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Cat: 747621 Rel: 20 Sep 19 • View all Synth modules
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 5 in stock $240.81
Cat: 751442 Rel: 17 Sep 19 • View all Synth modules
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


TOPOGRAF is a drum sequencer with three tracks, that works with a "topographic" principle; it contains a number of drum patterns arranged in a "virtual map"; and with two knobs MAP X and MAP Y you can set a position in this map. With one knob per channel the density is defined; and a CHAOS knob brings some randomness into the whole process. All in all, a few knobs for a lot of drum patterns you probably wouldn't make this way by yourself - a nice source of inspiration and also great for playing live.

TOPOGRAF is the AE modular version of the Grids module by Mutable Instruments. It is 100% identical to Grids.
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 1 in stock $71.65
Cat: 742226 Rel: 03 Oct 19 • View all Synth accessories
 
Black Melamine-faced 19" stand/rack mount for the TC Electronic Icon Series
Notes: This new product from Synths & Wood houses the TC Electronic Icon series delays and reverbs.

This item has been precision machined from high quality furniture grade plywood and black Melamine-faced MDF.

All you need to do is push in your products and secure from the rear with the provided screws and rack it up.

Item is sent fully assembled and comes complete with screws and rubber feet.
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 1 in stock $74.51
Cat: 750413 Rel: 10 Oct 19 • View all Audio & MIDI interfaces
 
2-in/2-out USB 3.0 audio interface with 32-bit/192 kHz resolution
Notes: Nice little interface from the makers of Cubase. Two mic/line inputs, stereo line outputs for your monitors, MIDI I/O and a headphone output.

Supplier notes:
No matter where you want to record, your projects should always sound great. The UR22C brings you amazing sound quality in a remarkably compact, tough and versatile package for composing and recording anywhere. Use it with a computer or an iOS device for superb results, wherever you are.

Produce your songs in the best quality:

The UR22C is the perfect audio partner for composing and producing songs anywhere. With inputs for microphones and instruments (including onboard phantom power), MIDI inputs and outputs, latency-free monitoring with DSP effects and fast, reliable connectivity to computers or iOS devices, it is remarkably versatile. Not only that, but with two top class mic preamps, 32-bit/192 kHz recording quality and high-quality components throughout, the UR22C records your performance with stunning clarity and detail. Ideally sized to travel anywhere with you, its tough but lightweight construction and included Cubase AI recording software make it a great music-making companion.

Record your music wherever you want:

Whether you are a producer, journalist, sound designer or a composer looking to capture great new sounds, the UR22C makes high quality mobile recording a breeze. Housed in a compact, rugged but lightweight enclosure, its 32-bit/192 kHz recording quality, D-PRE preamps and seamless connection with iOS devices via SuperSpeed USB 3.1 Gen 1 with USB-C delivers a superb, portable recording setup at studio grade sound level. And the included Cubasis LE iOS recording app means you can start making professional recordings on an iPad straight away while the dspMixFx application allows you to use the included DSP effects with any iOS audio software.

Sit back and enjoy high quality sound:

If you are gaming, creating or just listening to live streamed content, the UR22C ensures that you always enjoy the best sound. Thanks to its 32-bit/192 kHz audio quality you can even enjoy professional hi-res audio recordings in their full beauty, with the industry-leading D-PRE preamps and high-quality components guaranteeing highest recording quality. The Loopback function allows you to seamlessly mix live and playback audio, with effects if required, for an enhanced experience, while the UR22C's SuperSpeed USB 3.1 Gen 1 with USB-C ensures you always have a reliable, fast connection.
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MRP:$220.29 SAVE 27%
 1 in stock $159.82
Cat: 743610 Rel: 23 Sep 19 • View all Synth modules
 
Complex quad multimode filter - 20HP
Notes: Mad dual-channel filter with two peaks per channel. Chain the sides together for complex filter curves, process stereo sounds or even turn up the resonance for four self-resonating peaks.

Supplier notes:
The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
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 4 in stock $398.49
Cat: 743613 Rel: 23 Sep 19 • View all Synth modules
 
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
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 1 in stock $192.23
Cat: 746943 Rel: 24 Sep 19 • View all Digital recorder accessories
 
Authentic windscreen for the R-07 handheld recorder
Notes: The Roland R07-WS windscreen is designed to fit over the internal microphones on the Roland R-07 handheld recorder to reduce unwanted wind noise from recordings. Stretch elastic cuff slips on and off easily while still allowing access to control panel functions. Made from nylon material and sized for an ideal fit.
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 1 in stock $16.20
Cat: 746936 Rel: 19 Sep 19 • View all Drum machines
 
Modern groove production tool with 3,000 built-in sounds & 80 drum kits
Notes: The cheaper option in Roland's relaunched MC groovebox range. Four-track portable sequencing with battery power. Everything in one box, from drums to synths and custom samples.

Supplier notes:
Produce and perform music anywhere, anytime - without clutter or complications. The MC-101 GROOVEBOX has all the high-quality sounds, sequencing, and effects of the professional MC-707, in a compact four-track version that's go-everywhere portable. Get started with an inspiring collection of ready-to-go sounds and patterns, or easily create your own. Craft a unique style by importing custom sounds and loops that sync to tempo. And you can perform with the MC-101, triggering clips and shaping your sounds with direct, hands-on control.

Pocket production studio:

The MC-101 is a professional production tool, sharing the sounds and many of the capabilities of its bigger sibling, the MC-707. And there are advantages in being small. The MC-101 is solid-yet-light and runs for about five hours on four AA batteries, so you can design sounds, create drum patterns, and compose musical phrases just about anywhere. And it's not just a scratch pad for simple ideas. You can produce fully-fledged professional tracks or create backing tracks and accompaniment for live performance.

Turn a creative spark into fire:

The MC-101 has a four-track sequencer optimized for creating today's electronic and dance-focused music. You can use the 16 RGB pads to create drum, bass, and synthesizer patterns and produce your own original music. Explore a musical playground, where you can freely combine loops and one-shots with melodic phrases including your own MIDI sequences and imported audio recordings. Compose and trigger clips, rearrange, re-sample, record automation, and more.

A portable studio full of vintage gear:

The MC-101 has the Roland sounds that have defined electronic and dance genres for over forty years. Legendary instruments like the TR-808, TR-909, JUNO-106, and SH-101 are all here, ready to replicate classic sounds or be combined, tweaked, and processed into entirely new sounds.

Expandable sounds, patterns, and phrases:

Compose from a curated collection of built-in beats, phrases, and sounds, all expertly crafted by renowned artists and sound designers. And the MC-101 is part of an expandable platform. So, when you're ready for more, or want to explore new genres and styles, you can easily change things up by adding new content.

