Review: The annual Cocoon compilation is a perfect snapshot of what's going on in the more popular corners of the European techno scene. Curated by label head and Ibiza party king Sven Vath, this year's edition is a comparatively deep and melodic affair. A big shout goes to Talaboman for their excellently entitled "Big Room Anthemic Groovy Pounding Trance Dub Bomb Superb!" which is indeed a big room anthemic groovy pounding trance dub bomb, while Edward serves up a more twisted roller (the excellent "End Days"), Raxon goes deep with "The Turbulent" and Mark Broom hammers home with tripped out sci-fi banger "Jaded", amongst many other gems.
Steve O'Sullivan & Yossi Amoyal - "Singularity" (10:05)
Eric Miller - "From A Distance" (7:58)
Bluetrain - "Read My Mind" (9:08)
Monoaware - "Hanami" (6:04)
Delano Smith - "Without Reason" (part 1) (7:36)
Delano Smith - "Without Reason" (part 2) (7:30)
Leonel Castillo - "Stealer" (7:30)
XDB - "Frost" (6:15)
Thor/Sanasol - "All Sides Will Be Lost" (8:56)
The Wise Caucasian - "Agent Orange" (6:13)
Ryan Elliott - "P's Keys"
Tobias - "Styles 2"
Efdemin - "Flight"
Monoaware - "G-Train To Shibuya" (7:31)
Fluxion - "Overcast"
Paul St Hilaire & Rhauder - "Not Saying Much"
Review: Sushitech's second chapter of their Tessera compilations has been in the making for over two years. It's not hard to understand why, however. This monstrous 5 disc release is riddled with techno killers of the highest calibre, from start to finish. We knew that these guys were reliable purveyors of fine electronic dance music, but this is a truly impressive showcase, and surely up there with the likes of Ostgut Ton. In fact, this compilation goes even beyond the immediate techno remit. It's difficult to pick out the highlights here; everything is solid, and even the opening dub echoes of "Prelude" is enough to get us salivating. There's a rare appearance on the dubbed-out deep house of "Skank" featuring Rhauder, Steve O'Sullivan makes a sleek appearance, Delano Smith offers two magnetic pieces of Detroit magic, XDB's "Frost" is nothing short of spectacular, and even Efdemin's glitchy, minimalist deep house seems more poignant than usual. This is a big'un - don't miss it.
Ingrid Lukas - "We Are" (Manuel Tur remix 3) (6:47)
Rampa - "Necessity" (7:46)
Fred Und Luna - "Im Klanggarten" (Prins Thomas remix) (9:56)
Mosca - "In This Life Or The Next" (6:12)
Alex.Do - "Drenched" (7:35)
Eagles & Butterflies - "X" (7:19)
Davis - "Blind" (feat Cameo Culture) (5:53)
Denis Horvat - "Momak" (8:02)
Quarion - "Monolith" (6:24)
Dino Lenny - "A Certain Distance" (Dixon Retouch) (7:32)
Culoe De Song - "Judgement Day" (6:56)
Francesco Chiocci - "Nightmares" (7:30)
Review: Since launching back in 2007, Innervisions' Secret Weapons series has been consistently impressive. Its' various EPs and compilations feature tracks that have been doing the business in the sets of label chiefs Dixon and Ame, some of which have never previously been released. Part 8 is the most expansive volume yet, with 13 tracks stretched across four weighty slabs of wax. There's naturally plenty to enjoy, from the cinematic creepiness of Mosca's "In This Life or The Next", and the dreamy, slow-building wooziness of Prins Thomas' remix of Fred Und Luna's "Im Klanggarten", to the undulating, soul-flecked goodness of "Blind" by David, and the late night, broken techno brilliance of Culoe De Song's "Judgement Day".
Review: With a great emphasis placed on presentation and artistic statement, Swiss label Les Points has already established itself as a serious operator within the bustling minimal house and techno scene. This split release from Barbir and Nicola Kazmir is yet further proof of the ambitious intentions the label has in delivering the most creatively inspired music possible, and there is certainly plenty of music to get your teeth into here. There's twitchy house constructions aplenty to enjoy from both artists, as well as some intriguing remixes of STL loops at the end of each side in a nod to the inspirational power of the German producer, whose own leftfield leanings fit into the lineage of this release.
