安全购物

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

安全购物

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

Format: All Vinyl CD DJ Equipment Studio Equipment
View:
Options
Items 1 to 50 of 130 on page 1 of 3
1  2  3  »
Cat: 734836 Rel: 07 Oct 19 • View all Handheld recorders
 
Professional field recorder with 32-bit float recording & dual AD converters
Notes: The Zoom F6 is the first professional field recorder to feature both 32-bit float recording and dual AD converters, providing an unprecedented amount of dynamic range. With 6 inputs, Zoom's solid time code, multiple power options and wireless control, the F6 is poised to be your new secret weapon.

32-Bit Float Recording:
In the field, fluctuating dynamics can prove challenging. Loud sounds can cause clipping and quiet sounds can get lost in the noise. The F6 uses 32-bit float recording with dual A/D converters to capture both explosive and subtle sounds at full audio quality - without ever adjusting gain!

For Those Hard to Reach Places:
Rugged enough to withstand the most demanding scenarios and small enough to fit into the tightest spaces, the F6 will become your go-to recorder.

Mic Preamps:
The F6 is equipped with six professional-grade preamps. Featuring a super-low noise floor (-127 dBu EIN), high gain (up to 75 dB), and selectable mic/line levels for each input, the F6 is built for location sound.

Precision Time Code:
Keep your tracks perfectly synced even when you power down for lunch. On or off, the F6's Temperature Compensated Crystal Oscillator (TCXO) generates time code at 0.2 ppm accuracy.

Advanced Look-Ahead Hybrid Limiters:
When recording in 24-bit, the F6 uses advanced look-ahead hybrid limiters to provide overload protection. By adding a 1-millisecond delay, the limiters "look ahead" anticipating clipping before it's recorded.

Zoom AutoMix:
Zoom AutoMix lets you keep your eyes on the action by automatically adjusting the levels of your mix to reduce ambient sound.

What's included with the F6:

- F6 Field Recorder
- Camera mount adapter
- AA batteries (x4)
- Cubase LE and WaveLab LE download codes
- Quick Start Guide
Read more
 1 in stock $654.79
Click for better price!
quote 734836
Cat: 745480 Rel: 19 Sep 19 • View all Synth modules
 
Polivoks-inspired module for Eurorack format - 46HP
Notes: The idea of the Polivoks Mini analogue synthesiser came into mind in 1990, as the junior version of its older brother well known Polivoks full synth. The aim was to develop a way simpler and lighter device that has less components, offers the same broad capabilities, and removes possible flaws of the Polivoks full synth. As the result of this research a new minimalistic schematic appeared. It has fewer controls that are compensated by greater functionality.

The overall design of the Polivoks Mini is made in collaboration with Ms. Olympiada Kuzmina, Polivoks full synth concept designer.
Read more
 1 in stock $574.11
Click for better price!
quote 745480
Cat: 738246 Rel: 11 Sep 19 • View all Synthesisers
 
Reprogrammable synthesiser & sound processor - 2019 version
Notes: The Organelle has grown from a 'device' to a full-fledged instrument and can keep up with your new musical ideas anywhere you go and anywhere they take you.

New features liberate the Organelle so it's ready to go at any time - just turn it on and play in impromptu music environments. It offers an immediate, full-spectrum music-making experience - be playful or intentional in the studio or wherever you find inspiration. You're now free to make music in an easier way.

Four new features to the Organelle:

- Built-in Speaker
- Built-in Microphone
- Battery Power
- MIDI Jacks

The Organelle has also been upgraded with a faster processor, twice as much RAM, and an improved web interface for patch management and link sessions.

In other words, with its new onboard mic, speaker and 'AA' battery power:

- Making music with the Organelle is more direct and adaptable to situation/user (less gear needed)
- The Organelle is portable and autonomous
- The Organelle is a more powerful instrument that also affords more spontaneous/silly opportunities
Read more
 More than 10 in stock $553.17
Cat: 745786 Rel: 09 Sep 19 • View all Synth modules
 
52HP 8-channel, 16-step-button Eurorack step sequencer with breakout modules
Notes: A-157 is a trigger sequencer subsystem that generates eight trigger signals controlled by a 8x16 LED/button matrix (some customers call it "Miniature Schaltwerk" as it is based on the same matrix as the no longer available Schaltwerk).
The subsystem contains three modules:

A-157-1: 8 x 16 LED/button matrix and function addressing buttons/LEDs
A-157-2: Trigger Output module
A-157-3: Control Inputs module

The LED/button matrix module A-157-1 is the core of the subsystem. It is used to set or reset the trigger event on each of the 16 steps of each of the 8 rows. In addition the buttons and LEDs of the matrix are used for other functions too (like setting the first and last step of each row or addressing the preset memory).

The Trigger Output module A-157-2 outputs the 8 trigger signals and has an LED display for each trigger available.

The Control Inputs module A-157-3 has manual controls and trigger inputs available for the basic control functions start, stop, reset and clock. In addition four functions inputs are available which will be used in future firmware versions to assign these inputs to special functions (e.g. shifting a row left or right by means of an external gate/trigger signal or a second set of start, stop, reset and clock for individual rows).
Read more
 1 in stock $491.36
Click for better price!
quote 745786
Cat: 745932 Rel: 19 Sep 19 • View all Synth modules
 
Dual sine-sawtooth generator based on Model 158 from the Buchla 100 series
Notes: The Model 158 is a dual oscillator created out of an entirely discrete transistor core. It consists of two independent and identical sides each with a front panel tuning knob, a frequency modulation input and attenuator, and a knob to fade smoothly between saw and sine waves. The RED PANEL model 158 is based off of the original "A" variant of the 158 oscillator.

The 158 was one of the very first voltage controlled oscillators ever produced. As such it contains many particular quirks/rawness of this first generation of synthesis. The exponential scaling of the oscillator is far from accurate, there is no temperature compensation, quick changes in pitch produce a slewing effect, and the saw waveform only vaguely resembles a saw wave through part of its range. It is as accurate a recreation as we believe is possible with the components available today. We performed hundreds of listening tests to find suitable replacements for obsolete transistors, and hand select multiple transistors on each individual unit to ensure that they have the proper sound.
Read more
 3 in stock $470.40
Cat: 746936 Rel: 19 Sep 19 • View all Drum machines
 
Modern groove production tool with 3,000 built-in sounds & 80 drum kits
Notes: The cheaper option in Roland's relaunched MC groovebox range. Four-track portable sequencing with battery power. Everything in one box, from drums to synths and custom samples.

Supplier notes:
Produce and perform music anywhere, anytime - without clutter or complications. The MC-101 GROOVEBOX has all the high-quality sounds, sequencing, and effects of the professional MC-707, in a compact four-track version that's go-everywhere portable. Get started with an inspiring collection of ready-to-go sounds and patterns, or easily create your own. Craft a unique style by importing custom sounds and loops that sync to tempo. And you can perform with the MC-101, triggering clips and shaping your sounds with direct, hands-on control.

Pocket production studio:

The MC-101 is a professional production tool, sharing the sounds and many of the capabilities of its bigger sibling, the MC-707. And there are advantages in being small. The MC-101 is solid-yet-light and runs for about five hours on four AA batteries, so you can design sounds, create drum patterns, and compose musical phrases just about anywhere. And it's not just a scratch pad for simple ideas. You can produce fully-fledged professional tracks or create backing tracks and accompaniment for live performance.