Play your own custom audio in perfect sync:

Each track contains a powerful sample player so you can import your own custom sounds. Use your own voice, or the sound of your favourite instrument from your computer. Imported audio can sync with the MC-101's tempo or be processed with the arsenal of built-in effects and hands-on controls.

Produce tracks ready to stream or perform:

With the MC-101's wide range of pro effects, your music sounds polished and fully produced. Each track has independent effects processors with a huge number of variations. Lush chorus brings depth to pads and other synth sounds. Delays and reverbs create evocative spaces and add movement to delicate sequences. Overdrive, distortion, and amp simulation inject grit and intensity into synths, guitars, drums and more. You can also run your entire mix through master effects like filters, bit-crushers, and a master bus compressor that glues it all together with punch and clarity.

Produce and share with the world. With a single cable:

When you're ready to further develop your tracks, or share your creations with friends and fans, simply connect the MC-101 to your computer with a single USB cable. It has advanced USB audio interface capabilities and can record an entire mix or all four parts to individual tracks in your DAW. Or sample sounds from your DAW to capture backing tracks, stems, or the sound of a favourite software synth for your next live show.
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 More than 10 in stock $422.25
Cat: 745934 Rel: 19 Sep 19 • View all Synth modules
 
Dual attack generator featuring two ASR envelopes with linear voltage curves
Notes: The Model 180 is 100% discrete transistor core dual channel A/D A/H/D function generator (envelope). A trigger or gate signal greater than 2.5v at the "trigger" input causes the output CV to linearly ramp up to its maximum value at a speed set by the "attack time" pot. Once reaching the maximum CV output (set from the factory at 5v but easily adjustable via trimmer) the module will hold at this level for a static duration set by the "note duration" pot, or will hold at its maximum level as long as the trigger input is high. This behaviour is selected with the "controlled internally" vs. "controlled by trigger length" switch. At the end of the "hold" period the CV output will ramp back down to approximately 0v at a rate set by the "decay time" pot.

Like many "west coast" function generators, the envelope cannot be retriggered until the attack phase is complete, allowing for some function as a clock divider etc. The attack, hold, and decay times can be set very fast, and the module can easily create percussive blips as well as longer drawn out envelope shapes.
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 1 in stock $421.16
Cat: 745932 Rel: 19 Sep 19 • View all Synth modules
 
Dual sine-sawtooth generator based on Model 158 from the Buchla 100 series
Notes: The Model 158 is a dual oscillator created out of an entirely discrete transistor core. It consists of two independent and identical sides each with a front panel tuning knob, a frequency modulation input and attenuator, and a knob to fade smoothly between saw and sine waves. The RED PANEL model 158 is based off of the original "A" variant of the 158 oscillator.

The 158 was one of the very first voltage controlled oscillators ever produced. As such it contains many particular quirks/rawness of this first generation of synthesis. The exponential scaling of the oscillator is far from accurate, there is no temperature compensation, quick changes in pitch produce a slewing effect, and the saw waveform only vaguely resembles a saw wave through part of its range. It is as accurate a recreation as we believe is possible with the components available today. We performed hundreds of listening tests to find suitable replacements for obsolete transistors, and hand select multiple transistors on each individual unit to ensure that they have the proper sound.
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 3 in stock $484.88
Cat: 745929 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $313.17
Cat: 745931 Rel: 19 Sep 19 • View all Synth modules
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $313.17
Cat: 745927 Rel: 19 Sep 19 • View all Synth modules
 
Quad VC Gate - 14HP
Notes: The Model 110 is 4 independent transistor based voltage controlled amplifiers behind one panel. Each VCA (or "gate" in the original terminology) consists of an audio input with an attenuator, a CV input, and 2 outputs. The VCA's are AC coupled - meaning that they will not pass slow (or static) control voltages. The VCA's are calibrated to unity (an input of a 10v peak to peak audio wave, will produce a 10v peak to peak audio wave at output) when 5v is applied to the CV input and the attenuator is at approximately the 3'oclock position.

Notes: Unlike the later (and better known) Model 292, the original low pass gate - the Model 110 is entirely transistor based (rather than vactrol based like the 292), and is much faster.
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 1 in stock $421.16
Cat: 745924 Rel: 19 Sep 19 • View all Synth modules
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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 1 in stock $313.17
Cat: 751775 Rel: 11 Oct 19 • View all Keyboard stands
 
Double braced keyboard "X" stand with "Trigger-Lok" height adjustment
Notes: The ingenious TRIGGER LOK system designed by QUIK-LOK houses five positive-lock height positions and is completely sealed exposing no parts. The mechanism allows the user to instantly open and close the stand from the top tiers without having to push or pull any knobs or buttons on the centre disc, but simply squeezing the trigger and releasing it once the stand is positioned at the desired

Constructed using heavy duty 30 x 30mm steel tubing, the double-brace T/550 is strong enough to hold keyboards up to 180 lb (81 kg).

The single-tier T/550 structure is also easily expandable by adding optional QLX/1 adjustable-Second-tier or any of the available QLX accessories.

Leg depth: 50.4 cm (19.8")
Tier depth: 40.5 cm (15.9")
Folded height: 101 cm (39.7")
Brace tube size: 30 x 30 mm
Tier tube size: 30 mm
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 1 in stock $66.94
Cat: 751773 Rel: 11 Oct 19 • View all Keyboard stands
 
Heavy duty, double-brace, single-tier "X"
Notes: Professional heavy duty, double-brace and single-tier Keyboard "X" stand, with "The Original" locking disc system.

Keyboard stands that use The Original locking disc are by far the most popular among the most demanding professionals. This battle-tested disc system has been accepted as the industry standard since 1978. This stands are capable of holding the heaviest keyboards safely and securely.

Leg depth: 26" - 66 cm
Tier depth: 20" -50.8 cm
Folded height: 40.4" - 102.7 cm
Weight capacity: 260lb - 117 kg
Weight: 14.5lb - 6.5 kg
Brace tube size: 30mm x 30mm(x2)
Tier tube size: 30 mm
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 1 in stock $66.94
Cat: 751770 Rel: 11 Oct 19 • View all Keyboard stands
 
Heavy duty, double-brace "X" with height & tilt adjustable second & third tier
Notes: Professional heavy duty, double-brace "X" stand with height /tilt adjustable second and third tier.

The ""Pro Series"" stands are capable of holding the heaviest keyboards safely and securely. All stands feature The Original locking disc system and super heavy duty 30 mm x 30 mm steel tube bracing for extra sturdiness and structural support.

The QL/623 can be expanded by adding QLX/4 Mic stand or QLX/5 Sheet music holder (optionals).