Review: For a small label with minute sounds, An dromeda is a heavyweight when it comes to releasing the finest in experimental, sparse and dub-laden, extra-ordinary minimal techno. Vid inaugurated the label in 2012 and now provides the outlet with its first album via a triple 12". Should you find the early releases of Giegling appealing, its likely Vid's debut LP will be of interest too through its poppy beats, watery undertones, balanced percussion and dynamic piano manoeuvres. Productions plunge deep without the need of booming kick drums as demonstrated in "Pasul Unu", or the looped chords of "Tripusor", while rustic tribalisms form in "Landrum Bun". An intriguing album transforming how we perceive the micro-isms of danceable electronic music.
Review: It has been 16 years since Daze Maxim's last album, Same Place The Bot Got Smashed. Markus Manowki's new album is on his own Hello Repeat imprint that he runs with Jan Krueger. The title refers to meditative breathing exercises, something that he had begun at the same time as working on the LP. As you'd expect it is all fairly minimal, like most of his output since the label began. Starting out with the wacky ambience of "Diachronica" and the mellow piano led vibes of "Happy Collapse" it's soon business as usual like on the dubby deep house of "Melted Talk" or "On The Way Back", the druggy after-hours minimalism of "Darkness In Your Pocket" or "Shift Limbs" not to mention the several other interesting ambient and downbeat interludes throughout the album. All in all a strong effort.
Thank You/Dream State Of A Bellmaker/Big Sur (14:00)
Review: A mere four years after making his 12" debut on Fathers & Sons Productions, Samuel Andre Madsen delivers his debut album on Delaphine, the label he set up to release his music back in 2013. There's much to admire about Dream State of A Bellmaker, which attractively drifts between undulating ambient bliss, deep and melodious techno shufflers, evocative electronica, becalmed drone explorations, and atmospheric compositions that define easy categorization (see the electronic jazz/ambient/dream house fusion of "Better To Have Loved"). It's a hugely enjoyable and entertaining set, full of intricately programmed and life-affirming music.
Review: While he's continued to offer up occasional singles, Bonn-based producer Dominik Eulberg has not released an album for eight years. It's for this reason that "Mannigfaltig", the former Traum Schallplatten regular's new set, is big news. Interestingly, it's nowhere near as club-focused as you'd perhaps expect, with Eulberg combining his usual glitchy, tech-house influenced beats and sounds with a range of intricate electronic motifs, sumptuous melodies and atmospheric aural textures. There are one or two club cuts, of course, but majority of the tracks bob along at a more sedate pace, with Eulberg offering up cuts that draw influence from IDM and hazy electronica. As a result, it may well be his most coherent and "listenable" album to date.
Here Comes The Warrior (Super short Version) (15:00)
Discotico Sinetico (8:25)
Life Is Strange, Life Is Hard, Life Is Great (5:39)
Spacer Rainbow Woman (8:11)
Fears Come True (5:44)
A Numb Gas To The Future (6:53)
Pow Pow (6:39)
Discotico Estatico (8:14)
Dance Warrior Dance (10:37)
Here Comes The Worrior (Super short album version)
Life Is Strange, Life Is Hard, Life Is Great
Spacer Rainbow Woman
Fears Come True
A Numb Gas To The Future
Dance Warrior Dance
Review: Mexico's Rebolledo has played an important part in Comeme's development over the years, and his nutty strain of electronic dance music fit perfectly in line with the label's tone of voice. Never straight enough to be categorised as house but always too structured to be labelled simply as ambient, Rebolledo is one of the few artist's truly making 'outsider' music these days. This latest album, Mondo Alterado, is perfect for anyone wanting something deep and mystical but that still carries enough weight and shape to be played to other human beings. In fact, a big part of the tunes on this LP verge onto the 'dance' side of things, but the producer has a distinct knack for making that sound constantly surprising, a sort of perennial sonic morphing that steers clear of any concrete genres. TIP!