Turn a creative spark into fire:

The MC-101 has a four-track sequencer optimized for creating today's electronic and dance-focused music. You can use the 16 RGB pads to create drum, bass, and synthesizer patterns and produce your own original music. Explore a musical playground, where you can freely combine loops and one-shots with melodic phrases including your own MIDI sequences and imported audio recordings. Compose and trigger clips, rearrange, re-sample, record automation, and more.

A portable studio full of vintage gear:

The MC-101 has the Roland sounds that have defined electronic and dance genres for over forty years. Legendary instruments like the TR-808, TR-909, JUNO-106, and SH-101 are all here, ready to replicate classic sounds or be combined, tweaked, and processed into entirely new sounds.

Expandable sounds, patterns, and phrases:

Compose from a curated collection of built-in beats, phrases, and sounds, all expertly crafted by renowned artists and sound designers. And the MC-101 is part of an expandable platform. So, when you're ready for more, or want to explore new genres and styles, you can easily change things up by adding new content.

Play your own custom audio in perfect sync:

Each track contains a powerful sample player so you can import your own custom sounds. Use your own voice, or the sound of your favourite instrument from your computer. Imported audio can sync with the MC-101's tempo or be processed with the arsenal of built-in effects and hands-on controls.

Produce tracks ready to stream or perform:

With the MC-101's wide range of pro effects, your music sounds polished and fully produced. Each track has independent effects processors with a huge number of variations. Lush chorus brings depth to pads and other synth sounds. Delays and reverbs create evocative spaces and add movement to delicate sequences. Overdrive, distortion, and amp simulation inject grit and intensity into synths, guitars, drums and more. You can also run your entire mix through master effects like filters, bit-crushers, and a master bus compressor that glues it all together with punch and clarity.

Produce and share with the world. With a single cable:

When you're ready to further develop your tracks, or share your creations with friends and fans, simply connect the MC-101 to your computer with a single USB cable. It has advanced USB audio interface capabilities and can record an entire mix or all four parts to individual tracks in your DAW. Or sample sounds from your DAW to capture backing tracks, stems, or the sound of a favourite software synth for your next live show.
Read more
 More than 10 in stock $456.49
Click for better price!
quote 746936
Notes: Ataraxic Iteritas Magnus is an extension of the first Eurorack module, the Ataraxic Translatron. AIM starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AIM. Ataraxic Iteritas Magnus is the 5U version of the Ataraxic Iteritas. Guaranteed to make the fax machine jealous on an even bigger scale.
Read more
 1 in stock $434.78
Click for better price!
quote 731184
Cat: 745934 Rel: 19 Sep 19 • View all Synth modules
 
Dual attack generator featuring two ASR envelopes with linear voltage curves
Notes: The Model 180 is 100% discrete transistor core dual channel A/D A/H/D function generator (envelope). A trigger or gate signal greater than 2.5v at the "trigger" input causes the output CV to linearly ramp up to its maximum value at a speed set by the "attack time" pot. Once reaching the maximum CV output (set from the factory at 5v but easily adjustable via trimmer) the module will hold at this level for a static duration set by the "note duration" pot, or will hold at its maximum level as long as the trigger input is high. This behaviour is selected with the "controlled internally" vs. "controlled by trigger length" switch. At the end of the "hold" period the CV output will ramp back down to approximately 0v at a rate set by the "decay time" pot.

Like many "west coast" function generators, the envelope cannot be retriggered until the attack phase is complete, allowing for some function as a clock divider etc. The attack, hold, and decay times can be set very fast, and the module can easily create percussive blips as well as longer drawn out envelope shapes.
Read more
 1 in stock $408.58
Click for better price!
quote 745934
Cat: 745927 Rel: 19 Sep 19 • View all Synth modules
 
Quad VC Gate - 14HP
Notes: The Model 110 is 4 independent transistor based voltage controlled amplifiers behind one panel. Each VCA (or "gate" in the original terminology) consists of an audio input with an attenuator, a CV input, and 2 outputs. The VCA's are AC coupled - meaning that they will not pass slow (or static) control voltages. The VCA's are calibrated to unity (an input of a 10v peak to peak audio wave, will produce a 10v peak to peak audio wave at output) when 5v is applied to the CV input and the attenuator is at approximately the 3'oclock position.

Notes: Unlike the later (and better known) Model 292, the original low pass gate - the Model 110 is entirely transistor based (rather than vactrol based like the 292), and is much faster.
Read more
 1 in stock $408.58
Click for better price!
quote 745927
Cat: 732306 Rel: 09 Sep 19 • View all Synth modules
 
Stereo thru-zero state-variable VCF - 16HP
Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
Read more
 4 in stock $397.07
Click for better price!
quote 732306
Polyend Preset Module (synth module)
Cat: 732317 Rel: 11 Sep 19 • View all Synth modules
 
Macro controller & sequencer - 22HP
Notes: Presets on a modular? Sacrilege! Or the best of both worlds, depending how you look at it. We'll probably go with the latter, because this is a super versatile little programmer/sequencer/preset storage module.

Supplier notes:
The 22 HP interface is simple, clean and streamlined. At first glance, Polyend Preset module might look like simple a digital preset manager for Eurorack systems, but it's much more than this. Its vast implications make it a very smart companion for your modular system. But let's start from the basics. With the use of 9 LED coloured clickable encoders, Preset allows you to store up to 9 different CV output values in 32 banks of 32 presets. Yep, 1024 in total!

It's capable:

Program the notes sequences using one of the 32 build-in musical scales. Record the automation using the encoders or external source.

Four modes, totally different possibilities:

Depending on what you want to achieve, there are four modes you can choose from: First, Next, Channel and Note.

Both First and Next modes are perfect for building your unique polyphonic synthesizer.

The Channel mode lets you choose which MIDI Channel is responsible for which voice. This mode is what the majority of users utilise to connect DAWs or external sequencers.

The Note mode translates data received from MIDI Notes C through G and directs them into the corresponding voices (no matter the octave). This scenario works excellent for triggering drums from drum pads or drum triggers.
Read more
 9 in stock $391.83
Click for better price!
quote 732317
Cat: 743610 Rel: 23 Sep 19 • View all Synth modules
 
Complex quad multimode filter - 20HP
Notes: Mad dual-channel filter with two peaks per channel. Chain the sides together for complex filter curves, process stereo sounds or even turn up the resonance for four self-resonating peaks.

Supplier notes:
The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
Read more
 4 in stock $386.59
Click for better price!
quote 743610
Notes: A beautiful 96hp Eurorack enclosure shaped with the warmth of walnut and the strength of steel. The Lifeforms Research Console Eurorack format modular case pairs classic desktop synthesiser ergonomics with a modern Eurorack form factor and reliable power supply. The Lifeforms Research Console was designed for the Voltage Research Laboratory but is the perfect enclosure for all desktop modular sound experiments.
Read more
MRP:$429.96 SAVE 17%
 4 in stock $358.30
Click for better price!
quote 732130
Cat: 740273 Rel: 02 Oct 19 • View all Synth modules
 
32 step sequencer with fractal-like pattern generation
Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.
Read more
MRP:$401.05 SAVE 17%
 4 in stock $334.21
Click for better price!
quote 740273
Cat: 751611 Rel: 08 Oct 19 • View all Synth modules
 
Analogue-inspired parameterized drum synthesiser
Notes: Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
Read more
 1 in stock $328.96
Cat: 732315 Rel: 11 Sep 19 • View all Synth modules
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
Read more
 6 in stock $321.63
Cat: 747637 Rel: 25 Sep 19 • View all Music production software
 
Full boxed version of Reason 11 music production software from Propellerhead
Notes: Now a plugin as well as a DAW. Updated version of the much-loved production suite includes five new devices to expand your sonic options even further.