Leg depth: 26" - 66 cm
Main Tier depth: 17.9" - 42.5 cm
2nd & 3rd Tier depth: 12" - 30.5 cm
2nd & 3rd Tier angles: 90, 81, 72, 63, 54 deg
Folded height: 40.4" - 102.7 cm
Overall Weight capacity: 265 lb - 120kg
2nd tier weight capacity: 60 lb - 27 kg
3rd tier weight capacity: 60 lb - 27 kg
Weight: 24 lb - 10.9 kg
Brace tube size: 30 mm x 30 mm
Tiers tube size: 30 mm
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 1 in stock $107.98
Cat: 749028 Rel: 30 Sep 19 • View all Synth module accessories
 
1 input to 5 output cable hub for splitting signals
Notes: Qu-Splitter is a 1 input to 5 output cable hub for splitting signals. These are a great alternative to mult modules as they live outside of your case and take up 0HP. Very useful for common signals like master clock, modulation sources, or even to chain multiple cables together for long reach patching!
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 2 in stock $5.39
Cat: 740273 Rel: 02 Oct 19 • View all Synth modules
 
32 step sequencer with fractal-like pattern generation
Notes: If we're honest we don't really understand fractals. Something to do with maths, apparently. But that doesn't really matter because we do understand this sequencer module, which is ideal for randomly twisting and morphing sequences.

Supplier notes:
Bloom is a fractal sequencer capable of generating infinitely evolving melodies with a host of musical features.

At its core is a powerful 32 step sequencer with two independent channels and an intuitive interface. What makes the Bloom come alive are its fractal algorithms which can transform existing sequences into powerful melodies, or even generate new patterns altogether. The base sequence is known as the Trunk and can be programmed by hand, or automatically generated with the Mutate function. Once a Trunk sequence is in place, fractal transformations are only a knob turn away by using the Branch and path controls. Each new Branch adds a complete variation to the base sequence and Path determines its passage through the set of recursively generated sub-sequences, offering a unique take on the melody with each turn of the knob.

Bring your sequencing to life with Bloom.
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MRP:$413.39 SAVE 17%
 5 in stock $344.49
Cat: 747640 Rel: 25 Sep 19 • View all Music production software
 
Full boxed Intro version of Reason 11 music production software from Propellerhead
Notes: Want to record your first song or looking to add a powerful expansion of instruments and effects to your current setup at a great price? Reason Intro comes with a selection of amazing synthesisers, instruments and effects that will boost your music-making, whoever you are. Use it standalone or use it in your favourite DAW as a VST plugin.

Reason Intro is easy to get into but as deep as you want it to be. Reason's inviting rack of instruments and effects is a sonic playground where inspiration comes to life.

All music, no distractions:

Reason is designed to act and feel like a musical instrument. What you see is really what you get. No hidden screens, sub-menus or dialogs to flip through. Drag and drop instruments and sounds, tweak anything you see on screen and save it all in a single document.

All the control at your fingertips:

Twist knobs, push buttons, move faders - Reason's interface looks and feels like an instrument and seamlessly integrates with your favorite hardware controller. Record your knob and fader movements to create rich, automated mixes. As easy as that.

Endless experimentation:

Flip the rack over to access the backside with all the audio and CV cables and connectors. Here you can manually route anything to anything, just like in a real studio. Or simply leave it to Reason to automatically hook it all together, unlike a real studio.

What's new with Reason 11?

In Reason 11, Reason's Rack can now be used as a plug-in:

- Full Rack Extension and ReFill support
- Patches fully compatible between plug-in and DAW
- Intro version includes 31 Devices: 11 x Instruments, 9 x Effects, 8 x Utilities, 3 x Players

5 new devices:

- New Chorus / Ensemble with four unique algorithms
- New Phaser / Flanger / Filter with extensive modulation
- Bus Compressor, Channel Dynamics, Channel EQ

Improved workflow featuring highly requested features:

- Curved automation
- Improved vertical zoom
- Audio clip crossfade
- Mute MIDI notes, paintbrush tool, snap to grid, visual feedback in key edit and more

System Requirements:

MacOS: Fast, stable internet connection for installation and registration, Intel Mac with multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Mac OS X 10.11 or later (64-bit), Monitor with at least 1280x768 resolution, CoreAudio compliant audio interface or built-in audio hardware, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required

Windows: Fast, stable internet connection for installation and registration, Intel or AMD multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Windows 7 or later (64-bit), Monitor with at least 1280x768 resolution, Audio Interface with ASIO driver, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required
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 3 in stock $73.42
Cat: 747643 Rel: 25 Sep 19 • View all Music production software
 
Upgrade version of Reason 11 music production software from Propellerhead
Notes: ***Upgrades any previous version of Reason to Reason 11***

Just starting out on your musical journey or well on your way to your next album? Wherever you are, Reason's legendary rack of synths, instruments and effects is ready to turn good ideas into great music. On its own or in your favourite DAW as a VST plugin.

Reason is easy to get into but as deep as you want it to be. Reason's inviting rack of instruments and effects is a sonic playground where inspiration comes to life. Create, compose, mix and finish your music - Reason will help you along the journey, from inspiration to mixdown.

All music, no distractions:

Reason is designed to act and feel like a musical instrument. What you see is really what you get. No hidden screens, sub-menus or dialogs to flip through. Drag and drop instruments and sounds, tweak anything you see on screen and save it all in a single document.

All the control at your fingertips:

Twist knobs, push buttons, move faders - Reason's interface looks and feels like an instrument and seamlessly integrates with your favourite hardware controller. Record your knob and fader movements to create rich, automated mixes. As easy as that.

Endless experimentation:

Flip the rack over to access the backside with all the audio and CV cables and connectors. Here you can manually route anything to anything, just like in a real studio. Or simply leave it to Reason to automatically hook it all together, unlike a real studio.

What's new with Reason 11?

In Reason 11, Reason's Rack can now be used as a plug-in:

- Full Rack Extension and ReFill support
- Patches fully compatible between plug-in and DAW
- Incredible value - Includes 55 devices: 15 Instruments / 29 Effects / 8 Utilities / 3 Players

5 new devices:

- New Chorus / Ensemble with four unique algorithms
- New Phaser / Flanger / Filter with extensive modulation
- Bus Compressor, Channel Dynamics, Channel EQ

Improved workflow featuring highly requested features:

- Curved automation
- Improved vertical zoom
- Audio clip crossfade
- Mute MIDI notes, paintbrush tool, snap to grid, visual feedback in key edit and more

System Requirements:

MacOS: Fast, stable internet connection for installation and registration, Intel Mac with multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Mac OS X 10.11 or later (64-bit), Monitor with at least 1280x768 resolution, CoreAudio compliant audio interface or built-in audio hardware, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required

Windows: Fast, stable internet connection for installation and registration, Intel or AMD multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Windows 7 or later (64-bit), Monitor with at least 1280x768 resolution, Audio Interface with ASIO driver, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required
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 More than 10 in stock $123.10
Cat: 747637 Rel: 25 Sep 19 • View all Music production software
 
Full boxed version of Reason 11 music production software from Propellerhead
Notes: Now a plugin as well as a DAW. Updated version of the much-loved production suite includes five new devices to expand your sonic options even further.

