The Numero Group, the song has seen a resurgence in covers and fans. The original vocal is expressive and powerful against some jangly funk guitars, whilst Say She She's rendition hones in on the sultry aspect of the track. Guitars are muted down to transform the song into a lovemaking slow jam, wind passages are introduced and the vocal is subtly powerful and sexy. This single has both Say She She's cover - as well as the original - on a 7" disc.

Review: Just when you thought you'd heard Robert Smith and The Cure every which way but bad, we discover more from their huge back catalogue. This time in the form of World War, a compilation of rare demos that takes its name for the band's seminal early single, which appears in a particular raw and unfettered, grinding version on this collection. A sound that defines the overall aesthetic. Rough and ready but packed full of energy, the huge landmark 'Boys Don't Cry' feels more intimate as a result, 'Fire In Cairo' arguably more punk, 'M' more New Romantic, and 'Heroin Face' less compromising than ever before. If all that sounds like bullshit talking, we implore you to take a listen and see what you think - the smart money is on us agreeing in the end.

Review: Goat's World Music offers a captivating blend of Aboriginal, Nordic, psychedelia, acid Rock and tribal influences, exuding strong rock overtones driven by powerful female vocals that command attention with their intensity and strength. Throughout the album, listeners are treated to mesmerizing organ leads that add an ethereal dimension to the music, while abrasive and rash guitar work injects a raw energy into the sound. Tribal percussion rhythms further enhance the album's immersive atmosphere, transporting listeners on a sonic journey. With its diverse range of influences and eclectic instrumentation, World Music defies traditional genre boundaries, making this a listening experience that stands out.

Review: In 1994, legendary hip-hop stoners Cypress Hill took the stage at Woodstock '94 and left an indelible mark on the iconic festival. With their groundbreaking fusion of hip-hop and rock, the 'Hill captivated the Woodstock crowd with their electrifying performances and brought all of the raw energy and innovative sounds they are so well loved for. The group's set at Woodstock '94 showcased their ability to command any stage, drawing fans from diverse musical backgrounds as they worked through many of their most well loved hit and in doing so solidified their status as pioneers of the rap-rock genre.

Review: The Summits are a beloved fixture on the Soul Direction label and have plenty of fans in the wider soul collecting community. As a result they are now familiar to many and their track 'Window Shopping' emerged from an almost-lost master tape. It has previously been available only in digital format. on the flip, meanwhile, Phillips traverses diverse musical territories spanning from feel-good disco to funky fusion and modern soul. Among the six tracks recovered from numerous tapes, this one, 'People Clap Your Hands' stands out. It has never before been on vinyl and is a lo-fi, funk fuelled gem with soul infused vocals.

Review: "The album was inspired by my many happy DJ nights promoting my club night 'Club Pod' down in Brighton in the 1990s and my love of all things Sixties Freakbeat. I wanted to put as many great tracks as I could on one compilation to hopefully bring across the feeling of sheer joy from spinning these awesome tracks in a club and seeing the place go off," says Mark McQuillan, the man responsible for this expansive compendium to a driving 1960s sub genre of UK and US guitar undergrounds. The Haunted, The Birds, The Wimple Winch, The Remains, The Kinks, The Eyes, The Shadows of Knight, and The Action, all make appearances. As do other bands that don't start with 'the'. For example, Davie Allan & The Arrows, Count Five, and Spencer Matthews Band (just kidding). If you know, you know.

Review: ***B-STOCK: Missing original outer sleeve but otherwise in perfect working condition***


Mikal Asher, a scion of Jamaica's Morgan family dynasty, reunites with Chocolate Star Records here and does so with a collaboration with disco legend Gary Davis. Asher, akin to his brother Denroy Morgan, upholds the family's legacy of righteousness through music. Known as the Binghiman, he crafts captivating tunes with profound lyrics and has recorded in Ghana's Hustle Hard Studios and collaborated with industry pioneers in Kingston and Brooklyn, setting new standards in musical excellence along the way. Here, 'Wicked Ah Fi' transforms into a modern dub stepper, while 'Black Woman' offers a soulful, laid-back dedication to Davis' wife, Sonjia. This 7" also comes with innovative remixes from California-based DJ and producer Knoe1.