Supplier notes:
Just starting out on your musical journey or well on your way to your next album? Wherever you are, Reason's legendary rack of synths, instruments and effects is ready to turn good ideas into great music. On its own or in your favourite DAW as a VST plugin.

Reason is easy to get into but as deep as you want it to be. Reason's inviting rack of instruments and effects is a sonic playground where inspiration comes to life. Create, compose, mix and finish your music - Reason will help you along the journey, from inspiration to mixdown.

All music, no distractions:

Reason is designed to act and feel like a musical instrument. What you see is really what you get. No hidden screens, sub-menus or dialogs to flip through. Drag and drop instruments and sounds, tweak anything you see on screen and save it all in a single document.

All the control at your fingertips:

Twist knobs, push buttons, move faders - Reason's interface looks and feels like an instrument and seamlessly integrates with your favourite hardware controller. Record your knob and fader movements to create rich, automated mixes. As easy as that.

Endless experimentation:

Flip the rack over to access the backside with all the audio and CV cables and connectors. Here you can manually route anything to anything, just like in a real studio. Or simply leave it to Reason to automatically hook it all together, unlike a real studio.

What's new with Reason 11?

In Reason 11, Reason's Rack can now be used as a plug-in:

- Full Rack Extension and ReFill support
- Patches fully compatible between plug-in and DAW
- Incredible value - Includes 55 devices: 15 Instruments / 29 Effects / 8 Utilities / 3 Players

5 new devices:

- New Chorus / Ensemble with four unique algorithms
- New Phaser / Flanger / Filter with extensive modulation
- Bus Compressor, Channel Dynamics, Channel EQ

Improved workflow featuring highly requested features:

- Curved automation
- Improved vertical zoom
- Audio clip crossfade
- Mute MIDI notes, paintbrush tool, snap to grid, visual feedback in key edit and more

System Requirements:

MacOS: Fast, stable internet connection for installation and registration, Intel Mac with multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Mac OS X 10.11 or later (64-bit), Monitor with at least 1280x768 resolution, CoreAudio compliant audio interface or built-in audio hardware, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required

Windows: Fast, stable internet connection for installation and registration, Intel or AMD multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Windows 7 or later (64-bit), Monitor with at least 1280x768 resolution, Audio Interface with ASIO driver, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required
Read more
 2 in stock $312.19
Click for better price!
quote 747637
Cat: 745784 Rel: 09 Sep 19 • View all Synth modules
 
Analogue sequencer for CV's & trigger/gates
Notes: The Doepfer A-155 has two CV rows, each with selectable voltage range, glide and sample & hold options. Three trigger rows and a one gate row. Logic inputs for clock, reset, start and stop. It's even possible to insert external signals per step instead, overriding the CV generated by the 2nd row's potentiometer. The A-155's functions can be expanded by the A-154 Sequencer Controller, as it's an entire control unit with step number limitation, voltage controllable clock generator, variable gate length and a number of playback modes.

Features of the analogue rows (knobs):

- 8 potentiometers (knobs)
- Lower row: Scale (knob), voltage output range 0 ... ~ +6,5V
- Upper row: 1V/2V/4V (octave range switch for exact VCO control), voltage output ranges 0 ...1.0V / 0 ...2.0V / 0 ...4.0V
- Glide time (knob), same as portamento or slew limiter
- Glide Control (control input for switching glide on/off)
- S&H Control (control input for internal S&H, works like A-148)
- Pre Glide/S&H-Out (analogue output before S&H and glide unit, especially required when external audio signals are used as inputs of the lower row)
- Post Glide/S&H-Out (analogue output after S&H and glide unit)
- Lower row: external inputs for the 8 steps (switched jack sockets), control signals or audio signals may be used as inputs (allowed voltage range -5V...+12V), the knobs of the lower row are working in this case as attenuators

Features of the trigger rows (switches):

- 4 Trigger/Gate tracks with 2 rows of switches
- Toggle switches of 1-0-1 type (with middle position), which can be used to send a trigger/gate to the track above or below or to send no trigger/gate (middle position)
- 3 trigger rows (i.e. short pulse for each step set, pulse width corresponds to the pulse width of the clock/step input signal)
- 1 gate row (i.e. a high signal is applied during the length of the step set)

Control inputs and buttons:

- Step (defines the tempo of the sequence, same as clock or trigger input)
- Reset (resets all rows to step 1)
- Start (starts the sequence at the momentary position)
- Stop (stops the sequence at the momentary position)

Step and Reset are compatible to the MIDI interface A-190, i.e. in combination with the A-190 the A-155 may be synchronized via MIDI. The quantizing module A-156 can be used to quantize the infinite analogue voltages coming from A-155 into discrete semitone steps (multiples of 1/12V). Without MIDI interface e.g. a LFO rectangle output can be used to define the tempo of the sequence.

The sequencer controller A-154 adds a lot of new functions to the A-155 (e.g. voltage controlled addressing, forward/backward/pendulum/random mode, voltage control of first and last step, voltage controlled clock and gate length, step skipping, combination of several A-155 in parallel/serial mode and many more).
Read more
 1 in stock $309.05
Cat: 750415 Rel: 10 Oct 19 • View all Audio & MIDI interfaces
 
6-in/4-out USB 3.0 audio interface with 32-bit/192kHz resolution
Notes: Finding a location for making high quality band or ensemble recordings has got a whole lot easier with the UR44C. With multiple high-quality inputs/outputs, professional-grade components, DSP effects and flexible use with computer or iOS device, all wrapped up in a compact, roadworthy package, anywhere is now your recording studio.

Write and record songs with your friends:

Gather your friends to produce music in exceptional quality with the UR44C, a rugged, portable audio interface that features flexible inputs and professional-level 32-bit/192 kHz recording quality. Four state-of-the-art D-PRE microphone preamps will capture your vocals and acoustic instruments in stunning detail, while Hi-Z and line inputs, plus MIDI In/Out, allow an entire group to be recorded, capturing the unique vibe of an ensemble performance. With two independent headphone outputs, latency-free monitoring with effects and Cubase AI recording software included, the UR44C is your key to producing great grooves together.

Make great band recordings - everywhere:

Studio time is expensive, as all bands know, but with the UR44C you can record in your rehearsal space, on stage and indeed anywhere, while not compromising on audio quality. Its rugged but compact, lightweight construction mean it can be taken anywhere and you can use it with both Windows/Macintosh computers and iOS devices. It can even be powered by an iPad Pro or a pocket-sized USB power pack. With onboard DSP effects and plenty of outputs for re-amping, it's your perfect portable partner for recording on location, then mixing elsewhere.