Supplier notes:
Just starting out on your musical journey or well on your way to your next album? Wherever you are, Reason's legendary rack of synths, instruments and effects is ready to turn good ideas into great music. On its own or in your favourite DAW as a VST plugin.

Reason is easy to get into but as deep as you want it to be. Reason's inviting rack of instruments and effects is a sonic playground where inspiration comes to life. Create, compose, mix and finish your music - Reason will help you along the journey, from inspiration to mixdown.

All music, no distractions:

Reason is designed to act and feel like a musical instrument. What you see is really what you get. No hidden screens, sub-menus or dialogs to flip through. Drag and drop instruments and sounds, tweak anything you see on screen and save it all in a single document.

All the control at your fingertips:

Twist knobs, push buttons, move faders - Reason's interface looks and feels like an instrument and seamlessly integrates with your favourite hardware controller. Record your knob and fader movements to create rich, automated mixes. As easy as that.

Endless experimentation:

Flip the rack over to access the backside with all the audio and CV cables and connectors. Here you can manually route anything to anything, just like in a real studio. Or simply leave it to Reason to automatically hook it all together, unlike a real studio.

What's new with Reason 11?

In Reason 11, Reason's Rack can now be used as a plug-in:

- Full Rack Extension and ReFill support
- Patches fully compatible between plug-in and DAW
- Incredible value - Includes 55 devices: 15 Instruments / 29 Effects / 8 Utilities / 3 Players

5 new devices:

- New Chorus / Ensemble with four unique algorithms
- New Phaser / Flanger / Filter with extensive modulation
- Bus Compressor, Channel Dynamics, Channel EQ

Improved workflow featuring highly requested features:

- Curved automation
- Improved vertical zoom
- Audio clip crossfade
- Mute MIDI notes, paintbrush tool, snap to grid, visual feedback in key edit and more

System Requirements:

MacOS: Fast, stable internet connection for installation and registration, Intel Mac with multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Mac OS X 10.11 or later (64-bit), Monitor with at least 1280x768 resolution, CoreAudio compliant audio interface or built-in audio hardware, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required

Windows: Fast, stable internet connection for installation and registration, Intel or AMD multi-core processor, 4 GB RAM (8 GB or more recommended for large ReFills or Rack Extensions), 4 GB free system disk space required, plus 8 GB for optional content. Additionally, program may use up to 20 GB scratch disk space, Windows 7 or later (64-bit), Monitor with at least 1280x768 resolution, Audio Interface with ASIO driver, MIDI interface and a MIDI keyboard recommended, For using Reason as a VST Plugin, a DAW host with VST3 support is required
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 1 in stock $321.80
Notes: A beautiful 96hp Eurorack enclosure shaped with the warmth of walnut and the strength of steel. The Lifeforms Research Console Eurorack format modular case pairs classic desktop synthesiser ergonomics with a modern Eurorack form factor and reliable power supply. The Lifeforms Research Console was designed for the Voltage Research Laboratory but is the perfect enclosure for all desktop modular sound experiments.
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MRP:$443.20 SAVE 17%
 4 in stock $369.33
Cat: 751597 Rel: 14 Oct 19 • View all Studio headphones
 
High-quality monitor stereo headphones
Notes: Cheap and cheerful studio headphones from German tech all-rounders. Closed-back over-ear design for good isolation. 45mm drivers for punchy sound.

Supplier notes:
The SHP-900 from Omnitronic is a high quality and affordable monitoring stereo headphone for music producers, video producers and mixing artists. It has a very good external noise absorption and a high output power. This is especially important when recording and listening to music, speech and vocals.

The SHP-900's soft, circumaural ear cushions provide a comfortable fit. The padded, height-adjustable leather earpiece provides additional wearing comfort. So nothing hinders you from working comfortably during long sessions. A powerful 45 mm neodymium converter and a large HQ voice coil ensure an extended frequency range. This makes the SHP-900 the perfect tool for live mixing engineers, home and concept studios.
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 2 in stock $41.70
Cat: 746361 Rel: 16 Sep 19 • View all Synth modules
 
Multiband distortion & VCA module
Notes: Distortion is fun, but it's even better when you split it up across the frequency spectrum. Seca Ruina takes an input, splits it up into three frequency bands, and lets you drive them into annihilation. SR includes a bypassable VCA on the output and CV over individual band and universal drive amount. With individual outputs for each band, you can process each band further externally. So much potential in only 6hp!
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 1 in stock $205.17
Cat: 739889 Rel: 02 Oct 19 • View all Synth modules
 
Four-channel precision adder, buffered mult, and transposition tool
Notes: Quantus Pax is a four-channel precision adder, buffered multiple, and polyphonic transposition utility. Each channel has two CV inputs and can be further modified by the three Xpose inputs. QP is made with high quality low-tolerance resistors for unbeatable accuracy. Patch-wide key changes, polyphonic movement, mathematically derived melodies, and more are all to be had with this simple but useful utility.
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 3 in stock $255.94
Cat: 752820 Rel: 17 Oct 19 • View all Synth modules
 
Comb oscillator, VOSIM, summation synthesis & phase modulation with adjustible waveform & wave folder
Notes: Loquelic Iteritas is a digital VCO with interpretations of three classic synthesis algorithms involving dual pitch control. It creates a huge variety of sounds parameterized by four tone and two pitch controls.

It has had glowing reviews from Surgeon and Surachai, and I am personally very excited about this module!

It has a simple interface, with 3 different synthesis algorithms allied to a number of different controls / CV inputs which have different effects, depending on which mode you choose. Simply hook up a number of modulation sources to the 4 inputs and start wiggling!