Review: Former Panorama Bar resident and local Berlin fixture Cassy Britton presents her first full length release since giving up her residency and leaving Europe's clubbing capital for the sunny shores of Los Angeles. The Donna LP features some dusty classic house sounds of the deeper spectrum, as heard previously on her eponymous imprint, Uzuri or Perlon sporadically over the last 10 years and her great vocals which veer from spoken word, haunting/monotone to high pitched diva moves are a constant throughout. Highlights for us were the uplifting deep disco of "All I Do", the soulful deep funk on her cover of Prince's "Strange Relationship" or the emotive yet tough techno of "Move".
Review: Holden's 2006 debut album was an astonishing one that gets a timely reissue on double crystal-clear splatter vinyl. A high watermark for proudly synthetic and computer made music, it was the bold arrival of an artist who endures as an innovator to this day. "The Idiots Are Winning" is a masterclass in unhinged grooves, glitchy electronic sounds and mutant sounds that set a new benchmark in experimental textures, sound design and dance floor clout. "Idiot" is the standout banger, "Lump" is more trippy and heat workout, and "10101" is the twitchy and mesmeric workout you cannot escape. Music as idiosyncratic as this doesn't come along too often, and even 13 years left it still sounds fresh.
Review: Manmade Science is producer Michel Baumann (aka Jackmate/SoulPhiction), engineer Nik Reiff and percussionist Benjamin Lieten (aka Phlegmatic). With the feeling of a raw live session, this masterpiece comes along in a variety between jazz and techno, soul and house. It also contains a live track from a Manmade Sciences Concert at the Jazz Open in Stuttgart. There are also collaborations with guest musicians like conductor, musical-director and multi-instrumentalist John Thrower playing the sax on the starter "Chicago Sidewalks" and the last song "Brown Sugar". There are some lovely vocals from Isaiah Femi Awonaike on "Turn down the Lights" and the garage feel comes with the stunning voice of Haldor Laegreid on "Just tell me when...". If you're looking for something with more flesh than just bones check this out!
Review: Since the first pressing of Binh's Ship of Imagination double-pack sold out at the tail end of 2016, demand for the record has rocketed online. Happily, My Own Jupiter owners Edume and Nicolas Lutz has bowed to demand and quickly sorted out this re-press. It's a fine record, with the producer effortlessly blending elements of Detroit techno, electro and chunky deep house rhythms with the kind of spacey synthesizer sounds and razor-sharp TB-303 lines most commonly found in early '90s British "intelligent techno" records. In other words, it's sounds like the kind of set that could have been released around 1994 by one of the greats of our scene.
Review: Jan Jelinek has made many fine albums over the years, under both his given name and a handful of occasional aliases. One such pseudonym was Gramm, a handle he plucked out of thin air for the release of the now celebrated 1999 full-length "Personal Rock". Here that set is given a deserved 20th anniversary vinyl reissue, allowing a whole new generation to investigate the dusty nooks and crannies of one of the producer's most techno-centric releases. It is every bit as sample-heavy, glitchy and crackling as his other work, whereas other outings explored skewed hip-hop beats and downtempo grooves, "Personal Rock" was more informed by the steady pulse of dub techno, the deep space fluidity of ambient techno and the locked-in hypnotism of original era minimal techno. The results are out of this world.
Review: Innervisions bosses Frank Wiedemann and Kristian Beyer return as Ame, and present their first full length entitled Dream House - described as a home listening styled journey. The German duo spent three years working on the LP and it features collaborations with legends of German electronic music such as Roedelius and Gudrun Gut, as well as Bolivian singer David Lemaitre and Jens Kuross - who was a member of Wiedemann's other venture The Howling, with Ry Cuming. Highlights include their dramatic collaboration with Matthew Herbert "The Line", the upbeat disco number "Blind Eye" (featuring Planningtorock), the chill balearica of "Positivland" and the evocative/melodic dreamscape of "No War".