Take your sound to the stage:

The UR44C is a great onstage partner. As well as its rugged, road-ready construction and high-quality, reliable performance, you can use its multiple outputs for click and backing tracks. Mix your live input, via the UR44C's mic, Hi-Z and line inputs, with playback from the included Cubase AI, another DAW or an iOS recording app and use the MIDI In/Out to incorporate a wide range of hardware and trigger sounds from your VST instruments. It all means you can deliver a full performance, no matter if you're a solo artist or the member of the band making sure that all backing tracks are played reliably.
Read more
MRP:$427.44 SAVE 28%
 1 in stock $308.00
Cat: 745931 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
Read more
 1 in stock $303.81
Click for better price!
quote 745931
Cat: 745924 Rel: 19 Sep 19 • View all Synth modules
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
Read more
 1 in stock $303.81
Click for better price!
quote 745924
Cat: 745929 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
Read more
 1 in stock $303.81
Click for better price!
quote 745929
Cat: 745481 Rel: 19 Sep 19 • View all Filters
 
Polivoks filter chip with CV & Expression pedal inputs
Notes: The Polivoks Filter, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone. It provides both CV and Expression pedal inputs, built in LFO, and WOB fader for ultimate control. On board LFO has a fast/slow range switch, and on/off. Separate LFO OUT can be used to control external CV devices. With lowpass, bandpass, highpass, and notch filter types, one can shape tones into whole new realms. The pedal is switched on with a switch, rather than a stomp button, catering towards use as a desktop filter.
Read more
 1 in stock $276.57
Click for better price!
quote 745481
Cat: 746914 Rel: 11 Sep 19 • View all Handheld recorders
 
Four-track audio recording for music, film, podcasting & beyond
Notes: The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.

Welcome to the new gold standard in field recording.

The Filmmaker's Favourite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favourite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row centre.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a 1/8" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favourite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artefacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the centre with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.

The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs:
The two locking combo connectors accept either XLR or 1/4" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.

Outputs:
A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

What's included with the H4n Pro:

- H4n Pro Handy Recorder
- Protective case
- 2 x AA batteries
- Operation manual
- Download license for Steinberg Cubase LE and WaveLab LE software
Read more
 1 in stock $249.33
Click for better price!
quote 746914
Cat: 739889 Rel: 02 Oct 19 • View all Synth modules
 
Four-channel precision adder, buffered mult, and transposition tool
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.
Read more
 3 in stock $248.30
Click for better price!
quote 739889
Cat: 747621 Rel: 20 Sep 19 • View all Synth modules
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
Read more
 6 in stock $233.62
Cat: 744064 Rel: 12 Sep 19 • View all Synth modules
 
Digital wavetable oscillator - 16HP
Notes: Klang Stadt is the latest FC iteration of Electric Druid's VCDO digital wavetable oscillator. It features a number of advantages over the previous Waverider design:

- Improved PWM filtering
- Addition of Sub Two output
- Addition of Klang output
- Addition of Xmod feature
- Onboard LFO for riding the waves
Read more
 2 in stock $222.09
Click for better price!
quote 744064
Cat: 743356 Rel: 10 Oct 19 • View all Effects pedals
 
Bass simulator effects pedal for guitar with 9 voices, dry & effect mix knobs, sensitivity & control knobs
Notes: The polyphonic BASS9 Bass Machine transforms a guitar into nine different basses and requires no special pickups, MIDI or instrument modifications. It relies on the same technology powering all EHX 9 Series pedals, like the award winning MEL9 Tape Replay Machine, but features a new algorithm maximized for transposing one to two octaves down with superior dynamics and tracking.

A rotary switch allows the user to select the sound of their choice, as follows:

- PRECISION: Pays homage to the iconic Fender P Bass
- LONGHORN: Emulates the Danelectro 6-string bass, ideal for baritone type tones
- FRETLESS: Features both electric and standup fretless basses.
- SYNTH: A tribute to the classic Taurusr Synthesizer
- VIRTUAL: Lets the user adjust the bass's body density and neck length for a variety of bass sounds
- BOWED: Classic bowed bass
- SPLIT BASS: Makes it possible for the guitarist to play bass on the lower strings (all notes below F#3) and chords or melody with the higher strings.
- 3:03: A polyphonic salute to the sought-after Roland TB-303 vintage bass synth
- FLIP-FLOP: Inspired by EHX's Octave Multiplexer, it provides a '70s style logic driven sub-octave generator that tracks without glitches.

The pedal is equipped with independent Effect and Dry volume controls so guitarists can precisely tune their mix at the Effects output jack, plus an always-active Dry output jack that outputs the input signal at unity gain.

Controls 1 and 2 have been designed to adjust specific parameters for each of the nine programs. For example, in PRECISION, CTRL 1 controls the sub-octaves while CTRL 2 imitates the original instrument's tone control.

The BASS9 comes equipped with a standard EHX 9.6DC200mA power supply.
Read more
 2 in stock $214.77
Click for better price!
quote 743356
Cat: 746361 Rel: 16 Sep 19 • View all Synth modules
 
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
Read more
 1 in stock $199.05
Click for better price!
quote 746361
Cat: 744602 Rel: 02 Oct 19 • View all Synth modules
 
Dual signal/audio crossmixer
Notes: The "CROSSMIX" module contains two independent crossfaders with two inputs to one output and is designed for audio or CV sources in the voltage range +-5v (Audio Modular Level).

In addition, the 4 inputs can be switched separately to +6db audio (for external line level sources) using the slide switch on the rear panel.

The two crossmix controls can be recorded. The recording time per channel is more than one minute. The playback speed can be adjusted in playback.

The recorded track is played back once when the Play button is pressed briefly (one shot) or in the loop when the button is pressed a little longer.

Both crossfaders have a separate reset input as well as a separate CV input (+-5V ) for controlling the mix e.g. by an LFO.

The track data remains permanently stored (battery buffered memory).
Read more
 1 in stock $188.58
Click for better price!
quote 744602
Cat: 744601 Rel: 23 Sep 19 • View all Synth modules
 
Compact three-channel mixer - 6HP
Notes: The "AUTOMIX" module is a compact three-channel mixer for audio or CV sources in the voltage range +-5v (audio modular level).

The mix level of each track can be adjusted and recorded with the track control. The recording time per track is more than one minute. The playback speed is also adjustable.

The recorded track is played back once when the Play button is pressed briefly (one shot) or when the Loop button is pressed a little longer.

In addition, the 3 inputs can be switched separately to +6db audio (for external line level sources) using the slide switch on the rear panel.

All three tracks have a common reset input. The track data remains permanently stored (battery buffered memory).
Read more
 1 in stock $188.58
Click for better price!
quote 744601
Cat: 746966 Rel: 12 Sep 19 • View all Synth modules
 
Great sounding VCO for Eurorack - 10HP
Notes: Here's the Roland 100M VCO adapted to Euro. The hard-to-find UA726 has been replaced with a CA3046 with no loss of performance. No hard to find parts whatsoever. The PCB also includes pads for SMD LM3046. It'a the golden age right here.

- A six position rotary switch for octaves gives plenty of range. The PITCH pot is fine tune
- Individual outputs for ramp, square and triangle - an improvement on the original
- Built in chip heater
- Onboard LFO! Yes that's right, an onboard LFO (thanks MC202) for introducing FM and/or PWM
Read more
 1 in stock $186.48
Click for better price!
quote 746966
Cat: 743613 Rel: 23 Sep 19 • View all Synth modules
 
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
Read more
 1 in stock $186.48
Click for better price!
quote 743613
Cat: 744063 Rel: 12 Sep 19 • View all Synth modules
 
CEM3340 based VCO - 10HP
Notes: CEMosc is here, a stable AS3340 based VCO which tracks beautifully, and is feature rich. Easy to build and calibrate too.