Rev.2 now features an additional sync input.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90
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 1 in stock $354.20
Notes: Ataraxic Iteritas Magnus is an extension of the first Eurorack module, the Ataraxic Translatron. AIM starts with one of three bit tables shaped via variable interpolation that is then scrolled through, amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Subby basses, metallic drones, unrelentingly digital timbres and more are all to be had from the AIM. Ataraxic Iteritas Magnus is the 5U version of the Ataraxic Iteritas. Guaranteed to make the fax machine jealous on an even bigger scale.
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 1 in stock $448.17
Cat: 752279 Rel: 18 Oct 19 • View all Guitar tuners & interfaces
 
clip-on mini tuner
Notes: The MOOER CT01 features fast and accurate tuning, a bright and colourful display and is suitable for guitar or bass guitar tuning. A straightforward and intuitive UI and mechanical clip allows users to tune quickly and comfortably, without having to worry about the tuner being in a wrong or hard to read position.
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 1 in stock $22.95
Cat: 749862 Rel: 15 Oct 19 • View all Synthesisers
 
Four-part polyphonic desktop synthesiser with virtual analogue synthesis
Notes: Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 5 in stock $290.50
Cat: 749863 Rel: 15 Oct 19 • View all Synthesisers
 
Portable monophonic synthesiser
Notes: Powerful synthesis in the palm of your hand. The Modal Electronics Craft Synth is a very small, yet incredibly capably synthesiser. It features a monophonic synthesis engine that will allow you to create or craft any sound you can imagine. The eight oscillators offer a very wide scope for sound design. If you have a sound in your head that you want to make a reality then the Craft Synth delivers. Featuring everything you would expect from a top end synthesiser in today's high end market, the Craft Synth shrinks it all down into a portable synthesiser that is perfect for creating music in the studio or for performing live. Effects, filters, tuning, envelopes - Craft Synth has it all!
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 5 in stock $139.31
MFB
Cat: 695618 Rel: 16 Sep 19 • View all Synth modules
 
Analogue VCA with built-in oscilloscope
Notes: The Visual VCA is a voltage controlled, analogue amplifier module with additional waveform display. The signal amplification can be regulated via the two CV inputs. CV1 is usually controlled by the envelope. A special feature is CV2, because this input can only be used in conjunction with CV1 and is normally used for modulation effects. The integrated oscilloscope represents the waveform of the input signal and has a resolution of 128 x 64 pixels. With the interval controller you can set the sampling frequency.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $89.63
MFB
Cat: 695617 Rel: 16 Sep 19 • View all Synth modules
 
Analogue VCO, switchable to DCO
Notes: The VCO/DCO is a voltage controlled analogue oscillator module. This can also be used as a DCO, eliminating the need for heating and temperature sensitivity. All functions except for the FM input are also available with the DCO. Sawtooth, triangle, rectangle and pulse are available as waveforms, with soft switching between the individual waveforms. This can also be done with a control voltage, so you have additional PWM modulation.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $98.27
MFB VC LFO Module (synth module)
MFB
Cat: 695621 Rel: 16 Sep 19 • View all Synth modules
 
Voltage controlled LFO, switchable to oneshot mode
Notes: The module VC LFO accommodates a slowly oscillating oscillator, which is primarily used for modulations. It has five waveforms, CV input with attenuator and a control range from 10 seconds to 100 Hz. In addition, the LFO has its own reset input, over which the waveform is restarted. If you set the speed accordingly and have a separate reset pulse, you can synchronize the LFO with a sequencer. The following waveforms are available: rising sawtooth, triangle, falling sawtooth, rectangle and sample & hold.

The output voltages are maximum +/- 5 volts. The module has a width of 8 HP (40mm).
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 4 in stock $73.43
MFB
Cat: 695608 Rel: 16 Sep 19 • View all Synth modules
 
Analogue synth module composed of three drum voices - 12HP
Notes: The module TT/CO/CL 522 is an enhanced circuit was used before in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY, TUNE and PITCH (only Tom/Conga) via CV-signals from Envelopes, LFOs and Step Sequencers. The unit can be triggered by different signals.

Beside sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Tom/Conga in detail:

DECAY adjusts the decay time up to one second.
TUNE sets the frequency of the TOM from 80 to 150 Hz (CONGA 120 to 200 Hz).
PITCH controls the duration and intensity of the pitch envelope.
ATTACK sets the click transient of the Tom/Conga.

To switch between Tom and Conga, a trigger impulse is needed.

For the CLAVE, DECAY adjusts the decay time. TUNE calibrates the CLAVE between 800 and 1500 Hz.

The module has a wide of 12 HP (60 mm).
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 2 in stock $106.91
MFB
Cat: 695609 Rel: 16 Sep 19 • View all Synth modules
 
Analogue module composed of three drum voices - 12HP
Notes: The OH/HH/CY module is based upon the cymbal and hihat sound-circuit of the MFB-522 drum-computer, slightly modified and expanded.

The module was developed as a modular component. Therefore, the parameters decay for cymbal and open-hihat and tone can also be controlled by CV-sources like envelopes, LFOs, step-sequencers. Manual adjustment is available for the parameter tune that affects both cymbal and hihat as well as for the closed-hihat's decay.

Triggering open-hihat, closed-hihat and cymbal of the module is possible through various signal types. Besides sequencer generated analogue and digital trigger-signals, drum-pads, piezo and dynamic microphones may also be used. Here, the controls allow individual adjustment of the input sensitivity. Dynamic triggering will not only affect the sound's volume but also attack and sound length slightly. The functions in detail:

HIHAT: The hihat sound is created by several square-oscillators that are fed into a band-pass-filter. Two decay controls allow individual sound-length-adjustments for closed- and open-hihat. In addition, the decay parameter for the open-hihat can be controlled by CV-voltage.

TUNE: Sets the frequency for all square-oscillators simultaneously. Because the cymbal sound accesses the same oscillators, tune also affects this sound.

CYMBAL: The cymbal sound is based upon the same sound source as the hihat, only that it uses two band-pass-filters that individually shape the attack- and decay-phase. However, the decay parameter controls the length of both attack and sound length. This parameter can also be controlled by an external CV-source. Tone sets the balance between the differently filtered signals paths. This parameter is also under CV-control but does not offer an internal attenuator.

A specialty of the cymbal sound is its tone-input. Here, you can connect an external sound source that replaces the internal square-oscillators for the decay phase. The internal oscillators are still in use for the sound's attack-phase.

The module has a width of 12 HP (60 mm).
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 1 in stock $112.31
MFB
Cat: 695615 Rel: 16 Sep 19 • View all Synth modules
 
Classic envelope generator - 8HP
Notes: The ADSR module is a voltage-controlled envelope generator. Normally, the characteristic is logarithmic, but a linear part can be added. With the help of the loop button, the envelope can also be used as an LFO, then Attack and Decay determine the frequency that goes far beyond 100 Hz. Another special feature is the CV inputs for Attack, Decay and Release. This can be used e.g. control or modulate the times externally. In addition to the normal output, there is an inverted output in parallel.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 1 in stock $80.99
MFB
Cat: 695610 Rel: 16 Sep 19 • View all Synth modules
 
Stereo drum mixer - 12HP
Notes: The DRUM-99 module is an audio-mixer that has been designed for the modules of the MFB-DRUM series but also for usage with other manufacturer's modules. When using multiple drum-modules in a modular system, the following processing stages like filters or VCAs often lack enough audio inputs. To route a complete drum-set through a filter, a separate mixer like the DRUM-99 comes handy.