Review: ***B-STOCK: Slight surface marks ***


This album is one of the greatest r&b records ever. That's just a fact. Jill Scott herself has never even managed to surpass what she lay down on this stone-cold classic all the way back in 2002. The production is stylish and warm, seductive and sensual throughout, with jazz, neo soul, funk, r&b and hip hop all carefully infusing each track. The lyrics are empowering as they celebrate blackness and female strength, but also at times witty and playful. It's a go-to date night album for people all over the world and how it missed out on a Grammy for Best Album or Best Vocal Performance when it was first nominated we will never know.

Review: Italian label Roof Club aims to raise both ceilings and roofs, and continue to do so with their latest EP from Guile. Mixing a contemporary minimal approach with classic 90s sounds, this one's a neat fusion of progressive house and trance, with sprinklings of cheesy freestyle and acid thrown in for good measure. The jokingly titled '90's Generator' is the real highlight, with its orchestral hits and licky leads.

Review: Tarja's What Lies Beneath, originally released in 2010 showcases her versatility as an artist. The album seamlessly blends genres, from symphonic rock to Europop, creating a dynamic and engaging listening experience. Tarja's powerful vocals take center stage, soaring effortlessly over the dramatic orchestration and infectious beats. The lyrics delve into themes of love, loss, and personal growth, resonating with listeners on an emotional level. Standout tracks include the anthemic 'Until My Last Breath' and the haunting 'Falling Awake.' The album's reissue in 2024 is a testament to Tarja's artistry and her ability to connect with audiences through her music.

Review: Tilman returns to Off Track with a four-tracker for ostensible dancefloor pleasure, but our ears can confirm it goes further to sate the home-listeners' predilections too. Continuing the verve of his old skool 90s garage-intoned releases on his very own Pleasant Systems label, Tilman's newest spans dreamatics, whorling deep stabs and saturated toppers; with just the right ratio of sizzle, body and booty to make for a full collective somatic ecstasy.

Review: Waveforms is as a brand-new label from ASC and Presha who are already well known and respected for their work with Spatial/Auxiliary and Samurai Music. It's a new outlet that will specially tap into the sounds of 90s jungle and serve up new tunes on 10". Tim Reaper has been behind one, and Eusebeia is now on this one on blue-marbled vinyl. A-side cut 'Waveform 05' is a cavernous cut with pulsing bass and spine chillingly ethereal vocals up top while 'Waveform 06' keeps the pressure on with more throwback jungle realness and unrelenting breakbeat pressure.

Review: There are not very many labels that are as successful and revered in electronic music as Mood Hut is, coming up with gem after gem after its inception in 2012. 'Water Seeds' by Oro Azul offers four tracks that range from sub-aquatic, mellow and relaxing to tribal percussiveness that really takes things to another level. A little more chilled out than their normal output, perhaps, but certainly not a massive departure, there are some serious island vibes here.

Review: Originally released in 1994 and now reissued in 2024, confirming the resurgence of interest in the classic jungle sound, 'Watch Out' is a hard-hitting jungle track with a relentless 'Amen' break, while 'Media' offers a more complex and atmospheric soundscape with a deep, broken bassline.. 'Watch Out' immediately grabs attention with its pounding bassline and heavy drums, the tribal percussion adding an exotic flavor, while the heavy Amen break provides the relentless drive that characterises jungle at its best. The track is relentless and hypnotic, perfectly capturing the energy of the early scene. 'Media,' in contrast, is a more experimental tune. The jungle breakbeats are present, but they are more subdued, providing a backdrop for the track's deep bass notes. Together, 'Watch Out' and 'Media' offer a snapshot of the golden era of jungle music. They are essential listening for anyone interested in the genre's roots and its continuing evolution.

Review: West Coast rave scene specialists Michael Kandel and Tom Chasteen are Voodoo Transmission and they have one again plunged deep in their vaults to serve up this reissue EP. One side boasts two dynamic dancefloor renditions that blend rhythmic layers with dubbed-out effects - 'Crazy Jane' channels Debbie Harry's 'Heart of Glass' on LSD. The flip side intensifies with downtempo gabba vibes with raging synths and abundant cymbal action. Three versions incorporate samples from Jimmy Stewart's 1946 monologue in It's A Wonderful Life to add another vibe entirely.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Across a run of three outstanding EPs since 2017, Yazmin Lacey has slowly and steadily brought her cool and assured strain of neo soul into earshot, regularly popping up on festival line-ups and aligned with a resurgent UK jazz scene. Now we finally get to hear her stretch out on an album which takes its inspiration from the raw honesty of voice notes as a means of communication. Teaming up with the likes of Craigie Dodds, JD.REID, Melo-Zed and executive producer Dave Okumu, she's more than delivered on her promise with an outstanding, deep and nuanced album that hits true from the first beat to the last breath.