CEMosc features:

- Onboard voltage regulation for tuning and tracking stability
- A rotary octave switch as well as a fine tune knob
- Both manual PW as well as PWM are available
- Linear and Exponential FM inputs, each with attenuators
- Both soft and hard sync
- Sawtooth, Triangle and Pulse outputs
Read more
 1 in stock $186.47
Click for better price!
quote 744063
Cat: 732455 Rel: 23 Sep 19 • View all Synthesisers
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Valves meet Volca. The original Volca Bass design gets twisted with the addition of Korg's Nutube technology for gritty saturation. 303-style acid with a filthy attitude.

Supplier notes:
Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
Read more
 More than 10 in stock $179.15
Click for better price!
quote 732455
Cat: 745782 Rel: 09 Sep 19 • View all Synth modules
 
Controller unit for the A-155 sequencer
Notes: Module A-154 is a supplement to the A-155 Analog/Trigger Sequencer module. It offers a lot of new features that are not available in the basic control unit of the A-155. The A-154 is used to replace the control unit of one or two A-155, i.e. the section marked "Control" with Start / Stop / Step / Reset buttons and inputs in the upper left corner of the A-155 front panel. If the A-154 is used to control the A-155 the control section of the A-155 is put out of action.

These are the features of the A-154:

Several running modes: forward, backward, pendulum, random, CV controlled step addressing. All modes are available as loop or one-shot.

LED display of the 5 different current modes and one LED for loop/one-shot display

Manual and voltage controlled selection (with attenuator) of the running mode. If no external control voltage is applied one of the 10 modes (5 modes x 2 loop/one-shot) is simply selected with a rotary knob. The CV input with attenuator is used to modulate the running mode with an external control voltage (digital high/low CV to switch between two modes or continuous analogue CV to sweep through different modes). With the combination of manual control and CV with attenuator it is possible e.g. to use only two neighbouring modes (e.g. forward/backward) or sweep through all possible running modes

Manual and voltage controlled selection (with attenuator) of first and last step of the sequence. The range is step 1...8 in 8 step mode resp. 1...16 in 16 step mode

If the running mode "CV Controlled Step Address" is selected the First Step section is used to determine the active sequencer step. Consequently manual and voltage controlled selection (with attenuator) of the active step is possible: the active step can be set by hand with the first step manual control and then modulated by an external control voltage (e.g. LFO, Random, S&H, Theremin, Light CV source, Joy Stick) at the first step CV input (with attenuator).

An internal voltage controlled clock generator with manual and CV control (with attenuator) is available. The output of the clock generator is displayed with a LED and is used as sequencer clock provided that no external clock signal is connected to the Clock In socket (normalled socket). If the CV input of the Clock section is connected to one of the analogue outputs of the sequencer the time for each step can be set separately. Even jumps (or skipping) will be possible as we will introduce the feature that a very short clock pulse will be generated if the control voltage exceeds a certain value. For example the gate row of the A-155 can be used to obtain skipping of steps: the gate output simply has to be connected to the CV input of the A-154 clock generator. If the corresponding switch of the A-155 is set correspondingly in the gate row the step will be skipped.

Manual and voltage controlled (with attenuator) pulse width (PW) of the clock signal. This features can be used to obtain a different gate length for each step: e.g. one of the CV outputs of the A-155 can be used to control the PW. With a PW control voltage coming from a LFO/random/S&H the gate length will change automatically. CV coming from Theremin A-178, ribbon controller A-198, light controlled CV A-179, joy stick A-174 are other ways to control the gate length.

8/16 step mode: A toggle switch us used to select 8 or 16 steps. The "16 step" mode requires two A-155 and one or more voltage controlled switches (e.g. A-150-1 or A-150-8). The voltage controlled switches are controlled by the "A3" output of the A-154. This output remains "low" as long as the active step is in the range 1...8 and turns to "high" in the range 9...16. The voltage controlled switches are used to switch between the CV/trigger/gates outputs of the first A-155 (step 1...8) and the second A-155 (step 9...16). In the A-154 user's manual the corresponding patch is shown.

If two A-155 are used they can work in parallel (8 steps) or serial (16 steps). The 8/16 steps switch determines if the 8 step mode (one A-155 or two A-155 in parallel) or the 16 step mode (two A-155 serial) is chosen. Both modes work with CV controlled step addressing too (see below). In 8 step mode only the steps 1...8 are addressed, in 16 step mode the steps 1...16. For serial operation an additional VC switch (A-150) is required - as mentioned above.
Read more
 1 in stock $164.48
Click for better price!
quote 745782
Cat: 745783 Rel: 09 Sep 19 • View all Synth modules
 
Controller unit for the A-155 sequencer
Notes: Module A-154 is a supplement to the A-155 Analog/Trigger Sequencer module. It offers a lot of new features that are not available in the basic control unit of the A-155. The A-154 is used to replace the control unit of one or two A-155, i.e. the section marked "Control" with Start / Stop / Step / Reset buttons and inputs in the upper left corner of the A-155 front panel. If the A-154 is used to control the A-155 the control section of the A-155 is put out of action.

These are the features of the A-154:

Several running modes: forward, backward, pendulum, random, CV controlled step adressing. All modes are available as loop or one-shot.

LED display of the 5 different current modes and one LED for loop/one-shot display

Manual and voltage controlled selection (with attenuator) of the running mode. If no external control voltage is applied one of the 10 modes (5 modes x 2 loop/one-shot) is simply selected with a rotary knob. The CV input with attenuator is used to modulate the running mode with an external control voltage (digital high/low CV to switch between two modes or continuous analog CV to sweep through different modes). With the combination of manual control and CV with attenuator it is possible e.g. to use only two neighbouring modes (e.g. forward/backward) or sweep through all possible running modes

Manual and voltage controlled selection (with attenuator) of first and last step of the sequence. The range is step 1...8 in 8 step mode resp. 1...16 in 16 step mode

If the running mode "CV Controlled Step Address" is selected the First Step section is used to determine the active sequencer step. Consequently manual and voltage controlled selection (with attenuator) of the active step is possible: the active step can be set by hand with the first step manual control and then modulated by an external control voltage (e.g. LFO, Random, S&H, Theremin, Light CV source, Joy Stick) at the first step CV input (with attenuator).

An internal voltage controlled clock generator with manual and CV control (with attenuator) is available. The output of the clock generator is displayed with a LED and is used as sequencer clock provided that no external clock signal is connected to the Clock In socket (normalled socket). If the CV input of the Clock section is connected to one of the analog outputs of the sequencer the time for each step can be set separately. Even jumps (or skipping) will be possible as we will introduce the feature that a very short clock pulse will be generated if the control voltage exceeds a certain value. For example the gate row of the A-155 can be used to obtain skipping of steps: the gate output simply has to be conneted to the CV input of the A-154 clock generator. If the corresponding switch of the A-155 is set correspondingly in the gate row the step will be skipped.

Manual and voltage controlled (with attenuator) pulse width (PW) of the clock signal. This features can be used to obtain a different gate length for each step: e.g. one of the CV outputs of the A-155 can be used to control the PW. With a PW control voltage coming from a LFO/random/S&H the gate length will change automatically. CV coming from Theremin A-178, ribbon controller A-198, light controlled CV A-179, joy stick A-174 are other ways to control the gate length.