DRUM-99 offers five monaural inputs with individual level control. Tiny trim-controls are used to set the channel panorama position for the internal stereo-bus.

A fixed level stereo-input can accommodate the signal of one or more additional DRUM-99 modules. These inputs can also be used with the DRUM-06 module (Tom Tom) that also offers a stereo-output.

All five mono signals and the stereo-input are routed to the stereo-output that can be connected to two VCAs, filters or other sound manipulating devices. The output may also be used to connect the DRUM-99 to a mixing-console or audio-interface.

The stereo-output is designed for a possible summing with additional stereo-outputs.

The module has a width of 12 HP (60mm).
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 1 in stock $74.51
MFB Digital Delay Module (synth module)
MFB
Cat: 695614 Rel: 16 Sep 19 • View all Synth modules
 
CV controllable digital delay with delay time from 2ms to 4000ms
Notes: The Digital Delay Module is a CV controllable digital echo with delay times of about 2 ms to 4 seconds.

The circuit comes from the MEGAZWERG has been improved in some points.

The audio signal is connected to the "In" socket and is connected to the "Out" socket again, depending on the Mix knob (left Original, right the Delayed). The signal can be limited with the "In" control. The LED indicates an overload.

The delay time is set with the Time slider and can be modulated via the CV Time input.

With the switch "Freeze" or with a positive voltage at the "Freeze In" the input signal can be frozen.

If the "Time" control is set to max. is equal to the input voltage at CV Time about 1V/oct and the range is 4 octaves.

With the "Range" control the delay can be roughly changed in time steps. The Feedback slider adjusts the amount of signal feedback. Using the FB Send and FB Return jacks, the feedback signal can be tapped separately, routed to another module or external effects unit, and fed back into the delay.

The module is compatible in design and bus power supply to the Doepfer A-100 modular system.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 4 in stock $122.03
MFB
Cat: 695607 Rel: 16 Sep 19 • View all Synth modules
 
Clap module based on circuit designs of the MFB-522 & Tanzbar Lite
Notes: The Clap-522 Modul contains an enhanced circuit of the MFB-522 and Tanzbar Lite. You can edit and modulate the sound in a wide range.

As modular concept you have the possibility to control the parameter PUSE, SNAP, ATTACK, DECAY and FILTER via CV-signals from Envelopes, LFOs and Step Sequencers.

The parameters are in detail:

PULSE is the amount of claps between 1 and 7.
ATTACK sets the noise level between the clap repetitions.
DECAY controls the release of the noisy reverb.
FILTER defines the colour of the noise floor.
WIDE edits the gap between the single claps.

Beside sequencer generated analogue and digital trigger-signals, drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic trigger also changes the volume of the clap.

The module provides the new developed M-Bus connection. MIDI signals can control following destinations:

Trigger MIDI Note #39 or #82, switchable, with Velocity. Controller values for Wide, Attack, Decay and Filter.

The module has a width of 8 HP (40mm).
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 1 in stock $93.95
MFB
Cat: 695605 Rel: 16 Sep 19 • View all Synth modules
 
Analogue synth module composed of three drum voices - 12HP
Notes: The module CB/RS/MA-522 is an enhanced circuit previously used in the MFB 522, Tanzbar Lite and Tanzbar drum machine.

As a modular concept you have the possibility to control the parameter DECAY and TUNE via CV-signals from Envelopes, LFOs and Step Sequencers.

The unit can be triggered by different signals. Besides sequencer generated analogue and digital trigger-signals drum pads, piezo pickups and dynamic mics may also be used. Here the SENS controls allow individual adjustment of the input sensitivity. Dynamic triggers also change the volume, tone length and pitch.

The functions of Cowbell in detail:
DECAY adjusts the decay time.
TUNE sets the cowbells frequency.
The functions of Rimshot in detail:
DECAY adjusts the decay time.
TUNE calibrates the frequency.
The Maracas owns a DECAY who sets the release time.
The modul provides the new developed M-Bus connection. Midi signals can control following destinations:
Trigger Cowbell MIDI Note #41, MIDI CC for Tune = 21, Decay = 37
Trigger Rimshot MIDI Note #37, MIDI CC, Tune = 19, Decay = 35
Trigger Maracas MIDI Note #70, MIDI CC, Decay = 46

The module has a width of 12 HP (60mm).
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 1 in stock $112.31
MFB
Cat: 695604 Rel: 16 Sep 19 • View all Synth modules
 
MFB-522/Tanzbar style analogue bass drum module
Notes: The Bass-522 module is based on the 522 circuit and offers a punchy attack, long decay and wider pitch range. Adjustable noise and pitch envelope have also been added.

The sound can be triggered by Gate, M-Bus and signals like piezo pickups, dynamic mics and drum pads. The Sense parameter decides the sensibility and dynamic of attack, amplitude. decay and pitch.

The following parameters are available and can be controlled by CV:

TONE dampens the attack transient.
DECAY sets the release time of the amplitude.
TUNE defines the basic pitch from around 35 to 70 Hz.
PITCH controls the amount of pitch envelope.
NOISE mixes the noise floor (no CV control).

The module offers the new developed M-Bus connector which means you can you control everything via MIDI/CV interface or the new MFB SEQ-01 Pro Drum Sequencer without additional patching. The following addresses are supported:

Trigger with Velocity - MIDI Note #35 or #36 (switchable) and controller values for Tone, Decay, Tube, Pitch and Noise Decay.

The module has a width of 8HP (40mm).
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 4 in stock $85.31
MFB
Cat: 746574 Rel: 16 Sep 19 • View all Drum machines
 
analogue drumcomputer
Notes: What's your fave 70s German analogue drum machine? Probably this one. MFB reboot the basic vintage model, adding new features like a step sequencer, drum tuning and MIDI to bring it up to date.