Losoul - "Love Supreme" (Its All In There mix) (9:57)
The Moul - "Love Supreme" (Drum mix) (4:40)
Metaboman - "Love Supreme" (Metabomix) (5:57)
Dave Aju - "Love Supreme" (A Dub Supreme mix) (8:10)
Ark Pit Spector - "Love Supreme" (A Rush Supreme) (6:14)
Ark - "Love Supreme" (Free mix) (7:06)
Review: Parisian oddball house legend Ark teams up again with fellow local and Prospector head honcho Pit Spector to inaugurate Ark Records. A longtime in the making no doubt but worth the wait. Love Supreme LP as the title suggests is a tribute to the legendary John Coltrane and the pair have drafted a who's who of deep house and minimal to lend some hands and ears. Highlights include The Mole's "Molemix"; a sublime serving on reductionist bounce, Frankfurt genius Lo Soul who is as brilliant as ever on the sublime and hypnotic "It's All In There Mix" and Ark himself with his "Free Mix" which is as dusted down and as funked up as we all like it!
Ich Schreib' Dir Ein Buch 2013 (feat Hildegard Knef)
Review: Though his career has taken many turns over the last decade, DJ Koze has remained that most illusive of creatures: a minimal-minded producer with an ear for a melody. This fourth full-length, packed to the rafters with big-name collaborations (Apparat, Caribou, Ada and Matthew Dear all feature), continues his move towards the home-listening sphere. So, while many of the heady rhythms and shuffling grooves hark back to his stripped-back past, Amygdala impresses with its woozy songs, genre-straddling fusions (see the modern soul meets deep house of "Homesick" or the steppy, tropical vibes of "Marilyn Whirlwind") and homely atmosphere.
Review: Known most for his TC Studio work alongside Matei Tulbure, Traian Chereches has latterly taken to working in a solo capacity and demonstrated an equal degree of aplomb for unique rhythms and joyful sensations. Fans of the Romanian's work will delight in this double pack on his and Tulbure's prospering TC Studio label with the six tracks on Lobster Club really showing Chereches' full production range. Proceedings begin on an abstract note with "Wald 1975" memorable for some bold vocal sampling, though tracks such as the tumbling "A New Beat" and "Orchestra Rehearsal" will provide more than enough dancefloor satisfaction.
Lianne La Havas - "Lost & Found" (Matthew Herbert remix) (6:13)
Ada - "You & Me" (5:21)
Roman Flugel - "9 Years" (DJ Koze remix) (9:56)
Jackmate - "Pacemaker" (feat Nik Reiff) (7:57)
Axel Boman - "In the Dust of This Planet" (7:36)
Nasrawi - "Bump With You" (3:23)
Lawrence - "Glow" (6:25)
Stimming - "No. 17" (6:01)
Funkstorung - "I Does It" (feat Sensational) (3:07)
Josef - "I Wonder" (2:18)
Mount Kimbie - "Bells 5" (4:26)
Michel Cleis - "Un Prince" (4:47)
Die Vogel - "Everything" (feqa Sophia Kennedy) (4:16)
Isolee - "I Like It Here Can I Stay?" (6:05)
Jamie XX vs Kosi Kos - "Come We Go" (5:43)
Dntel - "Snowshoe" (3:36)
Acid Pauli - "Nana" (vinyl version) (10:07)
Gold Panda - "Black Voices" (5:18)
Roman Flugel - "9 Years" (4:23)
Review: The first compilation on Koze's Pampa label is a lovingly curated affair. It starts with the left field house of Herbert's take on Lianne La Havas and Ada's r&b-infused "You & Me", as well as DJ Koze's own hymnal take on Roman Flugel's "9 Years". Other Pampa regulars like Axel Boman are well represented and he provides the ultra-mellow "In The Dust of This Planet". Equally though, Koze also provides a platform for newcomers to the fold. There's the utterly bizarre, glitch-hop of Nasrawi and Funskstorung's contributions, and at the other end of the spectrum, wide-eyed deep house from Mount Kimbie and Jamie xx & Kosi Kos' pumping indie-dance "Come We Go".
Review: Having given keen listeners a healthy preview in his Fabric live mix last year, the artist formerly known as Stopmakingme delivers his full-length album for Erol Alkan's Phantasy Sound. It's a limber brew that channels a strong dose of analogue trickery through smart and snappy beat constructions, all bubbling, aquatic synths and troubled delays propelled by unfussy drum patterns so that the melodies can do the talking. Primarily this is a dancefloor album, moving from peppy breakbeat driven numbers to gently bumping house, but always the playful, ineffably warm synth work sets the tone, from "Naive Response"s robotic charm to "Drone Logic"s soaring grind. It's an album brimming in confidence and nailed with precision, and it's packed full of incredibly usable floor rockers to boot.