8/16 step mode: A toggle switch us used to select 8 or 16 steps. The "16 step" mode requires two A-155 and one or more voltage controlled switches (e.g. A-150-1 or A-150-8). The voltage controlled switches are controlled by the "A3" output of the A-154. This output remains "low" as long as the active step is in the range 1...8 and turns to "high" in the range 9...16. The voltage controlled switches are used to switch between the CV/trigger/gates outputs of the first A-155 (step 1...8) and the second A-155 (step 9...16). In the A-154 user's manual the corresponding patch is shown.

If two A-155 are used they can work in parallel (8 steps) or serial (16 steps). The 8/16 steps switch determines if the 8 step mode (one A-155 or two A-155 in parallel) or the 16 step mode (two A-155 serial) is chosen. Both modes work with CV controlled step addressing too (see below). In 8 step mode only the steps 1...8 are addressed, in 16 step mode the steps 1...16. For serial operation an additional VC switch (A-150) is required - as mentioned above.

The functions of the Start/Stop/Step/Reset buttons and inputs are the same as for the "old" control unit of the A-155:

A high level at the Start input or operating the Start button starts the sequence from the momentarily addressed step. Not working in "CV controlled step address" mode.

A high level at the Stop input or operating the Stop button stops the sequence (the last active step remains addressed). Not working in "CV controlled step address" mode.
Read more
 1 in stock $158.19
Cat: 732313 Rel: 11 Sep 19 • View all Synth modules
 
Portable power source interface for Eurorack
Notes: Release your mind and release your modular system, with the Polyend Anywhere power compatibility Eurorack module. The Polyend Anywhere hooks up to any Power Bank battery to allow the user the liberty of portability with their modular system. Take your system for a walk! Smell the flowers, and use the inspiration to create the simultaneous feedback/AM/FM patch you've been dreaming of!
Read more
 5 in stock $155.05
Click for better price!
quote 732313
Cat: 750413 Rel: 10 Oct 19 • View all Audio & MIDI interfaces
 
2-in/2-out USB 3.0 audio interface with 32-bit/192 kHz resolution
Notes: No matter where you want to record, your projects should always sound great. The UR22C brings you amazing sound quality in a remarkably compact, tough and versatile package for composing and recording anywhere. Use it with a computer or an iOS device for superb results, wherever you are.

Produce your songs in the best quality:

The UR22C is the perfect audio partner for composing and producing songs anywhere. With inputs for microphones and instruments (including onboard phantom power), MIDI inputs and outputs, latency-free monitoring with DSP effects and fast, reliable connectivity to computers or iOS devices, it is remarkably versatile. Not only that, but with two top class mic preamps, 32-bit/192 kHz recording quality and high-quality components throughout, the UR22C records your performance with stunning clarity and detail. Ideally sized to travel anywhere with you, its tough but lightweight construction and included Cubase AI recording software make it a great music-making companion.

Record your music wherever you want:

Whether you are a producer, journalist, sound designer or a composer looking to capture great new sounds, the UR22C makes high quality mobile recording a breeze. Housed in a compact, rugged but lightweight enclosure, its 32-bit/192 kHz recording quality, D-PRE preamps and seamless connection with iOS devices via SuperSpeed USB 3.1 Gen 1 with USB-C delivers a superb, portable recording setup at studio grade sound level. And the included Cubasis LE iOS recording app means you can start making professional recordings on an iPad straight away while the dspMixFx application allows you to use the included DSP effects with any iOS audio software.

Sit back and enjoy high quality sound:

If you are gaming, creating or just listening to live streamed content, the UR22C ensures that you always enjoy the best sound. Thanks to its 32-bit/192 kHz audio quality you can even enjoy professional hi-res audio recordings in their full beauty, with the industry-leading D-PRE preamps and high-quality components guaranteeing highest recording quality. The Loopback function allows you to seamlessly mix live and playback audio, with effects if required, for an enhanced experience, while the UR22C's SuperSpeed USB 3.1 Gen 1 with USB-C ensures you always have a reliable, fast connection.
Read more
MRP:$213.71 SAVE 27%
 1 in stock $155.04
Cat: 744056 Rel: 10 Oct 19 • View all Effects pedals
 
Modulator effects pedal for guitar with 11 modulations, depth control, rate control, volume/colour control & momentary mode
Notes: The Mod 11 is packed with 11 different modulation effects that range from classic to exotic plus advanced functionality all in a compact pedal. It gives you access to powerful yet intuitive "hidden" parameters accessible through its Secondary Knob Mode which let you take even greater control over its effects.

The Mod 11's modulation effects are:

1. TREM: Tremolo modulates your signal's volume. Selectable modes allow your playing envelope to control modulation rate or depth.
2. HARM: Harmonic tremolo. The signal is split into high and low frequency bands and modulated between the two. Selectable modes allow your playing envelope to control modulation rate or depth.
3. VIBR: Vibrato modulates your instrument's pitch. Selectable modes allow your playing envelope to control modulation rate or depth.
4. UNI: pays homage to the classic Univiber. Includes "Chorus" and "Vibrato" modes plus added overdrive
5. CHORUS: Warbling, doubling, chorus effect like the EHX Small Clone. Extra modes include tri-chorus and bass chorus effects
6. ROTARY: Rotary speaker cabinet simulation. Extra functionality includes overdrive plus envelope control over rotation speed
7. FLANGE: Flanging with modes for both additive and subtractive flanger. Multiple LFO shapes, including envelope follower
8. TZF: Through Zero Flanger. A flanger effect that crosses through the "zero point" of the sweep where the modulated delayed signal meets back with the dry signal. Modes for both additive and subtractive flanger, plus barber-pole flanger
9. PHASE: Choose from 4, 6, or 8 stage phaser. Multiple LFO shapes including envelope follower
10. PITCH: Modulated pitch shifter. Select your main pitch shift and modulate around it. Extra functionality includes a dry blend and stepped pitch modes
11. FILT: Modulated filter effects like those on classic analogue synths. Low Pass, High Pass and Band Pass. Multiple LFO shapes available including a Q-Tron style envelope follower

The Mod 11's Momentary Mode lets you seamlessly switch in and out of effects mode for quick accents. It also features Tap Tempo controllable via the built-in footswitch or an external one. The Mod 11 is modulation with warp drive!
Read more
 1 in stock $147.72
Click for better price!
quote 744056
2hp
Cat: 727389 Rel: 02 Oct 19 • View all Synth modules
 
Digital oscillator module with sub output & wavefolding - black
Notes: Sine is a harmonically pure VCO with two distinct outputs.

The primary output contains a perfect sine wave with a wide frequency range and pristine volt per octave tracking. The Sub output features two sine tones that can be blended together to achieve a mix of one octave below, or a fifth above the primary output's frequency.

In addition, both outputs have an internal wavefolder that adds harmonic content to the signal allowing for spectrally complex tones within a single module. Keep your tones pure (or not!) with Sine.
Read more
 2 in stock $144.57
Click for better price!
quote 727389
Cat: 746891 Rel: 12 Sep 19 • View all Studio headphones
 
Professional, studio-quality headphones with wide frequency response
Notes: Range-topping cans from Rhode Island DJ gear veterans Rane. Suitable for studio use as well as mixing, these are a classically styled closed-back design with 40mm drivers.