Supplier notes:
The MFB-301 Pro drum computer is a modern version of our classic MFB-301. It offers eight analog drum- and percussion-instruments which are based upon the original circuits being used in the MFB-301 and the clap-module MFB-401. However, the circuits have been further refined for the Pro-version.
The MFB-301 Pro offers a sequencer with up to 16 steps, capable of storing 108 patterns and 36 songs. By chaining two patterns it allows creating beats with 32 steps. A global shuffle mode with five graduations will make your beats swing. Programming can be carried out in real time or step by step.
All instruments can be adjusted in three sound parameters and in level. The sound parameters pitch, note length and attack can individually be set per step. In addition, the values may also be controlled by MIDI CC commands and recorded into the sequence in real time. All instrument levels can be adjusted separately and being programmed per track. The MFB-301 Pro can be synchronized to a MIDI clock or an analog clock signal. Available are stereo outputs as well an an adjustable headphones output.
Power supply comes from the included USB-power adapter. The unit can be updated via its USB port, but only Windows PC's.
MFB-301 Pro is the ideal expansion for MFB Tanzmaus. Combined, all instruments of the MFB Tanzbar 1 are available. Also, the MFB-301 Pro can be controlled and even be programmed from MFB Tanzmaus via MIDI.
The instruments' parameters
Bassdrum: Pitch, Decay, Tone, Level
Snare: Pitch, Decay, Noise Level, Level
Claps: Decay, Attack, Level
Tom: Pitch, Decay, Attack, Level
Bongo: Pitch, Decay, Attack, Level
Clave: Pitch, Decay, Attack, Level
Cymbal: Pitch, Decay, Mix Noise/Metal, Level
Hi-hat: Pitch, Decay, Mix Noise/Metal, Level
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 More than 10 in stock $142.55
MFB
Cat: 695619 Rel: 16 Sep 19 • View all Synth modules
 
Analogue 24db lowpass filter - 8HP
Notes: The 24dB VCF SSI is a voltage controlled analogue low pass filter module with the new SSI2144 chip. In addition, it has a 12dB output that works either as a low pass or bandpass (+/- 12dB). There are two inputs, one with attenuator. Another CV input with attenuator is available for the cut-off frequency. The resonance is controlled either via a controller or via another CV input with attenuator.

The power consumption is +/- 30 mA. The module has a width of 8 HP (40 mm).
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 2 in stock $73.42
Cat: 747906 Rel: 08 Oct 19 • View all Power cables & adapters
 
World to UK travel adaptor
Notes: Plug in adaptor that allows equipment from various countries across Europe, America, Australasia and China to be used in a UK mains outlet. NOTE: Does not earth with side contact earth plugs.

- Compatible with plugs from Germany, France, Italy, USA, Australia, New Zealand and China
- Fused at 13A
- Conforms to new BS8546 and BS1363
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 More than 10 in stock $2.21
Cat: 750516 Rel: 18 Oct 19 • View all Vocal microphones
 
USB condenser microphone
Notes: Uber Mic is the perfect set-up for all your recording needs - whether it's recording acoustic instruments & vocals, capturing pristine audio for podcasts & broadcasting, or simply bringing your gaming experience to the next level. Uber Mic does it all- start recording, streaming & broadcasting now!

Crystal-clear recording demands the right tools for the job. M-Audio's Uber Mic features a large-diaphragm 3-capsule condenser microphone, perfect for podcasting applications or capturing high-quality audio from vocalists, instruments, percussion and more. With a choice of four polar patterns including cardioid, omnidirectional, figure-8 and single point stereo, Uber Mic is primed for virtually any recording scenario:

Cardioid - a directional pattern, perfect for capturing singular sound sources while eliminating unwanted room reflections and background noise
Omnidirectional - equal output/sensitivity at all angles captures your sound sources from all directions, perfect for adding some ambience to your recordings or capturing a group of sound sources
Figure 8 - equal output/sensitivity on two sides of the microphone, ideal for capturing two independent sound sources simultaneously
Stereo - picks up from the left and right side of the microphone, producing a true stereo image

Get hands-on with your recording! Uber Mic's assortment of hardware controls and thoughtful connectivity options guarantee professional, hassle-free capture every time. Troublesome latency issues are a thing of the past, thanks to a conveniently-located dedicated USB/direct mixing control and a microphone volume control. Zero-latency recording and monitoring is now a reality and you'll hear exactly what you're recording in real time.

There's privacy when you need it, courtesy of a microphone mute control and on-board 1/8-inch headphone jack with internal headphone amplifier. Take total control of your recording and make precise adjustments to your currently-selected level and polar pattern configuration with the crisp on-board LCD display. With Uber Mic, everything you need to produce premium pro-grade recordings is at your fingertips.

Complicated setups are a thing of the past. Thanks to a dedicated stand for ultra-convenient desktop mounting, plus a threaded insert for optional boom stand-mounting, Uber Mic is versatile, full-featured and sonically impressive. Whatever your recording needs, think Uber.

Pro Tools | First, the industry standard for recording software, is now included with M-Track C-Series Audio/MIDI interfaces, as well as our renowned CTRL, Code, Oxygen, Hammer and Keystation USB/MIDI keyboard controllers. This amazing audio recording software helps inspire any artist, traveling musician or singer-songwriter to create, record and share all of their ideas across the world at any time.
Pro Tools | First features Unlimited Busses, Elastic Time and Elastic Pitch, Offline Bounce and 1 GB of free cloud storage space for collaboration or accessing your projects from any computer anywhere that is connected to the internet.

This truly amazing software recording package is primed to get your ideas out of your imagination and amplified out into the world, enjoy!

Chop up and mix 2 gigs of samples ranging from deep ambient synth pad loops to vintage drum one shots. These are all designed to inspire your music production and provide professional sounding samples that will shine in your mix. Touch Loops perfectly captures the tone and intensity of each sample, so they enhance and complement any song, wherever you use them. This incredible value can be found in your M-Audio account, ready to be downloaded and chopped to your liking!
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MRP:$129.58 SAVE 23%
 1 in stock $100.05
Cat: 465954 Rel: 08 Oct 19 • View all Studio accessories
 
Universal sustain pedal with polarity switch for compatibility with all electronic keyboards
Notes: The M-Audio SP2 Sustain Pedal is the perfect product for keyboard players who want the most realistic pedal action. The SP2 model is used in the same manner as the sustain pedal on an acoustic piano. This classic-style pedal works with any M-Audio keyboard. Designed to work and feel just like an acoustic piano's sustain pedal, it has a specially designed rubber bottom that grips the floor and stays put while you play. The SP2 is a high-quality switchable damper pedal.
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 1 in stock $18.35
M Audio SP1 Sustain Pedal (sustain pedal)
Cat: 465953 Rel: 08 Oct 19 • View all Studio accessories
 
Sustain pedal for synthesisers, tone modules, and drum machines
Notes: The M-Audio SP1 is a simple, compact and sturdy sustain pedal for today's electronic keyboard. The SP1 is perfect for any application that requires a non-latching momentary switch. It is compatible with all electronic keyboards.
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 1 in stock $18.40
Cat: 732455 Rel: 23 Sep 19 • View all Synthesisers
 
Powerful bass synth with sound source based around a vacuum tube oscillator
Notes: Valves meet Volca. The original Volca Bass design gets twisted with the addition of Korg's Nutube technology for gritty saturation. 303-style acid with a filthy attitude.