Notes: Following "Vintage Music T-shirt Scrap", The long-awaited third instalment of the scrap series is Jazz!

Focusing on jazz, focusing on original vintage posters, From flyers to booklets, calendars, and magazines of performances at the time!

There are many jazz record jacket books in the world, but this is the first poster book in the world.

Ide started by searching for materials for his autobiographical book "Rolling On The Road". Ninety percent of the items in the collection were collected intensively by Ide over a period of about a year and a half. "

Binding: 376 pages / A5 format

Review: Formed in the post-punk era of Manchester in 1978, The Durutti Column, led by guitarist Vini Reilly, has remained an enigmatic and influential force in the history of post-punk. Their 1989 release, aptly titled Vini Reilly, is a testament to Reilly's eclecticism and sonic experimentation. The album spans a vast musical landscape, encompassing elements of post-punk, rock, acoustic, avant-garde, jazz, classical, folk, pop, and electronica.The album's 35th anniversary reissue box set includes many great additions that allows listeners to appreciate the enduring impact of his artistry, as he continues to inspire and challenge music enthusiasts worldwide. Includes new essay by Durutti Column/Factory Records expert James Nice, liner notes by band member Bruce Mitchell, liner notes from Anthony Wilson, interview extracts with Vini Reilly and restored images and outtake images.

Review: Spasibo Records introduces a new 7" vinyl by St. Petersburg outfit the Vicious Seeds, this time on yellow and green wax. In an unconventional move, vibraphonist Pavel Chizhik takes the spotlight and the result is that he truly enhances the band's signature sound. 'Village Hassle' offers a unique blend of rare groove and instrumental reggae-soul - the A-side highlights Chizhik's vibraphone prowess, intertwining it with a dynamic instrumental backbeat. On the flip side, 'Monthly Rainfall' delves into a soulful journey, characterized by cross-sticked snares and offbeat chord plucks which create an atmosphere reminiscent of slow-jammed soul with a contemporary twist.

Review: Spasibo Records present a fresh 7" by the Vicious Seeds, hailing from St. Petersburg. With vibraphonist Pavel Chizhik taking centre stage (Chizhik isn't usually a member of the band), 'Village Hassle' makes for a cleverly collaborative rare groove and instrumental reggae-soul release. The titular A-side flaunts Chizhik's vibraphone via the mix alone, fleshing out its low-end elements against a driven instrumental backbeat; 'Monthly Rainfall', meanwhile, goes for all-out slow-jammed soul by way of cross-sticked snares and offbeat chord plucks run through short-release springs.

Review: A bumper double LP of hyper modernist techno shrapnel from an all star cast of remixers working with JK Flesh's 2022 debut on KR3 records, 'Veneer Of Tolerance'. Prime cuts include Rrose's snarling, overtone-laden remix of 'Empty Words', with reese bass glissandos lacerated by a clattering percussion and hollow harmonics, London-Detroit superhighway technician Steve Bicknell's stroboscopic, swampy spin on 'Veneer Of Tolerance', and Samuel Kerridge's hotwired amen lengdown of the same track. And that's just the first three tracks! Trust us when we say there's something for every dark techno diehard in this one.

Review: Is there a more fun and hard-to-pin-down label than Studio Barnhus? The plaything of Swedish artists Kornel Kovacs, Axel Boman and their mate Petter Nordkvist it has done it all from trancehall to bubblegum house via pop edits and plenty in between. Now they look to Stockholm boys Ari Bald & CJ Scott once more for a new EP that bangs hard and has a great sense of character, much like their label debut here last year. All four of these house cuts are full-flavoured slammers with heartfelt vocal samples and lovely naive melodies that really make their mark.

Review: Dominick Martin is best known as stone-cold drum & bass don Calibre, a prolific producer with a masterfully deep and smoky sound. He has also made tech house under his own name, but lesser known is this album
Valentia which was originally released in 2013 and has now been remastered and repressed on 180 gram vinyl with a sleeve containing the lyrics. It was written on the amazing Valentia Island, joined to the west coast of Co Kerry in Ireland by a bridge t and battered by strong winds. Says Martin, "I took my computer and mic with me not knowing what to expect when I got there. In one of the rooms sat a piano, and as my fingers touched the keys I knew there was a story there waiting to be told."