Supplier notes:
The RH-50 high-performance headphones are further evidence of Rane's unwavering dedication to both engineering excellence and ease of use. Recognizing that too many headphones designed for serious listening fall short of combining all the elements of great headphones into a single unit-full-range frequency response, ear pads that deliver hours of comfort, space-saving collapsible design and detachable cables with multiple jacks for use with virtually any gear-the RH-50 brings all these critical attributes together in one no-compromise unit. The result is a superb-sounding, comfortable, convenient unit that professionals and enthusiasts alike will depend on and enjoy, no matter how demanding the requirement.

The drivers are heavy-duty 40mm neodymium-powered units, which gives the RH-50 a particularly deep and potent bass response. When combined with their high-temperature/high-power voice coils, the overall effect is one of effortless authority, where every musical nuance is reproduced with detail and accuracy. The headphones are a collapsible design, making them easy to transport and the soft padded head band and ear pads stay comfortable during extended sessions.

In the box:

- RH-50 Headphones
- 39.4" (1m) straight detachable, locking 2.5mm (headphone end) to 3.5mm cable
- 55" (1.4m) coiled detachable, locking 2.5mm (headphone end) to 3.5mm cable
- 3.5mm to 1/4" TRS adapter
Read more
 1 in stock $139.97
Click for better price!
quote 746891
Cat: 745617 Rel: 17 Sep 19 • View all Synth modules
 
10HP filter module based on the original parts of a well known Russian Synth
Notes: The Polivoks Filter Module, from Elta Music, utilizes the classic Soviet filter chip for a unique and iconic filter tone, and brings it to the Eurorack modular format. It provides two CV inputs with individual depth pots for ultimate control over cut-off frequency. One input with sensitivity control and four outputs are available simultaneously - lowpass, bandpass, highpass and notch filter types.

Width: 10HP
Current: 20mA
Read more
 2 in stock $139.33
Click for better price!
quote 745617
Cat: 743796 Rel: 12 Sep 19 • View all MIDI keyboards
 
37 key universal keyboard controller
Notes: 37-key version of IK's portable keyboard offering, cramming three octaves of velocity-sensitive keys into a neat and compact little package.

Supplier notes:
iRig Keys 2 gives you more ways to connect & control all of your gear, in any situation. With improved compatibility for the latest mobile devices, full MIDI input and output, multiple power options, a stocked software bundle and a stylish new look, this new and improved controller is ready to play when you are.

iRig Keys 2 is a 37-key (3 octave) USB/MIDI keyboard controller with velocity-sensitive keys that connects to all of your devices: iPhone, iPad, Android and Mac/PC as well as any other MIDI compatible device. Packed into an ultra-compact size, it's the perfect way to unleash your creativity on the go.

Control more:
iRig Keys 2 adds MIDI input and output so you can control stand-alone gear like UNO Synth and other analogue synthesizers, UNO Drum and other drum machines, and more. When connected to a computer or mobile device, it acts as a MIDI interface for all your gear, streamlining your rig into one compact unit.

You can run iRig Keys 2 off your computer or mobile device, USB power supply or even USB battery packs, so it's perfect for on-the-go rigs.

Be heard:
Never worry about compatibility issues again. iRig Keys 2 works right out of the box with iPhone, iPad and Mac/PC, plus it's compatible with most Android devices*, even the latest models. A new headphone output lets you connect speakers or headphones, so you're never stuck using your device's built-in speakers.

Whether you want to practice silently or blast through a sound system, iRig Keys 2 has you covered.

Limitless potential:
Best of all, iRig Keys 2 works with hundreds of popular music apps for iPhone, iPad, Android and Mac/PC.

Whether you want to learn to play, practice your chops, compose a song or perform live, and more, there's a never-ending stream of apps waiting to fuel your inspiration.

Convenient control:
iRig Keys 2 hosts a number of useful controls - from modulation and pitch bend wheels, a volume output control, octave up/down buttons, program up/down buttons, a set button, an ALT button, and a data push encoder.

Where to next:
iRig Keys 2 is designed for portability, so it can travel anywhere you do. It's smaller than other 37-key keyboards on the market, and runs off your device, a USB wall charger or USB battery pack, meaning there's no bounds to your creativity. Head outside, get inspired in your hotel room, practice in the classroom - no matter where your musical journey takes you, iRig Keys 2 will be along for the ride.

Cutting-edge software bundle:
iRig Keys 2 includes IK's award-winning Mac/PC sound & groove workstation, SampleTank 4 SE, giving you over 2000 sounds to create cutting-edge tracks right out of the box.

It also unlocks free apps like SampleTank FREE for iPhone iPad, iGrand Piano FREE for iPhone, iPad and Android, and iLectric Piano FREE for Android.
Read more
 More than 10 in stock $136.19
NUX
Cat: 747753 Rel: 12 Sep 19 • View all Wireless microphones
 
Wireless snap-on transmission system
Notes: The NUX B-3 is a solidly 2.4GHz wireless snap-on microphone system designed for those who want to get rid of the cables and enjoy the wireless world without any complicated set-up. Channel 1 is the default pairing channel but if you want to use different channels for any reason, just press the channel switch on both the transmitter and the receiver to make sure both units are in the same channel. RF LEDs will turn blue when paired.

In the box:

- B-3 transmitter (XLRF)
- B-3 receiver (XLRM)
- USB A to dual micro B charging lead
- Hot-shoe mount for receiver
- XLR to 3.5mm camera input lead
Read more
 3 in stock $123.61
Cat: 745781 Rel: 09 Sep 19 • View all Synth modules
 
Complex switch/multiplexer unit - 16HP
Notes: Module A152 is a very useful switching and T&H module. It combines a voltage addressed 1-to-8 multiplexer and 8 fold T&H that can be used as kind of an analogue shift register too. The active in/output is displayed by a LED. The digital output of the currently addressed step outputs "high". The remaining digital outputs are low.

Instead of voltage control even clock/reset controlled addressing of the active step is possible. The rising edge of each clock signal causes an advance to the next state. The rising edge of the reset signal resets to step 1.

The sum of the voltages coming from the manual Address control and the CV input define the currently addressed step of the 3 sub-devices. If the module is controlled by clock and reset the control voltage has to remain unchanged as the CV control has priority over the clock/reset control (e.g. simply turn the CV control fully counter-clockwise and do not touch the Address control knob).

Sub-device #1 is the bidirectional 8-fold multiplexer (kind of an electronical 8-fold rotary switch). Bidirectional means that it works into both directions like a mechanical rotary switch: the common socket may work as an output that is connected to one of the 8 inputs that are e.g. connected to modulation or audio sources. But the common socket may even function as input. In this case the signal applied to the common socket is output to the currently addressed single socket. The voltage range of the in/outputs to be switched is the full A-100 voltage range -12V....+12V. All A-100 signals can be switched without any restrictions.

Sub-device #2 is the addressed 8-fold T&H. The signal at the common T&H input is connected to the addressed T&H output. As soon as a new output is addressed the last voltage is stored at the output (Track&Hold function). The T&H section of the A-152 allows the emulation of the "toggling T&H" function of the Buchla module 266 "Source of Uncertainty". Only the first two T&H outputs of the A-152 are required for this application. This unit can be used also as kind of an analogue (shift) register. The difference to a "real" analogue shift register is that the sampled output voltages are not shifted to the next output but remain allocated to the same output. But in some cases (e.g. controlling the pitch of 3 VCOs by 3 output voltages of the A-152) the result is the same.