Review: DJ, producer, multi-instrumentalist, singer... Kalabrese's talents know no bounds. Naturally his range is equally bountiful, but nothing in his past discography matches the colour, warmth and scope of this extensive second album. Ranging from the WhoMadeWho style lollops of the title track to the ghostly Blakey echoes of "Das Haus Am Fluss", the Zurich-based artist has polished his technique with finesse. With a delivery that's not far off a young Byrne, and an ability to conjure up some very interesting studio sounds (case in point: the fluctuating bass on "Makossa"), Kalabrese has hit a rich vein of form. Available as a special gatefold vinyl and CD package, this is a very wise investment opportunity.
Review: After a two-year absence, Aline Brooklyn - New York's surprise home of Romanian style minimal techno adventures - has returned with a bang in 2019. They've launched the "Original Series", with March's debut release from Mihai Pol being followed by this eight-track album from Nico Laa and Juan Cristiani. The pair begins in confident mood via the melodious tech-house funk of "Drastic", before wrapping chiming lead lines and spacey electronics around a low-slung groove of "Mars". More warm, deep house style motifs can be heard on "Good Morning Brooklyn" and the bumpin' goodness of "New York", while "Loop People" is a hazy, minimalist jack-track. Elsewhere, "La Rose" is woozy, dreamy and quietly picturesque (despite locked-in tech-house beats) and "Senor Lopez" is snappy and funky in the best possible way.
Review: It's hard to believe that Enzo Siragusa's Fuse label has now been carving out its own niche in the tech house world for a full decade. To mark the occasion, the label boss has pulled together more key tracks for his second volume of "A Decade of Rave". This compilation is another treasure trove of club cuts that feature the main man alongside some of his key associates, Rich NxT, Rossko, Archie Hamilton and Seb Zito. The tracks are unwaveringly dubbed out and driving, with weighted bottom ends that will get any moody dancer moving. From warms up to peak time to afterparties, these are hugely versatile tracks.
Review: Berlin minimal hero Germann Nguyen aka Binh returns to Perlon for a full length LP, following up highly lauded releases previously for the label, as well as putting out some impressive grooves as part of Treatment (with Oner Ozer), collaborating with DJ Masda on his Cabaret imprint and with his own brilliant Time Passages label. On the Noah's Day LP, Binh shows us that he's one of the best at merging classic electro sensibilities with minimal house; a current trend that's sweeping the Berlin underground at present. Fast tempo rhythm patterns reminiscent of early Detroit and UK techno come into the fold, as well as obvious nods to the classic reductionist sounds of DBX and Pantytec. This guy's one of the most exciting producers of the moment and this could well be one of the year's best releases.
Review: Since 2014, Spain's Park & Ride label have been offering a truly outstanding selection of collaborative releases from the finest talents of the deeper side of contemporary tech-house. This time, they return with the Paris compilation, driven by the sounds of some of Europe's finest. Among our favourites on here, we have the opener, Saverio Celestri's majestic "Interstellar", a hybrid trip between house and industrial electro that sounds as if it were cut straight from the machines through which it was conceived; "Rob In The Hood" by Seuil is another sublime slice of grainy, stripped-back dance music with a clear ode to the coldwave scene, and Alex Picone's "Sunday" provides a charming, graceful analogue house cut with a broken rhythm and some glorious background sonic manipulation. Yes.
Review: Issued last year, Maya Jane Coles second album Comfort further established the producer's burgeoning talent for crafting genuine songs as well as supple, late night house music. Strangely given her chosen vocation, Comfort was never released on vinyl so it's great to see Ms Coles label I/AM/ME come through with a deluxe double LP edition. Those who didn't check Comfort first time round will be rewarded with plenty of music that conform to her tech-tinged, atmospheric deep house blueprint as well as some woozy, shuffling, downtempo pop songs featuring guest spots from Catherine Pockson of Alpines, Miss Kittin, Tricky and Karin Park. Maya Jane Coles fans familiar to its charms now have the chance to experience Comfort on heavyweight vinyl!