Review: Mikkel Rev presents UTE 013, a captivating sonic journey through the realms of trance music. This four-track EP on the Norwegian label UTE. REC showcases the artist's versatility and mastery of the genre. 'Zygo' pulsates with a frenetic energy, its psychedelic trance rhythms evoking an otherworldly sci-fi ambiance. 'Tone Control' leans towards Goa trance, its alien basslines and science fiction aesthetics creating a gripping narrative. For the second side, 'Whorl' offers a more uplifting and ethereal experience, transporting listeners to vast cosmic spaces. The piece of wax concludes with 'Tension', a 90s-style German techno track that showcases Rev's ability to fuse classic elements with modern innovation. Overall, a very strong window into a current artist's views of the history of the genre.

Review: Canadian noise-rock trio Metz deliver their fifth full-length LP for their home label Sub Pop. Expressing an exponential graph of maturity, that has grown over their decade or so of recording and releasing, Metz' sound on Up On Gravity Hill veers more towards an almost black-metallic atmosphere, to counterpoise their originally stark, rageful sound. Conceptually, the album's change in sound matches its thematic content, with the band having found more peace in contrast, and the life-promising realisation that one can only experience its most joyful moments on the sole condition that one has also suffered its worst vagaries - there is no paradise without the fall. On the likes of '99' and 'Entwined', we're met with a driving, repetitious howl set against a sludgy axe-y backdrop, as vocalist Alex Edkins performatively laments and celebrates the ways of the world at the same time.

Review: DIY pop titans the Reds, Pinks & Purples take aim at the threads of hope with untethered abandon on their new album Unwishing Well. With the project helmed up by songwriter and musician Glenn Donaldson and backed up by collaborators Thomas Rubenstein, Lewis Gallardo, Daniel Pearce and Kati Mashikian, the new LP is a romantic sadcore memory-dive, fleshing out a 90s leftfield pop quintessence and lending it a contemporary production edge. Touchstones like The Go-Betweens, The Smiths, Magnetic Fields and Felt lend well to a terrific outpouring of emotion over ten tracks, which is remarkably frank in its admission of the worst foibles of the music industry and the metaphor for life evoked in this (read: 'Your Worst Song Is Your Greatest Hit').

Review: Unusual Object by Josh Johnson is a sonic masterpiece that blends cyberpunk ambient jazz with modern avant-garde compositions. Johnson's fantastically processed saxophone, combined with subtle samples and grooves, creates an intimate listening experience that draws the listener into his world of sound. With nods to classic Warp Records and Jon Hassell's dreamworld tonalities, Johnson establishes himself as a contemporary force in the avant-garde music scene. The album showcases Johnson's indelible elegance and his ability to craft stately, personal compositions that resonate with listeners.

Review: Polish record label Moonshine Recordings top up their ongoing crock of electronic dub come dub techno with a fresh one from mainstays Another Channel, whose name implies we actually had the ability to pick up the remote control and tune into any other dub station other than the Basic channel One all along. Teaming up with Prince Morella and Marina P on 'Nameless Woman' and 'Find A Way', Another Channel follow the tape-hissed early dub techno recipe to a T, shirking any residual desire to over-embellish for a neat pair of pure, squinty horizontal gaze-offs, with both singers riding the same instrumention. The instrumental 'Version Of Love' provides a versioned listen, highlighting the track's bulbous bubbles and highpassed vocal dancings-in-the-distance.

Notes: The top cover story this issue: the Futuristic Sounds of the Yardbirds; writer Peter Stanfield explores their change of direction in 1965, their rivalry with The Who and lots more. Also featured: Detroit rock pioneers the Chosen Few, the band that spawned future members of SRC and the Stooges, the compelling story of UK '70s punk outsiders the Subway Sect as told by guitarist Rob Symmons; '70s power pop princes the Paley Brothers; Viennese proto-punk anarchists Novaks Kapelle; the sixties adventures of Matthew and Daniel Moore (the Moon, Colours, Matthew Moore Plus Four); and a fascinating study of the beat music industry behind the Iron Curtain during the Cold War. Plus: Moby Grape, the Ascots, Cyril Jordan on Little Richard, and our meticulous review sections, covering all the latest vinyl and CD reissues, and rock 'n' roll-related books. (152 pages)