Sub-device #3 is the digital output section. The digital output of the currently addressed turns to "high". All other digital outputs are low. The digital outputs can be used to trigger e.g. envelope generators or to control the reset input in the clocked mode to reduce the number of addressed stages.
Read more
 1 in stock $121.52
Cat: 747643 Rel: 25 Sep 19 • View all Music production software
 
Upgrade version of Reason 11 music production software from Propellerhead
Notes: ***Upgrades any previous version of Reason to Reason 11***

Just starting out on your musical journey or well on your way to your next album? Wherever you are, Reason's legendary rack of synths, instruments and effects is ready to turn good ideas into great music. On its own or in your favourite DAW as a VST plugin.

Reason is easy to get into but as deep as you want it to be. Reason's inviting rack of instruments and effects is a sonic playground where inspiration comes to life. Create, compose, mix and finish your music - Reason will help you along the journey, from inspiration to mixdown.

All music, no distractions:

Reason is designed to act and feel like a musical instrument. What you see is really what you get. No hidden screens, sub-menus or dialogs to flip through. Drag and drop instruments and sounds, tweak anything you see on screen and save it all in a single document.

All the control at your fingertips:

Twist knobs, push buttons, move faders - Reason's interface looks and feels like an instrument and seamlessly integrates with your favourite hardware controller. Record your knob and fader movements to create rich, automated mixes. As easy as that.

Endless experimentation:

Flip the rack over to access the backside with all the audio and CV cables and connectors. Here you can manually route anything to anything, just like in a real studio. Or simply leave it to Reason to automatically hook it all together, unlike a real studio.

What's new with Reason 11?

In Reason 11, Reason's Rack can now be used as a plug-in:

- Full Rack Extension and ReFill support
- Patches fully compatible between plug-in and DAW
- Incredible value - Includes 55 devices: 15 Instruments / 29 Effects / 8 Utilities / 3 Players

5 new devices:

- New Chorus / Ensemble with four unique algorithms
- New Phaser / Flanger / Filter with extensive modulation
- Bus Compressor, Channel Dynamics, Channel EQ

Improved workflow featuring highly requested features:

- Curved automation
- Improved vertical zoom
- Audio clip crossfade
- Mute MIDI notes, paintbrush tool, snap to grid, visual feedback in key edit and more

System Requirements:

MacOS: Fast, stable internet connection for installation and registration, Intel Mac with multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Mac OS X 10.11 or later (64-bit), Monitor with at least 1280x768 resolution, CoreAudio compliant audio interface or built-in audio hardware, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required

Windows: Fast, stable internet connection for installation and registration, Intel or AMD multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Windows 7 or later (64-bit), Monitor with at least 1280x768 resolution, Audio Interface with ASIO driver, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required
Read more
 More than 10 in stock $119.42
Click for better price!
quote 747643
Cat: 577757 Rel: 10 Sep 19 • View all Synth modules
 
Dual quantizer for CV's, converting a continuous positive input voltage into a stepped output voltage - 8HP
Notes: Module A-156 is a Dual Control Voltage Quantizer. A quantizer converts a continuous control voltage in the range 0...+10V into a stepped output voltage in the same voltage range (i.e. only certain voltages occur). Normally 1/12 V steps are used to obtain semitone steps. Quantizer 2 of the A-156 allows has more sophisticated quantizing modes like major scale (i.e. only voltages corresponding to the major scale), minor scale, major chord, minor chord, fundamental + fifth and addition of seventh or sixth when chords are selected. Only those voltages appear at the CV output which comply with the selection rule (e.g. minor chord with seventh). The mode setting of quantizer 2 is done with 3 switches (1-0-1 type with middle position). From the factory quantizer 1 is working in the semitone mode. But there is a jumper on the pc board that can be changed so that even quantizer 1 uses the same scale as quantizer 2.

For each quantizer the following in/outputs are available:

- Control voltage input (CV In): The input for the continuous voltage to be quantized
- Control voltage output (CV Out): The output of the quantized voltage
- Trigger input (Trig.In): If this jack is left open the quantizer is working permanently. If a rectangle voltage is applied quantisation happens only at the rising edge of the signal (e.g. from an LFO or MIDI-to-Sync interface). Thus the quantizing can be synchronized with other events
- Trigger output (Trig.Out): Whenever a quantisation happens (i.e. a new voltage is generated at the CV Out) a positive pulse occurs at this output. It may be used to trigger an envelope generator (ADSR) or for triggering other modules (sequential switch A-151, trigger divider/sequencer A-160/161, trigger delay A-162, ...). If none of these functions are used the jack is left open

On top of that the A-156 is provided with a common transpose CV input having an additive effect on both quantizers. This input is quantized in semitone steps. A typical application is the transposition of a sequence generated by the A-155 by a second control voltage (e.g. coming from the MIDI-CV interface A-190).

Typical applications:

- Quantizing the CV sequence generated by an A-155 (semitone, only major scale, only minor scale and so on)
- Quantizing the voltage coming from the Trautonium Manual / Ribbon Controller A-198, Theremin A-178 or Light-to-CV module A-179 to get accurate semitones or major/minor scale tones
- Arpeggio-like effects with LFO, random, noise, envelope generators as CV sources (for negative or symmetrical voltages an offset must be added, e.g. with the offset/attenuator module A-129-3, to obtain positive voltages for the A-156 input)
Read more
 1 in stock $119.42
Click for better price!
quote 577757
MFB Digital Delay Module (synth module)
MFB
Cat: 695614 Rel: 16 Sep 19 • View all Synth modules
 
CV controllable digital delay with delay time from 2ms to 4000ms
Notes: The Digital Delay Module is a CV controllable digital echo with delay times of about 2 ms to 4 seconds.

The circuit comes from the MEGAZWERG has been improved in some points.

The audio signal is connected to the "In" socket and is connected to the "Out" socket again, depending on the Mix knob (left Original, right the Delayed). The signal can be limited with the "In" control. The LED indicates an overload.

The delay time is set with the Time slider and can be modulated via the CV Time input.

With the switch "Freeze" or with a positive voltage at the "Freeze In" the input signal can be frozen.

If the "Time" control is set to max. is equal to the input voltage at CV Time about 1V/oct and the range is 4 octaves.

With the "Range" control the delay can be roughly changed in time steps. The Feedback slider adjusts the amount of signal feedback. Using the FB Send and FB Return jacks, the feedback signal can be tapped separately, routed to another module or external effects unit, and fed back into the delay.

The module is compatible in design and bus power supply to the Doepfer A-100 modular system.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
Read more
 4 in stock $118.39
Click for better price!
quote 695614
Cat: 732843 Rel: 08 Oct 19 • View all Synth modules
 
Vactrol based low pass gate - 3HP
Notes: Erica Pico LPG is our take on classical Don Buchla LPG designs. We use vactrols in the circuit for that signature sound, and we added some more features, like configurable resonance and built-in decay envelope.
Read more
 1 in stock $115.23
Items 1 to 50 of 130 on page 1 of 3
1  2  3  »

Filter

Saved Searches
Save current search
Release Date
Close