Review: Sascha Funke has been a busy man this year. After several 12" releases and remix projects, he finished his second
album in his new studio. You can definitely hear, that Sascha still has the six months he spent in Aix-en-Provence in his
mind. Sacha's new album goes by the beautiful title 'Mango', out on the Bpitch Control label, and it is just great. Gernot
(one half of Modeselektor) was really digging the new tracks, when he first heard them he asked for a copy right away,
as according to him "this is the most mature music Sascha ever did". Like its forerunner 'Bravo', you can expect nothing
like 08/15 speed- techno with 140 bpm - but a fresh and direct, catchy sound. Sascha's demand for techno, amongst others,
is the directness that is created by the structure of his tracks. On the other hand, you can associate something with every
single song on the album. Mr. Funke definitely found his style and knows how to prevent boredom. Every track is full of surprises.
'Mango' is the perfect opener for this album, as it begins to slowly introduce the emotions of the further tracks.
Review: Moscow's Isaiah Tapes are also the guys behind the great Baptismo Alpinismo and Longlife Python sub labels, which are doing great things at the moment. Next up for the label is Charles Torris aka Le Matin, who after a bunch cassette only releases over the past few years releases his first full length. The LP album's six tracks and accompanying bonus CD traverse the galaxy of lowdown smack electro; reminiscent of Dopplereffekt like on "Ma Voisine La Pute" or "Yeah", wacky modular synth improvisation as heard on the charmingly titled "Cat Vomit" or deeply sublime minimal techno as heard on "M05 Michel Platini". Brilliant album from start to finish. Tip!
Review: UK bass-heavy deep tech? Outsider rave? Call it what you want, but XL's mission to reconnect with the UK underground is certainly putting in an effort, if recent releases by Zomby, Special Request and Powell are anything to go by. This time they tap Berlin's rising star Hugo Massien. First track "Kontrol" is main room house for mega raves with its massive, razor sharp bassline and repeated refrain of 'mind control!" certain to fuel dancefloor euphoria. "Better Let Her" rewinds back to the early evening, warming things up in nice style on this smooth deep house number. On the flip things fast forward to the peak time on the adrenalised "All Night" featuring 'that' Moodymann sample from RBMA; will it be another Oliver $ moment? Finally "Fahrenheit" is a dark tech house killer reminiscent of early Jamie Jones. The young producer has seemingly emerged out of nowhere, but already on to big things.
Review: Bwana aka Nathan Micay has already seen a release on Will Saul's Aus Music and his fluid, freeform house music returns with "Tengo", a melodic progressive house nugget that's both spacey and fit for any dancefloor. The same goes for "Drop Mechanism", an ethereal house stepper, while "Due West" goes in a lot harder with a vicious bundle of Power House drums punching and kicking their way across its chords. Effective floor bombs.
Review: A Theo Parrish track plus Carl Craig's massive remix and a brand new version by Chateau Flight out on Syncophone! Another chance to grab the original which appeared only on a Third Ear Ltd Compilation in 2002 of which only 500 units were pressed.
Review: On his latest long player - his first for three years, fact fans - Berlin-based tech-house producer Samuel Kindermann has attempted to fuse electronic music with the sweeping strings and considered compositions of classical music. To this end, he's spit the resulting tracks into two classical-style "movements". Disc one contains the club-focused material ("Movement 1"), a melodious an attractive selection of positive dancefloor tracks rich in joyously tuneful motifs, glistening electronics and soaring orchestration. He flips the script on disc two, showcasing the dowtempo side of his personality for the first time. Here, you'll hear deep space ambient, warm and woozy IDM and a clutch of inspired, neo-classical inspired soundscapes.