Review: The blistering, one-of-a-kind West Coast disco-funk record 'U Need Me' by LA Propinquity surfaces as part of a new body of historic productions initially intended for compilation on a full-length LP. For reasons undisclosed, this never happened; instead, Italian sonic exhumers Cannonball Records have been afforded the privilege of reissuing these tracks across a series of 7"s themselves. Hardly and criminially under-recognised in their day, the L.A. Propinquity were nonetheless composed of the angelic city's finest, with drummer James Gadson forming a prominent part. A blast from the 1970s, 'U Need Me' is a beaming slice of unrequited longing, set to delicious funk tones that are as maximized as they are unstrained.

Review: It is always hard to predict just what Nous Klaer Audio might serve up next. In this case, the always-fresh Dutch label looks to Mata Disk for four innovative and rhythmic techno workouts. 'Icon' is a busy one with kinetic rhythms and busy hits that pepper the groove and keep you moving. 'Diffusion' is just as much in a hurry with its squelchy synth blasts and sucky, looped drums but also there are more thoughtful and cosmic pads to bring a different energy. 'Two Sides Of The Same Coin' keeps the restless sense of rhythm alive - nothing here feels tethered to a strict grid. 'Space Brings Us Together' is a final off-kilter techno bumper with more sci-fi synth designs.

Review: Soul gems from the 60s - well, 1969 to be precise - don't come much more coveted than this one from The Notations. An original copy of this 45 rpm will quite likely fetch over 1500 quid. The r&b group was formed in Chicago, Illinois and featured Clifford Curry, LaSalle Matthews, Bobby Thomas and Jimmy Stroud. They went on to put out four albums and around 15 EPs but none as cherished as this one. 'Trying My Best To Find Her' now lands on a one-sided 7" and is a superb Northern Soul-style, high-energy soul cut with raw drums and aching vocal harmonies that soar and soar and soar.

Review: Togo Soul 2 is a fantastic compilation of rare Togolese recordings spanning 1974 to 1989. This treasure trove captures the essence of Lome's vibrant music scene and blends traditional voodoo chants, soul, and electro funk. Despite challenges in locating tracks and rights holders, after eight years of perseverance, 13 gems were selected with the guidance of Roger Damawuzan. Featuring stars like Akofa Akoussah and Gregoire Lawani, these tracks showcase Togo's rich musical landscape amid political influences. With original albums commanding high prices online, this selection offers a glimpse into a golden era of Togolese music, celebrating diversity and innovation.

Review: What does it mean To Belong? Cynthia Bernard aka. Marine Eyes only begins to scratch the surface of this question on her latest ambient record (yet leaps a great deal forward in wrestling with it nonetheless), following up her prior effort 'Chamomile' with a distinctly beauteous fortnight of forenoon drones, all of which spur the realization that "belonging is everywhere and nowhere". Belonging is indeed a kind of ephemeral longing of being than can only ever be partly grasped, attained. Through its looping washes of warmed, brackish, padded backwash - not to mention its many bass-undergirded angel choirs - the likes of 'Timeshifting', 'Bridges' and 'Mended Own' stand out as such revelatory highlights, all contributing to an incredible album of sonic diaristic reflection, in which every sound sticks out clearly yet plays its proper part in a humble, rose-smelling gestalt.

Review: The limited 7" edition of Marine Eyes' latest full-length ambient record 'To Belong' hears a distilling of the original fourteen-track record down to just four selections. Though every track on the digital version of the album works in its own right, the choice on offer here - 'Hushed', 'Of The West', 'Bluest' and 'Call & Answer' - are particularly deserving of the study on wax. Something static, nigh time-crystalline is achieved on the B2, with its held root note evincing something of the quality of an infinite dream; the A1 recalls some mix of DJ Healer, Malibu or David Motion with its three note tenor-pad lilt; the A2 gets at the best of both worlds, sounding like a paradisiacal bathhouse vision set in slow motion; the B1 is the tensest, opting for a moodier key, but its reversed guitar taps and sustained choir-synth working in a no less lachrymose aesthetic.