Supplier notes:
Even today, when digital technology allows electronic musical instruments to simulate any sound imaginable, people seek the warm harmonics and distortion produced by analogue vacuum tubes. This distinctive sound has a quality beyond words that sets it apart, and cannot be captured by a response curve; it's the unmistakable sound of tubes.

The Volca Nubass is the first analogue synth to be equipped with a Nutube new-generation vacuum tube in its oscillator. Vacuum tube plus analogue means that the sound is warm, thick, and rich. The familiar transistor ladder filter gives it the character of a classic bass machine, along with overdrive, and huge-sounding distortion.

An acid bass machine for a new generation combines classic sound with the power of modern synthesizer design. It's the Volca Nubass.

A vacuum tube oscillator circuit forms the heart of Volca Nubass, utilizing groundbreaking Nutube technology:

The Nutube is equipped with two vacuum tubes; one is used in the oscillator to generate a sawtooth wave or square wave. The other vacuum tube is used in the drive circuit of the sub oscillator, adding depth and warmth one octave below the oscillator. This oscillator and sub oscillator provide a circuit structure that brings out the harmonic character that only a real vacuum tube could provide.

A transistor ladder low-pass filter that produces a distinctive sound:

The low-pass filter defines the sound of this bass machine; it uses a transistor ladder design found on classic analogue bass synths. This filter is uniquely dynamic in the way it affects a sound more than just ranging from bright-to-dark. Its wide range of timbral possibilities makes it ideal for a broad variety of dance music; you can use it to create the distinctive modulation that can be heard in acid house, or increase the resonance to bring out a sharp character that's appropriate for techno.

Analogue driver circuit:

Nubass is equipped with overdrive that uses an analogue circuit reminiscent of a classic stompbox. Turning the knob toward the right compresses the volume while causing mild distortion, adding thickness to your bass sounds. The tone knob also lets you adjust the crispness of the high-frequency range.

A 16-step sequencer that lets you automate parameters:

The Volca Nubass is equipped with a full-fledged 16-step sequencer with a variety of functionality; by using it in conjunction with a rhythm machine, you can construct rhythm tracks or loop music.

You can use the 16 buttons for step input just like the rest of the Volca series, or play the buttons as a keyboard for realtime recording. The chain function lets you play back multiple sequence patterns in succession, allowing you to loop up to 16 sequences.

Three functions to create grooves on Volca Nubass:

The sequencer of the Volca Nubass provides three functions that add the slap and slide performance techniques that are distinctive of acid bass: these transpose, accent, and slide functions are accessible and controllable through the step sequencer.

Transpose is a function that plays a note one or two octaves higher; it adds movement to the bass line while staying within the original scale. Accent emphasizes a note, creating dynamics that make the rhythm expressive. And the slide function that's indispensable to acid sound creates a smooth transition to the next note. Use these functions to add a sense of groove, and Volca Nubass will come alive in your performances and compositions.

Free bundle of music software:

The Volca Nubass comes with a diverse variety of music software from Izotope including "Ozone Elements" which lets you not only create songs but also master them using AI, "Skoove" which will help you improve your keyboard playing skills, "Reason Lite" DAW software, as well as software synths from KORG and other brands.
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 More than 10 in stock $184.67
Cat: 741028 Rel: 16 Sep 19 • View all Guitar tuners & interfaces
 
Clip-on chromatic guitar/bass tuner with colour LED display
Notes: Even a great performance won't be worth much if the tuning is wrong. Pitchclip 2+ uses approximately 2.5 times as many meter LEDs, compared with Korg's previous model, allowing even more precise pitch adjustment. Basic functionality such as the calibration function and +/- 0.1 cent high-precision tuning (when using Strobe or Half Strobe modes) have also been dramatically improved. Additionally, the display now rotates vertically, allowing for easier viewing.

Covering any instrument from electric to acoustic, from guitar to bass, the Pitchclip 2+ is a clip-on tuner for everyday use that delivers both accuracy and ease.

LED meter boasts detailed display resolution:

The LED meter section now has a significantly increased the number of LEDs, from seven on our previous model (Pitchclip 2) to 17, allowing pitch inaccuracies to be shown in even greater detail. Furthermore, when two adjacent LEDs are lit, their brightness varies to indicate higher or lower pitch.

All note names shown in uppercase characters:

A specially designed 12+1 (=#) segment LED is newly used in order to clearly show a guitar's 4th string (D) and 2nd string (B) in uppercase characters. Even when attached to the back of a guitar's headstock, the unit can be inverted vertically to display uppercase characters.

Position at the best angle for players:

A bent clip can look unsightly when the tuner is attached to the headstock, but the Pitchclip 2+ lets you leave the clip in the same position while you freely adjust only the screen to the best angle for comfortable viewing.

+/- 0.1 cent high-precision tuning:

This tuner supports ultra-high-precision tuning as accurate as i0.1 cents (* when using Strobe mode or Half Strobe mode). By precisely adjusting your pitch, you can feel confident in your tuning and play great-sounding harmonies.

Calibration function:

The calibration function lets you adjust the reference pitch in order to support tuning with a variety of instruments. This gives you the precision and flexibility that you need when performing in an ensemble with other instruments such as an orchestra or a piano.

Reverse display that's convenient for left-handed players as well:

The reverse function lets you vertically invert the meter display so that the characters are shown correctly even when the tuner is attached to the back of the headstock. This is a convenient feature that will be appreciated by left-handed players or by those who attach the tuner to the back of the headstock so it will be less visible from the front.

Strobe and Half Strobe modes:

This tuner is equipped with "Strobe" and "Half Strobe" modes that provide a beautifully flowing LED display. These modes let you resolve pitch discrepancies down to an ultra-precise accuracy of i0.1 cents, so you can tune enjoyably and accurately.

Preview indication when switching meter display modes:

When switching between 1. Regular, 2. Strobe, and 3. Half Strobe modes, a preview indication shows you the specified mode's LED motion for several seconds, letting you use the unit without having to memorize the number corresponding with each mode.

A clip that holds securely:

The clip section is designed to hold the headstock securely. The entire clip is coated with rubber for enhanced adhesion and also to protect your instrument. It will securely fit headstocks of various designs and thicknesses.

Lightweight and long-lasting:

One small and lightweight lithium coin cell battery (CR2032) provides up to approximately 18 hours of continuous operation, and since the tuner weighs less than 20 grams including the battery, you won't notice the weight even if you leave it attached to the headstock while you perform. The auto power-off function automatically turns off the power when no sound has been detected for approximately three minutes, preventing the battery from being used unnecessarily.
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 1 in stock $31.24
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