Domenic Cappello - "Not A Festival Track" (Basement mix) (6:57)
Stojche - "Decipher Language" (5:41)
Gauss - "Aperture"
XDB - "Satimak"
Leonid - "Woodwalk"
Life Recorder - "True Moments"
Review: The Verdant stamp of quality is well established by now, but it presses even deeper with the release of this high-grade compilation from a rich cast of subterranean seafarers. Steve O'Sullivan dons his Bluetrain cape for the slow-chugging, appropriately dubbed out meditation of "Sleeping With The Enemy", while Domenic Cappello creates a swooning string-drenched masterpiece out of "Not A Festival Track". Stojche's "Decipher Language" is a snappier affair, while XDB crafts one of his sublime, leftfield techno variations brimming with imagination to match its functionality. At every turn this is a compilation of top-drawer techno crafter with passion and originality - grip it while you can!
Review: What really impresses about Meteorology, the third album from post minimal adventurer Daniel 'Frivolous' Gardner, is its cheeky playfulness. Sure, there's a minimal-ish swing to the beats and liberal use of crackly noises, but these are offset by deliciously melodic bounce, a wonderful sense of adventure and even the odd nod to jazz. Gardner regularly gets on the mic to add his own bittersweet vocals (see the swirling noughties jazz-house of "Red Tide"), and thinks nothing of offering up both Nicolas Jaar-ish experimentation ("One Fine Solstice", "Lunar Phaser") and global dancefloor fusions (the tango-techno of "Cinemascopique", chiming "Olstagia" and thrilling "Serenades Des Excentriques"). It makes for an album that entertains and exceeds expectations throughout.
Review: Valencia's Alex Font has released or remixed previously on the likes of Nervous, Multi Vitamins and Nite Grooves but returns on his new Acme imprint with a full length. On the Sabor LP, he joins the dots between rolling maximal house ("Visionaere"/"Los Hombres De Negro"), deep and drugged out after-hours shenanigans ("Latin Rhythms"), spacey microhouse ("A Little Spicy") and even a bit of traditional latin jazz on the quirky closer "La Rumba No Tiene Horario". Recorded and released since his return to his homeland after a three year stint in London, it's all in all a brilliant effort by a talented young producer and he's definitely still one to watch!
Van Hai - "Dernier Armour" (Ripperton No Love Lost Reshape)
FaltyDL - "Some Jazz Shit"
Mr Raoul K - "Sene Kela" (feat Sona Diabate - Mr Raoul K & Laolu version)
Gabrielle Poso - "Roots Of Soul" (Atjazz remix)
Karim Sahraoui - "Father's Legacy"
Rancido - "The Encounter" (feat Kems)
Montezumas Rache - "Wu Du Wu"
Matanza - "Existencia" (Acid Pauli remix)
Peter Kruder - "Memento"
Marsmobil - "Saan"
Butch & C Vogt - "The Infamous"
Chaos In The CBD - "Digital Harmony"
Axel Boman - "Nokturn (Grand Finale)"
MLIR - "Spanish Lo-Life"
Tribilin Sounds - "Negroide"
Tony Allen - "African Man" (Ricardo Villalobos & Max Loderbauer remix)
Manuel Tur - "Ela"
Lagerfeltz - "Uitaar"
Jonny Faith - "Dapple City"
Bing Ji Ling - "Twilight"
Review: In the early-to-mid 2000s, when nu-jazz was at its' peak, Compost Records' annual Future Sounds of Jazz compilation was always essential listening. This surprise 13th edition appears five years after its' predecessor, re-introducing the series to a whole new generation of listeners. Happily, its' every bit as essential as the series' earliest installments, and draws together all manner of jazz-leaning productions. You'll hear a string-drenched broken house gem from Falty DL, some Afro tech-jazz from Mr Raoul K, a supremely Balearic rework ofMatanza's "Existencia" from Acid Pauli, an epic electro-jazz throw down from Butch & C Voigt, and an essential remix of Tony Allen by Ricardo Villalobos and Max Loderbauer. Throw in fine contributions from Peter Kruder, Axel Boman and Chaos In The CBD, and you've got an essential collection.
Review: Renowned producer, remixer, DJ and record label owner Carl Craig is one of the few artists who can truly claim to have shaped the sound of
modern electronic music. Making music since the tender age of 17, Craig has created everything from ambient soundscapes to jazz
during the past 20 years, but it's his work in dance music that is at his core. 'Sessions' is a long overdue album that brings together a personal
selection of Carl's incredible back catalogue, from his early work under the aliases Paperclip People and 69 to worldwide hits like 'Throw'
(recently covered live by LCD Soundsystem) and groundbreaking tracks like 'Bug in the Bassbin'. Alongside the classics, the two discs also showcase why Craig is still such a powerful force in music today with a diverse range of remixes for the likes of XPress 2, Theo Parrish and many others. For his rework for Junior Boys'. 'Like A Child' he was just nominated for a Grammy.