Review: Leeds indie stars English Teacher serve up a fantastic debut album here with 'This Could Be Texas'. Preceding hits 'The World's Biggest Paving Slab', 'Nearly Daffodils' and 'Mastermind Specialism' have all topped BBC 6 Music playlists and helped build the band quite the following. Their rise continued to soar after they appeared on Later With...Jools Holland, and they have since played a sold-out UK and US tour. Lead singer Lily Fontaine's vision for the album was "an odyssey to space, revealing Doncaster's likeness. It's about navigating in-betweens, cherishing home, and tracing Desire Paths." Fontaine reflects on being mixed-race in post-Brexit several times throughout the album and it comes here on lovely green vinyl.

Review: Robert Witschakowski has been a man on an electro mission (as well as many other side mission, to be really quite honest) for as long as we can remember. His furtherment of electro knows no bounds and it has often come in association with Dutch label Clone and its offshoots, though here he has his They Arrive EP reissued by fellow Dutch label Creme Organization. It landed first back in 2011 but has aged like fine wine and sounds as good as ever - there are a mix of creepy and atmospheric pieces, sick dancefloor rhythms and plenty more to enjoy here.

Review: Taylor Swift is a global superstar and pop icon with over 200 million records worldwide and numerous awards, including 13 Grammys. under her belt, Known for her catchy pop songs and her outspoken personality, this is the upcoming 11th studio album by her and will feature 16 new tracks plus one bonus track. The album is said to be a departure from Swift's previous work and will explore darker and more introspective themes. Nevertheless, expect more Swift goodness if you are Swiftie. This edition is pressed on white vinyl with a 24 page booklet included.

Review: Taylor Swift's evolution from country crooner to pop sensation solidifies her status in the Tortured Poets Department as she joins the ranks of music's chief emotional architects. Through heartbreak anthems and soul-baring lyrics, Swift's discography serves as a diary of love, loss, and resilience. From 'Love Story' to 'All Too Well,' her songs resonate with listeners and capture the raw intensity of human emotion. Swift's ability to weave intricate narratives and evoke profound sentiment establishes her as a modern-day poet who navigates the complexities of life and love with eloquence and grace.

Review: In her album The Tortured Poets Department, the seemingly universally adored Taylor Swift masterfully delves into real depths of emotion with plenty of her trademark raw vulnerability. Each track is an exploration of love, loss, and self-discovery, which up to now has always resonated deeply with her fan base. Swift's lyrical prowess shines as she navigates themes of heartbreak and resilience, accompanied by rich melodies that tug at the heartstrings. The album is a fine document of the complexities of human experience that showcasesSwift's evolution as both a songwriter and storyteller. The Tortured Poets Department is another album that solidifies Swift's place as one of music's most compelling voices.

Review: On December 30th and 31st 1978, early demo versions were laid down in Spaceward Studios of what would eventually become the debut EP from future British metal giants Iron Maiden. The three tracks in question ('Iron Maiden', 'Invasion', 'Prowler') were all recorded within the same session, making for a far more primitive and raw offering than the finalised studio versions that would ultimately find their home on the band's self-titled 1980 debut LP. This compilation restores the original three-track The Soundhouse Tapes EP, while including a bevvy of additional demos, alternative takes and live cuts from the formative, (pre-Bruce Dickinson) Paul Di'Anno era.

Review: Originally released in 1998, The Sound of Perseverance would serve as the seventh and subsequently final full-length from death metal pioneers Death, before mastermind Chuck Schuldiner's untimely loss due to brain cancer-related complications in 2001. Noted for being the only work with this specific line-up, featuring guitarist Shannon Hamm, drummer Richard Christy, and bassist Scott Clendenin (all members of Schuldiner's equally brilliant but often overlooked side-project Control Denied), this final death breath of fluid progressive tech-death greatness can sometimes fall through the cracks of the band's impeccable discography, and be fobbed off as a latter day addition sans the original core members, but mark our words, even the last Death album puts most modern death metal attempts to utter shame.

Review: The Beatles: The Red Album: 1962-1966 encapsulates the iconic band's early years with a dynamic selection of tracks that have now all been remastered at half speed so they sound extra good. This compilation showcases the evolution of their sound from the exuberant energy of 'Love Me Do' to the groundbreaking creativity of 'A Hard Day's Night' and beyond. There are also timeless hits like 'Twist and Shout' and 'Yesterday,' which means this collection serves as a definitive journey through the first part of the The Beatles' legendary catalogue. Each song is a direct portal back to the 60s and to the vibrant era of Beatlemania at the peak of its powers.