The selection also includes previously unreleased tracks, alternative versions of his own productions, as well as some exclusive unreleased
remixes. 'Sessions' reminds us of how exciting and unique Carl Craig's productions and remixes are and why he remains at the top of his game,
a retrospective of one of the world’s most influential and groundbreaking figures in electronic music.
Review: East End Dubz offshoot Eastenderz continues to go from strength to strength after killer releases from Romanians Lizz and Nami. Keeping on with their focus on the finest of emerging talent, they now tap Japanese artist in London Ittetsu for their tenth edition. Starting out on the first side in great fashion is "Lax", a raw and shuffling groove with the right amount of dust and bumpiness in its functionality. Next up the fittingly titled "Dub III" was probably our favourite, this rolling and emotive journey through deepness is reminiscent of Ion Ludwig. Finally on the flip is "11th", a reduced minimal funk jam with some wacky sound FX accompanied by a low slung groove that's perfect for the after-hours.
Review: Given his prolific nature, it's perhaps surprising to find that 5 is actually Medhi Djebali's debut album. The title was apparently chosen as both a nod to the fifth anniversary of his self-titled label, and as a reflection of the number of months it took the Parisian to record it. As you might expect, it's an enjoyable collection of largely club-friendly cuts, with Djebali offering nods towards Robsoul style tech-house ("Nineties Playground", "Mister Bastard"), spacey ambience ("Heartgroover", "The Other Night"), acid (the funk-fuelled "D.B Cooper", "God's Dreams"), and warm, early morning deep house ("Seven Blessings", "Ideal Dawn"). To round things off, he also includes a head-nodding chunk of dreamy instrumental hip-hop (John Dimas collaboration "Suzaku").
Review: Well know for his remix marathons and as the one and only party-hard guy. He brings us another full effect peak time guaranteed floor-filler. Big support from Kiki (Bpitch control) who remixed this tune, more minimal but also more than DJ friendly.
Review: Mike & Dot, already well-known for their luscious debut on Substatic (#52), now burrow themselves even deeper into technoid funk and succeed to uncover the tight floor pleasers once more. Each bar of the Lego EP is causing content head banging at the Substatic headquarters, underlining the idea of boosting new and undiscovered talent. They've got loads of that, those two junior techno heads from Jerusalem: In their extensive deep dripping tribalisms and DBX like bleeps & clonks stand next to post minimal 12-tone-madness and rapid glitch anthems, for the invincible optimists of a wild tap-dancing crowd. Almost boldly sophisticated, they distort their references and dash around the beats, however always leaving enough space to read between the lines. An unpretentious firework of good taste in four acts.
Royksopp - "What Else Is There?" (Trentemoller remix)
Trentemoller - "Gush"
The Knife - "We Share Our Mother's Health" (Trentemoller remix)
Trentemoller - "Kink"
Review: Audiomatique are happy and proud to present "The Trentemoller Chronicles". This new double album is not a new studio album, but an overview of Trentemoller's impressive body of work. "The Trentemoller Chronicles" include Anders' personal selection of his best songs and remixes, which have only been available on vinyl or on compilations, as well as some new and exclusive songs. This is an essential piece of minimal/tech house.
Review: It's been a long time between drinks for Chris Korda, a transgender artist and activist whose last releases of note came on famed electroclash label International Deejay Gigolo way back in 2004. New album "Akoko Ajeji" is very much a surprise return to action, though its melodious, ear-pleasing and accessible blend of house and techno drums, digital synthesizer sounds and cheery post synth-pop refrains is both striking and hugely addictive. Korda's compositions offer subtle nods towards various vintage house and techno styles - particularly turn-of-the-90s deep house and early Chicago jack - but never sound anything less than thrillingly DIY productions giddily made in back rooms and bedrooms over the last decade and a half.